Denise Carvalho, Ph.D. 530 Midwood St. Brooklyn, NY 11225

1165 Sky High Terrace Effort, PA 18330

(646) 541-8503 Email: [email protected] http://www.denisecarvalho.com

Education Edward W. Mellon Postdoctoral Fellowship at the Wexner Center for the Arts in 21st- Century Brazilian Art and Film. May 2013 to May 2014. This fellowship and research will be published at the catalogue of the exhibition “Cruzamentos” to be held from January to April 2014 at the Wexner Center for the Arts. The fellowship consisted of a graduate seminar on 21st-Century Brazilian art and film which I taught for the Department of Art History in the spring of 2014, as well as a lecture I organized at the Wexner Center for the Arts.

Ph.D. University of California, Davis, in Cultural Studies - 2005 Dissertation: Articulations and Interventionist Art: Negotiating the Production of Knowledge in Brazilian Culture Areas of Specialization: Latin American & Caribbean Art and Culture, Western and Non- Western Contemporary Art; Art Theory, New Genres (multimedia art), Interdisciplinary Art, Critical Theory, Cultural Studies, and Feminist Theory

M.A. University of California, Davis – Art History - 2003 Thesis: Hélio Oiticica’s Parangolés: Performing Urban Marginality in Brazilian Art Areas of Specializations: Modern and Contemporary Art (European, North American, Latin American, non-Western, Global). Areas of specialization: Latin American Modern and Contemporary Art, Contemporary Art (American, European, and non-Western).

M.A. U.C. Davis, Cultural Studies - 2002 M.A. Hunter College CUNY – Cultural Anthropology - 1998 Thesis: Artist-Driven Gentrification in Williamsburg B.F.A. School of Visual Art - 1996 Major: Fine Arts (painting).

Teaching Experience Fashion Institute of Technology Masters of Illustration-501 Thesis Writing Seminar Fall 2016 MI-603, Thesis Writing Seminar Fall 2016 School of Visual Arts Art History 1 – Survey Fall 2016

1 Art History 1 – Painting (from Gothic to Neoclassicism) New Jersey City University Art of Latin America Fall 2016 Contemporary Art Fall 2016 Contemporary Art Fall 2016 Indiana University Bloomington Fall of 2015 and Spring of 2016 Courses in art history: Installation Art (graduate and undergraduate Contemporary Art: undergraduate Latin American Contemporary Art (graduate and undergraduate) American Art since 1945 (undergraduate) New Jersey City University, Department of Art Fall 2014 and Spring of 2015 Graduate courses in art history: Latin American Art; Philosophies of History Undergraduate courses in art history: Contemporary Art, World Art 1 and 2 Ohio State University, Department of Art History, Mellon Postdoctoral Fellow Graduate Seminar: 21st-Century Brazilian Art and Film Spring 2014 School of Visual Arts, Adjunct Professor of Art History Art of the Pre-Modernist World (Honors Class) Fall 2012 New Jersey City University, Adjunct Professor of Art History Art & Politics, Art 205 Fall 2012 Contemporary Art, Art 106 Fall 2012 Institute for Doctoral Studies in the Visual Art, Assistant Professor in Theory and Art Seminar 901.3-Directed Reading I- From Plato to Kristeva Fall 2011 Director of Independent Studies Program, IDSVA Directed 1 Independent Studies and 2 dissertations Fall 2011 Director of Independent Studies Program, IDSVA Directing 8 Ph.D. students and one dissertation- doctoral 2008-2010 Chair Independent Studies Program, IDSVA 2009-2010 Assistant Professor of Art and Cultural Studies at IDSVA – Doctoral 2008-2010 Seminar III, Course # 703, The Subject and Object of Art Ph.D. Spring 2010 Independent Studies Director (8 doctoral students) Spring 2010 Independent Studies Director (6 independent studies) Fall 2009 Seminar title: Art & Theory Revisited Ph.D. level Fall 2009 Seminar title: Seminar I, Part 2: Kant, Hegel, Marx & Freud, Ph.D. Sum 2009 Seminar title: Seminar in Theory and Criticism Fall 2008 Independent Studies Director (six independent studies), Ph.D. I.S. Fall 2008 Seminar title: Seminar on Ludwig Wittgenstein, Ph.D. seminar Summer 2008 Independent Studies Director (four independent studies) Spring 2008 Adjunct Professor, Art History, William Patterson State University 2008-2009 Class title: Approaches to Modern Art (ARTH 104-03), undergrad Spring 2009 Class title: Approaches to Modern Art (ARTH 104-60), undergrad Spr 2009 Class title- Approaches to Modern Art (ARTH 104-04), undergrad Fall 2008 Adjunct Professor of Art History, New Jersey City University 2009-2011 Class title: History of Philosophy, Art 202, undergraduate Fall 2011 Class title: History of Spatial Illusion, graduate Fall 2010 Class title: Contemporary Art 106, undergraduate Fall 2010 Class title: Contemporary Art 30, undergraduate Spring 2010

