Lucien Hervé photographs of architecture and artworks by 2002.R.41

Descriptive and chronological list of buildings and projects covered by the archive:

Name and date of project, as given Name as given in “Contents List” Hervé’s original dossier in the indicated volume of Œuvre (original inventory of Hervé’s dossiers numbers. complète unless otherwise noted, (binders) of negatives and Entries in italics are for or enclosed in square brackets transparencies) binders of color transparencies (in catalog for 1987 Villa Favrod ou Fallet (VF) Dossier 10 exhibition, Le Corbusier, Architect of Dossier C5 the Century), 1905-1907 Villa Stotzer (in catalog for 1987 Villa Stotzer Dossier C5 exhibition, La Chaux-de-Fonds et Jeanneret avant Le Corbusier), 1909 Villa Jaquemet (in catalog for 1987 Villa Jacot Dossier C5 exhibition, La Chaux-de-Fonds et Jeanneret avant Le Corbusier), 1909 Ateliers d’artistes, 1910. Vol. 1 Atelier d’artistes Dossier 19 Villa Favre-Jacot, 1912 (in catalog Villa Fèvre-Jaquet (VFJ) Dossier 10 for 1987 exhibition, La Chaux-de- Dossier C5 Fonds et Jeanneret avant Le Corbusier) Villa Jeanneret (in catalog for 1987 Villa Jeanneret (VJEA) Dossier 10 exhibition, La Chaux-de-Fonds et Dossier C5 Jeanneret avant Le Corbusier), 1912 Maison “Dom-ino,” 1914-1915. Vol. Maison Domino Dossier 19 1 Dossier C7 (in catalog for 1987 Villa Schwob (VLCF) Dossier 10 exhibition, Le Corbusier, Architect of Dossier C4 the Century), 1916-17 Troyes, 1919. Vol. 1 Troyes Dossier 10 Maison “Monol,” 1920. Vol. 1 Not in original inventory Maison “Citrohan,” 1920. Vol. 1 Maison Citrohan (CIT) Dossier 15 Salon d’automne, 1922 Not in original inventory Villa à Vaucressan, 1922. Vol. 1 Villa Vaucressan (VAU) Dossier 10 Maison du peintre Ozenfant à Villa Ozenfant Dossier 18 Paris, 1922-1924 Dossier C4 Immeubles-villas, 1922-1925. Vol. Immeuble Villa Dossier 9 1 Maisons La Roche et Jeanneret, Villa Laroche (VL) Dossier 10 1923-1924. Vol. 1 Dossier C4 - Page 1 -

Maisons Lipchitz et Miestchaninoff, Villa Lipschitz Dossier 18 1923-1924. Vol. 1 Dossier C4 Maisons en série pour artisans, Maison pour Artisans Dossier 19 1924. Vol. 1 Cité Lège, 10 houses for Henry Not in original inventory Frugès (listed in “Chronology” of catalog for 1987 exhibition, Le Corbusier, Architect of the Century), 1924. Petite villa au bord du lac Leman, Villa Vevey du Lac Dossier 10 1925. Vol. 1 Dossier C5 Pessac, 1925, Vol. 1 Pessac Dossier 19 , Paris, 1925. Vol. 1 Not in original inventory Petite maison d’artistes à Boulogne Pavillon de Banlieue (VIA) Dossiers 9 and 10 (Maison Ternisien), 1925-1927. Vol. 1 Pavillon de l’Esprit-Nouveau, Paris, Esprit Nouveau (EN) Dossier 8 1925. Vol. 1 Le “” de Paris, 1925. Plan Voisin (PV) Dossier 19 Vol. 1. Maison Cook, 1926. Vol. 1 Villa Cooke (VCO) Dossier 10 Box 33 à Anvers, 1926. Villa Guillette, Anvers (VG) Dossier 10 Vol. 1 Dossier C5 Villa à Garches (-de Garches (GA) Dossier 9 Monzie), 1927-1928. Vol. 1 Dossier C7 La Colonie “Weissenhof” à Stuttgart, Weissenhoff Siedlung Dossier 17 Stuttgart, 1927 Dossier C7 à Paris, 1927-1928 Villa Planex Dossier 18 (misspelled as “Plainex” in Œuvre Dossier C4 complète). Vol. 1 Palais pour la Société des Nations, Société des Nations Dossier 17 1927-28, Vol. 1 Pavillon Nestlé, 1928. Vol. 1 Pavillon Nestlé Dossier 19 Villa à Carthage, 1928. Vol. 1 Villa à Carthage (VCA) Dossier 10 Dossier C5 Ville d’Avray (Villa Church), 1928- Villa d’Avray (VAV) Dossier 10 1929. Vol. 1 Palais du Centrosoyus à Moscou, Centrosoyuz (MOS I) Dossier 9 1928-1935. Vol. 1 Maisons Loucheur, 1929. Vol. 1 Not in original inventory Études d’urbanisation en Amérique Not in original inventory du Sud (Rio de Janeiro, Montevideo, São Paulo), 1929.

Vol. 2

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Villa Savoye à Poissy, 1929-1931. Dossier 18 Vol. 2 Dossier C4 Asile flottant de l’Armée du Salut, Not in original inventory 1929. Vol. 2

La Cité de Refuge (Armée du Salut) Paris, Armée du Salut Dossier 4 à Paris, 1929-1933. Vol. 2 Dossier C6 Les éléments du Mundaneum (Cité Mundaneum Dossier 9 Mondiale), 1929. Vol. 1 Salon d’automne, 1929. Vol. 2 Salon d’Automne de 1929 (SAU) Dossier 20 Maison de M. Errazuris, au Chili, Maison de M. Errazuris, Chili Dossier 10 1930. Vol. 2 Appartement de M. Charles de Not in original inventory Beistegui, aux Champs-Élysées, à Paris, 1930-1931. Vol. 2 Villa de Mme. H. de Mandrot, près Villa Mandrot Dossier 18 Toulon, 1930-1931. Vol. 2 Immeuble “Clarté” à Genève, 1930- Immeuble Clarté Dossier 9 1932. Vol. 2 à la Cité Pavillon Suisse Dossier 20 universitaire à Paris, 1930-1932. Dossier C7 Vol. 2 Palais des Soviets à Moscou, 1931. Palais des Soviets (MOS II) Dossier 9 Vol. 2 Urbanisation de la ville d’Alger. Alger, Urbanisation de la Ville de Dossier 4 Projets A, B (and others) 1931- 1942. Vol. 2 Immeuble locatif à la Porte-Molitor Appartement, Rue Nungesser et Coli (V Dossier 4 à Paris (rue Nungesser-et-Coli), + VI) 1933. Vol. 2 Appartement (V) Dossier C6 Urbanisation d’Anvers, 1933. Vol.2 Anvers, Urbanisation Dossier 4 Projet pour le bâtiment de la Rentenanstalt Zürich Dossier 19 “Rentenanstalt” à Zürich, 1933. Vol. 2 Barcelone. Lotissement destiné à la Not in original inventory main-d’œuvre auxiliaire, 1933. Vol. 2 Urbanisation de la ville de Not in original inventory Nemours, 1934. Vol. 3 Le village coopératif - Réorganization Agraire Dossier 19 réorganisation agraire, 1934-1938. Vols. 2-3 La , 1935 Ville Radieuse Dossier 18 Urbanisation d’Hellocourt, 1935. Helloncourt, Bat’a Project Dossier 9 Vol.3 Le gratte-ciel cartésien, 1935. Vol. Gratte-ciel Carthésien Dossier 9

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3 Une maison de week-end en Not in original inventory banlieue de Paris, 1935. Vol. 3 Maison aux Mathes, 1935. Vol. 3 Maison Mathes, Ivry Dossier C7 Plans pour les musées de la Ville et Not in original inventory de l’État à Paris, 1935. Vol. 3 Rio de Janeiro: Plan pour la Cité Not in original inventory Universitaire du Brésil, 1936. Vol. 3 Le Ministère de l’éducation et de la Ministère, Rio de Janeiro Dossier 19 santé publique à Rio de Janeiro, Dossier C7 1936-1945. Vol. 4 Un centre de réjouissance de Stade Dossier 17 100,000 participants, 1936. Vol. 3 Le Pavillon des Temps Nouveaux, Pavillon des Temps-Nouveaux Dossier 10 1937. Vol. 3 Dossier C7 Monument à la mémoire de Monument à Vaillant-Couturier, projet Dossier 9 Vaillant-Couturier, 1937. Vol. 4 (MVC) La Cité d’affaires d’Alger (Le gratte Not in original inventory ciel de la Marine), 1938. Vol. 3 Musée à croissance illimitée, 1939. Not in original inventory Vol. 4 M.A.S., Maisons montées à sec, Maison Montée à sec Dossier 19 1939-1940. Vol. 4 S.P.A. Lannemezan, Type de Lamemezan Dossier 9 maison pour contre-maitre/Type de maison pour ingénieur, 1940. Vol. 4 Les maisons “Murondin,” 1940. Murondins Dossier 9 Vol. 4 Écoles volantes pour les réfugiés de Not in original inventory la première partie de la guerre, 1940. Vol. 4 La cité linéaire industrielle, 1942. Cité Linéaire (CLI) Dossier 15 Vol. 4 L’Usine-Verte, 1944. Vol. 4 Not in original inventory Unité d’Habitation transitoire/Logis Logis Provisoire Dossier 9 provisoires transitoires, 1944. Vol. 4 Urbanisation de Saint-Dié, 1945. Saint-Dié Dossier 17 Vol. 4 Urbanisation de Saint-Gaudens, Saint-Gaudens Dossier 17 1945-1946. Vol. 4 Urbanisation de La Rochelle-Pallice, La Rochelle Dossier 19 1945-1946. Vol. 4 Une manufacture à Saint-Dié, Saint-Dié Dossier 17 1946-1951. Vol. 5 Dossier C7

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L’Unité d’habitation à Marseille, Marseille, Unité d’Habitation Dossiers 6-7 1946-1952. Vols. 4-5 Dossier C2 Le Palais de l’ONU à New York, ONU Dossier 19 1947. Vol. 5 La Basilique de la Paix et du Saint-Baume, projet d’église (SB) Dossier 20 Pardon. La Nouvelle “Cité de la Sainte-Baume,” 1948. Vol 5 Le Plan d’urbanisation de Bogotá Bogota (B) Dossier 15 (Colombie), 1950. Vol. 5 “Roq” et “Rob” à Cap-Martin Roq & Rob Dossier 19 (Méditerranée), 1949. Vol. 5 La Chapelle de Ronchamp, 1950- L’Église de Ronchamp Dossier 5 55. Vol. 5 Dossier C1 Un cabanon à Cap-Martin Cabannon Roquebrune Dossier 19 (Méditerranée), 1951-1952. Vol. 5 Dossier C7 Le Concours de Strasbourg pour Projet d’Urbanisation de Strasbourg Dossier 17 800 logements, 1951. Vol. 5 (SG) Chandigarh (general—including Chandigarh, Urbanisme (CU) Dossier 14 plans, drawings, etc.), 1951—? Chandigarh (C) Dossier 15 Vols. 5-6 (Chandigarh, Centre Civique—not Chandigarh, Centre Civique (CC) Dossier 15 included under this name in Œuvre Dossier C6 complète, 1951—?) Chandigarh: Le Palais de Justice, Chandigarh, Haute Court (CH) Dossier 16 1952-1956 (including tapestry). Chandigarh, Tapestry (INT) Dossier C6 Vol. 6 Chandigarh: Le Palais de Chandigarh, Assemblée (CAS) Dossier 15 l’Assemblée, 1952-1962. Vol. 6 Dossier C6 Chandigarh: Le Secrétariat, 1952- Chandigarh, Secrétariat (CS) Dossier 14 56. Vol. 6 Dossier C4 Chandigarh: La Main Ouverte, La Main Ouverte (IMA) Dossier 8 1952-85. Vol. 6 Maisons rurales à Lagny, 1950. Vol. Maison Prouvé Dossier 9 6 à Neuilly-sur-Seine, Villa Jaoul Dossier 9 1952-1956. Vols. 5 and 6 Dossier C7 L’Unité d’habitation à Nantes-Rezé, Nantes Dossier 11 1952-1953. Vol. 6 Dossier C7 “Le ,” 1952-1953. Vol. 5 Modulor Dossier 9 Dossier C7 Le Couvent de la Tourette, 1953- La Tourette (Y) Dossier 18 1959. Vols. 6 and 7 Dossier C4 Palais de l’Association des Filateurs Ahmedabad, Palais de l’Assoc. des Dossiers 1-3 d’Ahmedabad, 1954-1956. Vol. 6 Filateurs (AHM) Dossier C6

Le Centre Culturel d’Ahmedabad: Ahmedabad, Musée (AU or AHU) Dossiers 1-3

- Page 5 - le Musée, 1954-1957. Vol. 6 Dossier C6 Maison d’habitation de Mrs. Ahmedabad, Maison Sarabhai (AHS) Dossiers 1-3 Manorama Sarabhai à Ahmedabad, Dossier C6 1955-1956. Vol. 6 Villa Shodhan à Ahmedabad, 1955- Ahmedabad, Villa Shodhan (AHSH) Dossiers 1-3 1956. Vol. 6 Dossier C6 Stade, Baghdad (in, Le Corbusier, Stade, Bagdad Dossier 17 L’atelier de la recherche patiente, 1960), 1956. Musée national des Beaux-Arts de Musée Tokyo Dossier 9 l’Occident à Tokyo, 1957. Vol. 7 Dossier C7 L’Unité d’habitation à Briey-en- Briey Dossier 15 Forêt, 1957. Vols. 6 and 7 L’Unité d’habitation à Berlin, 1957. Berlin (BE) Dossier 15 Vols. 6 and 7 Le Pavillon Philips à Bruxelles, Pavillon Philips, Bruxelles Dossier 15 1958. Vol 6 Dossier C6 La Maison du Brésil dans la Cité Pavillon de Brésil Dossier 15 universitaire de Paris, 1958. Vols. 6 Dossier C6 and 7 L’Église de Firminy-Vert (projet), Église Firminy (maquette) (ES) Dossier 8 1960-1965. Vols. 7 and 8 Dossier C7 Firminy-Vert: La Maison des Jeunes Firminy (FY) Dossier 8 et de la Culture, 1960-1965. Vols. Dossier C7 7 and 8 Firminy-Vert: L’Unité d’habitation, Firminy (FY) Dossier 8 1960-1968. Vols. 7 and 8 L’écluse de Kembs-Niffer, 1960- Kembs Dossier 9 1965. Vol. 8 Orsay-Paris, projet pour un Centre Orsay Dossier 19 de culture, 1961. Vol. 7 Visual Arts Center à Cambridge, Boston (BO) Dossier 15 Mass., USA (Carpenter Center), Dossier C6 1961-1964. Vol. 7 Un Pavillon d’exposition à Zürich Zürichhorn, Heidi Weber Pavillon Dossier 18 (Centre Le Corbusier), 1963-1967. Dossier C4 Vols. 7 and 8 L’Ambassade de France à Brasilia, Ambassade de France, Brasilia Dossier 15 1964-1965. Vol. 7 Le nouvel hôpital de Venise, 1964- Hôpital de Venise (VE) Dossier 10 1965. Vols. 7 and 8 Palais des Congrès à Strasbourg, Le Concours de Strasbourg pour 800 Dossier 15 1964. Vol. 7 logements (mistake for “Palais des Congrès à Strasbourg,” see entry for “Concours” under 1951 above)

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(Le Corbusier’s atelier at 35, rue de Atelier Dossier 4 Sèvres—not included under this name in Œuvre complète, no date.) (Photographs of pages from, Le Not in original inventory Corbusier, L’atelier de la recherche patiente, 1960.) (Photographs of pages from Œuvre Not in original inventory complète, Vol. 1.) (Furniture) Meubles Dossier 9

Other subjects covered by the archive:

Subject Subject as given in “Contents List” Hervé’s original dossier (original inventory of Hervé’s dossiers numbers. (binders) of negatives and Entries in italics are for transparencies) binders of color transparencies Le Corbusier’s notebooks Carnets (IN), (AN) Dossier 8 Le Corbusier’s notebooks Voyage de Jeunesse (VJ) Dossier 10 (“Voyage de Jeunesse”) Le Corbusier’s student and Éducation, La Chaux-de-Fonds Dossier 8 apprentice work Exhibitions Expositions (A-II) Dossier 4 Expositions Lyon (EL) Dossier 8 Printed Le Corbusier chronology Textes (T) Dossier 10

Letter codes, devised and allocated by the processor for use in the identification numbers for the images in the inventory (the order is that of the lists above):

Villa Fallet, 1905-1907 VF Villa Stotzer, 1909 ST Villa Jaquemet, 1909 VJ Ateliers d’artiste, 1910 AA Villa Favre-Jacot, 1912 FJ Villa Jeanneret, 1912 JE Maison “Dom-ino,” 1914-1915 MD Villa Schwob, 1916-1917 SC Troyes, 1919 TR Maison “Monol,” 1920 MN Maison “Citrohan,” 1920 MC Salon d’automne, 1922 SO Villa à Vaucressan, 1922 VV Maison du peintre Ozenfant à Paris, 1922-1924 MO - Page 7 -

Immeubles-villas, 1922-1925 IV Maisons La Roche et Jeanneret, 1923-1924 ML Maisons Lipchitz et Miestchaninoff, 1923-1924 LM Maisons en série pour artisans, 1924 MA Cité Lège, 10 houses for Henry Frugès, 1924 LF Petite villa au bord du lac Leman, 1925 VL Pessac, 1925 PE Villa Meyer, Paris, 1925 MY Petite maison d’artistes a Boulogne (Maison Ternisien), 1925-1927 MT Pavillon de l’Esprit-Nouveau, Paris, 1925 EN Le “Plan Voisin” de Paris, 1925 PV Maison Cook, 1926-1927 VC Maison Guiette à Anvers, 1926 MG Villa à Garches (Villa Stein-de Monzie), 1927-1928 VG La Colonie “Weissenhof” à Stuttgart, 1927 WS Maison Planeix à Paris, 1927-1928 MP Palais pour la Société des Nations, 1927-1928 SN Pavillon Nestlé, 1928 PN Villa à Carthage, 1928 VE Ville d’Avray (Villa Church), 1928-1929 VA Palais du Centrosoyus à Moscou, 1928-1935 PC Maisons Loucheur, 1929 LO Études d’urbanisation en Amérique du Sud (Rio de Janeiro, Montevideo, São Paulo), UR 1929 Villa Savoye à Poissy, 1929-1931 VS Asile flottant de l’Armée du Salut, 1929 AF La Cité de Refuge (Armée du Salut) à Paris, 1929-1933 AS Les éléments du Mundaneum (Cité Mondiale), 1929 MU Salon d’automne, 1929 SA Maison de M. Errazuris, au Chili, 1930 ME Appartement de M. Charles de Beistegui, aux Champs-Élysées, à Paris, 1930-1931 AB Villa de Mme. H. de Mandrot, près Toulon, 1930-1931 VM Immeuble “Clarté” a Genève, 1930-1932 IC Pavillon Suisse à la Cité universitaire à Paris, 1930-1932 PS Palais des Soviets à Moscou, 1931 SM Urbanisation de la ville d’Alger, 1931-1942 UV Immeuble locatif à la Porte-Molitor à Paris (rue Nungesser-et-Coli), 1932-1934 NC Urbanisation d’Anvers, 1933 UA Projet pour le bâtiment de la “Rentenanstalt” à Zürich, 1933 RZ Barcelone. Lotissement destiné à la main-d’œuvre auxiliaire, 1933 BL Urbanisation de la ville de Nemours, 1934 NE Le village coopératif. Réorganisation agraire, 1934-1938 RA La Ville Radieuse, 1935 VR Urbanisation d’Hellocourt, 1935 UH Le gratte-ciel cartésien, 1935 GC

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Une maison de week-end en banlieue de Paris, 1935 MW Maison aux Mathes, 1935 MM Plans pour les musées de la Ville et de l’État à Paris, 1935 VP Rio de Janeiro: Plan pour la Cité Universitaire du Brésil, 1936. CU Palais du Ministère de l’éducation et de la santé publique à Rio de Janeiro, 1936-1945 RJ Un centre de réjouissance de 100,000 participants, 1936 CR Le Pavillon des Temps Nouveaux, 1937 TN Monument à la mémoire de Vaillant-Couturier, 1937 MV La Cité d’affaires d’Alger (Le gratte ciel de la Marine), 1938 CA Musée à croissance illimitée, 1939 CI M.A.S., Maisons montées a sec, 1939-1940 MS Maisons pour ingénieurs et contremaîtres, S.P.A., Lannemezan/Type de maison pour SL contre-maitre, 1940 Les maisons “Murondin,” 1940 MU Écoles volantes pour les réfugiés de la première partie de la guerre, 1940 EV La cité linéaire industrielle, 1942 CL L’Usine-Verte, 1944 UV Unité d’Habitation transitoire/Logis provisoires transitoires, 1944 LP Urbanisation de Saint-Dié, 1945 US Urbanisation de Saint-Gaudens, 1945-1946 SG Urbanisation de La Rochelle-Pallice, 1945-1946 LR Une manufacture à Saint-Dié, 1946-1951 SD L’Unité d’habitation à Marseille, 1946-1952 UM Le Palais de l’ONU à New York, 1947 UN La Basilique de la Paix et du Pardon, la nouvelle “Cité de la Sainte-Baume,” 1948 SB Le Plan d’Urbanisation de Bogotá (Colombie), 1950 UB “Roq” et “Rob” à Cap-Martin (Méditerranée), 1949 RR La Chapelle de Ronchamp (Notre-Dame-du-Haut), 1950-1954 ER Un cabanon à Cap-Martin (Méditerranée), 1951-52 CC Le Concours de Strasbourg pour 800 logements, 1951 CS Chandigarh: general (including plans, drawings, etc.), 1951-1954 ChG Chandigarh, Centre Civique, 1951-1952 ChC Chandigarh: Le Palais de Justice (including tapestry), 1952-1956 ChJ Chandigarh: Le Palais de l’Assemblée, 1952-1962 ChA Chandigarh: Le Secrétariat, 1952-1956 ChS Chandigarh: La Main Ouverte, 1952-1985 ChM Chandigarh (color transparencies), 1952 ChT Maisons rurales à Lagny (no date) MR Maisons Jaoul à Neuilly-sur-Seine, 1952-1956 JN L’Unité d’habitation à Nantes-Rezé, 1952-1953 NA “L e Modulor,” 1952-1953 LM Le Couvent de la Tourette, 1953-1959 LT Palais de l’Association des Filateurs d’Ahmedabad, 1954-1956 PF Le Centre Culturel d’Ahmedabad: le Musée, 1954-1957 AM Maison d’habitation de Mrs. Manorama Sarabhai à Ahmedabad, 1955-1956 AH

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Villa Shodhan à Ahmedabad, 1955-1956 AV Stade, Baghdad, 1956 BS Musée national des Beaux-Arts de l’Occident à Tokyo, 1957 TM L’Unité d’habitation à Briey-en-Forêt, 1957 BR L’Unité d’habitation à Berlin, 1957 BE Le Pavillon Philips à Bruxelles, 1958 PP La Maison du Brésil dans la Cite universitaire de Paris, 1958 PB L’Église de Firminy-Vert (projet), 1960-1965 FE Firminy-Vert: La maison des jeunes et de la culture, 1960-1965 FC Firminy-Vert: L’Unité d’habitation, 1960-1968 FU L’écluse de Kembs-Niffer, 1960-1965 KN Orsay-Paris, projet pour un Centre de culture, 1961 OP Visual Arts Center à Cambridge, Mass., USA (Carpenter Center), 1961-1964 BC Un Pavillon d’exposition à Zürich (Centre Le Corbusier), 1963-1967 PZ L’Ambassade de France à Brasilia, 1964-1965 AF Le nouvel hôpital de Venise, 1964-1965 VH Palais des Congrès à Strasbourg, 1964 PS Le Corbusier’s atelier at 35, Rue de Sèvres, undated AT Photographs of pages from, Le Corbusier, L’atelier de la recherche patiente, 1960 RP Photographs of pages from Œuvre complète, Vol. 1 OC Le Corbusier’s notebooks NB Le Corbusier’s notebooks (Voyage de Jeunesse) VO Le Corbusier’s student and apprentice work CF Furniture CM Exhibitions XS Printed Le Corbusier chronology TS

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Detailed inventory organized by project (the order is that of the lists above):

Title and date of Description of items. Identification work numbers for photographed (as Please note the following: items. given in Œuvre complète/Le 1. Dimensions of images are often given as approximations, in Corbusier, 8 Vols., batches, because many negatives and transparencies appear to be 1957-1970, unless copies from originals in other formats, or have been cut or masked otherwise stated, down from larger originals, so that the actual dimensions vary or enclosed in widely. square brackets). 2. In all descriptions, different floors of buildings are denoted in the European style, as in Œuvre complète, rather than the U.S. style. “Ground floor” = U.S. “first floor,” “first floor” = U.S. “second floor,” etc.

3: The majority of the negatives of photographs of buildings of the 1920s and 1930s listed below are copies of original negatives, mostly glass, from that period. Some of these are marked with one or more numbers which may be the original photographers’ negative numbers. Any such numbers are listed at the end of each entry in the finding aid, alongside the relevant GRI identification numbers for the copy negatives. Box 1 Villa Fallet (in 9 black-and-white negatives (original inventory lists 5). VF 1-8A catalog for 1987 6 6 x 8 cm.; 3 6 x 7 cm. Hayward Gallery VF 7 with original annotated glassine envelope. exhibition: Le All are exterior views of villa. Corbusier, Architect of the Century), 45 mounted and 2 unmounted, 35 mm. positive color VF 9-55 1905-1907 transparencies (original inventory lists 28; additional ones had been misidentified and misplaced elsewhere in archive). VF 37-55 misidentified in notes on mounts as photographs of “Villa Stotzer” or “Villa Jaquemet.” All are exterior views of villa. Villa Stotzer (in 21 mounted 35 mm. positive color transparencies (original ST 1-21 catalog for 1987 inventory lists 34, but 13 of these were misidentified). All are Musée des beaux- exterior views. arts, La Chaux-de- Fonds, exhibition, La Chaux-de-Fonds et Jeanneret avant Le Corbusier), 1908- 1909

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Villa Jaquemet (in 59 mounted 35 mm. positive color transparencies (original VJ 1-59 catalog for 1987 inventory lists 55). Some slides misidentified in notes on mounts as Musée des beaux- photographs of “Villa Stotzer” or “Villa Jeanneret.” VJ 21 and 36 arts, La Chaux-de- misidentified in labels on backs of mounts as “Villa Jacot.” Exterior Fonds, exhibition, views of villa and gardens. La Chaux-de-Fonds et Jeanneret avant 5 6 x 8 cm. black-and-white negatives (not in original inventory). VJ 60-64 Le Corbusier), 1908- Exterior views and details of villa. 1909 Atelier d’artistes, 1 black-and-white negative, 4 x 5 in. AA 1 1910 Photograph of p. 22 of Œuvre complète, Vol. 1. Villa Favre-Jacot (in 5 black-and-white negatives, approximately 6 x 8 cm.. FJ 1-5 catalog for 1987 Exterior views and details of villa. Musée des beaux- arts, La Chaux-de- 39 mounted 35 mm. positive color transparencies (original FJ 6-44 Fonds, exhibition, inventory lists 46 negatives). La Chaux-de-Fonds FJ 6-8 are general views of villa’s surroundings. et Jeanneret avant FJ 9-43 are exterior views of villa. Le Corbusier), 1912 FJ 44 is general view of Le Locle, the location of villa. Villa Jeanneret (in 5 black-and-white negatives, approximately 6 x 8 cm (original JE 1-4A catalog for 1987 inventory lists 4 negatives). Musée des beaux- arts, La Chaux-de- 65 mounted 35 mm. positive color transparencies (original JE 5-69 Fonds, exhibition, inventory lists 71, but 6 of these were misidentified). La Chaux-de-Fonds All photographs are exterior views of villa and gardens. et Jeanneret avant Le Corbusier), 1912 Box 2 Maison “Dom-ino,” 8 black-and-white negatives and 7 positive black-and-white MD 1-15 1914-1915 transparencies (original inventory lists 5 negatives). Negatives are: 4 approximately 4 x 5 in.; 4 35 mm. MD 8 and 10-15 are 35 mm. positive black-and-white transparencies. MD 1-3 are photographs of pp. 24-26 of Œuvre complète, Vol. 1; MD 4 is photograph of p. 23 with text masked out; MD 5-15 are photographs of illustrations on p. 26. Villa Schwob (in 46 black-and-white negatives (original inventory lists 40). SC 1-45 catalog for 1987 15 approximately 6 x 8 cm.; 21 6 x 6 cm.; 10 35 mm. (including SC Hayward Gallery SC 36 is 6 x 6 cm. negative, with original paper folder with contact 37A) exhibition: Le print pasted to it; SC 37-45 (including SC 37A) are the 35 mm. Corbusier, Architect negatives. of the Century), SC1 is general view of La Chaud-de-Fonds. 1916-1917 SC 2-3 show villa under construction (SC 3 is marked “4 bis”). SC 4-21and SC 37-37A are exterior views; SC 22-36 and 38-45 are interior views.

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28 positive color transparencies. SC 46-73 SC 46-71 are 35 mm. transparencies, 12 mounted and 11 unmounted, of exterior views; SC 73 is unmounted 6 x 6 cm. transparency of interior view, and SC 72 is 35 mm. copy of section of SC 71. Troyes, 1919 2 black-and-white negatives, with original annotated glassine TR 1-2 envelopes. 1 88 x 120 mm. (cut down from larger original); 1 35 mm. TR 1 is photograph of p. 29 of Œuvre complète, Vol. 1, with text masked off. TR 2 is photograph of drawing reproduced on p. 26 of Œuvre complète, Vol. 1. Maison “Monol,” 1 black-and-white negative, 90 x 120 mm. (cut down from larger MN 1 1920 original) (Not in original inventory). Photograph of p. 30 of Œuvre complète, Vol. 1, with text masked off. Maison “Citrohan,” 8 black-and-white negatives (original inventory lists 7). MC 1-8 1920 3 approximately 6 x 8 cm.; 5 cut down and masked from larger originals. MC 7-8 with original annotated glassine sleeves. MC 1-4 and 8 are photographs of drawings; MC 5-7 are photographs of models. Salon d’automne, 1 negative 174 x 235 mm. (not in original inventory). SO 1 1922 Exhibition of plan for “Une .” Villa à Vaucressan, 8 black-and-white negatives and 4 positive black-and-white VV 1-12 1922 transparencies (original inventory lists 10 negatives). Negatives are: 1 117 x 177 mm. (cut down from larger original); 3 approximately 4 x 5 in.; 1 73 x 97 mm. (cut down from larger original; 3 6 x 8 cm. (1 masked down to smaller size). VV 9-12 are the positive black-and-white transparencies. VV 1, 3 and 8-11 with original annotated glassine envelopes. VV 1-2, 4-7 and 9 are exterior views; 3, 8 and 10-12 are interior views.

