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Results and Discussion 83 RESULTS and DISCUSSION the Interest That Indian Women Showed in Ornamentation and Aesthetic Expression
Results and Discussion RESULTS AND DISCUSSION The interest that Indian women showed in ornamentation and aesthetic expression through their costumes has been documented well. It is pertinent to understand the messages that they conveyed through their sartorial preferences which is documented in various forms sculptures, scriptures, literature, paintings, costume archives, cinema, media –advertisements and magazines etcetera. Each community and ethnic group maintained unique characteristics, which become symbols of recognition and identification and served to establish their cultural affiliation. Central to this was the Indian woman who was the symbol of patriarchal society. She combined both the functions of being the nurturer and protector of her household and cultural ethos of the society. The woman was as important part as the man; of the Indian society, which embraced both the indoor and outdoor roles within the social- cultural paradigms of the community. The span of evolution of Indian women’s costume, especially the draped version, the sari has undergone immense changes, however to interpret the semiology of the era bygone is rather complex; as one can attempt to understand and decode the tacit meaning through the lens of current observation only. Since the people who shared the ancient set of rules or code for contextual reading that enables us to connect the signifier with the signified are not present, this will prove to be delimiting. The Indian fashion scene began receiving its due credibility and attention from 1980’s onwards and gained the industry recognition in 21st century: hence this research focuses on new millennium to understand the Indian Fashion System. -
Dress and Fabrics of the Mughals
Chapter IV Dress and Fabrics of the Mughals- The great Mughal emperor Akbar was not only a great ruler, an administrator and a lover of art and architecture but also a true admirer and entrepreneur of different patterns and designs of clothing. The changes and development brought by him from Ottoman origin to its Indian orientation based on the land‟s culture, custom and climatic conditions. This is apparent in the use of the fabric, the length of the dresses or their ornamentation. Since very little that is truly contemporary with the period of Babur and Humayun has survived in paintings, it is not easy to determine exactly what the various dresses look like other than what has been observed by the painters themselves. But we catch a glimpse of the foreign style of these dresses even in the paintings from Akbar‟s period which make references, as in illustrations of history or chronicles of the earlier times like the Babar-Namah or the Humayun-Namah.1 With the coming of Mughals in India we find the Iranian and Central Asian fashion in their dresses and a different concept in clothing.2 (Plate no. 1) Dress items of the Mughals: Akbar paid much attention to the establishment and working of the various karkhanas. Though articles were imported from Iran, Europe and Mongolia but effort were also made to produce various stuffs indigenously. Skilful master and workmen were invited and patronised to settle in this country to teach people and improve system of manufacture.2 Imperial workshops Karkhanas) were established in the towns of Lahore, Agra, Fatehpur Sikri and Ahmedabad. -
The Sari Ebook
THE SARI PDF, EPUB, EBOOK Mukulika Banerjee | 288 pages | 16 Sep 2008 | Bloomsbury Publishing PLC | 9781847883148 | English | London, United Kingdom The Sari PDF Book Anushka Sharma. So shop for yourself or gift a sari to someone, we have something for everyone. The wavy bun completed her look. Face Deal. Long-time weaving families have found themselves out of work , their looms worthless. Sari , also spelled saree , principal outer garment of women of the Indian subcontinent, consisting of a piece of often brightly coloured, frequently embroidered, silk , cotton , or, in recent years, synthetic cloth five to seven yards long. But for some in Asian American communities, the prospect of the nation's first Black and South Asian Vice President wearing a traditional sari at any of the inauguration events -- even if the celebrations are largely virtual -- has offered a glimmer of positivity amid the tumult. Zari Work. As a politician, Dimple Kapadia's