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Pop Songs Between 1930S and 1940S in Shanghai”—Aesthetic Release of Eros Utopia
Journal of Literature and Art Studies, December 2016, Vol. 6, No. 12, 1545-1548 doi: 10.17265/2159-5836/2016.12.010 D DAVID PUBLISHING Behind “Pop Songs Between 1930s and 1940s in Shanghai”—Aesthetic Release of Eros Utopia ZHOU Xiaoyan Yancheng Institute of Technology, Jiangsu, China CANG Kaiyan, ZHOU Hanlu Jiangsu Yancheng Middle School, Jiangsu, China “Pop Songs between 1930s and 1940s in Shanghai” contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to “Pop Songs between 1930s and 1940s in Shanghai”. After 2010, the utopian change of such songs is closely related to the contradiction between “aesthetic imagination and reality”, and “individual interest and integrated social interest” that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance. Keywords: Shanghai Oldies (Pop Songs between 1930s and 1940s in Shanghai), aesthetic utopia, internal contradiction Introduction “Shanghai Oldies” refers to the pop songs that were produced and popular in Shanghai, sung widely over the country from 1930s to 1940s. It presents the graceful charm related to the south of the Yangtze River between grace and joy feature. It not only shows the memory of metropolis (invested with foreign adventures) in Old Shanghai, but also creates “Eros Utopia” based on presenting the ordinary love, instead of perfect political institution planning. -
HUNG LIU: OFFERINGS January 23-March 17, 2013
PRESS RELEASE FOR IMMEDIATE RELEASE Contacts: December 12, 2012 Maysoun Wazwaz Mills College Art Museum, Program Manager 510.430.3340 or [email protected] Mills College Art Museum Announces HUNG LIU: OFFERINGS January 23-March 17, 2013 Oakland, CA—December 12, 2012. The Mills College Art Museum is pleased to present Hung Liu: Offerings a rare opportunity to experience two of the Oakland-based artist’s most significant large- scale installations: Jiu Jin Shan (Old Gold Mountain) (1994) and Tai Cang—Great Granary (2008). Hung Liu: Offerings will be on view from January 23 through March 17, 2013. The opening reception takes place on Wednesday, January 23, 2013 from 6:00–8:00 pm and free shuttle service will be provided from the MacArthur Bart station during the opening. Recognized as America's most important Chinese artist, Hung Liu’s installations have played a central role in her work throughout her career. In Jiu Jin Shan (Old Gold Mountain), over two hundred thousand fortune cookies create a symbolic gold mountain that engulfs a crossroads of railroad tracks running beneath. The junction where the tracks meet serves as both a crossroads and 1 terminus, a visual metaphor of the cultural intersection of East and West. Liu references not only the history of the Chinese laborers who built the railroads to support the West Coast Gold Rush, but also the hope shared among these migrant workers that they could find material prosperity in the new world. The Mills College Art Museum is excited to be the first venue outside of China to present Tai Cang— Great Granary. -
September 04, 1954 Chinese Foreign Ministry Intelligence Department Report on the Asian-African Conference
Digital Archive digitalarchive.wilsoncenter.org International History Declassified September 04, 1954 Chinese Foreign Ministry Intelligence Department Report on the Asian-African Conference Citation: “Chinese Foreign Ministry Intelligence Department Report on the Asian-African Conference,” September 04, 1954, History and Public Policy Program Digital Archive, PRC FMA 207-00085-19, 150-153. Obtained by Amitav Acharya and translated by Yang Shanhou. https://digitalarchive.wilsoncenter.org/document/112440 Summary: The Chinese Foreign Ministry reported Indonesia’s intention to hold the Asian-African Conference, its attitude towards the Asian-African Conference, and the possible development of the Conference. Credits: This document was made possible with support from the MacArthur Foundation. Original Language: Chinese Contents: English Translation Secret Compiled by the Intelligence Department of the Foreign Ministry (1) At