2 Class title: Contemporary Art 29, undergraduate Spring 2009 Class title: Contemporary Art 28, undergraduate Spring 2009 Class title: Development of Spatial Illusion (Graduate Seminar) Spring 2008 Associate Adjunct Professor, Art History, CSI, CUNY Spring 08-Fall09 Department of Performing and Creative Arts Class title: Art History Survey, Prehistory to Cont, undergraduate, 2 sessions Associate Professor in Art Theory, Pratt Institute, Depart of Art Fall 2007 Class title: Theories of the Avant Garde, graduate Adjunct Professor in Art History at Humboldt State University 2006-2007 Department of Art, Associate Professor, one-year appointment Class title: Survey in Art History, Modern and Contemporary Art: lower division Class title: Public Art since the 1960s: upper division Class title: Women Artists of the 20th and 21st Centuries: upper division Class title: Body and Performance Art: upper division Class title: Contemporary Art Theory: upper division Class title: Latin American Art, Modern and Contemporary: lower division Class title: Seminar on the work of Cuban artist Ana Mendieta: seniors only Adjunct Professor at San Francisco State University 2005-2006 Department of Women Studies Class title: Women, Politics, and Citizenship: with 110 students Class title: Women, Gender, and Communities: with 35 students Adjunct Professor, Women Studies, San Francisco State University 2003-2005 Class title: Women, Politics, and Citizenship: with 110 students and 1 T.A. Class title: Women as Creative Agents: with 48 students and 1 T.A. Adjunct Professor of Art History, Columbia College, CA Summer 2002 Course focused on Modern and Contemporary Western Art.

Selected Curatorial Projects “AMOR” held at Oi Futuro Museum in Rio de Janeiro, Brazil, May 9 to July 10, 2016. Exhibition with Eastern European new media women artists. The exhibition published a book by Barleu Editora, Rio de Janeiro, Brazil. Reviewed at Jornal Globo, Jornal do Brasil, Folha de São Paulo, and Revista Cultura.

“Love on the Edge” at Arsenal Gallery Power Station, Bialystok, Poland, from May 29 to July 16, 2015. Artists: Izabella Gustowska (Poland), Katarzyna Krakowiac (Poland), Ira Eduardovna (Uzbekistan), Milena Dopitova (Czech Republic), Agata Michowska (Poland), Anna Baumgart (Poland), Aletvina Kakhidze (Ukraine), Duba Sambolec (Slovenia), Olesia Khomenko (Ukraine), Elżbieta Jablońska (Poland), Alla Georgieva (Bulgaria), Sejla Kameric (Bosnia and Herzegovina), Lala Rascic (Bosnia and Herzegovina), Anna Jermolaeva (Russia), Kristina Inčiūraitė (Lithuania), Mare Tralla (Estonia), Katerina Sedá (Czech Republic), Agnieska Polska (Poland), and Joanna Malinowska & C.T. Jasper (Poland). The exhibition examined new media art of Eastern European women artists in different periods of their careers, focusing on love as social agency.