Negatives with original photographers’ numbers: VV 4: 45 and 466. VV 6: 46 and 469. Maison du peintre 17 black-and-white negatives (original inventory lists 16). MO 1-17 Ozenfant à Paris, 8 approximately 5 x 7 in.; 5 4 x 5 in.; 4 approximately 6 x 7 cm. 1922-1924 MO 7, 9 and 17 with original annotated glassine envelopes. MO 1-9 are exterior views; MO 10-17 are interior views of studio.

45 mounted and 1 unmounted 35 mm. positive color transparencies MO 18-63 (original inventory lists 43). MO 18-36 are exterior views; MO 37-63 are interiors.

Negatives with original photographers’ numbers: - Page 13 -

MO 3: 68—(number partly cut off on trimmed edge) and 446. MO 4-5: 63 (2 copies of same negative). MO 11: 61 and 481. MO 13-15: 64 and 479 (3 copies of same negative). Immeubles-villas, 3 black-and-white negatives and 1 positive black-and-white IV 1-4 1922-1925 transparency (original inventory lists 3 negatives). Negatives are: 1 87 x 112 mm.; 1 68 x 111 mm.; 1 55 x 87 mm. (all cut down from larger originals). IV 1 is photograph of illustration on p. 41 of Œuvre complète, Vol. 1; IV 2 is photograph of p. 43 with main illustration cut out; IV 3 is photograph of illustration on p. 92. IV 4 is positive black-and-white transparency of illustration on p. 43 of Œuvre complète, Vol. 1. Maisons La Roche 179 black-and-white negatives, and 1 positive black-and-white ML 1-176 et Jeanneret, 1923- transparency (original inventory lists 182 negatives). (including 1925 Negatives are: 2 approximately 5 x 7 in.; 23 approximately 4 x 5 in.; 40A-40B, 59 6 x 9 cm.; 21 approximately 6 x 8 cm.; 62 6 x 6 cm.; 12 in other 74A) formats, some cut and masked down from larger originals, and including 24 x 57 mm. frames on 35 mm. film (made using Widelux™ camera). Many negatives with original annotated glassine sleeves. ML 59-61 and ML 175-176 are medium-format negatives with original paper folders with contact prints pasted to them. ML 63 is positive black-and-white transparency of dining room in Maison Jeanneret. ML 1-61 are exterior views; ML 62-176 are interiors. ML 1-5, ML 15-36 and ML 41-58 mostly show entrance front of both houses, and exterior of gallery wing of Maison La Roche. ML 8-14 and ML 37-40B are photographs of roof garden. ML 62 shows entrance of Maison La Roche. ML 66-70 are 4 x 5 negatives of dining room in Maison La Roche. ML 71-73 are 4 x 5 negatives of living room in Maison Jeanneret. ML 74, and bulk of remainder of interior photographs, show miscellaneous views of entrance hall and gallery wing of Maison La Roche, including artworks as displayed there.

Negatives with original photographers’ numbers: ML 1: number indecipherable (faded, and partly cut off on trimmed edge). ML 7: 490 (number faded). ML 8-9: 487 (last digit faded) (2 copies of same negative). ML 10-11: 106 (2 copies of same negative). ML 65: 118. ML 66-68: 119 and 540 (“540” is crossed out) (3 copies of same negative). ML 73: 115.

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Box 3 Maisons La Roche 158 positive color transparencies (original inventory lists 152). ML 177-334 et Jeanneret 1 6 x 6 cm.; 17 unmounted and 140 mounted 35 mm. (continued), 1923- ML 197 and 198 are misidentified in notes on mounts as “VPL” (for 1925 “Villa Planeix”) and “VCO” (for “”) respectively; 332 is misidentified as “Villa Planex” (sic) in label on back of mount. ML 177-214 and 328-332 are exterior views; ML 215-327 and 339 are interiors. ML 199-214 show details of roof terraces and garden. ML 215-232 show views from interior through windows. Bulk of remainder of interior photographs show miscellaneous views of entrance hall and gallery wing of Maison La Roche (233 and 333 are views out through entrance door), including artworks displayed there. ML 320-325 are possibly interior details of Maison Jeanneret. Maisons Lipchitz et 22 black-and-white negatives and 4 positive black-and-white LM 1-25 Miestchaninoff, transparencies. (including 1923-1924 Negatives are: 6 approximately 5 x 7 in.; 2 approximately 4 x 5 in.; 1 19A) 6 x 9 cm.; 8 approximately 6 x 8 cm.; 5 cut and masked down to other formats. LM 3-4, 12, 18-19 and 20-25 with original annotated glassine envelopes. LM 26-29 are the positive black-and-white transparencies. LM 1-8 and 22-23 are exterior views. LM 9-12 are interior views. LM 13-21 (including 19A) and 24-25 are views of garden.

1 unmounted and 51 mounted 35 mm. positive color transparencies (original inventory lists 72, but some of these were misidentified). LM 26-76 LM 26 is mounted with piece of tracing paper, which has outlines and dimensions marked on it. LM 26-42 are exterior views. LM 43-44 are exterior views of adjoining Canale House (not designed by Le Corbusier). LM 45-60 are views of and from roof terrace. LM 61-68 are views of garden. LM 69-76 are interior views.

Negatives with original photographers’ numbers: LM 1: 443 (second digit difficult to read; could be “6”). LM 2: 58. LM 14-15: 53 (2 copies of same negative). LM 16: 54. LM 17: 55.

- Page 15 -

Maisons en série 1 black-and-white negative, 88 x 119 mm. (cut and masked down MA 1 pour artisans, 1924 from larger original). Photograph of p. 54 of Œuvre complète, Vol. 1, with text masked off. Cité Lège, 10 2 black-and-white negatives (not in original inventory). LF 1-2 houses for Henry 1 90 x 112 mm.; 1 97 x 114 mm. (both cut and masked down from Frugès (listed in larger originals). Both are exterior views of buildings under “Chronology” of construction (LF1 shows canteen). catalog for 1987 exhibition, Le Corbusier, Architect of the Century), 1924 Petite villa au bord 25 black-and-white negatives and 5 positive black-and-white VL 1-28 du lac Leman transparencies (original inventory lists 28 negatives). (including (Vevey), 1925 Negatives are: 1 124 x 133 mm. (cut down from larger original); 1 91 14A, 24A) x 133 mm. (cut down from larger original); 7 approximately 4 x 5 in.; 5 approximately 6 x 8 cm.; 1 6 x 7 cm.; 4 6 x 6 cm. (2 masked down to smaller formats); 1 4.5 x 7 cm.; 5 35 mm. VL 1, 4 and 14A with original annotated glassine envelopes. VL 25-28 are the positive black-and-white transparencies. VL 1 is photograph of p. 67 from Le Corbusier’s, L’atelier de la recherche patiente, 1960. VL 2-20 and 25-28 are exterior views. VL 21 is photograph of man, possibly Albert Jeanneret, on terrace. VL 22-24 are interior views. VL 24A is photograph of two photographs of villa, pinned to display board.

82 mounted and 1 unmounted 35 mm. positive color VL 29-111 transparencies. VL 29-72 and 111 are exterior views. VL 73-78 are photographs of roof terrace. VL 79-110 are interior views.

Negatives with original photographers’ numbers: VL 3-4: 242 and 492 (2 copies of same negative). Box 4 Pessac, 1925-1928 93 black-and-white negatives and 19 positive black-and-white PE 1-112 transparencies (original inventory lists 120 negatives). Negatives are: 1 126 x 162 mm. (cut down from larger original); 7 approximately 4 x 5 in. (some cut and masked down to smaller formats); 60 approximately 6 x 8 cm.; 24 6 x 6 cm.; 1 35 mm. Many images with original annotated glassine envelopes. PE 92-94 and 96-111 are the positive black-and-white transparencies. PE 1-79 is sequence of negatives originally housed

- Page 16 -

in glassine envelopes numbered from P-1 to P-111 by Hervé (PE 1 and 3 are numbered in ink on edges) (numbers are not continuous, and some are repeated). PE 80, 94-97, and 102 are photographs of p. 78 of Œuvre complète, Vol. 1. All other photographs are exterior views of buildings, except PE 86, which is interior view of living room.

13 mounted 35 mm. positive color transparencies (not in original PE 113-125 inventory). All are exterior views of buildings. Villa Meyer, Paris, 4 black-and-white negatives (not in original inventory). MY 1-4 1925 1 86 x 111 mm. (cut and masked down from larger original); 1 99 x 123 mm. (cut down from larger original); 2 6 x 6 cm. MY 1-2 are photographs of axonometric drawings. MY 3 is photograph of drawing reproduced on p. 88 of Œuvre complète, Vol. 1; 4 is photograph of drawings reproduced on p. 90. Petite maison 4 negatives and 1 positive black-and-white transparency (original MT 1-5 d’artistes à inventory lists 8 negatives, but 3 of these were misidentified). Boulogne (Maison Negatives are: 2 approximately 5 x 7 in.; 1 92 x 120 mm. (these 3 cut Ternisien), 1925- down from larger originals); 1 6 x 7 cm. 1927 MT 1 is the positive black-and-white transparency. All are copies of same photograph of garden and studio.

Negatives with original photographers’ numbers: MT 4-5: 89 and 612 (“612” is crossed out) (2 copies of same negative). Pavillon de l’Esprit- 40 black-and-white negatives and 1 positive black-and-white EN 1-40 Nouveau, Paris, transparency (original inventory lists 41 negatives). (including EN 1925 Negatives are: 1 5 x 7 in.; 1 approximately 4 x 6.5 in.; 28 11A) approximately 4 x 5 in.; 2 6 x 9 cm.; 8 apparently cut down to various small and medium-format s from larger originals. EN 6, 12-14, 16, 19 and 31 with original annotated glassine envelopes. EN2 is 6 x 4.5 cm. positive black-and-white transparency. EN 1-2 are photographs of spread of, in order as shown, pp. 28, 43, 35, 39 (not 36, as written in lower left-hand corner of page), 90, 96 and 102-103 of Œuvre complète, Vol. 1, pinned to display board. EN 3 is photograph of illustration on p. 98. EN 8-9 show photographs of pavilion pinned to display board. EN 33-40 show various photographs of pavilion clipped to display boards. EN 4 and EN 19-20 show the “Plan Voisin de Paris” display in the pavilion. EN 10-15 are exterior views; EN 16-18 show entrance; EN 21-22 show the “jardins-suspendus;” EN 23-32 are interiors.

Negatives with original photographers’ numbers: EN 14: 508. - Page 17 -

EN 15: 39. EN 17-18: 61 and 515 (2 copies of same negative). EN 19: 12. EN 20: 20. EN 25: 21 and 522. Le “Plan Voisin” de 27 black-and-white negatives and 6 positive black-and-white PV 1-33 Paris, 1925 transparencies (original inventory lists 30 negatives). Negatives are: 10 approximately 8 x 10 in.; 2 approximately 5 x 7 in.; 10 approximately 4 x 5 in.; 1 approximately 3.5 x 7 in. (cut down from larger original); 1 4.5 x 6 cm.; 2 cut down to small formats from larger originals. PV 25, 27-28 and 31-33 are the positive black-and-white transparencies. PV 1 is photograph of p. 63 from Le Corbusier’s, L’atelier de la recherche patiente, 1960; PV 26 and 31 are photographs of illustration on p. 64. PV 2-5 are photographs of pp. 109, 110, 113 and 114 of Œuvre complète, Vol. 1; PV 6 and 25 are photographs of illustration on p. 117; PV 29 is photograph of illustration on p. 108. Remainder are photographs of models. Maison Cook, 1926- 38 black-and-white negatives and 4 positive black-and-white VC 1-42 1927 transparencies (original inventory lists 45 negatives, but 4 of these were misidentified). Negatives are: 9 approximately 5 x 7 in.; 12 approximately 4 x 5 in.; 5 approximately 6 x 9 cm.; 3 approximately 6 x 8 cm.; 2 approximately 6 x 7 cm.; 7 approximately 6 x 6 cm. VC 7, 38, 39 and 41 with original annotated glassine envelopes. VC 29 and 40-42 are the positive black-and-white transparencies. VC 1 is photograph of cross-section drawings on p. 133 of Œuvre complète, Vol. 2. VC 2-8 show photographs of building clipped to display boards. VC 9-20, 22-24 and 40 are exterior views. VC 21 is photograph of roof terrace. VC 25-39 and 41-42 are interiors.

7 mounted 35 mm. positive color transparencies. VC 43-49 All are exterior views, VC 43-48 from garden, 49 from street.

Negatives with original photographers’ numbers: VC 11-13: 238 (3 copies of same negative). VC 14: 26 and 666. VC 16: 654 (number partly cut off on trimmed edge). VC 21: 93. VC 31: 94 and 663 (numbers partly cut off on trimmed edge). VC 33-36: 664 (4 copies of same negative).

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Maison Guiette à 7 black-and-white negatives (original inventory lists 8, but one of MG 1-7 Anvers, 1926 these was misidentified). 1 95 x 105 mm. (cut down from larger original); 1 64 x 83 mm. (cut down from larger original); 3 6 x 8 cm.; 2 6 x 6 cm. MG 1 is photograph of p. 138 of Œuvre complète. MG 2-4 are exterior views; MG 5-6 are interiors; MG 7 shows photograph pinned to board.

24 mounted 35 mm. positive color transparencies (original MG 8-31 inventory lists 25). MG 8-30 are exterior views; MG 31 is interior. Box 5 Villa à Garches 49 black-and-white negatives and 14 positive black-and-white VG 1-63 (Villa Stein-de transparencies (original inventory lists 73 negatives, but see entry Monzie), 1927-1928 for VG 61-62 at “*” below). Negatives are: 1 approximately 6 x 8 in.; 10 approximately 5 x 7 in.; 1 approximately 3.5 x 5 in. (cut down from larger original); 16 approximately 4 x 5 in.; 5 6 x 9 cm.; 6 approximately 6 x 8 cm.; 5 approximately 6 x 7 cm.; 1 approximately 6.5 x 6.5 cm. (cut down from larger original); 5 approximately 6 x 6 cm.; 1 31 x 35 mm. (cut down from larger original). VG 14 and 36 with original annotated glassine envelopes. VG 49-60 are the positive black-and-white transparencies; VG 61 and 62 are strips of 35 mm. film with 4 and 3, respectively, 18 x 25 mm. copies of the same photograph. VG 1-5 are photographs of plans, etc., on pp. 142-144 of Œuvre complète, Vol. 1; 6 is photograph of axonometric drawing of villa. VG 7-15, 38-43, 51-57 and 64-65 are exterior views. VG 16-23, 27, 44 and 58 show first floor covered terrace. VG 24-26 and 59-60 show roof garden. VG 28-37 and 61-63 are interiors. VG 45-47 and 63 show photographs pinned to display boards. VG 48 was originally filed with these photographs, but is difficult to identify and may belong elsewhere.

42 mounted and 1 unmounted 35 mm. positive black-and-white and VG 64-106 color transparencies (original inventory lists 53, but only 50 were found at time of processing, and 7 of these were misidentified). VG 64-65 are the positive black-and-white transparencies. VG 64-99 are exterior views. VG 100-106 are photographs of first floor covered terrace, and roof garden.

Negatives with original photographers’ numbers: VG 7: 128. VG 10: 129 (number difficult to read). VG 11: 125 (number partly cut off on trimmed edge). - Page 19 -

VG 15: 126. VG 16: 156 (number partly cut off on trimmed edge). VG 17-18: 157 (2 copies of same negative). VG 20-21: 153 (2 copies of same negative). VG 24: 158. VG 31: 144. VG 32: 145. VG 34-35: 163 (2 copies of same negative). VG 36-37: 137 (2 copies of same negative). VG 42: 133. La Colonie 24 black-and-white negatives and 2 positive black-and-white WS 1-24 “Weissenhof” à transparencies (original inventory lists 34 negatives, but 9 of these (including WS Stuttgart, 1927 were misidentified). 2A and WS Negatives are: 10 approximately 4 x 5 in.; 1 approximately 6 x 8 cm.; 2B) 13 35 mm. WS 5 with original annotated glassine envelope. WS 1-2 are the positive black-and-white transparencies. All are exterior views. WS 22 shows Oud houses, and postwar house built to replace demolished Gropius house.

28 mounted and 3 unmounted 35 mm. positive color transparencies (original inventory lists 28 transparencies). All are exterior views. WS 25-55 WS 1-13 and 25-27 show one building with scaffolding erected against it.

Negatives with original photographers’ numbers: WS 2A: 173. Maison Planeix à 70 black-and-white negatives. MP 1-70 Paris (misspelled as 3 approximately 4 x 5 in.; 1 67 x 112 mm. (cut down from larger “Plainex” in Œuvre original); 6 6 x 8 cm.; 60 35 mm. MP 39-40 are frames which overlap complète, Vol. 1), on the film strips, with consequent partial double exposure. 1927-1928 MP 1-8 are exterior views; 9-10 are interiors. MP 11-70 are strips of 35 mm. negatives from two (?) different rolls of film, arranged here in frame number order. They are mixture of exterior and interior views.

66 mounted and 13 unmounted 35 mm. positive color MP 71-149 transparencies (original inventory lists 74, but some were misidentified, and others, misplaced elsewhere, were replaced here). MP 71-123 and 147-149 are exterior views; 124-146 are interiors. MP 81-107 are miscellaneous views and details of exterior staircase to garden.

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Palais pour la 17 black-and-white negatives and 4 positive black-and-white SN 1-21 Société des transparencies (original inventory lists 17 negatives). Nations, 1927-1928 Negatives are: 1 approximately 8 x 10 in.; 2 approximately 5 x 7 in.; 3 approximately 4 x 5 in.; 1 65 x 120 mm. (cut down from larger original); 3 approximately 6 x 8 cm.; 1 6 x 6 cm.; 6 cut down from larger originals to various smaller formats. SN 11-15 with original annotated glassine envelopes. SN 6-8 and 17 are the positive black-and-white transparencies. SN 1 and 4-5 are photographs of illustrations on pp. 160-161 of Œuvre complète, Vol. 1. SN 2 and 14-16 are photographs of illustrations on p. 167 of Œuvre complète, Vol. 1. SN 3 is photograph of cross sections. SN 8 and 10 are photographs of original (?) of drawing reproduced on p. 162 of Œuvre complète, Vol. 1. SN 9 and 13 are photographs of illustrations on pp. 170 and 163 respectively of Œuvre complète, Vol. 1. SN 11-12 are photographs of illustrations on pp. 78-79 of, Le Corbusier’s L’atelier de la recherche patiente, 1960. SN 17-19 are photographs of plans. SN 20-21 are photographs of model. Box 6 Pavillon Nestlé, 10 black-and-white negatives and 1 positive black-and-white PN 1-11 1928 transparency (original inventory lists 11 negatives). Negatives are: 3 approximately 8 x 10 in.; 2 approximately 5 x 7 in.; 2 approximately 4 x 5 in.; 1 approximately 6 x 8 cm.; 2 approximately 6 x 6 cm. PN 11 is the positive black-and-white transparency.

Negatives with original photographers’ numbers: PN 1: 85. Villa à Carthage, 11 black-and-white negatives. VE 1-11 1928 4 approximately 4 x 5 in.; 2 approximately 6 x 8 cm.; 5 approximately 6 x 7 cm. VE 11 with original annotated glassine envelope. VE 1, 5-7 and 10 are photographs of drawings. VE 2, 8-9 and 11 are exterior views of finished building.

9 mounted 35 mm. positive color transparencies. VE 12-20 Photographs of sheet of drawings taped to wall. Ville d’Avray (Villa 23 black-and-white negatives and 1 positive black-and-white VA 1-24 Church), 1928-1929 transparency (original inventory lists 22 negatives). Negatives are: 1 5 x 7 in.; 18 approximately 4 x 5 in.; 3 approximately 6 x 11 cm.; 1 30 x 35 mm. (cut down from larger original). VA 20 is the positive black-and-white transparency. VA 1 is exterior view of Annex. - Page 21 -

VA 2-10 are exterior views of Pavilion. VA 11-15 are views of roof terrace and garden on Pavilion. VA 16-17 are interior views of ground floor entrance hall; 18-19 are interior views of living room. VA 20-22 are interior views of dining room in Annex. VA 23 is interior view of “grande salle” and library in Pavilion. VA 24 is photograph of print of VA 19 pinned to display board.

Negatives with original photographers’ numbers: VA 1: 278. VA 3-4: 271 (2 copies of same negative). VA 6: 28_ (number partly cut off on trimmed edge). VA 12: 272 (third digit difficult to read). VA 13: 274. VA 15: 275. VA 16: 277. VA 18: 279. VA 20: 280. Palais du 65 black-and-white negatives and 2 positive black-and-white PC 1-64 Centrosoyus à transparencies (original inventory lists 65 negatives). (including Moscou, 1928-1935 Negatives are: 3 approximately 4 x 5 in.; 2 approximately 6 x 8 cm.; 2A-2C) 1 39 x 77 mm. (cut down from larger original); 59 approximately 6 x 6 cm. PC 2-2A are the positive black-and-white transparencies. PC 3-4 with original annotated glassine envelopes; PC 63-64 are medium-format negatives with original paper folders with contact prints pasted to them. PC1-2C are photographs of drawings (of exterior of building in 1, of main hall and cloakrooms in 2-2C). PC 3-4 are photographs of models. PC 5-9 show photographs of model shown in PC 3, mounted on display boards. PC 10-11 appear to show building under construction. PC 12-36 and 63 are exterior views; 37-62 and 64 are interiors. Maisons Loucheur, 2 black-and-white negatives (not in original inventory). LO 1-2 1929 1 72 x 118 mm. (cut down from larger original); 1 6 x 8 cm. LO1 is photograph of p. 86 of L’atelier de la recherche patiente, 1960; 2 is photograph of drawing reproduced at foot of that page. Études 5 black-and-white negatives and 3 35 mm. positive black-and-white UR 1-10 d’urbanisation en transparencies (not in original inventory). Amérique du Sud Negatives are: 1 5 x 7 in.; 2 approximately 4 x 5 in.; 4 35 mm. (Rio de Janeiro, UR 4-5 and 8 are the positive black-and-white transparencies. Montevideo, São UR 1-5 are photographs of annotated drawing reproduced on p. 138 Paulo), 1929 of Œuvre complète, Vol. 2; UR 10 is photograph of this drawing and 3 others. UR 6-8 are photographs of 2 upper drawings reproduced on p. 138 of Œuvre complète, Vol. 2. - Page 22 -

UR 9 is photograph of p. 295 of L’atelier de la recherche patiente, 1960. Villa Savoye à 336 black-and-white and 5 color negatives, and 27 positive black- VS 1-356 Poissy, 1929-1931 and-white transparencies (original inventory lists 355 negatives). (including Negatives are: 16 approximately 8 x 10 in.; 1 approximately 4.5 x 7.5 9A-9D, 11A, in. (cut down from larger original); 2 approximately 5 x 7 in.; 31 133A, 172A- approximately 4 x 5 in.; 83 6 x 9 cm.; 22 6 x 8 cm.; 13 6 x 7 cm.; 52 6 172D, 209A, x 6 cm.; 1 33 x 45 mm. (cut and masked down from larger original); 326A) 115 35 mm. VS 119, 167, 184-185 and 352 with original annotated glassine envelopes. VS 7-8 and 327-351 are the positive black-and-white transparencies (listed separately below). VS 352-356 are 4 x 5 in. color copy negatives, from original 35 mm. transparencies. VS 1-9 are photographs of plans or drawings. VS 9A-9D are photographs of p. 189 of Œuvre complète, Vol. 1. VS 10-11A show villa under construction. VS 12-15 are views of house from north-west (?); 16-17, 23 and 26 are views from south-west; 18-19, 22 and 25 are views from east; 20 is view from south-east. VS 27-35 show vehicular arrival and departure driveway behind pilotis. VS 36-47 are interior views of entrance hall. VS 48 and 50-51 are photographs of ramp; 49 is photograph of first floor landing. VS 52-53 and 58-59 are interior views of salon; 54-57 are interior views of kitchen. VS 60-62 and 73 show living room and first floor terrace; 63-65 and 74 are views of first floor terrace from living room; 66-72 and 75-76 are views of first floor terrace; 77-82 are views of roof terrace; 83 is photograph of ramp from first floor terrace to roof terrace. VS 84-87 show photographs of villa pinned or clipped to display boards. VS 88-209 is series of photographs, both exterior and interior views, showing restoration work in progress on villa in 1960s (?). VS 88-90 and 101 are views of house from west; 91 and 105 are views from east; 92-95 are views from north-west; 96-97 are views from west; 98 and 102 are views from south-east; 103-104 are views from south; 107 and 110 are views from north. VS 115 is view of roof terrace. VS 100, 108-109, 111-114 and 209A show the vehicular arrival and departure driveway behind pilotis; 116 is view into entrance hall from driveway. VS 117-125 are interior views of entrance hall; 126 and 162 are photographs of ramp from entrance hall to first floor landing; 127- 138 (including 133A) and 164 are photographs of first floor landing; - Page 23 -

139-140 are views into entrance hall from linen room at rear of house; 163 is photograph of spiral staircase. VS 141-142 and 165 are interior views of salon; 143-144, 156-157, and 168-169 are unidentified interiors; 145-148 are interior views of kitchen; 149-155 and 183 are photographs of Madame Savoye’s bathroom. VS 158-161 are unidentified details. VS 166 shows salon and first floor terrace; 167, 173-176, 182, 184, and 186-190 are views of first floor terrace; 170-171, 185, 195-209 are views of roof terrace; 177-181 and 191-194 are photographs of ramp from first floor terrace to roof terrace. VS 172-172D are photographs of gardener’s lodge. VS 210-323 is series of 35 mm. photographs apparently showing villa at, or near, completion of restoration work in 1960s(?). VS 210-211 are views of house from north; 212-215 are views from west; 216-220 are views from north-east; 221-224 and 327-328 are views from east; 225-227 are photographs of east corner of house. VS 228-241 and 244-247 show vehicular arrival and departure driveway behind pilotis. VS 248 and 272 are interior views of ground floor rooms; 249 and 254-271 are interior views of entrance hall; 250 is interior view of linen room at rear of house; 251 is view into entrance hall from linen room; 252-253 and 273-276 are photographs of ramp from entrance hall to first floor landing. VS 277-285 and 287-288 are photographs of first floor landing. VS 286 and 289-294 show first floor bedrooms; 295-297, 299-300 and 313-314 are interior views of kitchen; 298 and 301-309 are interior views of living room; 315 is unidentified interior detail. VS 310-312 and 316-323 are views of first floor terrace. VS 324-326A are negatives with original paper folders with contact prints pasted to them (326A is photograph of gardener’s lodge, misidentified on paper envelope as “Villa Cook”). Positive black-and-white transparencies: VS 321-328 are views of house from east; 329-330 are views from south; 331 is view from south-west; 332 is view from north; 333-334 show vehicular arrival and departure driveway behind pilotis; 335-338 are interior views of entrance hall; 339-340 are photographs of ramp from entrance hall to first floor landing; 341 is photograph of first floor landing; 342 is interior view of kitchen; 343-344 are interior views of living room; 345-350 are views of first floor terrace; 351 is view of roof terrace.

Negatives with original photographers’ numbers: VS 15: 1052. VS 22: 1013. VS 23: 1018. VS 30-31: 1000 (2 copies of same negaive). VS 32-33: 1005 (2 copies of same negative). - Page 24 -

VS 34: 1013 (different photograph from VS 22 above). VS 45: 1056. VS 48: 1001. VS 49: 1003. VS 58: 1010. VS 73: 1011. VS 75: 1016. VS 77: 1002. VS 172: 1009. Box 7 Villa Savoye à 192 positive color transparencies (original inventory lists 194). VS 357-548 Poissy (continued), Many of these photographs also show progress of restoration work 1929-1931 on villa. 22 unmounted 6 x 6 cm. transparencies (3 cut down to smaller sizes); 31 unmounted and 139 mounted 35 mm. transparencies (2 cut down to smaller sizes). VS 357 and 397-401 are views of house from east; 358 and 387-390 are views from west; 359 and 391-394 are views from north-east; 360 and 402 are photographs of entrance; 379-382 are views from north; 383-386 are views from north-west; 395-396 are details of north-east façade of ground floor; 397-398 are views from south- east; 402-403 are views from south. VS 407-411 are photographs of gardener’s lodge. VS 361-364 and 412-423 are interior views of entrance hall; 365-368 and 424-431 are photographs of ramp from entrance hall to first floor landing; 369-370 and 432-461 are photographs of first floor landing (from first floor terrace in 460-461). VS 462 is view into kitchen(?); 463 is photograph of Madame Savoye’s bathroom; 464-471 are interior views of living room; 472- 474 show living room and first floor terrace. VS 371-373, 475-503, and 548 are views of first floor terrace. VS 374-377 and 504-523 are photographs of ramp from first floor terrace to roof terrace. VS 378 and 524-547 are views of roof terrace. Asile flottant de 2 mounted 35 mm. transparencies (not in original inventory). AF 1-2 l’Armée du Salut, 1929 La Cité de Refuge 37 black-and-white negatives (original inventory erroneously lists AS 1-34 (Armée du Salut) à 88; “contents” labels from Hervé’s original Dossier 4 list 35 (including 3A, Paris, 1929-1933 negatives). 26A-26B) 8 approximately 4 x 5 in.; 3 approximately 6 x 8 cm.; 26 6 x 6 cm. AS 8-9 with original annotated glassine envelopes. AS 27-34 are medium-format negatives with original paper folders with contact prints pasted to them. AS 1-2 and 8-9 are views of entrance; 3 is detail of south façade and entrance; 3A-4 are views of south façade and entrance pavilion from first floor terrace. - Page 25 -

AS 5 shows vehicular access route. AS 6 is photograph of library courtyard. AS 7 is interior view of entrance hall. AS 10 is unidentified exterior view. AS 11-13 are distant views of building. AS 14-19 are miscellaneous views and details of entrance. AS 20-22 are details of south façade and entrance pavilion. AS 23-24 are views of south façade; 25-26 are details of façades. AS 26A-26B are interior views of entrance hall.