the end of 1953 when Ceylon proposed to convene the Asian Prime Ministers’ Conference in Colombo, Indonesia expressed its hope of expanding the scope of the conference, including African countries. In January this year, the Indonesian Prime Minister Ali accepted the invitation to participate in the Colombo Five States’ Conference while stating that the Asian-African Conference should be listed in the agenda. (Note: During the period of the Korean War, the Asian Arab Group in the UN was rather active, which probably inspired Indonesia to put forward this proposal.) The Indonesian Foreign Minister Soenarjo believed that the Colombo Conference was the springboard to the Asian-African Conference. Ali proposed to convene the Asian-African Conference at the first day meeting of the Colombo Conference (April 28), but he didn’t get definite support or a resolution from the conference. -
New China and Its Qiaowu: the Political Economy of Overseas Chinese Policy in the People’S Republic of China, 1949–1959
1 The London School of Economics and Political Science New China and its Qiaowu: The Political Economy of Overseas Chinese policy in the People’s Republic of China, 1949–1959 Jin Li Lim A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, September 2016. 2 Declaration: I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,700 words. 3 Abstract: This thesis examines qiaowu [Overseas Chinese affairs] policies during the PRC’s first decade, and it argues that the CCP-controlled party-state’s approach to the governance of the huaqiao [Overseas Chinese] and their affairs was fundamentally a political economy. This was at base, a function of perceived huaqiao economic utility, especially for what their remittances offered to China’s foreign reserves, and hence the party-state’s qiaowu approach was a political practice to secure that economic utility. -
Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals. -
China's Dual Circulation Economy
THE SHRINKING MARGINS FOR DEBATE OCTOBER 2020 Introduction François Godement This issue of China Trends started with a question. What policy issues are still debated in today’s PRC media? Our able editor looked into diff erent directions for critical voices, and as a result, the issue covers three diff erent topics. The “dual circulation economy” leads to an important but abstruse discussion on the balance between China’s outward-oriented economy and its domestic, more indigenous components and policies. Innovation, today’s buzzword in China, generates many discussions around the obstacles to reaching the country’s ambitious goals in terms of technological breakthroughs and industrial and scientifi c applications. But the third theme is political, and about the life of the Communist Party: two-faced individuals or factions. Perhaps very tellingly, it contains a massive warning against doubting or privately minimizing the offi cial dogma and norms of behavior: “two-faced individuals” now have to face the rise of campaigns, slogans and direct accusations that target them as such. In itself, the rise of this broad type of accusation demonstrates the limits and the dangers of any debate that can be interpreted as a questioning of the Party line, of the Centre, and of its core – China’s paramount leader (领袖) Xi Jinping. The balance matters: between surviving policy debates on economic governance issues and what is becoming an all-out attack that targets hidden Western political dissent, doubts or non-compliance beyond any explicit form of debate. Both the pre-1949 CCP and Maoist China had so-called “line debates” which science has seen this often turned into “line struggles (路线斗争)”: the offi cial history of the mostly as a “fragmented pre-1966 CCP, no longer reprinted, listed nine such events. -
1 Zhirong “Jerry” Zhao
Updated 03/16/2020 ZHIRONG “JERRY” ZHAO Gross Family Professor, Public & Nonprofit Management Hubert H. Humphrey School of Public Affairs, University of Minnesota (UMN) 301 19th Avenue South, Minneapolis, MN 55455 [email protected], 612-625-7318 (phone) BIOGRAPHICAL INFORMATION Education 2005 Ph.D. of Public Administration, University of Georgia (UGA), Athens 1997 Master of Urban Planning, Tongji University, Shanghai, China 1993 Bachelor of Urban Planning, Tongji University, Shanghai, China Academic Positions 2019- pres. Chair Leadership & Management Area, Humphrey School of Public Affairs, UMN 2019–pres. Gross Family Professor, Humphrey School of Public Affairs, UMN 2017- pres. Director, Master of Public Policy Program, Humphrey School of Public Affairs, UMN 2017- pres. Founding Director, Institute for Urban & Regional Infrastructure Finance, UMN 2012–2019 Associate Professor, Humphrey School of Public Affairs, UMN 2007–2011 Assistant Professor, Humphrey School of Public Affairs, UMN 2005–2007 Director, Political Science Internship Program, Eastern Michigan University 2005–2007 Assistant Professor, Department of Political Science, Eastern Michigan University Professional Experience 2002–2005 Education Program Specialist, Carl Vinson Institute of Government, UGA 1993–1998 Assistant Urban Planner, Xiamen Academy of Urban Planning & Design, China Awards and Honors 2020 SCPA Leadership Award, American Society for Public Administration (ASPA) 2018 Outstanding Services Award, Center for Transportation Studies, UMN 2018 Leadership Award, China-America -
Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’S Republic of China
_full_journalsubtitle: Men, Women and Gender in China _full_abbrevjournaltitle: NANU _full_ppubnumber: ISSN 1387-6805 (print version) _full_epubnumber: ISSN 1568-5268 (online version) _full_issue: 2 _full_issuetitle: 0 _full_alt_author_running_head (change var. to _alt_author_rh): 0 _full_alt_articletitle_running_head (change var. to _alt_arttitle_rh): Heroes, Hooligans, and Knights-Errant _full_alt_articletitle_toc: 0 _full_is_advance_article: 0 NAN N Ü 316 Nan Nü 19 (2017) 316-356 Wang brill.com/nanu Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’s Republic of China Y. Yvon Wang University of Toronto [email protected] Abstract This article is an exploration of media and gender in urban and peri-urban China dur- ing the 1950s and early 1960s – specifically, the persistent trope of the “hooligan,” or liumang. Since at least the late imperial period, Chinese authorities had feared unmar- ried, impoverished, rootless men as the main source of crime, disorder, and outright rebellion. Yet such figures were simultaneously celebrated as knights-errant for their violent heroism in cultural works of enormous popularity across regions and classes. As the ruling Chinese Communist Party attempted to reshape society and culture after 1949, it condemned knight-errant tales and made hooliganism a crime. At the same time, the state tried to promote a new pantheon of vigilante-like men in the guise of revolutionary heroes. But the state’s control over deeply rooted cultural markets and their products was incomplete. Moreover, the same potent tools that had empowered the Party, in particular its rhetoric of revolutionary subjectivity and its harnessing of modern media technologies, were open as never before to being adopted by the very targets of its efforts at control and censure. -
Münzen Aus Dem Reich Der Mitte – Von Der Kaurischnecke Zum Käsch
Münzen aus dem Reich der Mitte – von der Kaurischnecke zum Käsch Um 1500 v. Chr. benutzte man in China Schneckengehäuse als Münzen; später wurden die Schnecken aus Knochen oder Kupfer nachgeahmt. Daneben zirkulierte Gerätegeld, zum Beispiel in Form von Messer- oder Spatenmünzen, aber auch runde Münzen waren in Gebrauch. 211 v. Chr. begann der erste chinesische Kaiser mit der Ausgabe von einheitlichen Reichsmünzen, aus denen sich schliesslich die Käschmünze entwickelte: eine runde Kupfermünze mit viereckigem Loch, die bis zum Ende der chinesischen Kaiserzeit im Jahr 1911 ausgegeben wurde. 