sarees were definitely in tune with the sensibilities but she made a point of draping elegant and minimal saree. Batik Sarees. Party Wear. Pandadi Saree. While she draped handloom sarees in the series, she redefined a politician's look with meticulous fashion sensibility. Test your visual vocabulary with our question challenge! Vintage Sarees. Hence there are the tie-dye Bandhani sarees, Chanderi cotton sarees and the numerous silk saree varieties including the Kanchipuram, Banarasi and Mysore sarees. You can even apply the filter as per the need and choose whatever fulfil your requirements in the best way. Yes No. Valam Prints. Green woven cotton silk saree. Though it's just speculation at this stage, and it's uncertain whether the traditional ball will even go ahead, Harris has already demonstrated a willingness to use her platform to make sartorial statements. -
The Dress Code for Women at Shanti Bhavan, Like Many
The dress code for women at Shanti Bhavan, like many places throughout rural South India is relatively conservative: absolutely no shoulders, no cleavage, looser clothing (ie. no leggings and no tight tops) and nothing above the knees. Female Teachers’ Typical Clothing Many professional women wear kurtas, or long dresses with high slits at the sides which are paired with leggings or pants. Kurtas are also often worn with scarves that are draped across the shoulders as a display of modesty. This article of clothing is often worn by teachers, as it is often considered to be casual yet appropriate in the workspace. One important thing to note is that men also wear kurtas in India: in fact, traditionally women would wear the female version called kurtis while men wore kurtas. However, the term kurta is often used for the clothing article that both men and women wear. Volunteers and teachers are often recommended to wear kurtas while at the school—although wearing a kurta is not compulsory. In lieu of wearing kurtas, typically business-casual styles of dress (as long as they adhere to the rules of no exposed shoulders, cleavage, or knees) is acceptable. You will often see volunteers wearing trousers with a blouse, or long skirts paired with both a blouse and scarf. This is an example of a kurta, notice the high slit at the sides (often seen in kurtas) Aunties and Female Maintenance Workers’ Typical Clothing The aunties, who are the caretakers of the children, often wear traditional clothes, whether they wear kurtas or saris (a cropped blouse that often stops underneath the bustline and is paired with a nine-yard long fabric which is wrapped around the lower part of the body and draped over one shoulder). -
Chikankari Embroidery of Lucknow the Craft of Floral Embroidery by Sakshi Gambhir IDC, IIT Bombay
D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource Chikankari Embroidery of Lucknow The craft of floral embroidery by Sakshi Gambhir IDC, IIT Bombay Source: http://www.dsource.in/resource/chikankari-em- broidery-lucknow 1. Introduction 2. Place 3. People 4. Process 5. Products 6. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Introduction Chikankari embroidery of Chikankari is an ancient form of white floral embroidery, intricately worked with needle and raw thread on a va- Lucknow riety of fabrics like cotton, muslin, silk, organza etc. There are 36 types of stitches used in chikan work.The word The craft of floral embroidery ‘chikan’ is probably a derivative from the Persian word ‘chikin’ or ‘chikeen’ which means a kind of embroidered fab- by ric.It is said to have been originally introduced by NoorJehan, the beautiful wife of the Mughal emperor Jahangir. Sakshi Gambhir Since then it has evolved and attained its glory and perfection in Lucknow, the capital of Uttar Pradesh. Today it IDC, IIT Bombay is a practiced tradition and an important commercial activity in the city and around. Source: http://www.dsource.in/resource/chikankari-em- broidery-lucknow/introduction 1. Introduction 2. Place 3. People 4. Process 5. Products 6. Contact Details D’source 3 Digital Learning Environment for Design - www.dsource.in Design Resource Place Chikankari embroidery of Lucknow is a lovely old city and has the most spectacular gardens, palaces, fine architectural mosques and tem- Lucknow ples. It is synonymous withcultural finesse, social warmth and an enduring love for gracious living.Chowk, as the The craft of floral embroidery name suggests, is a street in old Lucknow with the distinction of being the oldest in the city. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Dr. Sunil Kr. Pandey Assistant Professor/Scientist Dept. of Plant Breeding & Genetics Jnkvv, Jabalpur, M.P., India Email: [email protected]