117 black-and-white negatives. Not in original inventory: had been AS 35-150 misidentified, and misplaced elsewhere in archive. (including 1 112 x 120 mm. (cut down from larger original); 14 approximately 4 111A, 145A) x 5 in.; 9 6 x 9 cm.; 93 6 x 6 cm. AS 146 with original annotated glassine envelope. AS 35-119 is sequence of negatives originally housed in glassine envelopes numbered from AS-1 to AS-167 by Hervé (numbers are not continuous, and AS-70 is repeated). The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. Within this sequence photographs of different subjects are distributed as follows: Distant views of building: AS 1, 54-56, 73, 74, 75, 78-80, 83-84, 87- 88. Views and details of entrance: AS 2, 43-45, 47-53, 73, 77, 81, 98, 102, 104-105, 107, 109-111, 113, 116, 118; view down onto entrance pavilion from upper level: AS 93. Photographs of pilotis under building: AS 37, 76, 95. Detail of unidentified church: AS 38. Details of south façade and entrance pavilion: AS 39, 117. Views and details of façades: AS 40, 42, 61, 82, 94, 100, 103, 106, 114. Interior views of entrance hall: AS 41, 57, 63-68, 85, 92, 119. Unidentified details: AS 46, 112. Window details: AS 58, 69. Interior views of dormitories: AS 59, 62, 70; of individual rooms: AS 60, 99. Views of “restaurant” from entrance hall: AS 86; interior views of kitchen: AS 89-90. Solarium of nursery: AS 91. Interior views of library: AS 96-97. Room with service piping, machinery, etc.: AS 101. Window-cleaning rig: AS 107, 111A. View out from interior (during construction work): AS 115. Other negatives: AS 120-123 and 141 are distant views of building. - Page 26 -

AS 124-128 and 142-146 (including 145A) are miscellaneous views and details of entrance. AS 129-130 and 147 are details of façades. AS 131-133 are interior views of entrance hall; 134-135 are views of “restaurant” from entrance hall; 149 is interior view of “restaurant.” AS 136-137 and 150 are interior views of dormitories. AS 138 is photograph of window-cleaning rig; 139 is photograph of construction materials by pilotis under building. AS 140 is photograph of model. AS 148 is unidentified interior.

23 mounted and 3 unmounted 35 mm. positive color transparencies (original inventory lists 22). AS 151-176 AS 151-175 are exterior views of building; AS 176 may show used furniture being collected.

Negatives with original photographers’ numbers: AS 144: 2115. AS 145A: 2116. Box 8 Les éléments du 7 black-and-white negatives (original inventory lists 9, but 3 of MU 1-7 Mundaneum (Cité these were misidentified, and 1 was replaced here from elsewhere Mondiale), 1929 in the archive). 4 approximately 8 x 10 in.; 1 4 x 5 in.; 1 approximately 6 x 6 cm. MU 6 with original annotated glassine sleeve. MU 1-3 are photographs of plans and drawings; 4-7 are photographs of diorama shown on p. 214 of Œuvre complète, Vol. 1 Salon d’automne, 6 black-and-white negatives, approximately 4 x 5 in. (original SA 1-6 1929 inventory lists 4). SA 1-5 show room interiors; 6 is photograph of chaise-longue frame. Maison de M. 2 black-and-white negatives (original inventory lists 1), each 4 x 5 in. ME 1-2 Errazuris, Chili, ME 1 is photograph of p. 49 of Œuvre complète, Vol. 2; 2 is 1930 photograph of p. 50. Appartement de M. 17 black-and-white negatives (not in original inventory). AB 1-17 Charles de 5 approximately 4 x 5 in. (cut or masked down from larger originals); Beistegui, aux 12 85 x 117 mm. Champs-Élysées, à AB 1-3 are interior views (2 is photograph of room with spiral Paris, 1930-1931 staircase; 3 is photograph of library). AB 4-17 are photographs of the series of roof terraces, and steps between them.

Negatives with original photographers’ numbers: AB 1: 2036. AB 7: 2021. AB 9: 2023

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Villa de Mme. H. de 36 black-and-white negatives and 2 positive black-and-white VM 1-37 Mandrot, près transparencies (original inventory lists 39 negatives, but 40 (including Toulon, 1930-1931 negatives and positives were found at time of processing, and 2 of 7A) these were misidentified). Negatives are: 1 approximately 4 x 5 in.; 1 85 x 170 mm. (cut and masked down from larger original); 1 51 x 100 mm. (cut down from larger original); 2 approximately 5 x 7cm.; 31 6 x 6 cm. VM 1 with original annotated glassine envelope. VM 2 is medium-format negative with original paper folder with contact print pasted to it. VM 5-6 are the positive black-and-white transparencies. VM 1, 3-6 and 7A are views of building from south. VM 8-14 are views and details of north side of building. VM 15 is photograph of path from north entrance. VM 2, 7 and 25-29 are interior details of artist’s studio in basement. VM 16-17 are interior views of kitchen; 18-23 and 31-35 are miscellaneous interior views; 24 and 36-37 are interior views of bathroom. VM 30 is photograph of ruined buildings, originally filed within Villa Mandrot sequence, and in glassine sleeve labeled “VMA,” Hervé’s abbreviation for “Villa Mandrot.”

3 mounted 35 mm. positive color color transparencies (not in original inventory). VM 38-40 All are interior details of artist’s studio in basement. Immeuble “Clarté” 33 black-and-white negatives (original inventory lists 36, but 4 of IC 1-33 à Genève, 1930- these were misidentified, and 1 was replaced here from elsewhere 1932 in the collection). 2 approximately 4 x 5 in.; 2 6 x 8 cm.; 1 5 x 8 cm.; 16 6 x 6 cm.; 1 cut down from larger original to approximately 3 x 6 cm.; 12 35 mm. IC 3 with original annotated glassine sleeve. IC 31-33 are medium-format negatives with original paper folders with contact prints pasted to them. IC 1-7 show construction work in progress. IC 8-11, 13-14 and 19-23 are miscellaneous views and details of north-east façade; 12 is detail of a façade; 25-28 are miscellaneous viewes and details of south-west façade. IC 15 is photograph of balcony (?); 16-18 are interior views. 83 mounted 35 mm. positive color transparencies (not in original inventory). IC 34-36 are views of building from north; 37-38 are views from IC 34-116 north-west. IC 39-58 are miscellaneous views and details of north-east façade; 59-60 of north-west façade; 61-75 of south-west façade. IC 76-92 are interior views of entrance and stairwells. IC 93-116 are interior views of one (or more?) of apartments.

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Pavillon Suisse à la 403 black-and-white negatives and 4 positive black-and-white PS 1-408 Cité universitaire à transparencies (original inventory lists 509 negatives, but only 418 (NB: PS 1-290 Paris, 1930-1932 were found at time of processing, and 11 of these were are in Box 8; misidentified). PS 291-408 Negatives are: 15 approximately 8 x 10 in.; 4 approximately 5 x 7; 11 are in Box 9.) approx 4 x 5 in.; 100 6 x 9 cm.; 1 6 x 8 cm.; 205 6 x 6 cm.; 3 approximately 5 x 6 cm.; 3 cut down from larger originals to various formats; 61 35 mm. PS 41-42 with original annotated glassine envelopes. PS 399-404 are medium-format negatives with original paper folders with contact prints pasted to them. Contact prints are marked with cropping lines. PS 405-408 are the positive black-and-white transparencies. There is no PS 398 - the photograph originally placed there was misidentified, and has been refiled. PS 1 and PS 2 are photographs of, respectively, p. 75 and p. 79 of Œuvre complète, Vol. 2; 3-4 are photographs of drawing reproduced on p. 75. PS 5-13 show building under construction.

PS 14-118 is sequence of negatives numbered in ink on edges by Hervé from S-1 to S-105 (numbers are not continuous, and some are repeated). Within this sequence photographs of different subjects are distributed as follows: View of building from south-west: PS 14; from north-west: PS 23, 41, 114, 118. Interior views of staircase tower: PS 15-16, 44, 96, 98, 104, 106. Views and details of south façade: PS 17-20, 45, 53-54, 102-103; of north façade: PS 51, 58-59, 64, 88-89, 105 (through window of staircase tower). Le Corbusier’s 1948 mural in salon Courbe (refectory/common room): PS 21, 30-35 (32 shows panel with signature and date), 65- 84; view into salon Courbe from entrance hall: PS 85, 92. Occupants looking out of windows: PS 22, 107. Interior views of students’ rooms: PS 21, 52. Pilotis under building: PS 25, 28-29, 36, 46-48, 91, 95, 100-101, 115- 116. fourth floor rooms and terrace: PS 26-27, 60-61, 63. Exterior views and details of staircase tower: PS 37, 42, 49-50, 86- 87, 90. Interior view of entrance hall: PS 38; exterior details of entrance hall: PS 39-40, 62, 93-94, 117. West façade of entrance hall/salon Courbe block: PS 43, 55. Interior views of salon Courbe: PS 97, 99.

PS 119-120 are negatives with original annotated glassine envelopes - Page 29 - which identify them as S-166 and S-169. Both are views of building from north-west.

PS 121-123 is group of 4 x 5 in. negatives numbered in ink on edges by Hervé from S-213 to S-214. PS 121 is view of building from north-west; 122 is view from north- east. PS 123 is interior view of entrance hall and salon Courbe.

PS 124-203 is sequence of negatives numbered in ink on edges by Hervé from S-252 to S-342 (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Pilotis under building: PS 124-128, 175-176, 191-193, 199, 201. Views of building from south-east: PS 129, 159-160, 163, 178-180, 182; from north-west: PS 141-144, 170, 186189-190; from north- east: PS 145-149, 202-203; from east: PS 157-158, 161-162, 181; from south: PS 164, 188, 200 (taken during 1957 renovation?); from north: PS 165, 167-169; from south-west: PS 184-185, 199; from west: PS 187. Views and details of south façade: PS 130; of north façade: PS 133. West façade of entrance hall: PS 131-132, 134; west façade of entrance hall/salon Courbe block: PS 171; entrance: PS 194, 198. Exterior views and details of staircase tower: PS 135,138, 195-196 (from to east of entrance); west windows of salon Courbe, and base of staircase tower: PS 137, 139-140. East façade of concierge’s apartment and Director’s office: PS 150- 151, 153-156, 177; north façade of salon Courbe and Director’s office: PS 152, 166; east windows of concierge’s apartment: PS 172- 174.

PS 204-241 is sequence of 35 mm. negatives of photographs of Le Corbusier’s 1948 mural and 1957 decorated banquettes in salon Courbe, numbered in ink on edges by Hervé from SI 1 to SI 38.

PS 239-260 is sequence of 35 mm. negatives marked “S II” in ink on edges by Hervé. PS 242-248 and 258-260 are miscellaneous views and details of south façade. PS 249-250 are views of building from north-east; 251 is view from east; 252-257 are views from south-east.

Other negatives, and positive black-and-white transparencies: PS 261-266 and 269-270 are views of building from north; 267-268, 271-282, and 284-285 are views from north-west; 283 is view from west; 286 and 289 are views from north-east; 290 is view from south. - Page 30 -

PS 287 and 288 are views of north façade of salon Courbe and Director’s office. Box 9 Pavillon Suisse à la (Conclusion of the sequence of negatives described in the entry for (PS 291-408) Cité universitaire à Box 8 above.) Paris, 1930-32 (continued) PS 291 is view of building from south; 292-295 and 303-305 are views from south-west; 299-302 are views from south-east; 406-408 are views from north. PS 296-298 and 306 are miscellaneous views and details of south façade. PS 307-316 are photographs of pilotis under building. PS 317 is interior view of entrance hall and salon Courbe. PS 318-322 are interior views of entrance hall. PS 323-324 are views into salon Courbe from entrance hall; 325-329 are interior views of salon Courbe. PS 330-335, 337, and 405 are photographs of Le Corbusier’s mural in salon Courbe. PS 336 is interior view of student’s room. PS 338-341 show photographs of mural, pinned or clipped to display boards. PS 342-397 are photographs of miscellaneous drawings and paintings (studies for mural?).

168 positive color transparencies (original inventory lists 172, but 4 PS 409-576 of these were misidentified). 1 unmounted 6 x 8 cm. transparency; 1 mounted and 44 unmounted 6 x 6 cm. transparencies; 4 unmounted and 118 mounted 35 mm. transparencies. There is no PS 454 - the photograph originally placed there was misidentified, and has been refiled. PS 409-413 and 455-457 are views of building from north-east; 458- 476 are views from north-west. PS 414-415 and 485-488 are details of east end of entrance pavilion; 416 and 489-492 are details of west end; 417 and 493 are photographs of west window of hall. PS 418 and 494-495 are views of building from south; 419 and 496- 503 are views from south-east; 511-515 are views from east. PS 420-424 and 504-510 are views and details of south façade. PS 425-428 and 512-531 are photographs of pilotis under building. PS 426-452 and 550-576 are photographs of Le Corbusier’s mural and decorated banquettes in salon Courbe. PS 453 is interior view of student’s room. PS 477-484 are photographs of entrance pavilion and staircase tower on north side of building. PS 532-533 are photographs of entrance. PS 534-542 are interior views of hall; 543-546 are photographs of - Page 31 -

elevator enclosure in hall; 547 is photograph of staircase; 548 is unidentified interior.

Negatives with original photographers’ numbers: PS 291: 2040. PS 311: 2050. PS 321: 2057. PS 322: 2070. PS 325: 2059. PS 336: 2061. Palais des Soviets à 37 black-and-white negatives (original inventory lists 39, but 2 of SM 1-36 Moscou, 1931 these were misidentified). (including 3 approximately 8 x 10 in.; 9 approximately 4 x 5 in.; 1 6 x 8 cm.; 23 23A) 6 x 6 cm.; 1 30 x 60 mm. (cut down from larger original). SM 1-19 and 24-35 are photographs of model of project, some showing it under construction. SM 24 shows Le Corbusier with model. SM 19-23 show photographs clipped to display boards. SM 36 is photograph of part of p. 104 of L’atelier de la recherche patiente, 1960.

Negatives with original photographers’ numbers: SM 24: 204. Urbanisation de la 80 black-and-white negatives and 11 positive black-and-white UV 1-83 ville d’Alger. transparencies (original inventory lists 88 negatives). (including 3A, Projets A, B (and Negatives are: 21 approximately 4 x 5 in.; 1 approximately 4.5 x 11.5 27A, 40A, others), 1931-1942 cm. (cut down from larger original); 3 approximately 6 x 8 cm.; 48 6 48A, 63A, x 6 cm.; 2 approximately 3 x 6 cm. (cut down from larger originals); 69A-69D) 5 35 mm. UV 30-31 and 35-42 (including 40A) are the positive black-and-white transparencies. UV 1-2 are photographs of plans, and 3-42 (including 3A, 27A, and 40A) are photographs of models, for “Projet A.” UV 43-50 (including 48A) are photographs of drawings for “Projet B.” UV 51-70 (including 63A, 69A-69D) are photographs of models of “Domaine Durand” project: 51-66 show the “grands immeubles;” 67-70 show the “petites maisons.” UV 71 is photograph of model of the “maison locative” for Algiers. UV72-79 are photographs of drawings and models of the project for the “Quartier de la Marine” at Algiers. UV 80-81 are photographs of pp. 108 and 146 of L’atelier de la recherche patiente, 1960. UV 82-83 are photographs of unidentified drawings.

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Box 10 Immeuble locatif à 592 black-and-white negatives and 2 positive black-and-white NC 1-579, la Porte-Molitor à transparencies (original inventory lists 576 negatives). and 653-662 Paris (rue Negatives are: 1 8 x 10 in.; 5 approximately 4 x 5 in.; 1 (including Nungesser-et-Coli), approximately 10.5 x 11 cm. (cut down from larger original); 1 84A, 162A- 1932-1934 approximately 9 x 9.5 cm. (cut down from larger original); 1 58 x 93 162B, 223A, mm. (cut down from larger original); 138 approximately 6 x 9 cm.; 7 567A) approximately 6 x 8 cm.; 7 approximately 6 x 7 cm.; 406 6 x 6 cm.; 1 30 x 60 mm. (cut down from larger original); 1 25 x 60 mm. (cut down from larger original); 23 35 mm. NC 568-579 are medium-format negatives with original paper folders with contact prints pasted to them. NC 83-84 are the positive black-and-white transparencies.

Note: Le Corbusier is present in NC 110-111, 133.

NC 1-11 show copies of plan and cross-section drawings of Le Corbusier’s own apartment on seventh floor of the building, clipped to display boards. NC 12-15 appear to show details of the building under construction. NC 16-49 show miscellaneous exterior views and details: of rue Nungesser-et-Coli façade in 16-18 and 25-46 (45-46 are details of balconies); of Rue de la Tourelle façade in 19-24; and of central light court in 47-49. NC 50-79 show interior views and details of ground floor entrance, hall, etc. (NC 79, found filed with these photographs at time of processing, may actually be of another building?). NC 222 and 223A are interior views of apartments (not Le Corbusier’s own), with view of sports stadium in Parc des Princes in 222. NC 223 is difficult to identify, and may be of another building. NC 80-221 and 224-37 are miscellaneous interior views and details of Le Corbusier’s own apartment: 80 shows kitchen; 81-158 and 221 show living room and dining room; 159-182 (including 162A and 162B) show bedrooms; 224-298 show Le Corbusier’s studio. NC 302-353 show miscellaneous views and details of curved staircase to roof terrace and garden; 354-373 show interior details of roof terrace vestibule, and guest room. NC 374-534 show miscellaneous views and details of roof terrace and garden, including exterior views of vestibule. NC 535-553 and 565-567A show views from roof terrace. NC 554-564 show views from roof terrace down into building’s light court.

74 positive color transparencies (original inventory lists 72). 4 unmounted 6 x 6 cm.; 66 mounted and 4 unmounted 35 mm. NC 580-652 NC 580-589 show dining room of Le Corbusier’s own apartment; (including - Page 33 -

650 shows Le Corbusier’s “” chair in apartment. 652A) NC 590-595 show balcony on the rue de la Tourelle side of apartment. NC 596-603 and 651-652 show Le Corbusier’s studio, and artworks. NC 604-605 and 652A show curved staircase to roof terrace and garden. NC 606-637 show miscellaneous views and details of roof terrace and garden, including exterior views of vestibule. NC 638-649 show views from roof terrace down into building’s light court.

10 35 mm. negatives (originally misidentified and misplaced elsewhere in archive). All are photographs of restoration work (?) in progress on roof terrace vestibule. NC 653-662 Box 11 Urbanisation 7 black-and-white negatives and 5 positive black-and-white UA 1-12 d’Anvers, 1933 transparencies (original inventory lists 2 negatives). Negatives are: 2 approximately 5 x 7 in.; 1 90 x 116 mm. (cut down from larger original; 2 approximately 6 x 7 cm.; 2 35 mm. UA 4-6 and 11-12 are the positive black-and-white transparencies. UA 1-5 are photographs of plan reproduced on p. 157 of Œuvre complète, Vol. 2. UA 6 is photograph of drawing; 7 is photograph of drawing reproduced on p. 156 of Œuvre complète, Vol. 2; 9-12 are photographs of drawing reproduced on p. 158 of Œuvre complète, Vol. 2. UA 8 is photograph of p. 114 of L’atelier de la recherche patiente, 1960. Projet pour le 6 black-and-white negatives and 2 positive black-and-white RZ 1-10 bâtiment de la transparencies (original inventory lists 4 negatives). “Rentenanstalt” à Negatives are: 2 approximately 4 x 5 in.; 2 60 x 75 mm. (cut down Zürich, 1933 from larger originals); 4 6 x 6 cm. RZ 7-8 are the positive black-and-white transparencies. RZ 1-4 and 9 are photographs of model; 5-8 are photographs of drawing of La Salle de l’Assemblé Générale reproduced on p. 185 of Œuvre complète, Vol. 2; 10 appears to show how finished building would appear in its proposed setting. Barcelone. 1 black-and-white negative (not in original inventory). BL 1 Lotissement 67 x 89 mm. (cut down from larger original). destiné à la main- Photograph of p. 110 of L’atelier de la recherche patiente, 1960. d’œuvre auxiliaire, 1933 Urbanisation de la 8 black-and-white negatives and 1 positive black-and-white NE 1-9 ville de Nemours, transparency. 1934 1 171 x 219 mm. (cut down from larger original); 3 approximately 4 x 5 in.; 1 6 x 8 cm.; 1 6 x 7 cm.; 2 6 x 6 cm. NE 5 is the positive black-and-white transparency. NE 1 is - Page 34 -

photograph of p. 115 of L’atelier de la recherche patiente, 1960. NE 2 is photograph of plan. NE 3-9 are photographs of models. Le village coopératif 30 black-and-white negatives and 3 positive black-and-white RA 1-33 - réorganisation transparencies (original inventory lists 45 negatives, but only 38 agraire, 1934-1938 were found at time of processing, and 5 of these were misidentified). Negatives are: 1 128 x 167 mm. (cut down from larger original); 4 approximately 4 x 5 in.; 2 approximately 6 x 9 cm.; 3 6 x 7 cm.; 18 6 x 6 cm.; 1 3 x 6 cm. (cut down from larger original). RA 6 and 30-31 are the positive black-and-white transparencies. RA 1-3 and 5-11 are photographs of drawings; 4 and 12-32 are photographs of models. La Ville Radieuse, 87 black-and-white negatives and 12 positive black-and-white VR 1-99 1935 transparencies (original inventory lists 113 negatives). Negatives are: 5 approximately 8 x 10 in.; 1 131 x 168 mm. (cut down from larger original); 1 115 x 169 mm. (cut down from larger original); 1 109 x 110 mm. (cut down from larger original); 19 approximately 4 x 5 in.; 1 66 x 87 mm. (cut down from larger original); 1 64 x 117 mm. (cut down from larger original); 2 6 x 8 cm.; 9 approximately 6 x 7 cm.; 36 6 x 6 cm.; 1 41 x 60 mm. (cut down from larger original); 1 37 x 60 mm. (cut down from larger original); 1 29 x 41 mm. (cut down from larger original); 8 35 mm. VR 5-7, 25-27, 40-41, 45, and 86-88 are the positive black-and-white transparencies.

Hervé’s original binder pages labeled with this title and date, but subjects of photographs appear to cover a wider range. VR 15-17 and 41 are photographs of drawing reproduced at top of p. 146 of Œuvre complète, Vol. 3, where it is identified as part of project dated 1937.

VR 1-46, 87-90, and 93-95 are photographs of various plans and drawings; 47-86 and 91-92 are photographs of various models. VR 96-99 appear to be photographs of montages of architectural drawings and photographs of human figures. Urbanisation 1 black-and-white negative, 8 x 11 cm. UH 1 d’Hellocourt, 1935 Photograph of illustration on p. 49 of Œuvre complète, Vol. 3. Le gratte-ciel 2 black-and-white negatives (original inventory lists 3, but only 2 GC 1-2 cartésien, 1935 were found at time of processing). 1 97 x 128 mm. (cut down from larger original); 1 6 x 8 cm. GC 1 is photograph of p. 126 of L’atelier de la recherche patiente, 1960. GC 2 is photograph of model. Une maison de 3 6 x 8 cm. black-and-white negatives (not in original inventory). MW 1-3 week-end en MW 1 is photograph of drawing on p. 126 of Œuvre complète, Vol. banlieue de Paris, 3, with caption masked off; 2-3 are photographs of p. 127. 1935

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Maison aux 3 black-and-white negatives, approximately 4 x 5 in. (not in original MM 1-3 Mathes, 1935 inventory). MM 1 is photograph of elevation drawing on p. 137 of Œuvre complète, Vol. 3, with text and lower, plan, drawing masked off. MM 2 is photograph of plan drawing on p. 137 of Œuvre complète, Vol. 3, with text masked off. MM 3 is photograph of exterior staircase to first floor gallery.

12 mounted and 1 unmounted 35 mm. positive color MM 4-16 transparencies. All are exterior views. MM 4-6 show side facing ocean, and 7-9 side facing woods, at ground floor level; 10-16 show gallery outside bedrooms on first floor. Plans pour les 2 black-and-white negatives (not in original inventory). VP 1-2 musées de la Ville 1 85 x 114 mm. (cut down from larger original); 1 6 x 6 cm. et de l’État à Paris, VP 1 is photograph of drawing. 1935 VP 2 is photograph of print from VP 1 clipped to display board. Rio de Janeiro: Plan 4 black-and-white negatives (not in original inventory). CU 1-4 pour la Cité 1 8 x 11 cm.; 1 60 x 103 mm. (cut down from larger original); 2 Universitaire du approximately 6 x 8 cm. Brésil, 1936. CU 1-2 are photographs of pp. 124-125 of L’atelier de la recherche patiente, 1960; 3 is photograph of upper drawing on p. 124; 4 is photograph of lower drawing on p. 124, and upper drawing on p. 125 of L’atelier de la recherche patiente, as reproduced together on p. 71 of unidentified book. Le Ministère de 60 black-and-white negatives (original inventory lists 73, but 13 of RJ 1-59 l’éducation et de la these were misidentified). (including santé publique à 1 113 x 132 mm. (cut down from larger original); 1 100 x 170 mm. 1A) Rio de Janeiro, (cut down from larger original); 1 85 x 116 mm. (cut down from 1936-1945 larger original); 1 58 x 100 mm. (cut down from larger original) 1 4 x 5 in.; 43 approximately 6 x 9 cm.; 2 approximately 6 x 8 cm.; 9 6 x 6 cm. RJ 55-60 are medium-format negatives with original paper folders with contact prints pasted to them. RJ 1 is photograph of drawing reproduced on p. 81 of Œuvre complète, Vol. 4. RJ 3-4 are photographs of pp. 122-123 of L’atelier de la recherche patiente, 1960. RJ 5-12 show photographs of the building clipped to display boards. RJ 13-50, and 53-59 are exterior views of the building. RJ 1A-2 and 51 are photographs of unidentified drawings. RJ 52 is difficult to identify.

1 mounted 35 mm. positive color transparency (original inventory lists 2, but one of these was misidentified). Exterior view of building. RJ 60

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Un centre de 19 black-and-white negatives (original inventory lists 15). CR 1-19 réjouissance de 8 approximately 4 x 5 in.; 1 47 x 120 mm. (cut down from larger 100,000 original); 1 54 x 94 mm. (cut down from larger original); 9 6 x 6 cm. participants, 1936 CR 1 is photograph of plan for building stadium in Bois de Vincennes, reproduced on p. 96 of Œuvre complète, Vol. 4. CR 2 is photograph of two cross-sections of stadium. CR 3-8 are photographs of drawings; 9-19 are photographs of models. Le Pavillon des 51 black-and-white negatives (original inventory lists 53, but 2 of TN 1-51 Temps Nouveaux, these were misidentified). 1937 3 approximately 4 x 5 in.; 1 6 x 9 cm.; 37 6 x 7 cm.; 10 6 x 6 cm. TN 1 is photograph of drawing of “Projet C” for 1937 Paris Exposition Internationale (Pavilion itself is “Projet D”) reproduced on p. 153 of Œuvre complète, Vol. 3, and captioned “Un centre d’esthétique contemporaine.” TN 2 and 4-17 are exterior views; 8-15 appear to show Pavilion under construction. TN 18-51 are interior views, showing various details of the graphic displays.

5 mounted 35 mm. positive color transparencies. TN 52-56 Possibly photographs of hand-colored copies of photograph on p. 163, and upper photograph on p. 153, of Œuvre complète, Vol. 3. Monument à la 3 black-and-white negatives. MV 1-3 mémoire de 1 86 x 122 mm. (cut down from larger original); 1 6 x 8 cm.; 1 34 x Vaillant-Couturier, 60 mm. (cut down from larger original). 1937 MV1 is photograph of p. 135 of L’atelier de la recherche patiente, 1960. MV 2-3 are photographs of drawings reproduced on pp. 10-11 of Œuvre complète, Vol. 4.

La Cité d’affaires 7 6 x 6 cm. black-and-white negatives (not in original inventory). CA 1-7 d’Alger (Le gratte Photographs of model. ciel de la Marine), 1938 Musée à croissance 40 black-and-white negatives (not in original inventory). CI 1-41 illimitée, 1939 2 approximately 4 x 5 in.; 1 6 x 8 cm.; 35 6 x 6 cm.; 1 34 x 59 mm.; 1 28 x 59 mm.; 1 28 x 28 mm. (last 3 cut down from larger originals). CI 1-20 and 40 are photographs of model; 21-38 show photographs of model clipped or pinned to display boards. CI 39 is photograph of p. 101 of L’atelier de la recherche patiente, 1960. CI 41 is photograph of p. 152 of Œuvre complète, Vol. 3. M.A.S. Maisons 7 black-and-white negatives (original inventory lists 8, but one of MS 1-7 montées à sec, these was misidentified). 3 6 x 8 cm.; 1 50 x 84 mm. (cut down from 1939-1940 larger original); 3 6 x 6 cm. - Page 37 -

MS 1 is photograph of illustration at top of p. 38 of Œuvre complète, Vol. 4; 2 is photograph of p. 39. MS 3-7 are photographs of drawings. Maisons pour 6 black-and-white negatives (original inventory lists 8). SL 1-6 ingénieurs et 1 4 x 5 in.; 5 6 x 8 cm. contremaîtres, SL 1-2 are photographs of drawings reproduced on pp. 30-31 of S.P.A., Œuvre complète, Vol. 4; 3 is photograph of cross-section in upper Lannemezan/ Type left corner of p. 32; 4 is photograph of west elevation in upper right de maison pour corner of p. 33; 5 is photograph of interior elevations on p. 33. contre-maitre, 1940 SL 6 is photograph of drawing reproduced on p. 34. Les maisons 4 black-and-white negatives (original inventory, probably MU 1-4 “Murondin,” 1940 erroneously, lists 46). 1 40 x 95 mm.; 1 45 x 105 mm.; 1 51 x 115 mm. (these 3 cut down from larger originals); 1 6 x 8 cm. MS 1-3 are photographs of pp. 94-99 of Œuvre complète, Vol. 4. MS 4 is photograph of p. 142 of L’atelier de la recherche patiente, 1960. Écoles volantes 2 black-and-white negatives, approximately 5 x 11 cm. (cut down EV 1-2 pour les réfugiés de from larger originals) (not in original inventory). la première partie Photographs of pp. 100-103 of Œuvre complète, Vol. 4. de la guerre, 1940 La cité linéaire 4 6 x 6 cm. black-and-white negatives. CL 1-4 industrielle, 1942 All are copies of same photograph of “troisième schéma” (reproduced on p. 73 of Œuvre complète, Vol. 4). L’Usine-Verte, 1944 2 6 x 8 cm. black-and-white negatives (not in original inventory). UV 1-2 Photographs of drawings reproduced on p. 78 of Œuvre complète, Vol. 4. Unité d’Habitation 5 black-and-white negatives (original inventory lists 1). LP 1-5 transitoire/Logis 4 6 x 8 cm. (one slightly cut down on left side); 1 6 x 6 cm. provisoires LP 1 is photograph of illustration at foot of p. 125 of Œuvre transitoires, 1944 complète, Vol. 4; 2-4 are photographs of illustrations on p. 129. LP 5 is photograph of drawings reproduced on p. 131 of Œuvre complète, Vol. 4. Box 12 Urbanisation de 8 black-and-white negatives and 3 unmounted and 1 mounted 35 US 1-12 Saint-Dié, 1945 mm. positive black-and-white transparencies (original inventory does not distinguish between “urbanisation” project and factory for Claude et Duval—see below—and lists total of 339 negatives for “Saint-Dié”). Negatives are: 1 83 x 113 mm.; 1 75 x 113 mm.; 163 x 100 mm. (these three cut down from larger originals); 1 approximately 6 x 9 cm. (cut and masked down from larger original); 2 7 x 8 cm.; 2 35 mm. US 9-12 are the positive black-and-white transparencies. US 1-2 are photographs of plans reproduced on pp. 135 and 137 of Œuvre complète, Vol. 4. US 5 is photograph of top half of p. 148 of, Le Corbusier, L’atelier de - Page 38 -

la recherche patiente, 1960; 4 is photograph of drawing reproduced at top of that page. US 7-12 are photographs of drawing reproduced on p. 134 of Œuvre complète, Vol. 4; 3 appears to be rough sketch for that drawing. US 6 is unidentified plan. Urbanisation de 2 6 x 8 cm. black-and-white negatives. SG 1-2 Saint-Gaudens, Photographs of illustrations on pp. 162-163 of Œuvre complète, Vol. 1945-1946 4. Urbanisation de La 4 black-and-white negatives and 1 positive black-and-white LR 1-5 Rochelle-Pallice, transparency (original inventory lists 1 negative). 1945-1946 Negatives are: 1 170 x 208 mm.; 1 100 x 130 mm. (these two cut down from larger originals); 2 6 x 7 cm. LR 4 is the positive black-and-white transparency. LR 1-4 are photographs of drawing reproduced on p. 166 of Œuvre complète, Vol. 4; LR 5 is photograph of plan reproduced on p. 169. Une Manufacture à 329 black-and-white negatives (original inventory does not SD 1-329 Saint-Dié, 1946- distinguish between “urbanisation” project - see above - and factory (including 1951 for Claude et Duval, and lists total of 339 negatives for “Saint-Dié”). 176A) 3 approximately 4 x 5 in.; 82 6 x 9 cm.; 1 6 x 7 cm.; 243 6 x 6 cm. SD 1-24 and 190 show general views of the factory and its environs in the town. SD 25-48 and 191 show various views and details of north-west façade, including the “bloc des circulations verticales”; 49-104 show various views and details of south-east façade, including, in 96 and 103-104, details of structure of brise-soleil. SD 106-167 (including 176A) show various views and details of space beneath building at ground level, including, benches, bicycle-racks, the air-conditioning extractor (?) sleeve, etc. SD 165-182 show interiors of factory working spaces. SD 183-189 may show interior of boiler room? SD 192-213 show various interior spaces, including staircases, corridors, kitchen (? 206-209), locker-room (? 211-213). SD 214-262 show interiors of waiting rooms and offices on fourth floor, 250-262 with views out to roof terrace. SD 263-326 show various views and details of roof terrace. SD 327-329 are medium-format negatives with original paper folders with contact prints pasted to them.