“Beyond Borders” held at the San Diego Art Institute from October 4 to November 16, 2014. “Beyond Borders” explored the boundless confluences between art, life, and

3 technology in a post-global society. The exhibition was held in partnership with the Post- Global Mediations Biennale in Poznan, Poland. Other partners in this event included: National Museum in Poznan, Poland; Museo De La Ciudad, Uruguay; Petah Tikva Museum in Israel; MareArticum – Baltic Contemporary Art Biennale; National Museum in Szczecin, Poland; Nakanajo Biennale, Japan; Kanaya Art Project, Japan; Sojo University and Sojo Gallery in Kunamoto, Japan; the Kunsthalle Faust in Hanover, Germany; and Harvestworks Inc. NYC. Amongst the artists are: Anibal Catalan (Mexico City), Hector Canonge (NYC/Buenos Ayres), Charlie Citron (NYC/Amsterdam), Cesar Cornejo (Lima/NYC), Blane de St. Croix (NYC), Heather Dewey-Hagborg (NYC), Marlon Griffith (Trinidad & Tobago/Tokyo), Arun Kumar (New Delhi), JaeWook Lee (Seoul, Pittsburgh, NYC), Mary Mattingly (NYC), Alex Villar (Rio de Janeiro/New York City), Saul Melman (NYC), Miho Shimizu (Tokyo) and Oyvind Renberg (Oslo/Berlin), and Don Porcella (San Diego).

“Mediations” Polish Biennial 2012, September and October 2012. Curator of the Americas Exhibition of the Biennial. Artists included: Fernando Prats, Teresa Margolles, Alex Villar, Regina Silveira, Paulo Bruscky, Oscar Muñoz, Julia Oldham, Lenora Malen, Nick Cave, Parke Harrison, Andrea Galvani, Sang Nam Lee, Nick Hornby, Simon Lee and Algis Kizys, Gabriela Golder, Adriana Varella & Heather Dewey-Hagborg, Ali Hossaini, Alice Miceli, Adel Abdessemed, Alejandro Vidal, Kristin Lucas, and Adam Kalinowski.

“Lumen” at Staten Island harbor, a public project with Adriana Varella, Alex Villar, Tattfoo Tan, Grady Gerbracht, and John Loggia, June 25, 2011. “Minimal Differences,” exhibition and panel discussion co-curated with Monika Szewczyk September 15 to October 23, 2010 at White Box, Ltd., NYC. Multimedia Eastern European contemporary art focusing on post-communist themes and concepts. Artists: Zbigniew Libera, Ana Molska, Marek Wasilewski, Pawel Althamer, Katarzyna Kozyra, Julita Wojcik, Martin Zet, Jiri Cernicky, Azorro, R.E.P., Slaven Tolj, Joanna Malinowska and Christian Tomaszewski, Vesna Bukovec, and Oskar Dawicki. Panelists included: Michal Kolecek, Izabela Kopania, Jerzy Onuch, Jaroslaw Suchan, and Marek Bartelik. Moderated by Denise Carvalho.

“Intangible Interferences” multimedia exhibition and panel discussion at Momenta Art, September 17 to November 1, 2010. This show examines the temporal/spatial dynamics of resistance and depolarization in the relationship between politics, economics, and language. Artists explore the subtle forces of interference in situations of translation, geopolitics, religion, and ecology. The artists for this show are: resingXruiz, Xurban Collective, Julieta Aranda, Christopher K. Ho, Sunsa Jahoda, Harout Simonian, and Jesal Kapadia.

“Bodies of Dispersion: Mechanisms of Distention,” multimedia exhibition and panel discussion, May 21 to June 20, 2010 at Arsenal Gallery, Bialystok, Poland. This show focused on collective tendencies in contemporary art, and included a conference on the same theme. Artists: Alex Villar, Oyvind Renberg and Miho Shimizu, Spurse, Hakan Topal, eteam, Artur Zmijevski, and Elin Wikstrom. Panelists: Jarowlaw Lubiak, Ginger Shulick, Marek Wasilewski. And Denise Carvalho.

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“A Part of No-Part,” a multimedia exhibition and panel discussion co-curated with Michal Kolecek at the Chelsea Art Museum, NYC. Artists: Hubert Czerepok, Kuba Bakowski, Norman Leto, Josef Robakowski, Milena Dopitova, Jacek Malinowski, Slaven Tojl, Jiri Kovanda. Zdena Koleckova, Jiri Cernicki, Lukasz Gronowski, Piotr Żyliński, Pavel Mrkus, and Dario Solman.

“Preemptive Resistances: Reversed Strategies” exhibition and panel discussion at the Westport Arts Center, Connecticut, NY, January 23 to March 22, 2009; a multimedia exhibition of Latin American emerging artists, with Alessandro Balteo Yazbeck, Andrea Juan, César Cornejo, Vidal Centeno, Alex Villar, Maritza Molina, Carlos Motta, Francisca Benitez, Jose Ruiz, and Augusto Zanela.