THE REPUBLIC OF INDIA A Country of Unity in Diversity DR. SUNIL KR. PANDEY ASSISTANT PROFESSOR/SCIENTIST DEPT. OF PLANT BREEDING & GENETICS JNKVV, JABALPUR, M.P., INDIA EMAIL: [email protected] JNKVV, Jabalpur, M.P. 11/11/2014 INTRODUCTION India is located in the Sothern part of the Asian continent. It has the second highest population in the world (17.5% of total world Madhya population and comprises Pradesh 2.8% of total world area. India is a federal union of states comprising 29 states and 07 Union territories covering all types of climate i.e. Tropical, Sub-tropical, Temperate and Alpine. 2 JNKVV, Jabalpur, M.P. 11/11/2014 . Nearly 70% of Indian population lives in rural areas. Share of agriculture to total GDP in India is 13.7% (2012-13). Industries comprise about 18% and services sector nearly 69% of total economy. The economy of India is tenth largest in the world by nominal GDP and third largest by Purchasing Power Parity (PPP). India is 19th largest exporter and 10th largest importer in the world. 3 JNKVV, Jabalpur, M.P. 11/11/2014 President: Mr. Pranab Mukherjee Prime Minister- Mr. Narendra Modi Currency: Rupee Capital- New Delhi 4 JNKVV, Jabalpur, M.P. 11/11/2014 National Flag : Tiranga National Anthem- Jana Gana Mana National Song- Vande Mataram National game- Hockey National Bird- Peacock National Flower- Lotus National Language- Hindi 5 FAMOUS FESTIVALSJNKVV, Jabalpur, M.P. 11/11/2014 Holi Diwali Dussehra Id’-Ul-Fitr Christmas JNKVV, Jabalpur, M.P. 11/11/2014 MAJOR RELIGIONS FOLLOWED Hinduism Islamic culture Christianity Sikhism Buddhism Parsi culture 7 JNKVV, Jabalpur, M.P. -
The Sylvan Saga from Dusk to Dawn
The Sylvan Saga From Dusk to Dawn Published by: Assam State Rural Livelihoods Mission Year of Publication: 2019 The Sylvan Saga: From Dusk to Dawn Message (Dr. J.B. Ekka), IAS Principal Secretary, P&RD Department Govt. of Assam Assam State Rural Livelihoods Mission (ASRLM) is a flagship program of the Ministry of Rural Development which is supporting the Self Help Group for improving the socio-economic status through collectivization, access to credit and strengthning the existing livelihood activities. Skill development of the youth is also another aspect of the ASRLM for providing livelihoods through employment of the rural youth. I am pleased that ASRLM is bringing out a compendium on Good Case Studies and Replicable Practices named “Sylvan Saga: From Dusk to Dawn” with stories from the field, which will be released on the occasion of the SARAS Fair, 2019, Nagaon. These good practices demonstrate diversified fields where SHG members have been able to make a change in their lives. The release of this compilation brings out a bouquet of rural women led success stories which can be replicated across the states. I would like to congratulate the Assam State Rural Livelihoods Mission team on their commendable efforts and determination which is instrumental in bringing out this compendium. I sincerely, hope that all the stakeholders’ associated with the women Self Help Group members will keep up the good work with full energy and bring out many more success stories in the near future. (Dr. J.B. Ekka), IAS Principal Secretary, P&RD Department Govt. of Assam The Sylvan Saga: From Dusk to Dawn Message (Nandita Hazarika), ACS State Mission Director, ASRLM The compendium of good practices is the first attempt by Assam State Rural Livelihoods Mission to document some of the life changing stories of SHG members. -
TENT HANGING, Cotton Painted, Printed and Dyed, Mughal. Late 17Th Or Early 18Th Century
TENT HANGING, cotton painted, printed and dyed, Mughal. late 17th or early 18th century. V+A Part of a floorspread, resist- and mordant-dyed cotton, Mughal, late17th-early 18th century. V+A Mughal flowering plant motifs appear in other arts as well... here marble carvings on walls of Taj Mahal, Agra Cotton floorspread embroidered with silk thread. Mughal, early 18th century. V+A Handpainted, printed + dyed palampores, 18th ce, V+A HANDPAINTING + PRINTING ON TEXTILES TYPICALLY DONE IN TWO WAYS: WOODEN BLOCK (below) OR KALAM (above) Block carver in Sanganeer, Rajasthan Blockprinting workshops in Sanganer, Rajasthan RIGHT: The ties at the side have been made into a decorative feature in themselves, with carefully