21 positive color transparencies (original inventory lists 22, but 1 of these was misidentified). 14 unmounted 6 x 6 cm.; 7 mounted 35 mm. SD 330-350 L’Unité d’habitation Total of 2,762 black-and-white negatives, and 5 positive black-and- à Marseille, 1946- white transparencies (original inventory lists 2,782 negatives, but a 1952 number of these were misidentified). As received, negatives of the photographs of the Unité d’habitation were divided into 15 subject groupings, an arrangement preserved in UMa 1 to UMo 254 inclusive below. The French titles given at the - Page 39 - heads of these sections of the inventory were transcribed from hand-written labels on Hervé’s original binder pages. UM 1-71 below were separated out because of their subject matter (most of them were originally in the “UMb—Construction,” group). The photographs comprising UMp 1-42 below were originally scattered throughout the different sections, but have been collected together because of their format. UMq and UMr are color negatives and color transparencies, respectively. See also the entries for UMs 1-12 in Box 17 below. These are negatives that had been misidentified and misplaced elsewhere in the archive.

71 6 x 6 cm. negatives. UM 1-71 UM 5 with original annotated glassine envelope. UM 2 shows Le Corbusier amidst a large crowd by the gymansium on the roof-terrace; UM 3 shows him by one of the Modulor panels (see also UMf 1 below). UM 1 and 4-11 show Le Corbusier on site during construction (his back is to the camera in UM 10-11, but he is recognisable by his clothing). UM 12-71 are photographs of film crew at work in various locations in and around the building, making the film La cité radieuse (see also UMo 100, 182-183, and 211-212 below).

Original sheets containing these photographs labeled “Maquette” UMa 1-55 (Model), but group also contains photographs of drawings and plans. 54 negatives and 1 positive black-and-white transparency. Negatives are: 4 approximately 5 x 7 in.; 3 approximately 4 x 5 in.; 1 57 x 120 mm. (cut down from larger original); 2 6 x 8 cm.; 4 approximately 6 x 7 cm.; 37 6 x 6 cm.; 1 approximately 6 x 3 cm. (cut down from larger original); 2 35 mm. UMa 4 is the positive black-and-white transparency. UMa 1-4 are photographs of drawing reproduced on p. 172 of Œuvre complète, Vol. 4. UMa 5 is photograph of p. 160 of, Le Corbusier, L’atelier de la recherche patiente, 1960; 6 is photograph of drawing reproduced on p. 163. UMa 7-30 are photographs of various drawings and plans, both originals and as reproduced in books; 31-55 are photographs of various models of the building and its structure.

Original sheets containing these photographs labeled UMb 1-210 “Construction.” 210 negatives. 1 170 x 235 mm.; 4 approximately 6 x 9 cm.; 194 6 x 6 cm.; 1 21 x 57 mm. and 1 33 x 57 mm. (cut down from larger originals); 9 35 mm. UMb 1-24 show work in progress at ground level; 10-12 show - Page 40 -

details of foundations. UMb 25-73 show various interiors of building at different stages of construction. UMb 74-93 show different façades of building at different stages of construction. UMb 94-105 show Modulor panels on façade of elevator tower. UMb 106-210 show work in progress on roof terrace and its structures, including: the “brise-vent,” or “théâtre” in 124-129; gymnasium in 130-163; day nursery in 164-192. Box 13 L’Unité d’habitation Original sheets containing these photographs labeled “1949.” These UMc 1-235 à Marseille, 1946- are also photographs of construction work in progress, and there is 1952 (continued) considerable overlap with UMb above. 235 negatives. 1 4 x 5 in.; 233 6 x 6 cm. (some cut down a little from original size); 1 35 x 57 mm. (cut down from larger original). UMc 1-51 show work in progress, and details of building’s structure, at ground level. UMc 52-111 show various interiors of building at different stages of construction; 112-117 appear to show finished and furnished apartments; 118 appears to show Unité, in course of construction, through windows of adjacent building. UMc 119-156 show different façades of building at different stages of construction. UMc 157-167 show Modulor panels on façade of elevator tower. UMc 168-199 show work in progress on roof terrace and its structures. UMc 200-212 show work in progress using a crane. UMc 213-220 show views from top of building. UMc 223-235 are photographs of various graffiti on walls of building.

Original sheets containing these photographs labeled “Béton” UMd 1-32 (Concrete). 32 negatives. 31 6 x 6 cm.; 1 35 mm. UMd 1-4 show construction work in progress; 5 is perspective view along east façade of building. Remainder show miscellaneous structural details, and textural details of concrete surfaces.

Original sheets containing these photographs labeled “Pilotis.” UMe 1-108 108 negatives. 1 117 x 125 mm. (cut down from larger original); 76 6 x 6 cm.; 31 35 mm. UMe 1-31 is series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMe 32-83 are photographs taken from near, or alongside, the - Page 41 - building, showing the arrangement of the pilotis; 84-108 are photographs taken underneath the building (104-108 show service piping, machinery, etc., in this space).

Original sheets containing these photographs labeled “Modulor.” UMf 1-49 49 negatives. 2 approximately 4 x 5 in. (cut down from larger originals); 35 6 x 6 cm.; 1 30 x 40 mm. (cut down from larger original); 11 35 mm. UMf 1 shows Le Corbusier by a Modulor panel (probably taken on same occasion as UM 3 above). UMf 2 shows sculpture of Modulor “Man” and “Spiral” in outdoor setting. UMf 3-4 show promotional display in bookshop of Le Corbusier’s book Le Modulor, and related materials. UMf 5 shows workman cutting a pattern on the small block that stands near the elevator tower; 6-7 and 33 show patterns on this block. UMf 8-28 and 34-38 show various views and details of Modulor panels on elevator tower; 29-30 show photographs of panels clipped to display boards; 31-32 and 49 appear to show photographs of actual-size drawings of panels clipped to display boards.

Original sheets containing these photographs labeled “Sol” (in this UMg 1-58 context the “lowest level of the structure”). 58 negatives. 39 6 x 6 cm.; 19 35 mm. UMg 1-19 is series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMg 2, 7-9, 12-15, and 20-34 show views down from high vantage- points on the building. UMg 3, 18-19, 46-55 show various views and details of main entrance (20-21 show views down onto the porch roof). UMg 1, 4-5, 11, 16-17, and 35-45 show miscellaneous views and details of building’s immediate surroundings, and its ground-level structure; 10 is general view of west side of building; 56 shows detail of paving near entrance. UMg 57-58 are photographs of household waste collection building.

Original sheets containing these photographs labeled “Tabliers” UMh 1-48 (precise meaning in this context unclear, though it can mean “flooring or platform” of a bridge, etc.). 48 6 x 6 cm. negatives. UMh 1-7 show miscellaneous views and details of building’s immediate surroundings. UMh 8-42 show miscellaneous views of ground level structure, and “sol artificial;” 42-48 show various views and details of main - Page 42 -

entrance.

Original sheets containing these photographs labeled “Façades.” UMi 1-372 371 negatives and 1 mounted 35 mm. positive black-and-white transparency. Negatives are: 1 98 x 126 mm. (cut down from larger original); 1 87 x 116 mm. (cut down from larger original); 1 6 x 9 cm.; 306 6 x 6 cm.; 1 34 x 60 mm. (cut down from larger original); 61 35 mm. UMi 1is the positive black-and-white transparency. UMi 2-29 and 32-62 are series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMi 65-85 are photographs of north façade (65-66 show construction in progress, with cladding incomplete on upper stories). UMi 86-117 are photographs of south façade. UMi 118-134 show building from north-west (118-119 show construction in progress, with cladding on north façade incomplete on upper stories); 135-146 show building from north-east. UMi 147-149 show building from south-west; 150-161 and 372 show building from south-east. UMi 64, 162-164 show east façade under construction, seen through barbed wire fence. 165-253 and 371 show various views and details of east façade. UMi 254 shows distant view of building from west. UMi 255-350 show various views and details of west façade (325- 350 incorporate details of main entrance). UMi 351-361 show details of façades that cannot easily be identified from the information included. UMi 362-370 are photographs belonging to this group which had been misplaced elsewhere in the archive: 362-365 are of east façade; 366 is of building from south-east; 367-369 are of south façade; 370 is of north façade. Box 14 L’Unité d’habitation Original sheets containing these photographs labeled “Entrée-Salle” UMj 1-79 à Marseille, 1946- (Entrance Hall). 1952 (continued) 79 negatives. 1 6 x 9 cm.; 37 6 x 6 cm.; 41 35 mm. UMj 1-41 are series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). Bulk of these photographs show miscellaneous views and details of both interior and exterior of main entrance on west side of building. UMj 3 and 66-67 show counter inside entrance hall, selling magazines, postcards, etc.; 66-68 are photographs of “sculptural” light fittings. UMj 25 and 72-79 appear to be photographs of other public hallways/passages in building.

- Page 43 -

Original sheets containing these photographs labeled “Escaliers” UMk 1-135 (stairs). 135 negatives. 1 175 x 235 mm.; 1 115 x 142 mm. (cut down from larger original); 1 115 x 132 mm. (cut down from larger original); 91 6 x 6 cm.; 41 35 mm. UMk 1-24 and 27-41 are series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMk 1-25 and 27-115 show various views and details of emergency staircase at north end of building; 48-50 also show household waste collection building; 114-115 show views looking down onto staircase from roof. UMk 116-126 are photographs of emergency staircases on west side of building. UMk 127-129 are photographs of interior staircases. UMk 130-135 are photographs of various flights of stairs on roof terrace, including, in 134-135, steps of “brise-vent,” or “théâtre.”

Original sheets containing these photographs labeled “Toit” (roof). UMl 1-499 499 negatives. 2 approximately 5 x 7 in.; 1 6 x 9 cm.; 298 6 x 6 cm.; 198 35 mm. UMl 1-26 and 31-180 are series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous; 27-30 and 181-198 are unnumbered 35 mm. negatives. These negatives are filed in numerical order in two separate but parallel sequences, depending on whether they are in strips or cut into individual frames. Within these sequences: UMl 1-7, 14, 36, 63-66, and 76-78 show “ventilation chimney” at north end of roof terrace. UMl 8-13, 49, and 53-59 are interior views of gymnasium. UMl 17-20, 127-128, 143-144, 163, and 184-185 are photographs of various “montagnes artificielles” (artificial mountains) on roof terrace. UMl 21-29, 31-34, 35-73, 85-94, 98, 106-111, 121-124, 126, 133- 137,139-141, 146-148, and 151-153 are photographs of day nursery. UMl 35, 37-40, 44-45, 112-114, 116-118, 182, 187-189 and 192 are photographs of “théâtre” structure at north end of roof terrace (182 shows it under construction). UMl 74-75, 129-132, 145, and 149-150 show miscellaneous views and details of “solarium” seating to west of day nursery. UMl 158 is photograph of shops on seventh floor, but was found filed with these photographs at time of processing. Remainder of these negatives are photographs of more general views of roof terrace and its structures. Other negatives: UMl 199-267 show miscellaneous exterior views and details of day nursery building, including entrance ramp, children’s pool, and - Page 44 - solarium seating to west side; 268-289 show miscellaneous interior views and details of day nursery building (some may actually be photographs of infants’ school on seventeenth floor). UMl 290-325 show miscellaneous views and details of gymnasium. UMl 326-343 show miscellaneous views and details of two ventilation chimneys. UMl 344-355 show miscellaneous views and details of solarium seating to west of day nursery. UMl 356-381 are photographs of (or including) various “montagnes artificielles” (artificial mountains) on roof terrace. UMl 382 is photograph of elevator tower. UMl 383-405 are photographs of various stairs and ramps on roof. UMl 406-476 are photographs of more general views of roof terrace and its structures (451-457 are photographs of “théâtre” structure at north end). UMl 477-480 are photographs of views from roof (from day nursery?). UMl 481-484 show construction work in progress on roof terrace structures. UMl 485-498 are photographs of electrical switchgear, control panels, etc. (possibly in elevator tower). UMl 499 is photograph of racks of numbered keys.

Original sheets containing these photographs labeled “Environs” UMm 1-193 (surroundings), in some cases with the phrase “de la ville” added 192 negatives and 1 positive black-and-white transparency. Negatives are: 155 6 x 6 cm.; 37 35 mm. UMm 1 is the 175 x 235 mm. positive black-and-white transparency, a photograph of the building’s north façade, also showing the household waste collection building. UMm 2-38 is series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMm 39-54 are landscapes with distant views of the building. UMm 55-58 are townscapes with distant views of the building. UMm 59-82 and 93 are views of the building from various streets in Marseille, most including details of other structures—walls, buildings, etc.—in those streets. UMm 83-85 are photographs of north façade. UMm 86 is photograph of south façade. UMm 87-92 and 94-97 are photographs of east façade, seen through trees. UMm 98-110 are photographs of driveways and planted areas around building (102-110 include details of building). UMm 111 is photograph of bench by main entrance on west side. UMm 112-120 are photographs of, or showing, lighting fixtures along exterior walkways and driveways. UMm 121-129 are photographs of household waste collection - Page 45 -

building. UMm 130-139 are photographs of space beneath building. UMm 140-144 are photographs of vehicles parked around building. UMm 148-156 are photographs of main entrance on west side and its immediate surroundings. UMm 157-179 are views from roof, or other high viewpoints in building. UMm 180-181 are photographs of tree-lined road; 182-184 are photographs of landscapes. UMm 185-193 show construction work in progress. Box 15 L’Unité d’habitation Original sheets containing these photographs labeled “Cellules” UMn 1-315 à Marseille, 1946- (cells, small rooms; also, in this context, “compartments,” or (including 1952 (continued) elements of a structure). 257A-257B) 315 negatives and 2 positive black-and-white transparencies. Negatives are: 4 approximately 4 x 5 in.; 1 6 x 9 cm.; 1 6 x 7 cm.; 256 6 x 6 cm.; 53 35 mm. UMn 3 and 5 are the 4 x 5 in. positive black-and-white transparencies. UMn 7-17 and 21-58 are series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMn 1 is photograph of 2 press clippings pasted to paper and propped up on chair. UMn 2-5 and 59-112 are photographs of miscellaneous views and details of living rooms in various apartments. UMn 113-128 are photographs of, or showing, staircases between upper and lower levels of apartments. UMn 129-135 are photographs of “pans de verre” from mezzanines of upper levels of apartments. UMn 136-147 show various views and details of landings and circulation spaces on upper (bedroom) levels of apartments. UMn 148-174 are photographs of mezzanine bedrooms (“parents’ bedrooms”); 175-190 are photographs of various bedrooms; 191- 193 are possibly photographs of details of bedrooms. UMn 194-216 are photographs of kitchens. UMn 217-226 are photographs of bathrooms, showers, etc. UMn 227 is photograph of balconies by elevator tower on east side of building. UMn 228-249 are views towards or onto balconies from apartment interiors; 250-263 (including 257A-257B) are photographs taken on balconies. UMn 264-265 are interior views of hotel restaurant. UMn 266-276 are photographs of elevator doors and lobbies. UMn 277-282 are photographs of apartment entrances, with their “casiers de livraison” (delivery openings, or boxes). UMn 283-308 show various passages, hallways, stairs, and other communal areas of building. - Page 46 -

UMn 309-312 are photographs of electrical switchgear and control panels(?); 313 is possibly photograph of waterpipes with stopcocks(?); 314 is photograph of service piping, machinery, etc., in space under building. UMn 315 is photograph of drawing and plan pinned to display board.

Original sheets containing these photographs labeled “Habitants” UMo 1-254 (residents), but UMo 239 and 243-252 are actually photographs of (including construction work in progress. 127A) 255 negatives. 2 approximately 4 x 5 in.; 7 6 x 9 cm.; 180 6 x 6 cm.; 66 35 mm. UMo 1-66 is series of 35 mm. negatives, numbered in ink on edges (numbers are not continuous). UMo 67-79 are photographs of people on paved and planted areas around building. UMo 80-94 are photographs of people in ground-level space underneath building. UMo 95 is photograph of children by elevator tower on east side of building. UMo 96-100 are photographs of people on emergency stairs on west side of building (100 may show film crew seen in UM 12-71 above). UMo 101-102 are photographs of interior of main entrance hall, 102 with vending cart selling food, household cleaning supplies, etc.; 103-105 are photographs of this vending cart making deliveries to an apartment; 106 is photograph of another delivery cart(?) by elevator doors. UMo 107-109 are photographs of people using elevators. UMo 110 is photograph of woman on landing by interior staircase; 111 is photograph of man by apartment entrance (placing items in delivery box ?). UMo 112-113 are photographs of staff and customers in hotel restaurant. UMo 114-125 are photographs of woman in second floor apartment: 114-115 show her looking down from mezzanine bedroom (114 is taken from balcony, 115 from living room); 116 shows her descending stairs from mezzanine to living room; 117- 121 and 124- 125 show her on balcony; 122-123 are taken from ground level outside building, and show her looking down from balcony. UMo 126 is photograph of child and mother in bathroom; 127 is photograph of children in bedroom. UMo 127A-161 are miscellaneous photographs of people in apartments (128 shows woman seen in UMo 114-125 above). UMo 162-179 are miscellaneous photographs of children playing in - Page 47 - and around pool by day nursery on roof terrace; 180-183 show adults by pool (182-183 may show members of film crew seen in UM 12-71 above). UMo 184-200, 202-206, and 238 are miscellaneous photographs of children playing on roof terrace (on and around “solarium” seating to west side of day nursery in 186-192). UMo 207-223 are miscellaneous photographs of people on roof terrace (211-212 appear to show members of film crew seen in UM 12-71 above; 217 shows woman seen in UMo 114-125 and 128 above). UMo 224-236 are photographs of children in day nursery (some may actually be photographs of infants’ school on seventeenth floor?). UMo 237 and 240-242 are photographs of people in gymnasium. UMo 239 and 243-252 are photographs of construction work in progress. UMo 253 is photograph of fairground bumper cars (on site?). UMo 254 is photograph of toy alligator or crocodile on paving.

42 negatives with original paper folders with contact prints pasted to them. UMp 1-42 UMp 1-15, 17-34, and 39-42, are 6 x 6 cm. negatives; 16 and 35-38 are 35 mm. negatives. UMp 27-29 were all found in one folder (contact print is of 29). Some contact prints are marked with cropping lines in red crayon.

194 color negatives. 1 4 x 5 in.; 193 35 mm. (4 cut down to smaller sizes). UMq 1-193 UMq 1 is distant view of north-east corner of Unité, seen between (including other buildings. 91A) UMq 2-5 and 27-37 are photographs of building from north-west; 38-39 are photographs of building from south-west. UMq 7-12 and 42-52 are views of, or along, east façade; 17-20 are views along west façade; 21-22 and 40-41 are details of west façade, by main entrance. UMq 13-16, 23-26, 53-54, and 92-94 are photographs of pilotis. UMq 55-73 and 95-105 are photographs of roof terrace and its structures; 120-121 are interior views of roof terrace elevator lobby. UMq 78-80 and 106-110 are photographs of day nursery. UMq 81-89 and 111-119 are miscellaneous photographs of children playing in and around pool by day nursery on roof terrace. UMq 91A is view down from north end of roof terrace. UMq 122-123 and 172 are photographs of elevator lobby on 7th floor by hotel entrance. UMq 173-174 are photographs of hotel restaurant interior; 175-178 are photographs of hotel restaurant balcony seating. UMq 124-166 and 179-187 are miscellaneous photographs of apartment interiors; 167-171 and 188-192 are photographs of - Page 48 -

apartment balconies. UMq 193 is photograph of children’s drawings(?) on parapet wall of roof terrace. Box 16 L’Unité d’habitation 565 positive color transparencies (original inventory lists 747, but UMr 1-565 à Marseille, 1946- 757 were found at time of original processing, of which 194 were (NB: UMr 1- 1952 (continued) color negatives, now listed as UMq above, and 16 were 299 are in misidentified). 10 transparencies that had been misidentified and Box 16; UMr misplaced elsewhere have been refiled here as UMs 548-561). 300-565 are 1 127 x 177 mm. (cut down from larger original); 1 87 x 120 mm. in Box 17.) (cut down from larger original); 3 6 x 9 cm.; 37 6 x 6 cm. (3 cut down to smaller sizes); 1 38 x 47 mm. (cut down from larger original); 1 44 x 45 mm. (cut down from larger original); 88 unmounted and 433 mounted 35 mm. (some unmounted cut down to smaller sizes, and some mounted masked down to 24 x 24 or 22 x 22 mm.). UMr 1-70 and 71-99 are two series of mounted 35 mm. transparencies, numbered in ink on mounts (numbers are not continuous; see also entry for UMr 553 below). Within these sequences: UMr 1-4, 25-33, 61-63, and 65 are miscellaneous views and details of east façade of building, including elevator tower (25 is reversed in its mount). UMr 6-13 are views of the building from various streets in Marseille, most including details of other structures—walls, buildings, etc.—in those streets. UMr 19 is detail of south façade. UMr 34-60, 64, 68, and 70 are miscellaneous views and details of west façade of building, including entrance. UMr 67,76, 80-83, and 92 are interior views of entrance hall. UMr 71, 74, and 78-79 are photographs of apartment balconies. UMr 72, 85-86, 90-91, and 93 are views from roof. UMr 73 and 75 are interior views of apartments. UMr 88-89, 94, and 97-99 are photographs of roof terrace and its structures. UMr 87 and 95 are interior views of gymnasium. UMr 96 is photograph of interior of roof terrace elevator lobby.

Other transparencies: UMr 100-101 are distant views of building from east. U Mr 102 shows detail of Unité between other buildings. UMr 103-105 and 120-121 are views of building from north-west; 106-108 are views from from north-east; 548-552 are views from south-east; 554-555 are views from south-west. UMr 109-112 are photographs of emergency staircase at north end of building. UMr 113-115 show details of façades. UMr 116-119 and 133-139 are photographs of south façade. - Page 49 -

UMr 122-129, 140-150, and 556 are photographs of west façade. UMr 130 and 151-160 and 557 are photographs of east façade. UMr 160-162 show details of façades that cannot easily be identified from information included. UMr 164-169 are photographs of “bench” by main entrance on west side of building; 170-177 are photographs of main entrance. UMr 131and 178-184 are photographs of ground level of elevator tower on east side of building. UMr 185-186 are photographs of emergency stairs on west side of building. UMr 132 and 187-202 are photographs of pilotis under building. UMr 203-254 and 556 are interior views of various apartments (living rooms and dining areas in 203-227 and 229-235; bedrooms in 228, 236-254, and 559). UMr 255-270 and 560 are photographs of apartment balconies and views from them. UMr 271-276 are photographs of interior of main entrance hall; 277-279 are photographs of interior of ground floor level of elevator tower, showing stained-glass Modulor panel in window. UMr 280 is photograph of child in elevator lobby (on roof terrace?); 281-283 are photographs of elevator lobbies. UMr 284-292 are photographs of common passageways; 558 shows internal shops. UMr 293-298 are interior views of infants’ school on seventeenth floor. UMr 299 is photograph of hotel restaurant balcony seating. Box 17 L’Unité d’habitation (Conclusion of the sequence of positive color transparencies (UMr 300- à Marseille, 1946- described in the entry for Box 16 above.) 562) 1952 (continued) UMr 300-304 are views and details of various unidentified interiors. UMr 305-318 are photographs of entrance ramp to day nursery building. UMr 319-335 are miscellaneous photographs of children playing in and around pool by day nursery on roof terrace; 336-338 show adults by pool. UMr 339-355 and 539-541 are photographs of day nursery and pool. UMr 356-368 show miscellaneous views and details of solarium seating to west of day nursery. UMr 369-371 are photographs of west façade of day nursery, with “brise-soleil” panels; 372-373 are photographs of south façade. UMr 374-401 and 561 are photographs of various “brise-vent” (wind-break) walls and “montagnes artificielles” (artificial mountains) to south of day nursery; 402-408 and 562 are photographs of curved “brise-vent” wall south of day nursery. UMr 409-413 and 542-546 are exterior views of gymansium; 414- 417 are interior views. - Page 50 -

UMr 418-433 and 563-564 are photographs of “théâtre” structure at north end of roof terrace. UMr 438-439 and 537 are photographs of interior of roof terrace elevator lobby. UMr 440-464 show miscellaneous views and details of two ventilation chimneys (north chimney in 440-455, south chimney in 456-468). UMr 469-526, 538, and 565 are miscellaneous views and details of roof terrace and its structures. UMr 527-528 are photographs of children’s drawings (?) on parapet wall of roof terrace. UMr 529 is photograph of spalling of concrete. UMr 530-535 and 547 are photographs of views from roof. UMr 536 shows construction work in progress. UMr 553 is one of sequence of numbered slides filed as UMr 71-99 above; it is interior view of apartment.

14 black-and-white negatives, originally misidentified and misplaced UMs 1-14 elsewhere in the archive. 1 175 x 235 mm.; 9 6 x 6 cm.; 4 35 mm. UMs 1 is view of building from east; 2 is view from north-west. UMs 3 is photograph of main entrance porch. UMs 4 is photograph of service piping, machinery, etc., in space under building. UMs 5 is photograph of children, pool, and “solarium” seating by day nursery on roof terrace. UMs 6-9 are details of roof terrace structures. UMs 10 is photograph of drawing of building in one of Le Corbusier’s sketchbooks. UMs 11 is detail of north façade. UMs 12-14 are photographs of main entrance. Box 18 Le Palais de l’ONU à 16 black-and-white negatives and 1 positive black-and-white UN 1-17 New York, 1947 transparency (original inventory lists 17 negatives, but one of these was misidentified). Negatives are: 1 180 x 245 mm. (cut down from larger original); 2 approximately 4 x 5 in.; 1 65 x 89 mm. (cut down from larger original); 1 6 x 7 cm.; 11 6 x 6 cm. (5 cut down to smaller sizes). UN 13 is the positive black-and-white transparency. UN 1-2 are photographs of p. 151 of L’atelier de la recherche patiente, 1960. UN 3-7 are photographs of drawings (4-7 show sketchbook reproduced on p. 39 of Œuvre complète, Vol. 5). UN 8-10 and 12-17 are photographs of Model “23A.” UN 11 is photograph of drawings reproduced on p. 150 of L’atelier de la recherche patiente, 1960.

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La Basilique de la 15 black-and-white negatives (original inventory lists 14). SB 1-15 Paix et du Pardon, 1 6 x 8 cm.; 14 6 x 6 cm. la nouvelle “Cité de SB 1 is photograph of 2 of drawings reproduced on p. 31 of Œuvre la Sainte-Baume,” complète, Vol. 5; 6-8 are photographs of lower of these two 1948 drawings; 2-4 are photographs of drawing reproduced on p. 25; 5 is photograph of three of drawings reproduced on p. 30. Remainder are photographs of other drawings. Le Plan 80 6 x 6 cm. black-and-white negatives (original inventory lists 82, UB 1-80 d’urbanisation de but 2 of these are color transparencies—see below). Bogotá (Colombie), The bulk of these negatives were originally housed in glassine 1950 envelopes, numbered in ink from 1-72. There are gaps in this sequence, and some numbers are repeated, with capital letters added to differentiate those negatives. Some negatives also have the numbers written in ink on their edges. UB 1-77 are numbered negatives, and 78-80 are negatives found unnumbered at the time of processing. Where the negatives do not have Hervé’s original numbers written on them, the paper tags bearing the GRI’s identification numbers also carry the original numbers, placed in square brackets after the GRI number: e.g. UB 40 (39); UB 57 (55A). In four cases the numbers on the negatives and those on the glassine envelopes do not correspond: see UB 3, UB 7, and UB 27- 28. UB 1-42 and 80 are photographs of model of “Centre civique;” 43- 79 are photographs of pages from Le Corbusier’s sketchbooks (68 is photograph of cover of sketchbook).

2 mounted 35 mm. positive color transparencies (not in original UB 81-82 inventory—see above). Photographs of model of “Centre civique.” “Roq” et “Rob” à 7 black-and-white negatives (original inventory lists 6). RR 1-7 Cap-Martin 1 84 x 93 mm. (cut down from larger original); 5 6 x 9 cm.; 1 54 x 80 (Méditerranée), mm. (cut down from larger original). 1949 RR1 is photograph of right side of p. 61 of Œuvre complète, Vol. 5, with text masked off; 2 is photograph of drawing reproduced on p. 55. RR 3-7 are photographs of models. La Chapelle de Total of 1,437 black-and-white negatives, and 9 positive black-and- Ronchamp, 1950- white transparencies (original inventory lists 1,492 negatives, but 1954 fewer than that number were found at time of processing, and several of these were misidentified). For greater convenience in consulting the inventory and using the archive the negatives have been divided into 10 subject groupings, from ERa to ERj below. ERk contains photographs from almost all of these groupings, which have been collected together because of their format. ERl are color negatives and positive color transparencies.

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Photographs of drawings, etc., and models. ERa 1-92 91 negatives and 1 positive black-and-white transparency. (including Negatives are: 1 90 x 123 mm. (cut down from larger original); 1 51 10A) x 60 mm. (cut down from larger original); 3 6 x 9 cm.; 5 approximately 6 x 8 cm.; 2 6 x 7 cm.; 2 60 x 63 mm. (cut down from larger originals); 76 6 x 6 cm.; 1 51 x 57 mm. (cut down from larger original). ERa 8 is the positive black-and-white transparency. ERa 1-2, 8 and 12-22 are photographs of drawings. ERa 3 is photograph of p. 166 of, Le Corbusier, L’atelier de la recherche patiente, 1960, with the text cut out; 4-5 are photographs of p. 73 of Œuvre complète, Vol. 5; 6 and 11 are photographs of pages from unidentified books; 7 is photograph of axonometric drawing reproduced on p. 25 of Œuvre complète, Vol. 6. ERa 8 and 23-56 are photographs of a plaster model (taken in the studio and on the roof of Le Corbusier’s apartment in Rue Nungesser-et-Coli); 9-10A and 57-92 are photographs of a wire and paper model (57-59 are photographs of details from pp. 80-81 of Œuvre complète, Vol. 5).

Photographs of the Chapel under construction. ERb 1-205 205 negatives. 7 6 x 9 cm.; 198 6 x 6 cm. ERb 6-10 are taken from north-east and show statues of angels (probably from the destroyed nineteenth century church?) in foreground (see also ERg 184-189 below). ERb 11-15 are photographs of, or taken from, the roof (in 11 the three angel statues shown in 6-10 are visible). ERb 16-30 are taken from south-east (27-30 show carved masonry blocks, from the destroyed 19th Century church, in foreground); 31- 40 are taken from south-east and show details of pilgrims’ hostel in foreground; 40 also shows entrance to another, unidentified (partly subterranean?), structure immediately north-west of hostel; 41-42 are taken from south-east and show details of this entrance in foreground. ERb 1-3 and 43-48 are taken from south-west; 202 is taken from north-west. ERb 49-104 and 205 are photographs of openwork concrete frame of south wall (49-75 are taken from outside building, and 76-104 and 205 from inside ); 105-106 are photographs of details of this frame; 107-121 and 201 show reinforcement bars and mesh screens (for sprayed concrete wall surfaces) being placed on this frame. ERb 122-128 are photographs of north façade (126-128 show details of masonry structure). ERb 129-131 and 134-135 are photographs of west façade, showing rainwater drainage spout from roof; 132-133 are taken from roof by drainage spout, showing it, and rainwater reservoir at ground level. - Page 53 -

ERb 136-167 and 203 are miscellaneous views and details of east end of building (mostly details of “tower” structure at north-east corner). ERb 168-197 and 204 are miscellaneous views and details of interior of building (168-175 and 204 show masonry enclosures for side altars either side of north entrance). ERb 5 and 198-199 are unidentified details. ERb 200 is photograph of workbench, etc., on site.

Distant views of the Chapel. ERc 1-153 157 negatives, 156 6 x 9 cm.; 1 6 x 6 cm. (including ERc 1-110 (including 66A-66D) are distant views of Chapel on its hill, 66A-66D) as seen across country (72-92 show trees in foreground; 93-103 show buildings in foreground; 104-109 show factory chimney in foreground; 110 shows electricity grid pylons in foreground). ERc 111-124 are distant views of Chapel on its hill, as seen from streets of Ronchamp. ERc 125-126 are photographs of railway lines and adjacent buildings in Ronchamp; 127 is photograph of street (may not belong here?). ERc 128-140 are distant views of Chapel on its hill, as seen from a cemetery; 141-142 are photographs of this cemetery. ERc 143-146 appear to be views from the hill(?). ERc 147-152 are photographs of cloudy skies, most including trees similar to many in 1-92 above. ERc 153 is photograph of hilly landscape, found filed with these photographs at time of processing. Box 19 La Chapelle de Exterior views of the Chapel from south, 194 negatives. ERd 1-192 Ronchamp, 1950- 4 approximately 5 x 7 in.; 1 98 x 163 mm. (cut down from larger (including 1954 (continued) original); 6 approximately 4 x 5 in.; 1 88 x 102 mm. (cut down from 78A and larger original); 107 6 x 9 cm.; 2 57 x 74 mm. (cut down from larger 139A) originals); 73 6 x 6 cm. ERd 1-30 and 86 are views of south façade (6, 16-17, and 23 show west end of façade, with base of west tower). ERd 31-48, 54-59, and 77-78 are photographs of south (main) entrance to Chapel, and its immediate surroundings (78-78A are views up towards roof above entrance, and top of west tower in 78). ERd 49-53, 60-76, 79-80, and 84-87 show miscellaneous details of south façade (70-76 show junction of south wall and roof at east end of building). ERd 81-83 and 157-164 show junctions of south and east walls and roof at south-east corner of building, above east entrance. ERd 89-155 (including 139A) are views of Chapel from south-east (89-90, 99, and 149-155 show entrance to unidentified (partly subterranean?) structure south of Chapel in foreground; 99-100, 105-106, 116-117, and 147-148 show details of pilgrims’ hostel in - Page 54 - foreground; 102, 136 and 142-147 also show “pyramid” to north- east of Chapel). ERd 165-192 are views of Chapel from south-west. ERd 156 (one of strip of three negatives with 154-155) is photograph of chairs and tables set out in front of west façade of Chapel (see ERf 1, etc., below).

Exterior views of the Chapel from north, 94 negatives. ERe 1-91 1 5 x 7 in.; 1 120 x 135 mm. (cut down from larger original); 1 114 x (including 137 mm. (cut down from larger original); 3 approximately 4 x 5 in.; 19A, 42A, 29 6 x 9 cm.; 59 6 x 6 cm. and 72A) ERe 20 with original annotated glassine envelope. ERe 2-8 are views of north façade.

ERe 9-21 (including 19A) and 24-25 are photographs of north entrance (particularly illumination towers for side altars either side of entrance; 16 and 25 also show details of exterior staircase to sacristy; 20-21 are from north-west and also show west tower and, in 20, rainwater drainage spout from roof) (see also ERg 57 below). ERe 26-37, 41, 42A, and 43-47, are miscellaneous views and details of external staircase to sacristy, and sacristy windows (37 and 43-47 also show “pyramid” to north-east of Chapel). ERe 1, 22-23, 38-40, and 48-73 (including 72A) are views of Chapel from north-west (22, 39-40, 56-58, 63, and 71 also show “pyramid” to north-east of Chapel; 38 shows north-east corner from north- west). ERe 74-91 are views of Chapel from north-east (74 shows detail of “pyramid” to north-east of Chapel in foreground; 88-89 are views up to roof over “tower” structure at north-east corner). ERe 42 (one of strip of two negatives with 41) is photograph of east end of interior, showing high altar and choir loft.

Exterior views of the Chapel from west, 70 negatives. ERf 1-69 1 90 x 92 mm. (cut down from larger original); 1 104 x 106 mm. (cut (including down from larger original); 1 104 x 122 mm. (cut down from larger 44A) original); 23 6 x 9 cm.; 44 6 x 6 cm. ERf 1, 3-9, 14-15, and 44A show chairs and tables set out in front of west façade of Chapel (see also ERd 156 above). ERf 10-13, 16-17, 25, 31-32, 47-51 are views of west façade. ERf 18, 21-24, 29, and 52-54 are photographs taken at angle towards south-east; 30-32, 39, 55-59 are taken at angle towards north-east; 2, 33-38, and 69 are taken looking north along west wall, showing rainwater drainage spout from roof and rainwater reservoir below it. ERf 19-20, 40-41, and 60 are photographs of rainwater drainage spout from roof; 26-28, 45-46, and 61-68 are photographs of drainage spout and rainwater reservoir below it; 42-44 are - Page 55 - photographs of pyramidal forms in reservoir. See also ERi 61 below.

Exterior views of the Chapel from east, 194 negatives. ERg 1-190 2 5 x 7 in.; 1 127 x 162 mm. (cut down from larger original); 1 108 x (including 115 mm. (cut down from larger original); 1 100 x 126 mm. (cut 63A-63B, down from larger original); 1 107 x 117 mm.; 1 90 x 130 mm. (cut 88A, 176A) down from larger original); 1 82 x 140 mm. (cut down from larger original); 110 6 x 9 cm.; 76 6 x 6 cm. ERg 1-6 and 17-18 are views of east façade (1 and 4-6 show details of “pyramid” to north-east of Chapel in foreground; 18 shows man standing in outdoor pulpit). ERg 7-16, and 19-39 are taken at angle towards south-west (7, 9-10, 12-13, 16, 20, 25-28, and 31-38 show details of “pyramid” to north- east of Chapel in foreground). ERg 40-47 are taken at angle towards north-west. ERg 48-56 and 58-63B are taken looking south across outdoor service space at east end of Chapel (56-57 are views up to roof over “tower” structure at north-east corner). ERg 64-101 (including 88A), 106-108, and 179 are taken looking north across outdoor service space at east end of Chapel (69, 72, 78-79, and 87 also show “pyramid” to north-east of Chapel; 88 is view up to roof over service space). ERg 102-105 and 109-110 are views into outdoor service space taken at angle towards north-west; 111-115 and 117-123 are views into outdoor service space taken at angle towards south-west; 116 is photograph of north-east corner of Chapel (113 is view up to roof over “tower” structure at north-east corner; 122 shows underside of outdoor choir loft). ERg 124-134, 138, and 159 are photographs of outdoor pulpit (126 and 159 also show “pyramid” to north-east of Chapel; 130-131 are taken looking down onto pulpit from choir loft; 132-133 are photographs of pulpit and choir loft). See also ERj 118 below. ERg 135-137, 139-155, 157-158, and 160-165 are photographs of outdoor altar (many also show pulpit, or choir loft, or both; 146- 147, 158, and 162 also show “pyramid” to north-east of Chapel). ERg 166-178 (including 176A) are exterior views of east entrance to Chapel (176A is detail of door handle). ERg 180 is photograph of window in east wall (to display statuette of Virgin and Child). ERg 181-182 are photographs of south side of “tower” structure at north-east corner of Chapel. ERg 183-184 are views past south-east corner of Chapel and over pilgrims’ hostel. ERg 185-190 are photographs of one of sculpted angels shown in ERb 6-10 above standing in niche at south-east corner of Chapel. - Page 56 -

ERg 57 (one of strip of two negatives with 56) is photograph of illumination towers for side altars either side of north entrance. ERg 156 (one of strip of three negatives with 157-158) is photograph of Chapel interior, showing details of benches. Box 20 La Chapelle de Exterior views of the Chapel, miscellaneous details. ERh 1-94 Ronchamp, 1950- 86 negatives and 8 positive black-and-white transparencies, and 35 1954 (continued) mm. negatives. Negatives are: 40 6 x 9 cm.; 4 6 x 6 cm.; 42 35 mm. ERh 85-92 are the positive black-and-white transparencies. ERh 1-9 and 23 are photographs of west tower; 10-15 are photographs showing west tower and one of north towers; 16-19 and 24 are photographs of north towers; 20-22 are photographs of one of north towers. ERh 25-41 are photographs of roof (35-36 show rainwater drainage spout on west edge of roof). ERh 43-84 are the 35 mm. negatives. ERh 43-46 and 58 are photographs of east façade of Chapel; 47 and 62-65 are photographs of north façade; 49-50, 59-60, and 66-71 are photographs of south façade; 55, 73-82, and 86-88 are views of Chapel from south-east; 60 and 72 are views of Chapel from south- west. ERh 61is photograph of south (main) entrance, showing enameled door; 51-52 and 83 are views up towards roof above entrance. Others are miscellaneous exterior views and details. ERh 93-94 are details of texture of sprayed-concrete wall surfaces.

Interior views of the Chapel. ERi 1-149 149 negatives. 3 5 x 7 in.; 2 approximately 4 x 5 in.; 1 100 x 105 mm. (cut down from larger original); 53 6 x 9 cm. (2 cut down to smaller sizes); 6 approximately 6 x 7 cm. (cut down from larger originals); 84 6 x 6 cm. ERi 1, 7, 9, and 23 are photographs of enameled decoration on exterior (1 and 7) and interior (9 and 23) sides of south (main) door. ERi 2-6, 11-14, 16-17, and 24-28 are views of south (main) entrance and its immediate surroundings (2-3, 13, and 25-26 also show side altar under tower to west of entrance; 16-17 and 26-27 show door pivoted to open position); 18-19 are photographs of holy water stoup by south entrance; 20-22 and 32-34 are views towards east end of Chapel and high altar from by south entrance. ERi 15, 29-31, and 35-39 are photographs of people in benches on south side of nave; 40, 42-43, 45-49, 55-57, and 60 are photographs of benches (40 also shows high altar). ERi 44, 50-54, 58, 63-66, 68-69, 75-78, and 81-82 are miscellaneous views and details of high altar, and communion rail; 70-71 and 80 are photographs of standing cross behind altar. - Page 57 -

ERi 72-74 and 146-147 are photographs of side altar to west of north entrance (74 and 146-147 also show confessionals on north side of Chapel, and high altar); 79 and 85 are photographs of side altar to west of south entrance. ERi 67 and 83-84 are photographs of window in east wall (to display statuette of Virgin and Child). ERi 86-95 and 122-124 are upward views into illumination tower over side altar to west of south entrance. ERi 96-121 are miscellaneous views and details of windows in south wall. ERi 125-127 are views of west end of Chapel; 128-131 and 148 (also 127) are miscellaneous views and details of enclosures for side altars either side of north entrance. ERi 132-142 are miscellaneous views and details of east end of Chapel. (Note: ERi 126-142 were taken with interior construction work on Chapel unfinished.) ERi 143-145 and 149 are unidentified interior details. ERi 8 (one of strip of two negatives with 7) is exterior view up towards roof above south (main) entrance, and top of west tower. ERi 61 (one of strip of three negatives with 62-63) is photograph of west façade of chapel, showing rainwater drainage spout and reservoir.

Other structures on the hill, including the priest’s house; pilgrims’ ERj 1-160 hostel; pyramid; and war monument. (including 162 negatives. 115A and 1 103 x 144 mm. (cut down from larger original); 1 86 x 117 mm.; 72 117A) 6 x 9 cm. (3 cut down to smaller sizes); 88 6 x 6 cm. ERj 1-9 are photographs of priest’s house (Chapel under construction is visible in background of 5; pilgrims’ hostel is visible in background of 9) ERj 10-11, 12-13, and 15 are photographs of priest’s house from main path to Chapel, showing Chapel in background and entrance to unidentified (partly subterranean?) structure south of Chapel in foreground (12-13 and 15 also show south-west corner of pilgrims’ hostel in foreground; 14 is similar view, but not showing priest’s house). ERj 16-21 and 37-40 are photographs of pilgrims’ hostel from north- west (16-18 and 38 also show entrance to unidentified (partly subterranean?) structure south of Chapel in foreground). ERj 22-35, 37, 43, and 51 are photographs of pilgrims’ hostel from south-west, most also showing Chapel in background (35 also shows corner of cemetery to south of hostel in foreground); 36 (one of strip of two negatives with 35) is photograph of path through trees (possibly main path up hill to Chapel?); 52-53 are photographs of sign to “Café-Restaurant” on window at west end of hostel. - Page 58 -

ERj 41-45, 48-49, and 54-62, are photographs of south side of pilgrims’ hostel, most showing outdoor seats and tables arranged there (for café?). ERj 46-47, 50, and 63-66 are photographs of pilgrims’ hostel from south-east. ERj 67-79 and 90 are photographs of north side of pilgrims’ hostel; 80-89 are photographs of hostel from higher up hill to north ( 87-89 show south-east corner of Chapel in foreground); are photographs taken from Chapel roof, looking south over hostel. ERj 90-95 show child playing around pilgrims’ hostel. ERj 98-114 are interior views of pilgrims’ hostel (97-110 are photographs of café; 111-115A show bunk beds in dormitories). ERj 116 is unidentified detail, and may not belong here? ERj 117-117A and 119-158 are miscellaneous views and details of “pyramid” to north-east of Chapel, most also showing details of Chapel (120-125 show André Maisonnier’s war monument at south- east corner of “pyramid”; 155 is view of “pyramid” from Chapel roof). ERj 159-160 are photographs taken from “pyramid” (159 of east end of Chapel; 160 of view over pilgrims’ hostel). ERj 118 (one of strip of three negatives with 119-120) is photograph of outdoor pulpit and choir loft at east end of Chapel.

38 negatives with 39 original paper folders with contact prints ERk 1-39 pasted to them (envelope filed as ERk 31 found empty at time of processing). 20 6 x 9 cm. (2 cut down to smaller sizes); 17 6 x 6 cm.; 1 35 mm. Bulk of contact prints are marked with cropping lines. Box 21 La Chapelle de 2 color negatives and 365 positive color transparencies (original ERl 1-362 Ronchamp, 1950- inventory lists 348 transparencies). (including 1954 (continued) Negatives are: 1 4 x 5 in.; 1 175 x 115 mm. (cut down from larger 60A-60B, original). 248A, 276A, Transparencies are: 1 105 x 118 mm. (cut down from larger 293A) original); 8 6 x 9 cm. (2 cut down to smaller sizes); 1 48 x 91 mm. (cut down from larger original); 1 36 x 75 mm. (cut down from larger original); 122 6 x 6 cm. (many cut down to smaller sizes); 1 40 x 45 mm. (cut down from larger original); 44 unmounted and 187 mounted 35 mm. (11 masked down to 24 x 24 mm.). ERl 328-329 are the color negatives. ERl 1-15 are photographs of a plaster model taken on roof of Le Corbusier’s apartment on rue Nungesser-et-Coli. ERl 16-18, 26-28, and 359 are photographs of Chapel under construction (16-17, 26-27, and 359 show openwork concrete frame of south wall). ERl 29 is distant view of Chapel on its hill, as seen across country. ERl 19-24 and 30-43 are views of Chapel from south (19 and 29 also - Page 59 - show entrance to unidentified (partly subterranean?) structure south of Chapel in foreground). ERl 25, 44-47, 58-59, and 61-66 are miscellaneous views and details of south façade. ERl 48-57, 60-60B, 67-72, and 79-82 are photographs of south (main) entrance to Chapel, and its immediate surroundings (72 is detail of enameled decoration on door; 80 is view up to roof over entrance, and to top of west tower). ERl 73-74 show Dominican priests processing into south entrance. ERl 83-87 are views of Chapel from main path up hill, also showing entrance to unidentified (partly subterranean?) structure south of Chapel in foreground (83-84 also show priest’s house to south- west). ERl 75-78 and 88-105 are views of Chapel from south-east; 106-110 are photographs of south-east corner from south. ERl 111-115 are views of Chapel from south-west. ERl 116-120, 132-136, and 360 are views of north façade; 121-129 are views of north entrance, and of illumination towers for side altars either side of entrance; 130-131, 137-150, and 157-159 show external staircase to sacristy (141-146 and 158-159 also show “pyramid” to north-east of Chapel). ERl 151-156, 160-162, and 164-173 are views of Chapel from north- west; 163 is view from north-east. ERl 174-199 and 361 are miscellaneous views and details of west façade, showing rainwater drainage spout from roof and rainwater reservoir below it. ERl 200 and 205-215 are views of east façade (200 and 210-211 show details of “pyramid” to north-east of Chapel in foreground; 212-217 are taken from “pyramid”; 206-208, 212-213, and 217 also show pilgrims’ hostel). ERl 221-223 are photographs of outdoor service space at east end of Chapel; 224-231 are taken looking south across outdoor service space; 232-235 and 241-243 are taken looking north across outdoor service space. ERl 236-237 and 244-245 are photographs of outdoor pulpit. ERl 238-239 and 249-251 are exterior views of east entrance to Chapel; 240 is photograph of niches in south wall by east entrance. ERl 246-248 and 253-255 are views up to roof at south-east corner of Chapel; 252 is view of south-east corner; 248A is view up to roof over “tower” structure at north-east corner. ERl 256 and 266-270 are interior views showing south (main) door pivoted to open position; 265 and 362 are views of south entrance, also showing side altar under tower to west of entrance. ERl 257 and 271-272 are photographs of benches on south side of nave; 273 and 275 are photographs of people in benches. ERl 258-259 and 274 are photographs of high altar, and communion rail. - Page 60 -

ERl 260-264, 275-292 (including 276A), and 294-302 are miscellaneous views and details of windows in south wall. ERl 293-293A are photographs of side altar to west of south entrance. ERl 299-300 are photographs of priest’s house from main path to Chapel, showing Chapel in background and entrance to unidentified (partly subterranean?) structure south of Chapel in foreground; 305 is similar view, but not showing priest’s house; 306-307 are similar views showing pilgrims’ hostel; 310 is photograph of priest’s house. ERl 308-309 are photographs of pilgrims’ hostel, taken from by priest’s house. ERl 311 and 339-341 are views of pilgrims’ hostel from south-west, with Chapel in background (under construction in 311). ERl 312-313 are photographs of sign to “Café-Restaurant” on window at west end of hostel. ERl 314-319, 328, and 342 are miscellaneous views and details of south side of pilgrims’ hostel (316-317 show laundry drying on line in foreground; 342 shows priest’s house in background); 320-326 and 343 are miscellaneous views and details of north side of hostel. ERl 327, 329-337, and 344-345 are interior views of pilgrims’ hostel (327, 330-331, and 344 are photographs of café; 329, 332-337, and 345 are photographs of dormitories). ERl 338 and 346-354 are miscellaneous views and details of “pyramid” to north-east of Chapel; 355 is view of landscape from “pyramid.” ERl 356-357 are details of texture of sprayed-concrete wall surfaces. ERl 358 is difficult to identify, and may not belong here. Box 22 Un Cabanon à Cap- 323 black-and-white negatives (original inventory lists 306). CC 1-321 Martin 2 6 x 9 cm.; 320 6 x 6 cm.; 1 29 x 60 mm. (cut down from larger (including (Méditerranée), original). 313A-313B) 1952 CC 314-321 are 6 x 6 cm. negatives with original paper folders with contact prints pasted to them. CC 1-10 are views looking down over cabanon from north-east (10 also shows nearby house, probably Badovici’s; 11-16 are views looking down over cabanon from north-west. CC 17-50 are miscellaneous exterior views and details of cabanon (27-29 show vertical slot of “aérateur” at south-east corner); 51-54 show interior details through windows; 55-56 show cabanon through door from restaurant L’Étoile de Mer. CC 57-59 show outdoor worktable and seat to south of cabanon; 60- 67 show Le Corbusier at this table. CC 68-149 are miscellaneous interior views and details of cabanon (71-97 show indoor worktable; 95-106 show beds; 107-112 show washbasin; 125-138 show ceiling panels; 145-149 show details of structure of window-shutters and “aérateur”). CC 150 shows Le Corbusier inside cabanon and one of Rebutato - Page 61 -

brothers (see CC 206-213 and 215-223 below) outside window. CC 151-167 are views out from cabanon, through door and windows. CC 168-175 are exterior views and details of restaurant L’Étoile de Mer (cabanon is visible to right of restaurant in 175); 176 is photograph of signs at entrance; 177-181 are interior details; 184- 191 and 313A-313B are miscellaneous views and details of restaurant outdoor seating area. CC 192-197 show Le Corbusier and others in restaurant outdoor seating area; 198-205 show various people in outdoor seating area. CC 206-213 and 215-223 are probably photographs of one of Rebutato brothers (209-214 show him and others cooking; 220 shows him looking out from restaurant outdoor seating area, and probably also shows the Badovici house at left; 221-223 show him fishing in front of restaurant). CC 224-228 are photographs of unidentified locations in vicinity of restaurant; 229-234 are details of planting around restaurant and cabanon. CC 235-244 are photographs of Le Corbusier in vicinity of restaurant and cabanon (see also negative with contact print CC 319); 245 is photograph of his hands holding hollowed-out stone, or bone (see also negatives with contact prints CC 320-321)? CC 246-247 are probably exterior views of the Badovici house (House E-1027); 248-249 are possibly, and 250-263 and 266-267 are definitely interior views and details of the Badovici house, mostly showing murals by Le Corbusier (255-256 show Le Corbusier in the house). CC 264-265 and 268-274 are photographs of miscellaneous artworks by Le Corbusier. CC 275-313 are views of coast and sea in vicinity of restaurant and cabanon. 2 unmounted and 42 mounted 35 mm. positive color transparencies (original inventory lists 43). CC 322-365 CC 322-330 are exterior views of cabanon; 331-338 show cabanon through door from restaurant L’Étoile de Mer. CC 339-348 are interior views of cabanon. CC 349-365 are exterior views of restaurant L’Étoile de Mer (361- 365 show murals by Le Corbusier on wall by door to cabanon—see 331-338 above). Le Concours de 51 black-and-white negatives (original inventory misidentifies CS 1-51 Strasbourg pour subject as Projet d’urbanisation de Strasbourg, and lists 48 800 logements, negatives) 2 4 x 5 in.; 49 6 x 6 cm. All are photographs of model. 1951

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Chandigarh 161 black-and-white negatives and 1 positive black-and-white ChG 1-155 (general—including transparency (original inventory lists 114 negatives). (including plans, drawings, Negatives are: 2 approximately 5 x 7 in.; 24 approximately 4 x 5 in.; 17A-17E, etc.), 1951-1985 1 65 x 90 mm. (cut down from larger original); 55 6 x 9 cm.; 2 6 x 8 20A-20B) cm.; 3 6 x 7 cm.; 35 6 x 6 cm.; 1 47 x 66 mm. (cut down from larger original); 4 approximately 44 x 60 mm. (cut down from larger originals); 1 38 x 60 mm.; 1 41 x 55 mm. (cut down from larger original); 30 35 mm. (1 cut down to smaller size). ChG 1 is the positive black-and-white transparency. ChG 1-4 are photographs of plan reproduced on p. 122 of Œuvre complète, Vol. 5; 5-6 are photographs of plan reproduced on p. 123. ChG 7-11 and 17D are photographs of drawings. ChG 12 is photograph of lower right corner of p. 116 of Œuvre complète, Vol. 5; 13 and 14-16 appear to be photographs of, respectively, pp. 119 and 148-150 of Vol. 5, but page numbers in photographs are different? ChG 17 is photograph of p. 95 of Œuvre complète, Vol. 6; 17A-17B are photographs of p. 97; 18-19 are photographs of pp. 54 and 101 with parts of texts and illustrations masked out. ChG 17C-17E are photographs of pp. 100 and 110 of Œuvre complète, Vol. 7; 20-20A are photographs of pp. 77-78. ChG 21-31 and 35 are photographs of model of Capitol; 32 is photograph of unidentified topographical model (possibly of Capitol site). ChG 36 is photograph of unidentified man holding large drawing pinned to display board. ChG 33-34 are two copies of photograph of people watching small pleasure boats on a lake; 37 and 40-41 are photographs of people grading a slope(?); 38 and 42-43; are photographs of Indian woman carrying basket on her head; 39 is photograph of people wlaking past building under construction. ChG 44-108 is sequence of photographs listed in (original inventory as “Chandigarh, Urbanisme,” and numbered in ink on edges by Hervé from CU-1 to CU-69 (numbers are not continuous). Subjects are miscellaneous landscapes, street scenes, photographs of housing(?), shops, and other structures, etc. ChG 109-112 are, in order, photographs of prints of CU-10, CU-17, CU-33, and CU-42, pinned to display boards. ChG 113-142 are 35 mm. negatives of photographs of various unidentified structures (building in 115 has sign identifying it as branch of Allahabad Bank), many with construction work in progress on them. ChG 143-145 are photographs of Musée et Galerie des Beaux-Arts (in Œuvre complète, Vol. 8). ChG 146-147 are photographs of unidentified buildings. ChGv 148-149 and 155 are photographs of cattle on a road; 150-154 are unidentified landscapes. - Page 63 -

Chandigarh, Centre 43 black-and-white negatives (original inventory lists 44). ChC 1-43 Civique—not 33 6 x 9 cm.; 9 6 x 6 cm.; 1 40 x 55 mm. (cut down from larger included under this original). name in Œuvre ChC1-3 are distant views of Palais de Justice from west. complète, 1951- ChC 4-7 are distant views of Secrétariat (under construction) from 1954 south, with other, unidentified structures in foreground (Palais de Justice also visible in 5-6). ChC 8-11 and 14 are landscapes, with distant views of Secrétariat (under construction) and Palais de Justice from south; 12 and 15-17 are landscapes, with distant views of Palais de Justice from south; 13 is landscape with figures. ChC 18-25 are photographs of, or taken from, lakeside road approaching Capitol from west (Capitol buildings visible in distance in 19-22 and 24-25). ChC 26-43 are photographs of construction work in progress on unidentified buildings (39 and 42 are interiors, others are exterior views). Box 23 Chandigarh: Le 645 black-and-white negatives and 5 positive black-and-white ChJ 1-644 Palais de Justice transparencies (original inventory lists 698 negatives, but fewer (including (including tapestry), than that number were found at time of processing, and several of 132A, 429A, 1952-1956 these were misidentified). 431A, 587A- Negatives are: 3 approximately 5 x 7 in.; 44 approximately 4 x 5 in.; 587B, and 1 99 x 104 mm. (cut down from larger original); 1 61 x 113 mm. (cut 601A) down from larger original); 1 60 x 84 mm. (cut down from larger original); 1 37 x 130 mm. (cut down from larger original); 388 6 x 9 cm. (5 cut down to smaller sizes); 1 55 x 89 mm. (cut down from larger original); 69 6 x 6 cm.; 89 35 mm.; sequence of 42 (probably details cut out of original 4 x 5 in. negatives) in various sizes from 42 x 54 mm. to 54 x 91 mm. (see entries for ChJ 388-429 below). ChJ 178-182 are 6 x 9 cm. format negatives whose frames overlap on the film strips by approximately 10 mm., with consequent partial double exposure; numbered as 5 separate images by Hervé. ChJ 437 and 599-602 are the positive black-and-white transparencies (436 and 437 are negative and positive versions of the one image).

ChJ 1 is 6 x 9 cm. negative with original paper folder with contact print pasted to it of photograph of Le Corbusier on site during construction. Contact print is marked with cropping lines.

ChJ 2-387 is sequence of medium-format negatives given title “Haute Court” and numbered in ink on edges from CH-1 to CH-457 by Hervé (numbers are not continuous). Within this sequence views of different parts of Palais de Justice are distributed as follows (“ChJ” numbers are GRI’s own identification numbers, and are distinct from Hervé’s numbers): - Page 64 -

Views of Palais de Justice from south: ChJ 113-114, 187, 381-382, 385 (381-382 and 385 showing unidentified building to south-west in foreground); distant view from south: ChJ 128; distant views from south-west: ChJ 115-117 (116 is one of strip of two negatives with 117, and is distant view of Secrétariat (under construction) from same position), 126-127, 129; views from west: ChJ 340-341, 351- 356; distant views from west: ChJ 118-119, 122; distant view from north-west: ChJ 125. North-west façade: ChJ 29, 31-32, 38, 104-105, 107-108, 121, 130- 131, 133-135, 143-145, 147, 155-158, 161, 164, 200, 320, 326, 349, 364-366; north corner, by main entrance: ChJ 30, 33, 35, 48, 53-62, 106, 163, 194, 199, 321, 360-363; west corner: ChJ 146; brise-soleil on north-west side: ChJ 140-142, 167, 169-170, 239, 241. Main entrance portico: ChJ 95, 165-166, 171-173, 190, 203-204, 223, 234, 236, 245-246, 306, 318, 322, 324-325, 336, 350; views from portico: ChJ 2-6, 93, 109-111, 179-181, 193, 213; pylons in portico: ChJ 8-9, 23, 47, 83-84, 91, 124, 168, 174-178, 183-186, 195- 196, 207-208, 228, 235, 237, 247, 316-317, 323, 334-335; circulation ramps at rear of portico: ChJ 7, 10, 22, 36, 51-52, 66, 87-88, 132A, 220-221, 244, 275, 357, 359; side walls of portico: ChJ 21, 90; views up to roof of portico: ChJ 209-211. Views of Secrétariat (under construction) from below “parasol” on roof of Palais de Justice: ChJ 20, 188. Flag in front of Palais de Justice from below “parasol” on roof of building: ChJ 277. “Salle des pas perdus” (waiting hall, or lobby) behind main entrance portico: ChJ 24, 27-28, 43, 92, 112, 233, 240, 242-243, 263-265, 270- 271, 284; views from lobby, through brise-soleil, along south-east façade: ChJ 37-38, 212, 269, 276; view into lobby from circulation ramps at rear of main entrance portico: ChJ 266-268, 272-274; view into lobby from access gallery on south-east side of building: ChJ 65. South-east façade: ChJ 45-46, 49, 69-70, 77-79, 96-103 (*97 shows, in foreground, structures seen in ChJ 85 from vehicle circulation space on level 1 of building), 120, 197-198, 205-206, 222, 226, 309- 314, 373-374; south corner: ChJ 63, 230-232, 238, 249-250, 387; brise-soleil on south-east side: ChJ 89; south-west angle wall of south east side: ChJ 307-308, 383-384, 386; brise-soleil on south- west angle wall of south east side: ChJ 25-26, 41, 44, 64, 67-68, 182, 288-290, 292-294, 303-305; access gallery to offices (behind brise- soleil): ChJ 44, 50, 86; south-west angle wall of south east side, and lower roof terrace (from access galleries on south-east side): ChJ 214-219, 227, 295-299, 315, 347-348; views from access gallery to offices, through brise-soleil: ChJ 338-339; south-west angle wall of south east side (from access galleries on south-east side): ChJ 342- 346, 358. *ChJ 85: see ChJ 97 above. Unidentified building to south-west of Palais de Justice: ChJ 75-76, - Page 65 -

80-82, 225, 251. Lower roof terrace on south-east side of building: ChJ 11-13, 39-40, 71-74, 138-139, 189, 191-192, 224, 248, 300; view from lower roof terrace along south-east façade: ChJ 136; views over this terrace from roof terrace: ChJ 15-19; roof terrace: ChJ 229, 278, 301; roof terrace on south-east side of building: ChJ 14, 132, 302, 319; view from roof terrace: ChJ 137, views from roof: 254, 256-261; “parasol” of roof terrace: ChJ 255. South-west façade, south and west corners: ChJ 201-202. North-east façade: ChJ 277-283, 375-380. Interiors of two of lower courts, showing tapestries: ChJ 148-154, 159-160, 162; interior views of High Court: ChJ 327-333, 367-372 (327 and 368 show tapestry). Interior views of library: 285-287, 337. Difficult to identify: ChJ 94, 252-253, 291 (possibly windows of lawyer’s office).

ChJ 388-429 is sequence of photographs of prints from some of negatives in above sequence, displayed on easel (?) in 388-421, and on boards in 422-429. Hervé gave these photographs numbers corresponding to originals, with suffix “B” (e.g. CH-107B). Bulk of negatives have these numbers written in ink on edges, but some only had numbers written on original glassine envelopes, and for these the paper tags bearing GRI’s identification numbers also carry original numbers, placed in square brackets after GRI numbers: e.g. “ChJ 409 (CH-282B”).

Other negatives (note that 35 mm. format negatives are filed separately, as ChJ 512-597 below): ChJ 429A is photograph of drawing reproduced on p. 57 of Œuvre complète, Vol. 6. ChJ 430 is view of building from north-west, with excavation and construction work in progress in foreground. ChJ 431-431A appear to be photographs of p. 126 of Œuvre complète, Vol. 5, but page number in photographs is 130. ChJ 432 is photograph of page of drawings of Palais de Justice in sketchbook. Page is numbered “183” in upper right hand corner, and dated “12/2/54” (1954 February 12) in lower left hand corner. These are drawings reproduced on p. 74 of Œuvre complète, Vol. 7. ChJ 433 is photograph of drawing. ChJ 434 shows photograph of circulation ramps at rear of main entrance portico, mounted on display board. ChJ 435 shows photographs of Palais de Justice and plans of Palais de l’Assemblée displayed in an exhibition. ChJ 436-437 are negative and positive versions of photograph of 438 below. ChJ 438 is photograph of north corner of north-west façade, by - Page 66 - main entrance. ChJ 439 is view of building from north-west. ChJ 440-449 and 462 are photographs of north-west façade, looking north; 450-454 are photographs of north corner, by main entrance; 455-460 and 463-464 are photographs of north-west façade, looking south (463-464 taken after building of shelter for those waiting to enter courts). ChJ 461,465-466, and 468 are views into main entrance portico. ChJ 469-474 are photographs of pylons and roof in main entrance portico; 475 is view out from main entrance portico. ChJ 467 and 476-478 are photographs of circulation ramps at rear of main entrance portico; 479 is view, from ramp, out through entrance. ChJ 480-481 are photographs of side walls of main entrance portico. ChJ 482-483 are views of building from south-west; 484 is photograph of south-east façade; 485 is photograph of north-west façade. ChJ 486 is photograph of salle des pas perdus (waiting hall, or lobby); 487 is view from lobby, through brise-soleil, along south-east façade; 488 is view into lobby from access gallery on south-east side of building; 489 is photograph of brise-soleil on south-west angle wall of south east side; 491 is view through windows and brise-soleil along south-east façade. ChJ 492 is photograph of lower roof terrace on south-east side of building; 493 is photograph of roof terrace on south-east side. ChJ 494-506 are photographs of rainwater spout and basin at south- west end of building. ChJ 507-508 are unidentified interior details. ChJ 509-511 are photographs of construction work in progress.

35 mm. format negatives and positive black-and-white transparencies: ChJ 512 is unidentified view with bicycle-rickshaws in foreground. ChJ 513-514 and 527 are views of building from north-west (527 shows Indians in foreground); 515-519, 533-534, 539-542, and 548- 549 are views from west; 545-546 are views from west, taken from bridge (?) in foreground; 520-522, 536, 559, and 601A are photographs of north-west façade, looking north; 538 is photograph of north corner, by main entrance; 558 is photograph of shelter for those waiting to enter courts. ChJ 551-554 and 587A-587B are views of building from south; 563 and 587 are photographs of south-east façade; 564 is photograph of south corner; 601 is photograph of brise-soleil on south-west angle wall of south east side; 571-579; 571-572 and 574-579 are photographs of people and activity along south-east side and south- west angle wall of south-east side. ChJ 523-527, 573, 580-585, and 594 are photographs of circulation - Page 67 -

ramps at rear of main entrance portico; 599-600 are photographs of pylons in portico. ChJ 531-532 and 555-556 are distant views of Capitol from south, showing all three main buildings. ChJ 535, 560-562, and 565-570 are photographs of rainwater spout and basin at south-west end of building. ChJ 557 is photograph of circulation space under building at ground level. ChJ 586 is photograph of lower roof terrace on south-east side of building. ChJ 595 is unidentified view. ChJ 588-593 and 596-598, found filed with these photographs at time of processing, show construction work in progress on unidentified building, and may belong elsewhere? ChJ 529-530 (two of strip of three negatives with 528) are photographs of Palais de l’Assemblée under construction. ChJ 537 (one of strip of two negatives with 538) is photograph of bicycle-rickshaws. ChJ 543-544 (two of strip of six negatives with 539-542) and 547 and 550 (two of strip of six negatives with 545-546 and 548-549) are photographs of Secrétariat and Palais de l’Assemblée.

ChJ 602-632 are medium-format negatives with original paper folders with contact prints pasted to them. These negatives were originally part of sequence now filed as ChJ 2-387 above, and 602- 629 have Hervé’s numbers from that sequence written in ink on edges. Contact prints are marked with cropping lines.

ChJ 633-644 is series of photographs of Le Corbusier’s design sketches for courtroom tapestries. Box 24 Chandigarh: Le 252 black-and-white negatives and 1 positive black-and-white ChA 1-249 Palais de transparency (original inventory lists 257 negatives, but fewer than (including l’Assemblée, 1952- that number were found at time of processing). 120A, 124A, 1962 Negatives are: 13 approximately 4 x 5 in.; 1 54 x 125 mm. (cut down 180A, 206A) from larger original); 60 6 x 9 cm. (1 cut down to smaller size); 2 57 x 78 cm. (cut down from larger originals); 1 54 x 78 mm. (cut down from larger original); 5 approximately 6 x 7 cm. (cut and masked down from larger originals); 1 6 x 8 cm.; 73 6 x 6 cm. (1 cut down to smaller size); 96 35 mm. ChA 136 is the positive black-and-white transparency. ChA 1-4 are photographs of drawings; 5 is photograph of plan of Capitol; 6 is photograph of p. 181 of L’atelier de la recherche patiente, 1960. ChA 7-21 are photographs of model of building. ChA 22-62 is sequence of negatives of photographs of model of structure of hyperboloid shell of Assembly Chamber, frames - Page 68 -

numbered in ink on edges from CAS-1 to CAS-41 by Hervé. ChA 63-104 are miscellaneous exterior views of building, showing construction work in progress: 63-65, 87, and 90-97 are views from south; 66-70, 82, 84-85, and 98-101 show exterior of hyperboloid shell of Assembly Chamber; 71-75 show sections of entrance portico; 81 shows portico and south corner of building from south- west; 76-80 and 98-99 show south-west façade of building (and Secrétariat in 78-80); 83 shows Palais de Justice from roof of Palais de l’Assemblée. ChA 86 and 88-89, included in strips of 35 mm. negatives of photographs of Palais de l’Assemblée, show Palais de Justice. ChA 105-120A are miscellaneous interior views of building, showing construction work in progress: 105-114 are views up into hyperboloid shell of Assembly Chamber; 115-117 are interior views of Assembly Chamber. ChA 121-122 are views of building from east; 123-124 are views of Palais de Justice from south corner of Palais de l’Assemblée; 124A is view of Palais de l’Assemblée from roof of Secrétariat. ChA 125-132, and 141-144 (144 is double-exposed frame) show south-east façade of building; 133-135 are photographs of entrance portico; 136 shows Secrétariat past south end of entrance portico. ChA 145-152 and 155-162 are miscellaneous views and details of south-west façade of building. ChA 153-154, two of strip of five negatives with 155-157, are unidentified interiors. ChA 163-165 are difficult to identify and may be of another building; 166-168 are unidentified exterior details. ChA 169-206A (including 180A) are miscellaneous interior views and details: 169-176, 189-194, and 206A show outer surface of hyperboloid shell of Assembly Chamber; 179, 187, and 198-203 show circulation ramps. ChA 207-223 are photographs of enameled decoration on main entrance door (exterior side in 207-210, 216, and 218; interior side in 211-215, 217, and 219-223). ChA 224-237 are negatives with original paper folders with contact prints pasted to them. Bulk of contact prints are marked with cropping lines. ChA 238-249 are photographs of miscellaneous decorative motifs modeled in concrete or plaster. Chandigarh: Le 747 black-and-white negatives (see note concerning ChS 4-6, and ChS 1-749 Secrétariat, 1952- entry for ChS 749, below) and 5 positive black-and-white (including 1956 transparencies (original inventory lists 738 negatives). 183A, 265A, Negatives are: 1 127 x 179 mm.; 1 114 x 132 mm.; 1 87 x 127 mm.; 588A, 708A- 12 approximately 4 x 5 in.; 1 80 x 109 mm.; 1 77 x 119 mm.; 1 68 x 708C; not 79 mm.; 373 6 x 9 cm.; 2 6 x 8 cm.; 187 6 x 6 cm.; 139 35 mm.; 27 including 4-6) images cut out of original large format negatives, in various sizes (NB: ChS 1- from 26 x 36 mm. to 40 x 64 mm. Some negatives cut down from 478 are in - Page 69 - larger originals. Box 24; ChS ChS 591, 594, and 708A-708C are the positive black-and-white 479-749 are transparencies. in Box 25.) NB: there are no negatives numbered ChS 4-6—ones originally placed there were misidentified and have been removed. ChS 1-3 are photographs of unidentified drawings. ChS 7-18 are photographs of model of Secrétariat, numbered in ink on edges from CSM-1 to CSM-12. ChS 19-26 are photographs of unidentified models and plans, numbered in ink on edges from CMQ-1 to CMQ-9.

ChS 27-422 is sequence of medium-format negatives given title “Secrétariat” and numbered in ink on edges from CS-1 to CS-424 by Hervé (numbers are not continuous). All are photographs of construction work at various stages of progress. Within this sequence photographs of different subjects are distributed as follows (“ChS” numbers are GRI’s own identification numbers, and are distinct from Hervé’s numbers): Photographs of pilotis at ground level: ChS 27-28, 31-32, 75, 84-85, 87-89, 141-142, 186, 257-259, 261-264, 295, 338, 348, 403. Views of Palais de Justice from inside Secrétariat: ChS 29, 121-125, 136, 203-205. Views of building: from east: ChS 30; from north: ChS 191; from north-east: ChS 194; from north-west: ChS 195; from south: 224- 227, 229, 331-332, 334-336, 385-389, 415; from south-east: 283- 285; from south-west: 286-288. Photographs of work in progress on pilotis at ground level (see Œuvre complète, Vol. 5, p. 139): ChS 33, 41-46, 51-52, 56-57, 61-62, 95-104, 167, 169, 171-175, 181-183, 219, 221, 237-238, 240-241, 274, 293-294, 298, 374. Views out through brise-soleil: on upper levels: ChS 34, 365-367, 370; at ground level: ChS 54-55, 71-73, 116, 164, 236, 260. Photographs of work in progress, taken at ground level outside building: ChS 35-40, 66-69, 82-83, 90, 107-108, 132, 134, 220, 239, 281, 319-320, 362-364, 379-380, 396, 404. Views and details of principal façades: ChS 47-50, 53, 58-60, 63-65, 86, 133, 143-147, 150, 157-158, 161-163, 165-166, 179, 213-214, 277-280, 292, 297, 304-306, 311-314, 316, 321-327, 330, 346, 377- 378, 383, 394-395, 399-402, 411-414, 421-422. Photographs of ramp under construction: ChS 70, 206-210, 307, 340, 342-343, 407; detail of concrete on ramp: ChS 350. Photographs of interiors: ChS 74, 76-78, 120, 128-129, 184-185, 211-212, 215-218, 242-248, 273, 275-276, 282, 299, 302-303. Photograph of road-making: ChS 79. Photographs of installation of concrete-reinforcing bars, and of forms for poured concrete: ChS 80-81, 91, 112-117, 119, 148-149, 222-223, 232-235, 265-267 (including 265A), 270-271, 371, 375, - Page 70 -

397. Photographs of workers: ChS 92-94, 110, 130-131, 153, 168, 170, 177, 187-188, 196, 253-256, 296, 308-310, 345, 351-361, 368-369, 372-373, 376, 381-382, 384, 405-406, 409-410. Photographs of children on site (being taught?): ChS 105-106, 109, 111, 176, 178, 183A. Views down onto site from upper levels: ChS 118, 272, 398. Photograph of tire, foot and hoof prints in mud: ChS 135 Unidentified views: ChS 137, 228, 390. Views and details of lateral façades: ChS 138-140, 151-152, 154-156, 159-160, 190-192, 333, 337, 349, 408, 418-420. Photographs of children on (temporary?) steps at south corner of building: ChS 189, 249-252, 289-291, 328-329, 391-393, 416-417; photograph of steps: ChS 347. Construction work in progress on central pavilion (“Block 4” - see Œuvre complète, Vol. 6, p. 78): ChS 197-202, 230-231, 300-301, 315, 317-318, 339, 341, 344. Photographs of brise-soleil: ChS 268-269.

ChS 423-453 is sequence of 35 mm. negatives numbered in ink on edges from CS-451 to CS-485 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows (“ChS” numbers are GRI’s own identification numbers, and are distinct from Hervé’s numbers): Photographs of construction work in progress on roof terrace: ChS 423, 431-432, 447-448. Views and details of principal façades: ChS 424, 436-438, 442-443. Photographs of interiors: ChS 425, 429-430, 433, 439-441, 444-445- 446. Photographs of brise-soleil: ChS 426, 452. Views out through brise-soleil on upper levels, showing ramp: ChS 427, 450-451 View into “Salle des Ministres” (Ministers’ Hall): ChS 428. Views and details of lateral façades: ChS 434. Interior views of ramp: ChS 435, 453. View out through aperture in roof terrace wall: ChS 449.

ChS 454-478 is sequence of medium-format negatives numbered in ink on edges from CS-I-1 to CS-I-31 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows (“ChS” numbers are GRI’s own identification numbers, and are distinct from Hervé’s numbers): Views and details of south-east façade: ChS 454-455, 457, 460-462, 468-469, 472, 475. Photographs of interiors: ChS 456, 458-459, 467, 474, 477-477. Interior views of ramp, showing mules carrying construction - Page 71 -

materials: ChS 463-464. Unidentified details of building: ChS 465, 470. Exterior views of ramp: ChS 471, 473, 476. View of Palais de Justice from inside Secrétariat: ChS 478. Box 25 Chandigarh: Le (Conclusion of the sequence of negatives described in the entry for (ChS 479-749 Secrétariat, 1952- Box 24 above.) (including 1956 (continued) 183A, 265A, Other black-and-white negatives (note that 35 mm. format 588A, 708A- negatives are filed separately, as ChS 603-707 below): 708C)) ChS 479 shows construction work in progress on unidentified structure south-east of Secrétariat. ChS 480-481 are photographs of child asleep under parasol on site. ChS 482-496 and 502-505 are miscellaneous photographs of construction work in progress; 499 and 506-509 are photographs of installation of concrete-reinforcing bars; 500 is view to north along south-east side of Secrétariat, with Palais de l’Assemblée in background. ChS 497-498 are photographs of pilotis at ground level. ChS 501 and 510-513 are photographs of road-making. ChS 514-527 are miscellaneous photographs of workers (?); 528-530 are photographs of children on site (being taught?). ChS 531-535 are unidentified views and details (531 appears to show men and women doing laundry at the lakeside). ChS 536-539 are distant views of Secrétariat and Palais de Justice. ChS 540-542 are photographs of Capitol site (Palais de Justice is visible in 540, Secrétariat and Palais de l’Assemblée in 542). ChS 543-544 are photographs of Secrétariat from south-east, with road bridge(?) in foreground. ChS 545-552 are photographs of Secrétariat from south; 553 is photograph from south-west, with workmen in foreground. ChS 554-560 are photographs of Secrétariat and Palais de l’Assemblée from south-east; 561-564 are photographs of Secrétariat from south-east; 565 is view of Secrétariat past south end of portico of Palais de l’Assemblée. ChS 566 is photograph of Secrétariat from north (north-west façade of Palais de l’Assemblée is visible on left); 567-570 are views to south along south-west façade of Secrétariat; 571-573 are views to north along south-east side of Secrétariat, with Palais de l’Assemblée in background. ChS 574-599 (including 588A) are miscellaneous views and details of south-east façade (showing ramp in 574-575, 577, and 579-580, and ground-level entrance to ramp in 578). ChS 600-602 are photographs of ground-level passage through building.

35 mm. negatives and positive black-and-white transparencies: - Page 72 -

ChS 603 is interior view of ramp. ChS 604-606 and 608 are distant views of Capitol from lakeside road; 607 is photograph of construction work in progress by that road. ChS 609-611 and 684 are photographs of Secrétariat and Palais de l’Assemblée from south-east (with road bridge in foreground in 609- 611); 612-617 are photographs of Secrétariat from south-east (west corner of Palais de l’Assemblée is visible in 614 and 617); 618-619 and 685-686 are photographs of Secrétariat and Palais de l’Assemblée from south-west; 666 is view to north along south-east side of Secrétariat, with Palais de l’Assemblée in background. ChS 620-636, 638-639, 642-643, 659, 667-668, and 687-700 are miscellaneous views and details of south-east façade; 701 is view of Secrétariat and footbridges from south-east; 702 is view of Secrétariat through portico of Palais de l’Assemblée. ChS 637 (one of strip of two negatives with 636) is photograph of two Indian men walking, with roof of hyperboloid shell of Assembly Chamber in background. ChS 640-641 are photographs of decorative motifs modeled in concrete or plaster (641 is “Modulor” panel). ChS 644-658 are photographs of ground-level passage through building. ChS 660-662, 669-677, 682-683, and 703-705 are photographs of roof terrace, and of views from it. ChS 678-681 are interior views of restaurant. ChS 706 is view of Palais de Justice from inside Secrétariat. ChS 707-708 are photographs of Indian women and children on site. ChS 708A-708B are views into “Salle des Ministres”; 708C is unidentified interior. ChS 663-665, found filed with these photographs at time of processing, are difficult to identify, and may belong elsewhere.

ChS 709-711 are photographs of roof terrace. ChS 712 is interior view of ground floor; 713-714 are interior views of ramp. ChS 715-740 are group of images, cut out of original large-format negatives, of photographic prints displayed on easels. ChS 742-749 are negatives with original paper folders with contact prints pasted to them. Envelope filed as ChS 749 was found empty at time of processing. Contact prints are marked with cropping lines. Chandigarh: La 47 black-and-white negatives and 4 positive black-and-white ChM 1-51 Main Ouverte, transparencies (original inventory lists 52 negatives, but one of 1952-1985 these was misidentified). Negatives are: 6 approximately 4 x 5 in.; 7 6 x 9 cm.; 2 6 x 8 cm.; 32 6 x 6 cm. ChM 1 and 49-51 are the positive black-and-white transparencies. - Page 73 -

ChM 1-3, 5, 8-11, and 21 are photographs of drawings. ChM 4 is photograph of drawing reproduced on p.109 of Œuvre complète, Vol. 7. ChM 6 is photograph of site, with arrow superimposed to show intended location of monument. ChM 9 is photograph of p. 93 of Œuvre complète, Vol. 6. ChM 19-21 are photographs of drawing reproduced on p.154 of Œuvre complète, Vol. 5. Remainder are photographs of models. Chandigarh (color 153 positive color transparencies (original inventory lists 142). ChT 1-153 transparencies), 4 4 x 5 in.; 11 6 x 9 cm. (5 cut down slightly); 19 cut down from 1952--1954 medium-format(?) originals to various sizes from 30 x 40 mm. to 60 x 68 mm.; 16 6 x 6 cm.; 14 unmounted and 88 mounted 35 mm. (4 masked down to 24 x 24 mm.). ChT 1-2 and 97 are photographs of workers in landscape, with Secrétariat and Palais de Justice visible in distance; 3-11, 98, and 100-103 are miscellaneous photographs of construction work (Palais de Justice is in background of 11 and 101); 12-13 and 103- 104 are photographs of women and children on site. ChT 14 is unidentified view. ChT 15-23 and 99 are photographs of streets and buildings in Chandigarh(?); 24-25 are photographs of buses in Chandigarh; 26 is photograph of unidentified people (at reception?); 27-28 are photographs of Chandigarh manhole covers. ChT 29-34, 105-108, and 118 are views of Palais de Justice from west; 35-40 are views from north-west; 41 is view from north-west, past south end of portico of Palais de l’Assemblée. ChT 42 is view of south corner and south-west angle façade of Palais de Justice. ChT 43-46 and 119 are details of north-west façade of Palais de Justice (showing entrance to High Court in 43-46); 47 is detail of south-west angle façade. ChT 48-52, 109-111, and 120-121 are photographs of tapestry in High Court; 53, 112, and 122-123 are photographs of tapestries in lower courts; 113 is photograph of Le Corbusier design sketch— dated 1954—for High Court tapestry. ChT 54-55 are views of Palais de l’Assemblée from roof of Secrétariat; 55-59 are views of Palais de l’Assemblée from east; 60- 62 are views of Palais de l’Assemblée from entrance portico of Palais de Justice; 63-64 are views of Palais de l’Assemblée from south-east; 65 and 114-116 are views from south (portico is under construction in 114-116); 66-67 and 151 are photographs of entrance portico (under construction in 151); 68-72 and 117 are views of south-west façade. ChT 73-79 and 139-150 are photographs of enameled decoration on main entrance door (exterior side in 73-74, 139, and 142-147; interior side in 75-79, 140-141, and 148-150). - Page 74 -

ChT 80-81 are views of Palais de l’Assemblée and Secrétariat from south-east; 82 and 125-126 are views of Palais de l’Assemblée and Secrétariat from south; 83-84 and 136 are views of Palais de l’Assemblée and Secrétariat from south-west; 127 is view of Palais de l’Assemblée and Secrétariat from west. ChT 85-88 and 137 are views of Secrétariat from south-east; 89-92, 128-133, and 152 are photographs of south-east façade; 93-96, 134- 135, and 153 are photographs of roof terrace. ChT 138 is photograph of rainwater spout and basin at south-west end of Palais de Justice. Box 26 Maisons rurales à 15 6 x 6 cm. black-and-white negatives. MR 1-15 Lagny, 1956 MR 1-4 and 6-15 is sequence of negatives numbered in ink on edges from MP-1 to MP-26 by Hervé (numbers are not continuous). All are photographs of models. MR 5, found filed with these photographs at time of processing, and counted with them in original inventory, is photograph of plans and sections labeled “Résidence universitaire d’Antony. Appartement de jeunes ménages.” Maisons Jaoul à 386 black-and-white negatives. JN 1-383 Neuilly-sur-Seine, 209 6 x 9 cm. (6 cut down to smaller sizes); 176 6 x 6 cm. (2 cut (including 1952-1953 down to smaller sizes); 1 51 x 59 mm. (cut down from larger 164A, 366A, original). 369A)

JN 1-65 is sequence of medium-format negatives numbered in ink on edges from VI-1 to VI-88 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows (whether interior views are of House A or House B is only noted when such identification is clear): Photographs of windows and exposed pipes: JN1, 37. Photographs of first floor landing (see Œuvre complète, Vol. 6, p. 221): JN 2-6, 23, 36. Photographs of salon in House B: JN 7-9, 25-35 (34 shows staircase); 55-59 (58 shows staircase). Views of houses from south-east: JN 10-11, 44-54. Photographs of staircase in House B from entrance hall: JN 12-15, 40-41. JN 16 and 19 are photographs of and through east windows of bedroom on second floor of House B; 20-21 and 24 are photographs of roof vaults and support in same room. Photographs of three men in unidentified room: JN 17, 22. JN 18 is photograph of floor, with one tile written on by Le Corbusier (dated June, 1954). Unidentified interiors: JN 27, 38-39, 42-43, 64-65. Photographs of staircase from salon in House B: JN 60-63.

JN 66-104 is sequence of medium-format negatives numbered in ink - Page 75 - on edges from J-VII-5 to J-VII-53 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Unidentified interiors: JN 66-68. Views and details of south façade of House B: JN 69, 97. Views of House B: from south-east: JN 70-71; from north-west: JN 77, 104; from south-west: JN 83, 85, 103. North-east corner of House A: JN 72-73 (through window of House B in JN 72); 79-80. Views and details of west façade of House B: JN 74, 98-100. North end of House A from pedestrian entrance ramp: JN 75-76. Detail of north façade of House B: JN 78. Views and details of west façade of House B: JN 82, 84, 86-87 (87 is reflection of House A in window of House B);. Views and details of east façade of House A: JN 88, 90-91 (south- west corner of House B in foreground in 90-91). South-west corner of House B: JN 89. Views and details of east façade of House B: JN 92-96, 101-102.

JN 105-129 is sequence of medium-format negatives numbered in ink on edges from J-VIII-1 to J-VIII-39 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows (whether interior views are of House A or House B is only noted when such identification is clear): Photographs of bathrooms: JN 105-108, 115. Unidentified interiors: 109-112, 129. Photographs of roof vaults and double-height space over salon in House A: JN 113-114, 126-127; photographs of salon in House A: JN 122-124. Photographs of staircase wall (at first floor level?): JN 116-118. Photographs of staircase in House A from entrance hall: JN 119-121. Photographs of House B through window of House A: JN 125, 128.

JN 130-217 is sequence of medium-format negatives numbered in ink on edges from J-X-1 to J-X-99 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows (whether interior views are of House A or House B is only noted when such identification is clear): South façade of House B, and east façade of House A: JN 130, 135, 146, 157-158, 160-161, 164; south-east corner of House B, and east façade of House A: JN 131. Views and details of east façade of House B: JN 132, 159, 165-167, 177, 181-182, 185. Views and details of south façade of House B: JN 133, 142-143, 147, 186. Views of House A from north-east: JN 136-141, 151. - Page 76 -

View of House B from south-west: JN 148. Views and details of east façade of House A: JN 149-150, 152-156, 163. View of House B from south-east: JN 162; detail of south-east corner of House B: JN 134. Views of courtyard between houses: JN 164, 169-170. Views of House A from north-west: JN 171, 173, 176, 178. Views of House B from north-west: JN 174-175. Unidentified window: JN 179. Views of west façade of House A: JN 183-184, 187-188. Photographs of salon and dining room in House A: JN 189-196, 198- 199, 202-203, 205-209 (showing staircase in 208), 210-214. Photographs of entrance hall in House A: JN 197 (showing staircase), 200-201, 204, 217. Photographs of roof vaults and double-height space over salon in House A: JN 209, 215-216 (showing staircase).

Other negatives: JN 218-319 and 369A are photographs of construction work in progress. Amongst subjects: 238-243 may show underground garage under construction (?); 245-277 show internal walls, pillars, and roof vaults; 283-299 are photographs of House B taken from House A; 303-308 are photographs of first floor balcony on east side of House B; 369A is view out from second floor bedroom in House B. JN 320-322 are photographs of cyclists on street (taken from House A?). JN 323-333 are miscellaneous views and details of west façade of House A. JN 334 is photograph of unidentified window. JN 335 is photograph of pedestrian ramp and entrance to House A. JN 336-337 are views of west façade of House B, with north-west corner of House A in foreground. JN 338-339 are views of House B from south-west. JN 340-341 are views of south façade of House B; 342-345 are miscellaneous views and details of east façade. JN 346-348 and 367-368 are photographs of salon in House B; 349- 350 are photographs of entrance hall. JN 351-355 and 366A are photographs of salon in House A; 356-357 are photographs of entrance hall. JN 358-360 are photographs of kitchen. JN 361 is photograph of first floor landing; 362 is photograph of staircase wall (at first floor level?). JN 363-366 abd 369 are unidentified interiors and details. JN 370-383 are medium-format negatives with original paper folders with contact prints pasted to them. Bulk of contact prints are marked with cropping lines. - Page 77 -

30 positive color transparencies. JN 384-413 1 83 x 86 mm. (cut down from larger original); 13 6 x 9 cm. (4 cut down to smaller sizes); 11 6 x 6 cm. (3 cut down to smaller sizes); 1 unmounted and 4 mounted (2 masked down to 24 x 24 mm.) 35 mm. JN 384-385 are photographs of north-east corner of House A. JN 386-387, 396-397, and 401 show south façade of House B and east façade of House A; 389-390 are miscellaneous views and details of south façade of House B. JN 390-391 are views of House B from south-east. JN 393-395 are miscellaneous views and details of east façade of House B. JN 398-399 and 401-411 are photographs of salon in House B. JN 400 and 413 are interior details. L’Unité d’habitation Total of 1,171 black-and-white negatives and 9 positive black-and- NAa 1-NAf à Nantes-Rezé, white transparencies (original inventory, probably erroneously, lists 126 1952-1953 2,170 negatives). The bulk of these negatives were originally arranged by Hervé in five numbered sequences, an arrangement preserved in NAa to NAe below.

90 6 x 6 cm. negatives. NAa 1-90 Sequence of negatives originally housed in glassine envelopes numbered from N-I-1 to N-I-94 by Hervé (numbers are not continuous). The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. All are photographs of construction work in early(?) stages of its progress.

153 6 x 6 cm. negatives. NAb 1-153 Sequence of negatives originally housed in glassine envelopes numbered from N-II-1 to N-II-156 by Hervé (numbers are not continuous). The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. All are photographs of construction work in later stages of its progress than shown in photographs filed under NAa above. Within this sequence photographs of different subjects are distributed as follows: Views of building from north-west: NAb 1-3, 10, 12, 16. Views and details of west façade: NAb 4-9, 15, 17, 20-23, 24-25, 34- 39, 43-45, 95-99, 101-102, 118, 135, 151-152. Photographs of pilotis under building: NAb 11, 13-14, 18-19, 26-27, - Page 78 -

40-42, 52-55, 59-60, 62, 64-66, 70, 76-78, 80-81, 83-90, 94, 100, 106-108, 115, 122-126,147. Views and details of east façade: NAb 56-57, 61, 82. Views down from upper levels of building onto site and its surroundings: NAb 28-30, 46-47, 93, 119, 126-127, 130, 149. Interiors: NAb 48-51, 67-69, 71-75, 103-105, 111-114, 120, 125, 128, 146. Views of south façade, and of building from south-west: NAb 118- 119, 136-142. All photographs not specified by number above are of unidentified details of building.

Box 27 L’Unité d’habitation 406 negatives. NAc 1-406 à Nantes-Rezé, 63 6 x 9 cm.; 342 6 x 6 cm.; 1 42 x 58 mm. (cut down from larger 1952-1953 original). (continued) Sequence of negatives numbered in ink on edges from III-1 to III-445 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Views and details of west façade: NAc 1-5, 6-11 (8 shows emergency stairs at north end of façade), 18, 227, 320-321, 323-324, 396-397, 399-406 (397 and 399-401 show emergency stairs at north end of façade). Footbridge over pool on east side of building: NAc 12-17, 22, 73-74, 92-93, 96, 260. Photographs of pool on east side of building: NAc 19, 35, 62, 94-95, 97-99, 259-261, 262, 286-291. Modulor panels on east façade of elevator tower: NAc 20-21, 60-61, 64-66, 68-72, 75-80, 87-88, 264-266, 268-269, 305, 308-309, 347, 352. Views of building from east: NAc 23-28, 100-108, 117-119, 159-160 (distant views with streets, other structures, etc., in foreground), 208-224 (211-212, numbered in ink on edges N-III-232AX and N-III- 232BX by Hervé, are photographs of photographs clipped to display board), 272-277 (distant views with streets, other structures, etc., in foreground); from north: 29-31, 37; from south-east: NAc 156-158, 161-166 (164-166 are distant views with streets, other structures, etc., in foreground), 199-200, 202-205, 207, 226, 278-285 (281-282, numbered in ink on edges N-III-303AX and N-III-303BX by Hervé, are photographs of photographs clipped to display board), 326, 328- 332; from north-west: NAc 182-185; from north-east: NAc 238-246; from south-west: NAc 318-319. Photographs of children by pool on roof terrace: NAc 32-34, 38-49, 52-58, 120-121, 376-381. Photographs of pilotis under building: NAc 36, 59, 63, 109, 131, 134- 142, 179-180, 228-229, 233, 315, 373-374, 398. - Page 79 -

Kindergarten on roof terrace: exterior: NAc 50-51. Unidentified structural details: NAc 67. Views and details of east façade: NAc 81-86, 89-91, 129-130, 132- 133, 167, 181, 186, 206, 225, 230, 237, 267, 292, 306-307, 310-314, 325, 327, 333-334, 348-351, 353-358. Interior views of apartments: child sitting at dining table: NAc 110- 113; children’s bedrooms: NAc 168-169, 173-176, 247-258, 359-366, 382-387; balconies: NAc 170-171, 388; staircase between two levels of apartment: NAc 177-178; window and view: NAc 295; children writing and drawing on blackboard on wall of their room: NAc 335- 346. Interior views of kindergarten on roof terrace: NAc 114-116, 128. Interior views of entrance hall: NAc 122-127, 187-198, 201(?). Views and details of roof terrace: NAc 143, 145, 148-150, 154-155, 296-297, 301-302, 389-395. Exterior views of kindergarten on roof terrace: NAc 144, 146-147, 151-153, 298-300, 303-304. Interior views of common areas (“rues intérieures” etc.): NAc 231- 232, 234-236 (showing elevators), 270 (looking through open front door of apartment)-271. Details of substructure of building: NAc 293-294, 367, 369-372, 375. South-east and south-west corners of building, at ground level: NAc 316-317, 368. Lane to west of building: NAc 322.

230 negatives. NAd 1-229 80 6 x 9 cm. (2 cut down to smaller sizes); 1 53 x 86 mm. (cut down (including from larger original); 1 42 x 88 mm. (cut down from larger original); 136A) 148 6 x 6 cm. Sequence of negatives numbered in ink on edges from IV-1 to IV- 264 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Photographs of sketch for south (?) elevation: NAd 1, 37. Payphone booth in entrance hall: NAd 2, 174. Interior views of apartments: children writing and drawing on blackboard on wall of their room: NAd 3, 14, 181, 182, 196, 199, 211; “toilette” in apartment: NAd 17, 45-46, 136A, 146-147, 187- 188; group of men around table in apartment: NAd 18; children in kitchen: NAd 19, 152, 192-193, 208, 224; staircase between two levels of apartment: NAd 20, 133, 178, 209; balconies: NAd 21, 67- 69, 120-124, 154-155, 162, 172, 181, 186, 203, 219; children’s bedrooms: NAd 24, 30-32, 36, 73-74, 76-78, 134, 165, 176-177, 179- 180, 194, 197, 216; man in apartment: NAd 171, 175; dining room: NAd 202. Interior views of kindergarten on roof terrace: NAd 4-7, 10, 38-44, 89-90, 93, 102-110, 137-138 (children asleep in cots), 140-141, 150, - Page 80 -

168, 190, 200-201, 204, 222-223, 226 (children asleep in cots). Exterior views of kindergarten on roof terrace: NAd 8-9, 12, 15, 54- 55, 57-60, 75, 92, 94-98, 207, 212-213, 220, 228-229. Bread delivery cart by elevator doors: NAd 11. Children playing near building: NAd 13, 22, 61-66, 191, 215, 218, 221, 225. Views and details of roof terrace: NAd 16. 29, 49-53, 56, 91, 126- 132, 143-145, 148-149, 153, 156-159, 195, 198, 205, 217, 227. Interior views of common areas (“rues intérieures,” etc.): NAd 23, 142 (vending cart at apartment door), 170 (boy in elevator), 206 (vending cart making deliveries to apartment), 210, 214. Views of building from south-west: NAd 25, 70-72, 139, 184-185. Interior of entrance hall: NAd 26-28, 33-35 (near elevator doors in 34-35), 48, 79, 84-87, 101 (near elevator doors), 111-115, 169, 173, 183, 189. Main entrance doors: NAd 47, 80, 83, 116, 151 (showing vending cart), 160-161, 163-164. Photographs of pilotis under building: NAd 81-82. Views and details of west façade: NAd 88-89, 99-100, 117-119, 135- 136, 166-167. Unidentified detail: NAd 125. Box 28 L’Unité d’habitation 176 negatives. NAe 1-176 à Nantes-Rezé, 50 6 x 9 cm.; 126 6 x 6 cm. NAf 1-126 1952-1953 Sequence of negatives originally housed in glassine envelopes (continued) numbered from NM-1 to NM-219 by Hervé (numbers are not continuous, and NM-157 is repeated). The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. Within this sequence photographs of different subjects are distributed as follows: Photographs of pilotis under building: NAe 1-2 (showing pool), 12- 14 (with parked cars), 32, 54 (both showing pool), 114, 116, 118-119 (showing pool), 121 (with parked cars). Footbridge over pool on east side of building, from above: NAe 3, 39-44, 87. Views of building from east: NAe 4-5, 22-23, 60-61, 91-92, 94-96; from north-west: NAe 102. Interior of entrance hall: NAe 6-8, 127-129. Interior views of apartments: children’s bedrooms: NAe 9-10, 68-72, 136-137, 139-140; “toilette” in apartment: NAe 11; rooms: NAe 24, 81, 86, 142; staircase between two levels of apartment: NAe 25, 85, 88, 138, 148-149; kitchen: NAe 45-46, 141, 144-145, 166; living room and kitchen, from balcony: NAe 89-90, 97. Views and details of east façade: NAe 15-16, 67, 84, 93, 98-100, 104. - Page 81 -

Views from roof terrace: NAe 17-18, 58-59, 75, 80. Views and details of west façade: NAe 19-21 (showing emergency stairs at north end of façade), 48, 101, 106-113, 120, 122, 159, 161- 163, 167-170. Emergency stairs at north end of west façade: NAe 49, 51-53 Views and details of roof terrace: NAe 26-31, 33-38, 57, 62-66, 73- 74, 76-79, 82-83, 115, 132-135, 155-158. Interior views of common areas (“rues intérieures” etc.): NAe 47. Landscaping around building: NAe 50. Photographs of pool on east side of building: NAe 55-56, 103, 105. Nuns by pool on east side of building: NAe117, 124, 125; on footbridge over pool: NAe 126. Details of substructure of building: NAe 123, 130-131, 164. Details of unidentified façade: NAe 146-147, 165. Miscellaneous views and details of south façade: NAe 150-154, 160, 171-176.

Other negatives, and positive black-and-white transparencies. 117 negatives, and 9 positive black-and-white transparencies. Negatives are: 4 approximately 5 x 7 in.; 1 112 x 122 mm. (cut down from larger original); 2 approximately 4 x 5 in.; 1 93 x 97 mm. (cut down from larger original); 1 66 x 88 mm. (cut down from larger original); 6 images cut out of original large format negatives, in various sizes from 38 x 59 mm. to 56 x 57 mm.; 17 6 x 9 cm. (one cut down to smaller size); 80 6 x 6 cm.; 5 35 mm. NAf 1 and 86-93B are the positive black-and-white transparencies. NAf 1 is photograph of plan of site. NAf 2-6,8-13, and 86-87 are photographs of construction work in progress (2-6, 8-11, and 86-87 are exteriors, 12-13 are interiors). NAf 14 and 17 are views of building from east; 15 is view from south-east; 18 and 81-83 are views from south-west; 84 is view from north-east. NAf 7 and 20-23 are miscellaneous views and details of west façade (showing emergency stairs at north end of façade in 22-23); 16 is view of south façade; 19 and 27 are details of east façade. NAf 25 is photograph of main entrance doors. NAf 26-27 are photographs of nuns (in 26) and children (in 27) on footbridge over pool on east side of building; 28-29 are photographs of pool. NAf 30-41 and 90-92 are photographs of pilotis under building (also showing parked cars in 30 and pool in 37-41). NAf 42 is view from roof terrace. NAf 43-46 are interior views of common areas (43 shows main entrance doors and vending cart; 44 shows elevator doors). NAf 47-48 and 56 are photographs of apartment balconies (from living room in 47). NAf 49 is photograph of bedroom; 50-53 are photographs of - Page 82 - children’s bedroom. NAf 54 shows living room, kitchen, and staircase between two levels of apartment; 55 shows “toilette” in apartment. NAg 1-94 NAf 57 is interior view of entrance hall. (including NAf 58-67 and 85 are miscellaneous views and details of roof 40A, 72A) terrace. NAf 68-77 are exterior views of kindergarten on roof terrace; 78-80 are interior views. NAf 88 is photograph of footbridge over pool on east side of building; 89 is detail of east façade. NAf 93-98 are unidentified structural details; 99-100 are unidentified landscapes (possibly detail of pool on east side of building?). NAf 101-106 are photographs of prints from negatives of images of Modulor panels on east façade of elevator tower. NAf 107-126 are medium-format negatives with original paper folders with contact prints pasted to them. Bulk of contact prints are marked with cropping lines.

95 positive color transparencies (original inventory lists 128, but fewer than that number were found at time of processing, and 17 of these were misidentified). 1 106 x 129 mm. (cut down from larger original); 49 6 x 9 cm.;14 6 x 6 cm.; 10 cut down from medium- format (?) originals to various sizes; 5 unmounted and 17 mounted (one masked down to 24 x 24 mm.) 35 mm. NAg 1-5 and 73 are views of building from east. NAg 5-24 are miscellaneous views and details of east façade. NAg 25 and 74-76 are views of building from south-west. NAg 26-46 and 77-79 are miscellaneous views and details of west façade. NAg 47-50 are miscellaneous views and details of unidentified façade(s). NAg 51 and 82-83 are photographs of pool on east side of building; 52-53 and 84-85 are photographs of footbridge over pool. NAg 54-56 and 93-94 are interior views of entrance hall (94 is identified on mount as “École maternelle”, see p. 186 of Œuvre complète, Vol. 6). NAg 57-59 are photographs of elevator lobby. NAg 59-61 are photographs of children by pool on roof terrace. NAg 62-63, 65, and 67 are exterior views of kindergarten on roof terrace; 66 and 68-72 are interior views. NAg 64 is unidentified interior detail. NAg 80-81 are photographs of pilotis under building. NAg 86-89 are interior views of common areas. NAg 90-92 are interior views of apartments (children’s bedrooms in 90-91).

- Page 83 -

“Le Modulor,” 46 black-and-white negatives. LM 1-46 1952-1953 1 5 x 7 in.; 1 70 x 70 mm. (cut down from larger original); 1 56 x 93 mm. (cut down from larger original); 1 56 x 89 mm. (cut down from larger original); 40 6 x 6 cm.; 1 55 x 61 mm. (cut down from larger original); 1 35 mm. NM 1-3 are photographs of details of p. 181 of Œuvre complète, Vol. 5. LM 4 is photograph of sketch of Modulor figure; 5 is photograph of unidentified drawings. LM 6-19 are photographs of drawings, and wooden forms of Modulor figures, in Le Corbusier’s atelier at 35 Rue de Sèvres. LM 20-24 are photographs of drawing reproduced on p. 182 of Œuvre complète, Vol. 5 (displayed on wall, by bookcase, in 23-24). LM 25-28 are details of Modulor panels on elevator tower of Marseille Unité d’habitation. LM 29-34 show copy of Le Corbusier’s book Le Modulor, and “Modulor strip,” displayed on stone balustrade (31-34 also show copy of, Le Corbusier, Quand les cathédrales étaient blancs) LM 35-40 show promotional display in bookshop(?) of Le Corbusier’s book Le Modulor, and related materials. LM 41 is photograph of Modulor diagrams and series on notebook page. LM 42-43 are photographs of two versions of drawing by Le Corbusier, entitled Le Jugement de Paris in LM 42. LM 44-45 are photographs of interior of unidentified building (44 was originally in glassine envelope labeled in ink by Hervé, “MO 13A”). LM 46 is photograph of Modulor panel on wall of unidentified building.

2 4 x 5 in. color negatives, 1 unmounted and 1 mounted 35 mm. LM 47-50 positive color transparencies (original inventory lists four positive color transparencies). LM 47 is photograph of Modulor stained-glass panel in glazing of entrance hall of Marseille Unité d’habitation; 48-50 are photographs of drawing of Modulor figure and series. Box 29 Le Couvent de la 683 black-and-white negatives (original inventory lists 693, but 17 of LT 1-675 Tourette, 1953- these were misidentified, and 7 which had been misidentified and (including 1959 misplaced elsewhere in the archive have been replaced here). 24A-24B, 1 5 x 7 in.; 1 102 x 109 mm. (cut down from larger original); 7 138A, 188A- approximately 4 x 5 in.; 1 65 x 123 mm. (cut down from larger 188B, 316A, original); 1 6 x 9 cm.; 3 6 x 8 cm.; 53 6 x 6 cm.; 615 35 mm. 461A, 574A) LT 1 is photograph of Le Corbusier, his wife, and Father Alain Couturier, at dining table of Le Corbusier’s apartment at 24 rue Nungesser-et-Coli, Paris. LT 2-24A are photographs of firstmodel of Couvent; 24B-33 are - Page 84 - photographs of second model. LT 34-109 are photographs of construction work in progress on building: 34-38, 43, 77, and 81-82 show building from south-east; 39, 72-76, 79-80, and 84-85 are miscellaneous views and details of south façade; 40-42, 44, 64, 83, and 101 are miscellaneous views and details of east façade; 45-46 and 88 show building from south- west; 47-54,58-60, and 87 are miscellaneous views and details of west façade; 55-57 are details of church; 61, 78, 86, 89, 91, and 103- 105 are photographs of pilotis under building; 62-63 are photographs of east façade of west wing; 65-71 and 102 are photographs of main entrance on east side of building; 90, 94, and 98 are photographs of west façade of east wing; 92-93 are photographs of south-west angle of central court; 95 and 107 are photographs of top of spiral staircase tower in central court; 96-97 are interior views of refectory; 99 is photograph of roof terrace; 100 is view into central court from roof terrace; 106 is photograph of circulation corridors in central court; 108 is photograph of central court from one of circulation corridors; 109 is photograph of window at north end of one of corridors serving monks’ cells in west wing. LT 110-113, 117, 124-125, 142, 172-183, 193, 215-217, 219-220, 318, 385, and 459 are miscellaneous views and details of south façade; 158-171, 205-214, and 420-421 are miscellaneous views and details of west façade; 184-188B, 197, 221-230, and 272 are miscellaneous views and details of east façade; 200-202, 231-234, 237-247, and 254 are miscellaneous views and details of north façade (of church). LT 114-116, 118-123, 125-138A, 199, 218, and 322-323 are photographs of pilotis under building. LT 139 and 143-149 are views of building from south-west; 140, 150-155, 189-192, 194-196, 198, 315-316, and 412 are views of building from south-east; 156-157 and 203-204 are views of building from north-west. LT 236, 248-253, 256-265, and 307 are photographs of east end of church from various angles. LT 266-271, 273-304, 310, 312, and 321 are photographs of main entrance on east side of building; 327 is interior view of one of “parloirs” (visitors’ rooms) at main entrance; 328-329 show gap, by entrance, between east wing and church; 255, 305-306, 308, 311, and 330-341 are views into central court through this gap. LT 309, 313-314, 317, 319-320, 324-326, 342-371, 377-378, 380-381, and 383 are photographs of circulation corridors and “atrium” in central court. LT 372 is photograph of supporting column of oratory on east side of central court; 373-376, 384, 389-409, and 411 are photographs of oratory from various angles. LT 379 is photograph of north façade of south wing; 413-416 and - Page 85 -

425-428 are photographs of north-west angle of central court, showing “mitraillettes à lumière” on sacristy roof; 410 is photograph of junction between main circulation corridor and south wall of church, by sacristy; 417-418 and 432-435 are photographs of north- east angle of central court; 419 is photograph of west façade of east wing; 422-424, 446-449, and 457-458 are photographs of east façade of west wing; 429-431 are photographs of south façade of church, showing “mitraillettes à lumière;” 436-439 are photographs of gap between west wing and church, showing chimney; 440 is view up to footbridge across this gap at roof level; 441-444 are views towards south-west angle of central court, showing spiral staircase tower; 445 is view to north across central court; 450-456 and 460-461 are interior views of circulation corridors and atrium. LT 461A is photograph of footbridge from west wing to church at roof level; 462 and 466-479 are miscellaneous views and details of roof terraces; 463-465 and 480-485 are views into central court from roof terraces; 486 is view down north end of east wing from roof terrace. LT 487-504, 506-507, 512-520, and 524-530 are interior views of church; 531-534 are photographs of undersides of “canons à lumière” on roof of crypt; 521-523 and 535 are photographs of altars in crypt of church. LT 508-511 and 536-550 are photographs of monks celebrating masses at altars in crypt. LT 505 and 551-553, 575-594, 596, 600 and 604-609 are photographs of corridors and staircases serving monks’ cells; 595 is view into central court through window in one of these corridors. LT 554-559, 598-599, 601-603, 610-614, and 616-618 are interior views of monks’ cells (from balcony in 613); 560 is photograph of balcony; 561-564, 615, and 619-621 are views from balconies. LT 561-564, 622-627, 629-631, 633-640, and 643-644 are interior views of refectory (with monks at meal in 562-564 and 637-640). LT 569-574A, 597, 628, and 632 are photographs of and through windows overlooking central court at third floor level; 641-642 are photographs of and through library windows overlooking central court (showing library staircase in 642). LT 645 is interior view of corridor overlooking central court; 646 is unidentified interior. LT 647-675 are negatives (35 mm. except for 647, which is 6 x 9 cm.) with original paper folders with contact prints pasted to them. Bulk of contact prints are marked with cropping lines.

2 4 x 5 in. color negatives and 139 positive color transparencies LT 676-817 (original inventory lists 158 transparencies, but 18 of these were misidentified). Transparencies are: 5 approximately 4 x 5 in.; 1 83 x 98 mm. (cut down from larger original); 1 83 x 94 mm. (cut down from larger - Page 86 -

original); 20 unmounted and 119 mounted 35 mm. (one masked down to 24 x 24 mm.). Many of these photographs show construction work in progress. LT 676 and 679-683 are views of building from south-west; 677 and 684-685 are views of building from south-east; 686-695 are views of building from north-west. LT 678 and 713 are photographs of pilotis under building. LT 696-700 are miscellaneous views and details of south façade; 701-709 are miscellaneous views and details of west façade; 710- 712 are miscellaneous views and details of east façade. LT 714-727 are photographs of main entrance on east side of building; 728-734 are photographs of main entrance from central court. LT 735-740 are photographs of circulation corridors and “atrium” in central court. LT 741-745 show oratory under construction; 746-750 are photographs of finished oratory from various angles. LT 751 is photograph of east façade of west wing; 752-753 are photographs of south-west angle of central court. LT 754-757 are miscellaneous views and details of roof terraces. LT 758-767 are interior views of church; 768-783 are photographs of altars in crypt of church. LT 784-794 are photographs of corridors and staircases serving monks’ cells; 795-796 are interior views of cell; 797-802 and 810- 811 may show monks’ “sanitaires” (WCs, etc.). LT 803-809 and 812 are interior views of refectory (809 is misidentified on slide mount as “Pav. Brésil”); 813 is interior view of library (?); 814-816 are photographs of and through windows overlooking central court at third floor level; 817 is unidentified interior. Box 30 Palais de 323 black-and-white negatives (see entry for PF 39 below) and 4 PF 1-325 l’Association des positive black-and-white transparencies (original inventory lists 436 (including Filateurs negatives, but fewer than that number were found at time of 180A, 277A, d’Ahmedabad, processing, and many of these were misidentified). 284A) 1954-1956 Negatives are: 1 53 x 171 mm. (strip containing 3 images, cut down from larger original); 1 50 x 85 mm. (cut down from larger original); 1 54 x 67 mm. (cut down from larger original); 1 50 x 60 mm. (cut down from larger original); 1 46 x 85 mm. (cut down from larger original); 1 40 x 56 mm. (cut down from larger original); 158 6 x 9 cm. (several cut down to smaller sizes); 150 6 x 6 cm.; 7 35 mm. PF 275-277A are the positive black-and-white transparencies. PF 1-267 is sequence of medium-format negatives numbered in ink on edges from AHM-1 to AHM-329 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Photographs of exterior stairs, ramp, and entrance on west side of - Page 87 - building: PF 1-11, 46-51, 55, 72, 83-84, 126-127, 131-136, 148, 187, 189, 217, 239, 244-247, 257-258. Photographs of “niveau 2” (ground floor): PF 12, 28-29, 62-70, 79- 82, 86, 89-92, 111-112, 117, 198-203, 220-226, 232-238, 253, 259. Interior views of entrance hall on “niveau 3” (first floor): PF 13-14, 93 148 (looking down from second floor), 172-173; of visitors’ waiting area: PF 137-139, 166-171, 218-219. Views of building from east: PF 16-19, 103-104, 259-260, 265-267; from west: PF 53, 56-60, 180, 241-2; from south-east: PF 175; from south-west: PF 180A, 243. Interior views of assembly hall: PF 20-27, 73-78, 181-186, 191-192. Photographs of brise-soleil: on west façade: PF 30, 34 (showing exterior stairs), 52, 85, 123-124, 128, 179, 190, 240; on east façade: PF 31-32. Photograph of “niveau 5” (mezzanine over second floor): PF 33. Unidentified interiors: PF 61, 94-97, 113-116, 140; unidentified details: 141, 143, 188, 216, 231. Photographs of pilotis under building: PF 35-37, 71, 87-88. View through brise-soleil on east side, over river: PF 38-39 (39 is contact print from negative at 38). Miscellaneous views and details of roof terrace: PF 40-45 (showing pool in 44-45), 158-159, 161-162, 164-165, 215; photographs of roof canopy: PF 155, 157, 160; views from roof: PF 156, 163. Views and details of west façade: PF 54, 124-125; of south façade: PF 98, 174, 176-178; of east façade: PF 118-122, 142, 144-145, 204- 206, 210, 213, 248-249, 251-252, 254-255. Exterior views of restaurant on east side of building: PF 99, 207-209, 212, 262-264; interior views of restaurant: PF 100-102, 105-110, 196-197, 227-230. North-west corner of building: PF 129-130; north-east corner: PF 250. Interior views of second floor lobby: PF 149-152, 146-147 (146 shows Indian workman carrying building materials), 193-194; entrance from exterior stairs on second floor: PF 153-154, 195. Views of river on east side of building: PF 211, 214, 261.

Other negatives, and positive black-and-white transparencies. PF 268-270 and 282 are views of building from west: 284 and 286 are views from east. PF 271-274 and 283 are miscellaneous views and details of west façade. PF 275 is photograph of brise-soleil. PF 276-278 (including 277A), 284A, and 287-288 are photographs of exterior stairs, ramp, and entrance on west side of building. PF 279 is photograph of “niveau 2” (ground floor). PF 280 is interior view of restaurant on east side of building. PF 281 is interior view of second floor lobby. - Page 88 -

PF 285 is interior view of assembly hall. PF 289-325 are medium-format negatives with original paper folders with contact prints pasted to them. Bulk of contact prints are marked with cropping lines.

4 mounted 35 mm. color transparencies (original inventory lists PF 326-329 one). PF 326-327 are views of west façade (326 is misidentified on back of mount as “Villa Shodan”). PF 328 is photograph of exterior stairs and ramp on west side of building, taken from ground floor entrance. PF 329 is interior view of assembly hall. Le Centre Culturel 118 black-and-white negatives. AM 1-115 d’Ahmedabad: le 2 approximately 4 x 5 in.; 1 55 x 68 mm. (cut down from larger (including Musée, 1954-1957 original); 1 53 x 70 mm. (cut down from larger original); 83 6 x 6 74A, 81A- cm.; 34 35 mm. 81B) AM 1-73 is sequence of medium-format negatives numbered in ink on edges from AHU-1 to AU-84 by Hervé (numbers are not continuous; “AHU” designation changes to “AU” after AHU 16-18). All are photographs of construction work in progress on building (AM 2 is photograph of boy and small child at site; AM 30 is view from roof).

Other negatives. AM 74 is photograph of drawing of “deuxième projet” for building; AM 74A and 77-81B are photographs of construction work in progress on building. AM 75-76 are photographs of plan. AM 82-87 are photographs of south façade; 88 is photograph of east or north façade. AM 89-103 are views down into central court from upper levels of building. AM 104-110 are views across central court at level of “space for electrical installation” under roof (see Œuvre complète, Vol. 6, p. 162); 111 is view up to roof from central court; 112-114 are photographs of “space for electrical installation” under roof; 115 is photograph of roof.