“Holy Holes, Absolute Stalls,” June 14th to August 2nd, 2008, Dumbo Arts Cetner; a multimedia show with Jenny Marketou, Hadassa Goldvicht, Brent Wahl, Adriana Varella, Neil Beloufa, Kwabena Slaughter, Grady Gerbracht, Angela Freiberger, Joseph Bennett, Gearóid Dolan, Meirav Leshem, Tobaron Waxman, Dylan Mortiner, Kimberly Simpson, Karin Giusti, and Marcia X.

“Infinitu et Contini,” Nov. 17 to Dec. 30, 2007, Smack Mellon, NY; a multiplex video exhibition with Janet Biggs, Barbara Pollack, Jim Finn, Matthew Suib, Carlos Motta, Rona Yefman, Shalom Gorewitz, Kenn Bass, Marian Ghani, Liz Magic Laser, Karina Aguilera Skvirsky, Maritza Molina, Eteam, Michael Paul Britto, and Jamil Yamani. Reviewed by Afterimage, Art Papers, Time Out, and The New Yorker.

“Raw, ”Smack Mellon (New York), March and April 2003; multimedia exhibition with Birgit Ramsauer, neurotransmitter, Pia Lindman, Charlie Citron, Alex Villar, Jenny Perlin, Sally Gutierrez, Grady Gerbracht, and others. Sponsor: The Andy Warhol Foundation. Reviewed by Brooklyn Rail and Time Out.

“Hybrid Dwellings,” at Arsenal Gallery, Bialystok (Poland), April and May 2001; multimedia exhibition with Jenny Marketou, Izabella Gustowska, Andrej Bakowski, Z. Warpechowski, and others. Sponsors: Ministry of Poland and the New York Foundation for the Arts. Received media coverage from local television, radio, and newspapers. Reviewed by Springerin and Flash Art,

“Fairy-Tale” (symposium and exhibition) at the Center for Metamedia, Plasy (Czech Republic), September 1999; a multimedia exhibition with Erwin Redl, Alex Villar, Alison Cornyn, Mark Shepard, Yuri Laderman, Monika Brandmeyer, and others. Sponsors: The Trust for Mutual Understanding, New York Foundation for the Arts, Pro Helvetia – Ost West, Unesco Boursaries, Center for Contemporary Art (Prague), the British Council, Open Society Fund Latvia (Estonia), and the Ministry of Culture (Czech Republic). Reviewed by local television, radio and newspapers, and by Umelek (Prague) and Sculpture.

Art Critic and Curator in Residence

5 2012: Critic Emeritus, Art Omi, NY. 2000: Critic in residence at Art Omi (New York). I was also a member of the board of directors. Former critics in residence at Art Omi include Carlos Basualdo (curator of Philadelphia Museum of Art), Rafael Rubinstein (former editor of Art in America), Franklin Sirmans (former editor of Flash Art), Robert Morgan (art critic and scholar), and Lily Wei (art critic and independent curator).

Directorial Residency Projects Directed and organized “The Artist Circuit” (2010-2013) A partnership residency project to bring Eastern European artists to Art Omi, an established international artists’ residence upstate New York. Sponsored by Adam Mickiewicz Institute, in Poland.

Panel Discussions, Lectures, Symposia “AMOR,” Oi Futuro Flamengo Telecommunications Museum, Rio de Janeiro, Brazil, May 9th 2916. Conference with curators Monika Szewczyk and Denise Carvalho, artists Magdalena Jetelova, Anna Jermolaewa, and Duba Sambolec. “Love on the Edge,” Arsenal Gallery, Bialystok, Poland, 2015. Curator’s talk. Lecture on 21st-Century Brazilian Contemporary Art and Film at the Wexner Center for the Arts to be held in February 2014. Lecture: “Brazilian Art in the 21st Century: Hybridity and Open Practices,” at the Rochester Institute of Technology, September 20, 2013. Panel: Unknown: The Americas at Mediations Biennale. Panel at the Zamek Castle, in Poznan, Poland. September 16, 2012. Panel: “Intangible Interferences,” Momenta Art, NY, September 17, 2010 Panel: “Minimal Differences,” White Box, NY September 16, 2010 Lecture on my curatorial work, SI Museum, June 22, 2010 Panel: “Bodies of Dispersion” at Arsenal Gallery, Poland, May 22, 2010 Panel: “Contemporary Art in Third Space” at ATOA, NYC, May 17, 2010 Panel: “A Part of No-Part” at the Chelsea Museum of Art, May 7, 2010 Lecture: Latin American Photography, Tisch School of the Arts, NYU, April 2010 Panel: Preemptive Resistances Westport Arts Center Feb 12 2009 Lecture: New Directions Sept 2008 Vox Populi Gallery Philadelphia. Lecture: Holy Holes: Absolute Stalls at the Dumbo Arts Center Jul 15 2008\ Lecture: Infinitu et Contini at Smack Mellon Nov 17 2007 Symposium: Brazilian Interventionist Art in the Midst of Mass Culture: Challenging? Negotiating? Or Infiltrating? Feb 2007 International Symposium on Art and Society, Tisch School of the Arts NYU Symposium: The Body as Agent for Social Change, May 2002 UCD Lecture: Cinema Novo, Nov 2001, Humanities Institute UCD Panel: Hybrid Dwellings, April 6 2001, panel, at Arsenal Gallery, Bialystok, Poland Lecture: Media and Arts in Dialogue, 2000, Begane Grond, Utrecht, Netherlands. Title of Paper: Misunderstandings Symposium: Fairy-Tale, Center for Metamedia Czech Republic Sep 1-30 1999. Lecture: Neoconcretism, Mont Claire University 1998

6 Seminars in Other Disciplines: Fellow in Fiction at the Writers’ Institute, Graduate Center, CUNY 2012-2013

Published Essays “Cruzamentos,” 33 artists’ essays to feature in the catalogue of the exhibition, Cruzamentos, at the Wexner Center for the Arts (January-April 2014). The entries feature Brazilian contemporary artists included in the exhibition. This writing results from Carvalho’s Mellon Postdoctoral Fellowship at the Wexner Center for the Arts. “The Unknown at Third Mediations Biennale in Poznan,” catalogue essay for The Americas. Published by Mediations Biennale Foundation, 2012. “Dis-Identify Yourself Please,” catalogue essay for Hotel de Inmigrantes: Cosmopolitan Stranger at the Open University of Diversity at Hasselt, Belgium. The symposium was organized in connection to Manifesta 9 in Belgium in Genk, Limburg, Belgium. August 2012. “Unknowing: The Action of Knowledge,” essay of the book The Unknown as We Know It, published by the University of Fine Arts in Poznan, Poland, 2012. “Art as Open Concept: The Mechanics and Poetics of Interplay in the Work of Adam Kalinowski” published in Polish and English by Kwartalnik journal in 2013. “Lost in Translation: The Clay Art of Peter Jones,” Ceramics, Art and Perception, Issue 83, 2011. “Yoshikawa Masamichi: Envisioning the Perfect Path,” Ceramics Art and Perception, Issue 81, 2010, pp. 70-73. “Cidadania Molecular: O Papel da Cultura no Projeto Cantagalo,” (“Molecular Citizenship: The Role of Culture in the Project Cantagalo”); book of the conference at the São Paulo Biennial of Architecture, in November 2011. Biographies on Cildo Meireles, Lygia Clark, Sebastião Salgado, Rivane Neuenschwander, and Ernesto Neto for Grove Contemporary Art, published by Oxford University Press, December 2009. Maritza Molina: A World in Reverse, Afterimage, February/March, 2008 Brazilian Interventionist Art …Or Infiltrating? The International Journal of the Arts in Society, 2007 Oladélé Ajiboyé Bamgboyé at Thomas Erben, NKA, Journal of Cont African Art, V 13/14, Spr/Sum 2001 Odili Donald Odita, NKA Journal of Contemporary African Art, Fall/Winter 2000 Number 11/12 pp. 18-23. “A Memory Palace: Out of Nowhere" New Observations, spring 99, Vol. 121, pp. 34-35.

Published Articles “The Architectonics of Aesthetic Resistance in the Work of Cesar Cornejo,” Art Nexus, Nov. 2013. “Rivane Neuenschwander” at The New Museum, Art Nexus, 2010. “Marta Minujin” at Americas Society, Art Nexus, No. 77, Vol 9, 2010, pp. 109-110. “Priscila de Carvalho” at the Jersey City Museum, Art Nexus, No. 74, Vo. 8, year 2009. “Allora & Calzadilla” at Barbara Gladstone Gallery, Art Nexus, No. 73, Vol. 8, year

7 2009. “Sang Name Lee” at PKM Gallery, Art in America, November 2008 “Jacques Roch” at Kim Foster Gallery, Art in America, November 2008 “Carlos Motta” at Art Nexus, October 2009. “Robert C. Morgan: Through the artist’s frame of mind” at Front Gallery, NY, Art in America, June 2008. “Cavellini: The Man as his own Art,” at Florence Lynch Gallery, M, May 2008. “Hugo Bastidas” at Nohra Haime, Art in America, March 2008 “Cuban Contemporary Sculpture,” Sculpture, March 2008 “The S-Files” at the Museo del Barrio, Flash Art, November 2007 “Killing Time” at Exit Art, Flash Art, October 2007 "Angela Freiberger," Focus, Sculpture, May 2005. "Robin Hill," Focus, Sculpture, September 2005. "Panorama 2004," MAM Sao Paulo, Brazil, curated by Gerardo Mosquera, Art Papers, November 2004. "Brazilian art" at the Museum of Modern Art in Sao Paulo, Brazil, Flash Art, October 2004. "Specificity," pick of the month in New York Arts, New York Arts, May 2003; "Nova Orlandia, Rio de Janeiro," Focus, Sculpture, May 2002. "Nova Orlandia: the Temporary Occupation of a House," Group Shows, Flash Art, October 2002. "Cildo Meireles at the New Museum," Sculpture, December 2000. "Invisible Abstractions," Flash Art, Nov. 1999. "CyberArts Festival," Spotlight, Flash Art, Summer 1999. "Reviews: Boston Museum of Fine Arts - May Stevens," Flash Art, summer 1999. "CyberArts Festival - an Overview," Sculpture, summer 1999. "Reviews: Rio de Janeiro - Valeria Costa Pinto," Flash Art, Mar/April 1999 Vol. XXXII, pp. 122-123. "An Overview of the Cultural Spaces in Rio de Janeiro," Sculpture, March 1999, Vol. 18 No 2, pp. 8-9. "XXIV São Paulo Biennial: Interview with Paulo Herkenhoff, Flash Art, October 1998, pp. 75-76. "Simon Lee at Sculpture Center," Review, NY, October 1998. "Ouverture: Jose Gabriel Fernandez," Flash Art International, Italy, summer 1998, p. 13. "Carol Symanski," in Reviews, Flash Art International, summer 1998, pp. 139-140. "Roberts & Weaver," Review Magazine, NY, April 1998. "Yayoi Kusama, at Robert Miller," Cover, NY, February 1997. “Alex Villar: Spaciously Incorrect, Questioning the Rhetoric of the Banal," Urban Desires, NY, May 1997. "Michele Blondel: Lady with a Unicorn," at Elga Wimmer Gallery, Review Magazine, NY, Nov1997. “Jac Leirner's Metaphor of the Transitory," Cover, NY, summer 1997. "Out of Nowhere/Miguel Rio Branco," Urban Desires, NY, Nov. 97. "Plasmorphica - Aziz + Cucher," Review, NY, October 97 "Jim Toia and David Geiser," at Kim Foster Gallery, Review, NY, Oct 97. "Drawn + Quartered" at Elga Wimmer, Review, NY, September 1997.

8 "Ana Mendieta, Body Imprints and Transformations 1972-74" at Gallery Lelong, Review, NY, Dec. 1997.