designed floral motifs made to fit the lappets. Man's robe (jama) made of printed, painted and dyed cotton, possibly made in Burhanpur, 18th century LEFT: This robe is said to have belonged to Tipu Sultan of Mysore (d.1799), although there is only anecdotal evidence for this. The late Mughal style of the robe and its decoration do tally with an 18th-century date. 1658 Mughal painting of nobleman wearing Muslin Jama This man's robe is of the type called a jama, which crosses over the chest and fastens at the side. This example is exceptional in the amount of cloth used for its gathered skirt: it has a circumference at the hem of 65 metres of cloth, and the skirt is made up of 277 triangular panels. It was given to the India Museum (which was amalgamated into the South Kensington Museum, later the V&A) by the Maharaja of Bharatpur in Rajasthan in 1855. -
Journal 33.Pdf
1 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO. 33 APRIL 30, 2010 / VAISAKHA 2, SAKA 1932 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 5 3. Public Notice 11 4. Sandur Lambani Embroidery 12 5. Hand Made Carpet of Bhadohi 31 6. Paithani Saree & Fabrics 43 7. Mahabaleshwar Strawberry 65 8. Hyderabad Haleem 71 9. General Information 77 10. Registration Process 81 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 33 of the Geographical Indications Journal dated 30th April 2010 / Vaisakha 2, Saka 1932 has been made available to the public from 30th April 2010. 4 G.I. Geographical Indication Class Goods App.No. 1 Darjeeling Tea (word) 30 Agricultural 2 Darjeeling Tea (Logo) 30 Agricultural 3 Aranmula Kannadi 20 Handicraft 24, 25 & 4 Pochampalli Ikat Textile 27 5 Salem Fabric 24 Textile 6 Payyannur Pavithra Ring 14 Handicraft 7 Chanderi Fabric 24 Textile 8 Solapur Chaddar 24 Textile 9 Solapur Terry Towel 24 Textile 10 Kotpad Handloom fabric 24 Textile 24, 25 & 11 Mysore Silk Textile 26 12 Kota Doria 24 & 25 Textile 13 Mysore Agarbathi 3 Manufactured 14 Basmati Rice 30 Agricultural 15 Kancheepuram Silk 24 & 25 Textile 16 Bhavani Jamakkalam 24 Textile 17 Navara - The grain of Kerala 30 Agricultural 18 Mysore Agarbathi "Logo" 3 Manufactured 19 Kullu Shawl 24 Textile 20 Bidriware 6, 21 & 34 Handicraft 21 Madurai Sungudi Saree 24 & 25 -
Bangladesh! Bangladesh Is a Beautiful South Asian Country Lying in the Bay of Bengal
Welcome to Bangladesh! Bangladesh is a beautiful South Asian country lying in the Bay of Bengal. The national language is Bengali, or Bangla. The tiny country houses the world’s longest sea beach, as well as 165 million people, making it one of the most population dense countries in the world. “Bangla” Traditional Dishes Ilish Mach Bhuna (Hilsha Curry) Ingredients: 1.Hilsha fish - 7 to 8 pieces 2.Finely chopped onion - 1 cup 3.Ground turmeric - 1 teaspoon 4.Chili powder - 1 teaspoon 5.Sliced green chili - 4 to 5 6.Salt - as needed 7.Mustard Oil - ½ cup (veg. oil would work too) Preparation: 1.Clean the fish pieces in water and drain it all out and pat dry. 2.Marinate the fish with turmeric, chili powder and salt. Keep aside. 3.Heat oil in a pan and brown the onion. 4.Add ½ cup of water. 5.Once the water starts boiling, add in the fish pieces and stir gently. 6.Mix in the green chili and keep covered. 7.After 2 to 3 minutes, turn the fist pieces over. 8.Keep covered over low heat. 9.Turn off the heat once the water starts drying up and the gravy thickens slightly 10.Serve hot. Note: Ingredients can be found at Indian grocery stores or at the International Food Bazaar in Kent, WA Men’s Clothing Women’s Clothing Lungi: Sari: a loop of cloth, similar to a skirt or sarong Long piece of cloth, wrapped and tucked around waist, then draped off of shoulder Kurta: loose, collarless, jersey-like shirt Salwar kameez: three piece outfit including a long tunic, Panjabi: trousers that are wider at waist and narrow similar to a kurta, but fancier as it is worn at the ankles and a long scarf or shawl on special occasions Fun Facts! 1) Bangladesh has the longest female-led government! 2) The Bangladesh flag is a very simple design, yet symbolizes a lot 3) The currency of Bangladesh is called “taka” Places To Visit + Fun Things To Do National Parliament House Cox’s Bazar Beach Bangladesh on a map Nafakhum Waterfalls Tea Garden Cultural Artifacts ● Festival Props ● Alponna (street design) ● Rickshaw Detailing ● Dolls dressed as traditional brides. -
Ancient Civilizations Huge Infl Uence
India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated.