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1 Denise Carvalho, Ph.D. 530 Midwood St. Brooklyn, NY 11225 1165 Sky High Terrace Effort, PA 18330 (646) 541-8503 Email: Dgcarv

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1 Denise Carvalho, Ph.D. 530 Midwood St. Brooklyn, NY 11225 1165 Sky High Terrace Effort, PA 18330 (646) 541-8503 Email: Dgcarv Denise Carvalho, Ph.D. 530 Midwood St. Brooklyn, NY 11225 1165 Sky High Terrace Effort, PA 18330 (646) 541-8503 Email: [email protected] http://www.denisecarvalho.com Education Edward W. Mellon Postdoctoral Fellowship at the Wexner Center for the Arts in 21st- Century Brazilian Art and Film. May 2013 to May 2014. This fellowship and research will be published at the catalogue of the exhibition “Cruzamentos” to be held from January to April 2014 at the Wexner Center for the Arts. The fellowship consisted of a graduate seminar on 21st-Century Brazilian art and film which I taught for the Department of Art History in the spring of 2014, as well as a lecture I organized at the Wexner Center for the Arts. Ph.D. University of California, Davis, in Cultural Studies - 2005 Dissertation: Articulations and Interventionist Art: Negotiating the Production of Knowledge in Brazilian Culture Areas of Specialization: Latin American & Caribbean Art and Culture, Western and Non- Western Contemporary Art; Art Theory, New Genres (multimedia art), Interdisciplinary Art, Critical Theory, Cultural Studies, and Feminist Theory M.A. University of California, Davis – Art History - 2003 Thesis: Hélio Oiticica’s Parangolés: Performing Urban Marginality in Brazilian Art Areas of Specializations: Modern and Contemporary Art (European, North American, Latin American, non-Western, Global). Areas of specialization: Latin American Modern and Contemporary Art, Contemporary Art (American, European, and non-Western). M.A. U.C. Davis, Cultural Studies - 2002 M.A. Hunter College CUNY – Cultural Anthropology - 1998 Thesis: Artist-Driven Gentrification in Williamsburg B.F.A. School of Visual Art - 1996 Major: Fine Arts (painting). Teaching Experience Fashion Institute of Technology Masters of Illustration-501 Thesis Writing Seminar Fall 2016 MI-603, Thesis Writing Seminar Fall 2016 School of Visual Arts Art History 1 – Survey Fall 2016 1 Art History 1 – Painting (from Gothic to Neoclassicism) New Jersey City University Art of Latin America Fall 2016 Contemporary Art Fall 2016 Contemporary Art Fall 2016 Indiana University Bloomington Fall of 2015 and Spring of 2016 Courses in art history: Installation Art (graduate and undergraduate Contemporary Art: undergraduate Latin American Contemporary Art (graduate and undergraduate) American Art since 1945 (undergraduate) New Jersey City University, Department of Art Fall 2014 and Spring of 2015 Graduate courses in art history: Latin American Art; Philosophies of History Undergraduate courses in art history: Contemporary Art, World Art 1 and 2 Ohio State University, Department of Art History, Mellon Postdoctoral Fellow Graduate Seminar: 21st-Century Brazilian Art and Film Spring 2014 School of Visual Arts, Adjunct Professor of Art History Art of the Pre-Modernist World (Honors Class) Fall 2012 New Jersey City University, Adjunct Professor of Art History Art & Politics, Art 205 Fall 2012 Contemporary Art, Art 106 Fall 2012 Institute for Doctoral Studies in the Visual Art, Assistant Professor in Theory and Art Seminar 901.3-Directed Reading I- From Plato to Kristeva Fall 2011 Director of Independent Studies Program, IDSVA Directed 1 Independent Studies and 2 dissertations Fall 2011 Director of Independent Studies Program, IDSVA Directing 8 Ph.D. students and one dissertation- doctoral 2008-2010 Chair Independent Studies Program, IDSVA 2009-2010 Assistant Professor of Art and Cultural Studies at IDSVA – Doctoral 2008-2010 Seminar III, Course # 703, The Subject and Object of Art Ph.D. Spring 2010 Independent Studies Director (8 doctoral students) Spring 2010 Independent Studies Director (6 independent studies) Fall 2009 Seminar title: Art & Theory Revisited Ph.D. level Fall 2009 Seminar title: Seminar I, Part 2: Kant, Hegel, Marx & Freud, Ph.D. Sum 2009 Seminar title: Seminar in Theory and Criticism Fall 2008 Independent Studies Director (six independent studies), Ph.D. I.S. Fall 2008 Seminar title: Seminar on Ludwig Wittgenstein, Ph.D. seminar Summer 2008 Independent Studies Director (four independent studies) Spring 2008 Adjunct Professor, Art History, William Patterson State University 2008-2009 Class title: Approaches to Modern Art (ARTH 104-03), undergrad Spring 2009 Class title: Approaches to Modern Art (ARTH 104-60), undergrad Spr 2009 Class title- Approaches to Modern Art (ARTH 104-04), undergrad Fall 2008 Adjunct Professor of Art History, New Jersey City University 2009-2011 Class title: History of Philosophy, Art 202, undergraduate Fall 2011 Class title: History of Spatial Illusion, graduate Fall 2010 Class title: Contemporary Art 106, undergraduate Fall 2010 Class title: Contemporary Art 30, undergraduate Spring 2010 2 Class title: Contemporary Art 29, undergraduate Spring 2009 Class title: Contemporary Art 28, undergraduate Spring 2009 Class title: Development of Spatial Illusion (Graduate Seminar) Spring 2008 Associate Adjunct Professor, Art History, CSI, CUNY Spring 08-Fall09 Department of Performing and Creative Arts Class title: Art History Survey, Prehistory to Cont, undergraduate, 2 sessions Associate Professor in Art Theory, Pratt Institute, Depart of Art Fall 2007 Class title: Theories of the Avant Garde, graduate Adjunct Professor in Art History at Humboldt State University 2006-2007 Department of Art, Associate Professor, one-year appointment Class title: Survey in Art History, Modern and Contemporary Art: lower division Class title: Public Art since the 1960s: upper division Class title: Women Artists of the 20th and 21st Centuries: upper division Class title: Body and Performance Art: upper division Class title: Contemporary Art Theory: upper division Class title: Latin American Art, Modern and Contemporary: lower division Class title: Seminar on the work of Cuban artist Ana Mendieta: seniors only Adjunct Professor at San Francisco State University 2005-2006 Department of Women Studies Class title: Women, Politics, and Citizenship: with 110 students Class title: Women, Gender, and Communities: with 35 students Adjunct Professor, Women Studies, San Francisco State University 2003-2005 Class title: Women, Politics, and Citizenship: with 110 students and 1 T.A. Class title: Women as Creative Agents: with 48 students and 1 T.A. Adjunct Professor of Art History, Columbia College, CA Summer 2002 Course focused on Modern and Contemporary Western Art. Selected Curatorial Projects “AMOR” held at Oi Futuro Museum in Rio de Janeiro, Brazil, May 9 to July 10, 2016. Exhibition with Eastern European new media women artists. The exhibition published a book by Barleu Editora, Rio de Janeiro, Brazil. Reviewed at Jornal Globo, Jornal do Brasil, Folha de São Paulo, and Revista Cultura. “Love on the Edge” at Arsenal Gallery Power Station, Bialystok, Poland, from May 29 to July 16, 2015. Artists: Izabella Gustowska (Poland), Katarzyna Krakowiac (Poland), Ira Eduardovna (Uzbekistan), Milena Dopitova (Czech Republic), Agata Michowska (Poland), Anna Baumgart (Poland), Aletvina Kakhidze (Ukraine), Duba Sambolec (Slovenia), Olesia Khomenko (Ukraine), Elżbieta Jablońska (Poland), Alla Georgieva (Bulgaria), Sejla Kameric (Bosnia and Herzegovina), Lala Rascic (Bosnia and Herzegovina), Anna Jermolaeva (Russia), Kristina Inčiūraitė (Lithuania), Mare Tralla (Estonia), Katerina Sedá (Czech Republic), Agnieska Polska (Poland), and Joanna Malinowska & C.T. Jasper (Poland). The exhibition examined new media art of Eastern European women artists in different periods of their careers, focusing on love as social agency. “Beyond Borders” held at the San Diego Art Institute from October 4 to November 16, 2014. “Beyond Borders” explored the boundless confluences between art, life, and 3 technology in a post-global society. The exhibition was held in partnership with the Post- Global Mediations Biennale in Poznan, Poland. Other partners in this event included: National Museum in Poznan, Poland; Museo De La Ciudad, Uruguay; Petah Tikva Museum in Israel; MareArticum – Baltic Contemporary Art Biennale; National Museum in Szczecin, Poland; Nakanajo Biennale, Japan; Kanaya Art Project, Japan; Sojo University and Sojo Gallery in Kunamoto, Japan; the Kunsthalle Faust in Hanover, Germany; and Harvestworks Inc. NYC. Amongst the artists are: Anibal Catalan (Mexico City), Hector Canonge (NYC/Buenos Ayres), Charlie Citron (NYC/Amsterdam), Cesar Cornejo (Lima/NYC), Blane de St. Croix (NYC), Heather Dewey-Hagborg (NYC), Marlon Griffith (Trinidad & Tobago/Tokyo), Arun Kumar (New Delhi), JaeWook Lee (Seoul, Pittsburgh, NYC), Mary Mattingly (NYC), Alex Villar (Rio de Janeiro/New York City), Saul Melman (NYC), Miho Shimizu (Tokyo) and Oyvind Renberg (Oslo/Berlin), and Don Porcella (San Diego). “Mediations” Polish Biennial 2012, September and October 2012. Curator of the Americas Exhibition of the Biennial. Artists included: Fernando Prats, Teresa Margolles, Alex Villar, Regina Silveira, Paulo Bruscky, Oscar Muñoz, Julia Oldham, Lenora Malen, Nick Cave, Parke Harrison, Andrea Galvani, Sang Nam Lee, Nick Hornby, Simon Lee and Algis Kizys, Gabriela Golder, Adriana Varella & Heather Dewey-Hagborg, Ali Hossaini, Alice Miceli, Adel Abdessemed, Alejandro Vidal, Kristin Lucas, and Adam Kalinowski. “Lumen” at Staten Island harbor, a public project with Adriana Varella, Alex Villar, Tattfoo Tan, Grady Gerbracht, and John Loggia, June 25, 2011. “Minimal Differences,” exhibition and panel discussion co-curated with Monika Szewczyk September 15 to October 23, 2010 at White Box, Ltd., NYC. Multimedia Eastern European contemporary art focusing on post-communist themes
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