Published Catalogue Essays “Love on the Edge” catalogue of the exhibition at Arsenal Gallery, Poland, 2015. “Trans,” catalogue of the exhibition of Adriana Varella, Oi Futuro, Rio de Janeiro, Brazil, 2010. “Upstream: The Dérive within the Immersion” catalogue essay, exhibition of artists Oyvind Renberg and Miho Shimizu at the Hordaland Kunstsenter, October and November 2010. “Minimal Differences” catalogue essay, exhibition and panel discussion at White Box, Ltd., NYC, September and October 2010. “Bodies of Dispersion: Mechanisms of Distention” catalogue essay, exhibition and panel discussion at Arsenal Gallery, Bialystok, Poland, May/June 2010. “A Part of No-Part” catalogue essay, exhibition at the Chelsea Art Museum, NYC, May 6 to July 14, 2010. “Adriana Varella: Trans” catalogue essay of her solo exhibition at Oi Futuro, May/une 2010, Rio de Janeiro, Brazil. “Organs without Bodies,” catalogue from the exhibition of the work of Angela Freiberger, at Frederico Seve Gallery, Latin Collector, from September to November 2009. “Preemptive Resistances: Critical Pointers in Latin American Art,” catalogue of exhibition at the Westport Arts Center, January to March 2009. “Flying Dream,” brochure of the exhibition of Jacques and Tony Roch at Side Show Gallery, in Williamsburg, NY, from June 6 to 28, 2009. “Linda van Boven” photography and mixed media installation, Florence Lynch Gallery, NY, September 2008. "Janet Echelman," Sculpture, catalogue of her exhibition at Florence Lynch Gallery, New York City, from December to January 2002, and for the public installation Art Sculpture Park, Art Basel Miami Beach, December 5-8, 2002. "Valéria Costa Pinto: Percepts," catalogue of the exhibition, Galeria Marcia Barroso do Amaral, Rio de Janeiro, Brazil, March 19 to April 15, 2002. "Izabella Gustowska," catalogue of the exhibition, Centre for Contemporary Art, Ujazdowski Castle, Warsaw June 29 to August 26, 2001, curated by Ryszard W. Kluszczynski. "Dorothy Arnold," catalogue of the exhibition at the Florence Lynch Gallery, in NYC, 2001. "Hybrid Dwellings," catalogue of the exhibition, Arsenal Gallery, the National Gallery of Bialystok, Poland, April 6 to May 13, 2001, curated by Denise Carvalho Bergstrom. "Frank Bramblett's Paintings: Abstracted Narratives in the Practice of Storytelling," catalogue of the exhibition The Levy Gallery Traveling Exhibition Series, Levy Gallery, Moore College of Art, Philadelphia, Pa, Nov. 17 to Jan. 23, 2001. "Karina El Azem, Premios Costantini 2000," Museo Nacional de Bellas Artes, Buenos Aires, Presidencia de la Nacion, Secretaria de Cultura y Comunicacion, Artes Graficas Corin Luna S.A. 2000.

9 "José Morales: Drawings." Brochure of the exhibition at Lemmerman Gallery, New Jersey City University, from September 11 to November 3, 2000. "Fairy-Tales," catalogue of the exhibition and symposium curated and organized by Denise Carvalho Bergstrom in collaboration with the Center for Metamedia, Plasy, Czech Republic, from September 1 to October 1, 1999, sponsored by the New York Foundation for the Arts and by the Trust for Mutual Understanding, NYC.

Fellowships, Awards and Honors 2013-2014 Mellon Postdoctoral Fellow, Wexner Center for the Arts, Columbus, Ohio. 2011 - Prêmio Jabutí (Jabuti Prize) in literature for the book O Galo Cantou. Carvalho contributed with the essay “Cidadania Molecular: O Papel da Cultura no Projeto Cantagalo,” (Molecular Citizenship: The Role of Culture in the Project Cantagalo), November 2011. 2009 – Grant from Trust for Mutual Understanding for project exhibition and conference “Minimal Differences” and “Bodies of Dispersion” to be held in 2010 and 2011. 2002 - Art History Department, UC Davis Opportunity Fellowship 2002 - Consortium for Women and Research, UC Davis, Traveling Award 2001 - Internal Traveling Award - Art History Department - UC Davis 2001 - GOF Fellowship, Art History Department, UC Davis 2001 - Art History Department, UC Davis Opportunity Fellowship 1999 – Grant from Trust for Mutual Understanding award for exhibition Fairy-Tale in the Czech Republic 1995 - The Organization of Independent Artists. Merit Award by Ivan Karp 1993 - Merit awards for contributing to the Latin American artistic presence in New York, from the University of Latin American and Caribbean Studies in Brasília, Brazil, and from the Venezuelan Center in NY 1990 - Second Prize (painting) Fifth International Competition, Pavilion of the Biennial of São Paulo, Brazil. President of the Jury: Ignes de Assis Ribeiro 1965 - First Prize Drawing, National fellowship for young artists, sponsored by Ivan Serpa, one of the precursors of Neoconcretism in Rio de Janeiro, Brazil.

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