1 von 21 www.sunflower.ch China, Shang-Dynastie, durchbohrte Cypraea moneta (Kauri) Denomination: Cypraea Moneta (Kauri) Prägeautorität: Prägeort: Prägejahr: -1500 Gewicht in Gramm: 0.9 Durchmesser in mm: 21.0 Material: Andere Eigentümer: Sunflower Foundation Kaurischnecken waren die langlebigste Währung aller Zeiten. In China wurden sie schon vor über 3000 Jahren als Geld benutzt und liefen, zusammen mit anderen Zahlungsmitteln, bis 1578 um. Die chinesische Schrift, die im 2. Jahrtausend v. Chr. entwickelt wurde, verwendet das Zeichen für Kauri noch heute in Wörtern wie Münze, Geld, Kaufen, Wert und ähnlichen. Das Zeichen ist auch Bestandteil der Inschrift auf vielen chinesischen Käschmünzen. Der venezianische Händler Marco Polo, der im späten 13. Jahrhundert während mehrerer Jahre in China lebte, überlieferte in seinen Reisebeschreibungen (Il Milione) einige Preise. Demnach bezahlte man damals in China für ein Huhn 5 Kauri, für vier Kilogramm Getreide 8 Kauri und für eine Kuh 320 Kauri. 2 von 21 www.sunflower.ch China, Zhou-Dynastie, Kauriimitation aus Knochen, ca. 700 v. Chr. Denomination: Kauriimitation Prägeautorität: Zhou-Dynastie Prägeort: Unbestimmt Prägejahr: -700 Gewicht in Gramm: 2.84 Durchmesser in mm: 28.0 Material: Andere Eigentümer: Sunflower Foundation Um dem Handel und dem täglichen Gebrauch zu genügen, brauchte man eine grosse Menge Kauris. -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
Chin1821.Pdf
http://oac.cdlib.org/findaid/ark:/13030/kt1x0nd955 No online items Finding Aid for the China Democracy Movement and Tiananmen Incident Archives, 1989-1993 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2009 The Regents of the University of California. All rights reserved. 1821 1 Descriptive Summary Title: China Democracy Movement and Tiananmen Incident Archives Date (inclusive): 1989-1993 Collection number: 1821 Creator: Center for Chinese Studies and the Center for Pacific Rim Studies, UCLA Extent: 22 boxes (11 linear ft.)1 oversize box. Abstract: The present finding aid represents the fruits of a multiyear collaborative effort, undertaken at the initiative of then UCLA Chancellor Charles Young, to collect, collate, classify, and annotate available materials relating to the China Democracy Movement and tiananmen crisis of 1989. These materials---including, inter alia, thousands of documents, transcribed radio broadcasts, local newspaper and journal articles, wall posters, electronic communications, and assorted ephemeral sources, some in Chinese and some in English---provide a wealth of information for scholars, present and future, who wish to gain a better understanding of the complex, swirling forces that surrounded the extraordinary "Beijing Spring" of 1989 and its tragic denouement. The scholarly community is indebted to those who have collected and arranged this archive of materials about the China Democracy Movement and Tiananmen Incident Archives. -
Nora's Performance in China
Nora’s Performance in China (1914-2010): Inspiration, Communities and Political Theatre By Xiaofei Chen Master thesis Center for Ibsen Studies UNIVERSITETET I OSLO Spring semester, 2010 Acknowledgements I came to Oslo University by serendipity. When I was searching the resources for my thesis Nora’s rewriting in China(1914-1948), by accident the website of Ibsen Center jumped out. Then I came to Norway and studied at Ibsen Center. Whether in Norway or in China, many people asked me why I had chosen Ibsen studies and had come to Norway. I always said because I liked Ibsen’s plays and Norway has an Ibsen Center. It turned out that I had chosen correctly. At the Ibsen Center, professors and students from all over the world gave me lots of chances to access different ideas and insights into Ibsen studies, especially from theatre and performance aspects. I could access the original Ibsen’s texts and understand Norwegian society in Ibsen’s times, and I could watch Ibsen’s performances from different countries either in the National Theatre or through DVDs in class. Thanks to Ibsen Center for giving me the opportunity to study here, and I also want to show my appreciation for all the professors at the Ibsen Center: especially Frode Helland, Astrid Sæther, Jon Nygaard, Atle Kittang, Erika Fischer-Lichte and Nilu Kamaluddin, Julie Holledge, Knut Brynhildsvoll, who gave me the latest information about Ibsen studies through lectures and seminars. My special thanks for my professor, Jon Nygaard, who gave me the inspiration to write this topic with fresh insight.