9 positive color transparencies. AM 116-124 1 61 x 64 mm. (cut down from larger original); 1 60 x 62 mm. (cut down from larger original); 1 45 x 65 mm. (cut down from larger original); 1 unmounted and 5 mounted 35 mm. AM 116-117 are photographs of east or north façades; 118-119 are photographs of south façade. AM 120 is photograph of central court; 121-122 are views across central court at level of “space for electrical installation” under roof; 123-124 are views down into central court from upper levels of building. - Page 89 -

Box 31 Maison 150 black-and-white negatives (original inventory lists 245, but AH 1-148A d’habitation de many of these were misidentified. See entries for AH 139-148A (including Mrs. Manorama below). 127A) Sarabhai à 60 6 x 9 cm.; 83 6 x 6 cm.; 8 originally 6 x 9 or 6 x 6 cm., cut down to Ahmedabad, 1955- smaller sizes. 1956 AH 1-127 is sequence of medium-format negatives numbered in ink on edges from AHS-1 to AHS-149 by Hervé (numbers are not continuous). Note that numbers on AH 1-11 are written on emulsion side of negatives. Within this sequence of photographs different subjects are distributed as follows: Views and details of roof garden and terraces: AH 1-11, 16, 27-38, 47-50, 94-96, 115-117, 119-120. Interior views of verandas: AH 12-14, 20, 42-43, 46; interior view towards verandas: AH 17; exterior views of verandas: AH 18-19, 114; “vérandas ouvertes”: AH 73-74, 77, 80. Views of garden: AH 15, 39-40, 112-113, 118. Service block and courtyard to east corner of house: AH 23-26, 55- 56, 125-126, and 127A. Interior views of library or study: AH 41, 44-45. “Toboggan” and pool: AH 51-53, 58 (from veranda), 60 (from roof garden), 64-66, 68, 106; exterior stairs to roof by “toboggan”: AH 59, 107, 123; detail of south-east side wall of “toboggan”: AH 124. Exterior details of house: AH 54, 57, 69-70. Views of house from north: AH 61-63. South-west façade: AH 67, 97-98, 108-111; north-east façade: AH 21-22 and 99-105. Living-room: AH 71-72, 75, 86-88; detail of living-room: AH 76. Interior view, showing detail of bathroom: AH 78. Interior view on first floor: AH 79; first floor bedrooms: AH 81-85. Unidentified carvings: AH 89-93. Interior view of kitchen: AH 127.

Other negatives. AH 128 is photograph of “toboggan” and pool. AH 129-130 are photographs of south-west façade; AH 131-132 are photographs of north-east façade; AH 133 is exterior detail of house. AH 134-138 are medium-format negatives with original paper folders with contact prints pasted to them. Contact prints are marked with cropping lines. AH 139-148A, mostly found filed with these photographs at time of processing, are photographs of model of barrel vault structure, taken in courtyard in front of Le Corbusier’s atelier at 35, Rue de Sèvres, Paris. Model may be of roof structure for Sarabhai house.

- Page 90 -

10 positive color transparencies (original inventory lists 6). AH 149-157 9 6 x 6 cm.; 1 mounted 35 mm. (see entry for AH 158 below). AH 149 is view of garden from veranda. AH 150 is interior view of kitchen. AH 151 is photograph of structure on roof terrace, taken from ground level. AH 152-155 are views of roof garden; 156-157 are photographs of family members(?) in roof garden. AH 158 is copy of 149 onto 35 mm. film. Villa Shodhan à 292 black-and-white negatives and 1 positive black-and-white AV 1-292 Ahmedabad, 1955- transparency (original inventory lists 170 negatives). (including 1956 1 110 x 112 mm. (cut down from larger original); 1 100 x 105 mm. 187A) (cut down from larger original); 1 48 x 80 mm. (cut down from larger original); 1 47 x 85 mm. (cut down from larger original); 44 6 x 9 cm. (1 cut down to smaller size); 233 6 x 6 cm. (4 cut down to smaller sizes); 11 35 mm. AV 187A is the positive black-and-white transparency. AV 1-158 is sequence of medium-format negatives numbered in ink on edges from AHSH-1 to AHS-188 by Hervé (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Views and details of south-east façade: AV 1, 24, 38, 40-47, 64-71, 90-97, 123 (showing workmen on second floor gallery), 131-137; of north-east façade: AV 5, 7-14 (showing service block in 11), 18-21 (showing passage from house to service block in 18); of north-west façade: AV 25-29 (showing passage from house to service block in 26), 32, 35, 146 (showing passage from house to service block), 154- 155; of south-west façade: AV 48-52, 54, 56-57, 103, 138, 147-149. East corner of house: AV 2, 39; west corner: AV 33-34. Driveway by entrance to house: AV 3, 6. Interior views of entrance hall: AV 4, 152 (showing ramp); of living room: AV 151; of kitchen: AV 156-157. Exterior details of service block: AV 15-17, 158. Views of house from east: AV 22-23; from west: AV 58, 104-107, 144-145. Unidentified interior views: AV 30-31(staircase and landing), 36, 59, 63. View down to pool from upper floor: AV 37, 100, 111, 127-128; photographs of pool: AV 53, 55; view out to pool from ground floor: AV 122. Views out through veranda on south-west side: AV 60-61; photographs of brise-soleil on south-west side: AV161-162. View up from third floor terrace to aperture in roof: AV 62, 117-118. Entrance hall window, from interior: AV 72-73; living room windows, from interior: AV 87-89; dining room windows, from interior: AV 150. Stairs from third floor to fourth floor terrace: AV 74-75, 112, 129- - Page 91 -

130, 143. third floor(?) terrace: AV 76-86, 98-99, 101-102, 109-110 (views down from fourth floor), 113-116, 119-121, 124-126; second floor terrace: AV 141-142. Detail of terrace, with view: AV 108. Passage from house to service block: AV 153.

Other negatives. AV 159 and 177-179 are views of house from south-west; 164 is view from north-west; 180 is view from west; 181-182 are views from north-east (showing passage from house to service block in 182); 183 is oblique view of west façade. AV 160-162 and 175 are photographs of stairs from third floor to fourth floor terrace; 163 is photograph of third floor terrace. AV 165-170 are miscellaneous views and details of south-east façade; 171 and 173-174 are details of south-west façade. AV 176 is view down onto third floor terrace from fourth floor. AV 184-186 are interior views of entrance hall. AV 187 is interior view of living room. AV 188-194 are medium-format negatives with original paper folders with contact prints pasted to them. Contact prints are marked with cropping lines. AV 195-292 are photographs of models for house.

12 positive color transparencies (original inventory lists 15, but 3 of AV 293-304 these were misidentified). 8 cut down to various sizes from larger originals; 4 mounted 35 mm. AV 293 and 297-298 are views of south-west façade; 299 is view of north-west façade. AV 294-295 are views down through void from fourth floor terrace; 296 is view up to aperture in roof from third floor terrace. AV 300-302 are interior views of entrance hall (from ramp in 301- 302). AV 303 is interior view of living room; 304 is view of living room and dining room. Stade, Baghdad, 27 black-and-white negatives (original inventory lists 24). BS 1-27 1956 7 approximately 6 x 9 cm.; 20 6 x 6 cm. PB 1-7 is sequence of medium-format negatives originally housed in glassine envelopes numbered from STB-7 to STB-13 by Hervé. The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. All are photographs of model. BS 8-27 is sequence of medium- format negatives numbered in ink on edges by Hervé from BD-1 to BD-20.

- Page 92 -

Musée national des 234 black-and-white negatives (original inventory lists 273, but TM 1-233 Beaux-Arts de many of these were misidentified). (including l’Occident à Tokyo, 41 6 x 9 cm.; 69 6 x 6 cm.; 124 35 mm. 68A 1957 TM 68A with original annotated glassine envelope. TM 1-68A is sequence of 6 x 6 cm. negatives numbered in ink on edges from MT-1 to MT-72 by Hervé (numbers are not continuous). All are photographs of models. TM 69-90 are photographs of Japanese street scenes (probably in Tokyo); 91 is blank frame. TM 92 (one of strip of six negatives with 87-91), 101, and 195-196 are photographs of exterior staircase to main first floor entrance to Museum; 116-125 and 153 are photographs of visitors on first floor landing of staircase. TM 93, 98, and 204 are views across “Exhibition Court” (south-west of Museum) towards nearby building; 111 is photograph of this building. TM 94 is photograph of north-west exterior staircase. TM 95-97 and 192-193 are views of Museum from south-west; 99- 100 are views from south; 198-199 are views from east. TM 102-104 and 205-209 are photographs of pilotis, and support columns for entrance staircase, at ground floor level. TM 105-106, 152, 197, and 200-203 are views and details of south- east façade. TM 107-110, 112-115, and 194 are views of Exhibition Court and south-west façade. TM 126, 162-167, 172-181, 183-186, 188-191, and 225-230 are views and details of roof structures; 171, 182, and 187 are views from roof. TM 127-137 and 154-155 are interior views of ground floor entrance hall (127-129 are double-exposed frames); 138-145, 156-159, and 212 are views and details of ground floor exhibition hall; 215-220 are views and details of first floor exhibition hall; 221-224 are views into ground floor exhibition hall from first floor. TM 146-151, 160-161, and 168 are views up to roof skylights. TM 169-170 and 213-214 are photographs of internal ramps.

19 positive color transparencies (original inventory lists 17). 1 60 x 78 mm. (cut down from larger original); 1 60 x 71 mm. (cut TM 234-252 down from larger original); 1 60 x 67 mm. (cut down from larger original); 16 mounted 35 mm. TM 234 and 250 are views of Museum from south-west; 235-236 are views of Exhibition Court and south-west façade; 237-238 are views of Exhibition Court. TM 239-241 are views across Exhibition Court towards nearby building. TM 240-241 are photographs of pilotis at ground floor level. TM 247-248 are views and details of south-east façade. - Page 93 -

TM 249 is photograph of visitors on landing of exterior staircase to main first floor entrance to Museum; 251-252 are photographs of staircase. Box 32 L’Unité d’habitation 22 6 x 6 cm. black-and-white negatives (original inventory lists 23, BR 1-22 à Briey-en-Forêt, but one of these was misidentified). 1957 All are photographs of model. L’Unité d’habitation 38 black-and-white negatives and 7 positive black-and-white BE 1-42 à Berlin, 1957 transparencies (original inventory lists 41 negatives). (including Negatives are: 1 68 x 108 mm. (cut down from larger original); 37 35 9A-9C) mm. BE 2-8 are the positive black-and-white transparencies. BE 1 is photograph of drawing of east elevation of building. BE 2-42 (including 9A-9C) are photographs of construction work in progress. Le Pavillon Philips à 411 black-and-white negatives (original inventory lists 408). PP 1-411 Bruxelles, 1958 126 6 x 6 cm.; 285 35 mm. PP 1-70 is sequence of medium-format negatives numbered in ink on edges by Hervé from PB-1 to PB-72 (numbers are not continuous). All are photographs of model of pavilion’s structural frame. PP 71 is unnumbered photograph of same model.

PP 72-107 is sequence of medium-format negatives numbered in ink on edges by Hervé from PB-I-1 to PB-I-36. All are photographs of model with “skin” over frame.

PP 108-120 is sequence of 35 mm. negatives numbered in ink on edges by Hervé from PB-II-1 to PB-II-15 (numbers are not continuous). All are photographs of construction work in progress.

PP 121-348 is sequence of 35 mm. negatives numbered in ink on edges by Hervé from BPH-1 to BPH-240 (numbers are not continuous). Within this sequence photographs of different subjects are distributed as follows: Entrance side of pavilion: PP 121-123, 135, 248, 294-295, 308; entrance: PP 166-171, 175, 218-223, 252-254, 256, 259-260, 319- 320, 323-324, 346-347; visitors at entrance: PP 313-315, 321-322, 340-342. Details of base: PP 124-125, 132-134, 145, 155, 173-174, 225-226, 231-232, 298-299, 306. Details of exterior walls and supporting cables: PP 126-131, 136, 138-139, 158-159, 181-184, 204, 224, 227-230, 237-238, 243, 264, 266-269, 277, 279-280, 303, 305. General exterior views: PP 140-142, 149, 176-178, 246-247, 255, - Page 94 -

257-258, 261-263, 265, 281, 283-284, 287-293, 310, 339. Exit side of Pavilion: PP 137, 143-144, 148, 157, 189-190, 199-201, 233, 235-236, 239, 244-245, 271, 275-276, 296-297; exit: PP 146- 147, 150-154, 156, 160(?), 179-180, 185-187, 191-198, 234, 240- 242, 270, 272-274, 300-301, 304; visitors at exit: PP 316-317, 331- 333, 343-345. “Sculpture Polychrome”: PP 161-165, 172, 202-203, 249-251, 302, 311-312, 318, 325-329, 337-338, 348. Interior views: PP 205-215, 278(?), 282, 285-286, 307, 309, 330, 334-336. Photographs of control room for presentations of Le Corbusier’s “Poème Électronique” (See L’atelier de la recherche patiente, 1960, pp 186-187 and 280-281; see also entries for PP 354-406 below): PP 216-217.

35 mm. negatives without numbers, or with indecipherable numbers: PP 349 is photograph of construction work in progress. PP 350-351 are external views. PP 352 is photograph of entrance. PP 353 is interior view.

PP 354-403 is sequence of negatives numbered in ink on edges by Hervé from PE-1 to PE-59 (numbers are not continuous). All are photographs taken during presentations of Le Corbusier’s “Poème Électronique” in pavilion. PP 404-406 are photographs taken during presentations of Le Corbusier’s “Poème Électronique” in pavilion (see entries for PP 216-217 above).

PP 407-411 are negatives with original paper folders with contact prints pasted to them. Contact prints are marked with cropping lines.

19 positive color transparencies (original inventory lists 22, but 3 of PP 412-430 these were misidentified). 1 95 x 125 mm.; 3 unmounted and 15 mounted 35 mm. PP 412-426 are miscellaneous exterior views. PP 427-428 are photographs of entrance. PP 429-430 are photographs of “Sculpture Polychrome.” La Maison du Brésil 690 black-and-white negatives and one black-and-white contact PB 1-686 dans la Cité print (original inventory lists 683 negatives). (including 1A, universitaire de 1 108 x 122 mm. (cut down from larger original); 12 approximately 4 617A, 656A- Paris, 1958 x 5 in.; 1 89 x 100 mm. (cut down from larger original); 1 85 x 112 656B) mm. (cut down from larger original); 17 6 x 9 cm. (1 cut down to (NB. PB 1- smaller size); 84 6 x 6 cm.; 574 35 mm. 465 are in PB 467 is the contact print from negative PB 466. Box 32; PB - Page 95 -

Note: Captions to line illustrations and photographs of the building 466-686 are in Œuvre complète, Vols. 6 and 7, consistently transpose in Box 33) identifications of the east and west façades; entries in this inventory give the correct identifications.) PB 1 is photograph of plan of ground floor; 1A-3 are photographs of drawings.

PB 4-14 is sequence of medium-format negatives numbered in ink on edges by Hervé from C 111-1 to C 111-16 (numbers are not continuous). All are photographs of model.

PB 15-18 is series of medium-format negatives numbered in ink on edges by Hervé from C 111-III-5 to C 111-11 (numbers are not continuous). All are photographs of early stages of construction work. PB 19-42 is series of 35 mm. negatives numbered in ink on edges by Hervé from I 6 to I 36 (numbers are not continuous). All are photographs of early stages of construction work. PB 43-53 is series of 35 mm. negatives numbered in ink on edges by Hervé from II 1A to II 4D (numbers are not continuous). All are photographs of early stages of construction work. PB 54-60 is series of 35 mm. negatives numbered in ink on edges by Hervé from C 111 III 1A to C 111 4C (numbers are not continuous). All are photographs of early stages of construction work.

PB 61-93 is series of strips of 35 mm. negatives (and some single frames) each numbered C 111 IV in ink on edge by Hervé. All are photographs of construction work nearing completion. PB 61-63 are views of building from west. PB 65, and 75-79 are miscellaneous views and details of east façade (showing director’s pavilion in 77-79); 66-68 of north façade; 69-71, 74, and 80-85 of west façade. PB 72-73 are details of north end of hall/auditorium pavilion. PB 86-90 are photographs of pilotis under building. PB 91 is view of building from east; 92-93 are views from west.

PB 94-126 is series of strips of 35 mm. negatives (and some single frames) each numbered C 111 V in ink on edge by Hervé. All are photographs of construction work nearing completion. PB 94-95 are photographs of pilotis under building. PB 96 is photograph of curved walls by entrance. PB 97-99 and 116 are photographs of north staircase enclosure. PB 100-101 and 103-108 are photographs of roof; 102 is view of director’s pavilion from roof; 109-111 are views of hall/auditorium pavilion from roof. PB 112 is unidentified interior. PB 113 is interior view of hall. - Page 96 -

PB 114 is photograph of south staircase. PB 115 and 117-119 are details of east façade, and entrance to director’s apartment; 120 is detail of east façade. PB 121-122 are interior views of students’ rooms (showing balcony in 121). PB 123-125 are photographs of roof; 126 is view of hall/auditorium pavilion from roof.

PB 127-157 is series of strips of 35 mm. negatives (and some single frames) each numbered C 111 6 in ink on edge by Hervé. All are photographs of construction work nearing completion. PB 127 is view of building from north-east. PB 128-134 and 146 are miscellaneous views and details of east façade. PB 135-136 are details of east façade of director’s pavilion. PB 136-141 are interior views of director’s apartment.. PB 142 is photograph of curved wall of entrance courtyard. PB 143-145 are photographs of south end of director’s pavilion. PB 147-148 are details of south end of building; 149 is photograph of south staircase, and south end of hall/auditorium pavilion. PB 150-151 are details of west façade of hall/auditorium pavilion. PB 152-153 are views of building from south-west; 154-155 are views from south; 156-157 are views from south-east.

PB 158-183 is series of 35 mm. negatives numbered in ink on edges by Hervé, in groups, from C 10 to C 45 (numbers are not continuous). Within this series photographs of different subjects are distributed as follows: Details of west side of director’s pavilion: PB 158, 178. Entrance courtyard: PB 159. Interior views of entrance hall: PB 160, 165, 177. Detail of east façade: PB 161. View of director’s pavilion from north-west: PB 162; view from south-east: PB 163; View from south-west: PB 180. Entrance courtyard: PB 164. Interiors: secretary’s office: PB 166; library: PB 167; room for two students: PB 168; auditorium: PB 169, 183; hall: PB 170; Director’s apartment: PB 171-173. Entrance to director’s apartment: PB 174, 181-182. South staircase: PB 175. Detail of south end of hall/auditorium pavilion: PB 176. East façade of director’s pavilion: PB PB 179.

PB 184-458 is series of strips of 35 mm. negatives numbered in ink on edges by Hervé, in groups, from C 10 to C 45 (numbers are not continuous). - Page 97 -

Within this series photographs of different subjects are distributed as follows: Views of building from south-east: PB 184-189, 363-364; from south-west: PB 375-376, 378-379, 424-426, 458; from west: PB 394- 395, 421; from south: PB 427-430. Details of south façade: PB 190-191; of west façade: PB 193-195; of east façade: PB 273, 392-393. Views of director’s pavilion: from south: PB 192; from south-west: PB 197-198, 351, 365; from first floor balcony: PB 272; from south- east: PB 355-356. Entrance courtyard: PB 196, 200, 409-410. Detail of west side of director’s pavilion: PB 199. North windows of concierge’s apartment: PB 201-202. North-east corner of building: PB 203-205. Views and details of east façade of director’s pavilion: PB 206-209, 213-214, 357-359; of west façade: PB 211; of south façade: PB 352- 354, 360-362. Entrance to director’s apartment: PB 210, 212, 346-350. Ground floor space under north end of building: PB 215-217, 397- 400. Unidentified interiors: PB 218-222. Interior views of hall: PB 223-234, 243-245, 248-249, 287-306, 366- 374, 38-388, 454-455. Interior views of auditorium: PB 235-242, 307-316, 438-439. North staircase enclosure: PB 246-247, 396; staircase: PB 318-319. Interior views of entrance hall: PB 250-260, 284-286, 389-391, 403- 408. Interior views of students’ rooms: PB 261-263, 265, 269-271, 317, 320-322, 343-345, 411-419; of students’ kitchen: PB 264; of study room (see no. 21 on floor plan on p. 192 of Œuvre complète, Vol. 7): PB 266-268, 420; of library: PB 274-281; of secretary’s office: PB 282-283; unidentified interior: PB 453. Interior views of director’s apartment: PB 323-342. Details of west façade of hall/auditorium pavilion: PB 422-423, 431- 435; south-west corner: PB 436-437; details of south façade: PB 456-457. First floor balcony on east side of building: PB 440-449, 451-452; roof of hall/auditorium pavilion from first floor balcony: PB 450.

PB 459-465 is sequence of medium-format negatives numbered in ink on edges by Hervé from C 25-1 to C 25-7. PB 459 is photograph of staircase. PB 460-464 are unidentified interiors. PB 465 is detail of east façade. PB 377 (one of strip of five negatives with PB 375-376 and 378-379) is photograph of Pavillon Suisse à la Cité universitaire à Paris (see Box 8, p. 19 above). - Page 98 -

Box 33 La Maison du Brésil (Conclusion of the sequence of negatives described in the entry for (PB 466-686) dans la Cité Box 32 above.) universitaire de Paris, 1958 Other negatives. (continued) PB 466-481 are photographs of construction work in progress (467 is contact print from negative PB 466). PB 482-485 are views of building from west; 501-502 are views from south-west; 516-519, 522-526, and 529 are views from south-east; 531 is view from south. PB 486-488 and 503 are views and details of west façade of hall/auditorium pavilion; 489 is view of north façade. PB 490-493, 508, 534, and 545-546 are views of director’s pavilion from south-west; 494 and 535-536 are views from south-east. PB 495-496, 506-507, 520-521, 527, 537-538, 542-544, and 627 are views and details of east façade of director’s pavilion; PB 539-540 are details of west façade. PB 497-500, 514-515, 528, 547-550, 554-561, 570-572, and 622 are photographs of entrance to director’s apartment (from first floor balcony in 497). PB 504-505 are views of hall/auditorium pavilion from north-west. PB 509, 553, 562-565, 575-576, and 631-632 are photographs of pilotis under building. PB 510-512, 551-552, 573-574, and 656A are photographs of entrance courtyard; 589-592 are photographs of entrance. PB 530 is detail of west façade; 532 is detail of east façade. PB 533 is photograph of south-west corner of hall/auditorium pavilion; 582-586, 609, and 618-619 are views and details of south façade. PB 541, 587-588 and 620-621 are views and details of south staircase enclosure. PB 566 is photograph of north windows of concierge’s apartment, and north staircase enclosure; 661-662 are photographs of north staircase enclosure. PB 567-569 and 656B are photographs of south façade of hall/auditorium pavilion, and south staircase enclosure. PB 577-581, 593-594 and 602 are photographs of ground floor space under north end of building. PB 595-601, 603-608, 610-617A, 623-626, 628-630, and 633-639 are photographs of entrance hall. PB 640-643 and 657-659 are interior views of hall. PB 644-645, 663-664, and 679 are interior views of director’s apartment. PB 646 is interior view of library. PB 647, 660, 665-666, and 670-672 are interior views of auditorium. PB 648-653, 669, 673-676, and 680-684 are interior views of students’ rooms. - Page 99 -

PB 654-655 and 677-678 are photographs of first floor balcony on east side of building; 656 is view of roof of hall/auditorium pavilion from first floor balcony. PB 685-686 are medium-format negatives with original paper folders with contact prints pasted to them. Contact prints are marked with cropping lines.

209 positive color transparencies (original inventory lists 203). 3 4 x 5 in.; 1 63 x 66 mm. (cut down from larger original); 10 6 x 6 PB 687-895 cm.; 1 41 x 60 mm. (cut down from larger original); 13 unmounted and 181 mounted 35 mm. PB 687-688 and 701-704 are photographs of identifying sign at south entrance to building. PB 689 and 705 are views of building from west (705 is double- exposed frame); 698 and 719-728 are views from south-east; 714- 715 are views from east; 716-718 are views from north-east; 729 is view from south; 771-774 are views from south-west. PB 690-695 are views and details of west façade. PB 696-697 and 757-765 are photographs of south-west corner of hall/auditorium pavilion. PB 699-700 are interior views of hall. PB 708-709 are photographs of north staircase enclosure; 710-713 are photographs of north staircase enclosure, and north windows of concierge’s apartment. PB 730-735 are views of director’s pavilion from south-east; 736- 738 are views from south-west. PB 739-748 are views and details of east façade of director’s pavilion; 749 is detail of north façade. PB 750-757 are photographs of entrance to director’s apartment. PB 758-760 are photographs of south façade of hall/auditorium pavilion; 766-770 and 891 are views and details of west façade. PB 775-782 and 892-893 are photographs of south staircase enclosure. PB 783-786 and 895 are photographs of ground floor space under north end of building. PB 787-794 are interior views of entrance hall. PB 795-814 are interior views of hall. PB 815-822 are interior views of auditorium. PB 823-827 are interior views of entrance hall by secretary’s office; 828-829 are views into secretary’s office from entrance hall; 830- 832 are views into director’s apartment from entrance hall. PB 833-840 and 894 are interior views and details of director’s apartment. PB 841-855 are photographs of elevator, and corridor, on upper floor; 856-857 are photographs of staircase. PB 858 is possibly interior view of study room. PB 859-888 and 895 are interior views of students’ rooms; 889-890 are photographs of balcony of students’ room. - Page 100 -

L’Église de Firminy- Original inventory lists 32 negatives for “Église Firminy (maquette) FE 1-71 Vert (projet), 1960- (ES),” corresponding to FE 2-33 below, and total of 217 for “Firminy 1965 (FY),” now divided into FE 34-70, FC 1-132, and FU 1-42 (including 36A), and probably including FE 1, below; actual total for “Firminy (FY)” is 213 negatives.

71 black-and-white negatives. 40 cut down to various sizes from larger originals; 12 6 x 9 cm.; 19 6 x 6 cm. FE 1 is photograph of two-page spread from The development by Le Corbusier of the Design for l’Église de Firminy, a Church in France (North Carolina State College, School of Design, Student Publications, vol. 14, no. 2, 1964). Probably belongs with FE 34-70 below, but was found filed with FE 2-33, and without annotated glassine emvelope). FE 2-33 are photographs of model. FE 34-70 is sequence of negatives originally housed in glassine envelopes numbered from FY-N-1 to FY-N-26 (numbers are not continuous), interspersed with envelopes marked FY-NC, with or without numbers. These envelopes are now filed with the negatives (FE 71 had no glassine envelope). FE 34-66 and 68-71 are photographs of single pages or two-page spreads from The development by Le Corbusier of the Design for l’Église de Firminy, a Church in France. FE 67 is photograph of p. 15 of unidentified book. Box 34 Firminy-Vert: La 132 black-and-white negatives. FC 1-132 maison des jeunes 1 98 x 132 mm. (cut down from larger original); 1 6 x 9 cm.; 1 6 x 8 et de la culture, cm.; 53 6 x 6 cm.; 76 35 mm. 1960-1965 FC 1-10, 15, 17-19, 24-25, and 51-52 are views of building from south-east (showing stadium under construction to west of building in 2 and 7-8); 12-13 are views from north-east; 20-21 are views from south; 54-55 are views from west; 56-57 are views from south-west; 90-94 are views from north-west. FC 11, 14, 26-49, 53, and 97 are miscellaneous views and details of east façade. FC 16 and 58-79 are miscellaneous views and details of west façade. FC 22-23, 80-89, and 98-99 are miscellaneous views and details of south façade. FC 50, 106-107, and 117-120 are interior views of first floor corridor. FC 86 and 95-96 are views of north façade. FC 87-89 are photographs of pilotis under building. FC 100-105 are interior views. FC 114-116 and 121-125 are interior views of foyer. FC 108-113 are interior views of library. FC 126-131 are medium-format negatives with original paper envelopes with contact prints pasted to them. Contact prints are - Page 101 - marked with cropping lines. FC 132 is medium-format negative with contact print, marked with cropping lines, and original annotated glassine envelope.

Original inventory lists 246 color transparencies for “Firminy (FY),” FC 133-297 but 12 of these were misidentified, and 7 photographs of the Firminy Unité which had been misidentified and misplaced elsewhere in the archive have been replaced here; the actual total is 243: these are now divided into FC 133-297 and FU 43-120 below. 38 unmounted and 127 mounted 35 mm. color transparencies. FC 133 is photograph of part of site (?). FC 134-136 are views of stadium under construction to west of building. FC 137-140 are views of building from south-east; 141-143 are views from north-east; 144-151 are views from south-west; 152 is view from north-west. FC 153-163 and 292 are miscellaneous views and details of south façade. FC 164-178 and 293-294 are miscellaneous views and details of west façade. FC 179-197 and 295 are miscellaneous views and details of east façade. FC 198-206 and 296-297 are photographs of main entrance and ramp. FC 207-221 are interior views of small foyer on ground floor; 222- 229 are views down into small foyer from first floor level. FC 230 is view out from first floor corridor, near entrance; 231-241 are interior views of first floor corridors. FC 242-245 are interior views of library and reading-room. FC 246-251 show architectural photographs and models displayed in unidentified room. FC 252-282 are interior views of main foyer, with equipment, etc., for a peformance. FC 283-284 are interior views of workroom or studio. FC 285-290 are miscellaneous interior views.

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Firminy-Vert: 43 black-and-white negatives. FU 1-42 L’Unité 1 6 x 9 cm.; 2 6 x 8 cm.; 10 6 x 6 cm.; 30 35 mm. (including d’habitation, 1960- FU 1-10 is sequence of medium-format negatives numbered in ink 36A) 1968 on edges by Hervé from FY-1 to FY-10. All are photographs of model. FU 11-12, 17-18, and 29-31 are photographs of pilotis under building. FU 13 is view of building from east; 14-16 are details of east façade. FU 19-27 and 33-38 (including 36A) are photographs of roof terrace. FU 28 and 39-40 are interior views. FU 41-42 are negatives with original paper envelopes with contact prints pasted to them. Contact print of FU 42 is marked with cropping lines.

35 unmounted and 43 mounted 35 mm. color transparencies. FU 43-45 are views of building from south-west, FU 43-120 FU 46-50 and 117-120 are details of west façade. FU 51-52 are photographs of pilotis under building. FU 53-75 are miscellaneous views and details of roof terraces and structures. FU 76-116 are interior views of nurseries and schools on roof terraces. Box 35 L’écluse de Kembs- 27 black-and-white negatives. KN 1-27 Niffer, 1960-1965 14 approximately 6 x 9 cm.; 4 6 x 6 cm.; 9 24 x 57mm. on 35 mm. film (made using Widelux camera?). KN 1-14 is sequence of medium-format negatives originally housed in glassine envelopes numbered from DO-1 to DO-14 by Hervé. The glassine envelopes have been discarded, and the negatives are arranged and numbered in their original order. All are photographs of model of tower containing lock-keeper’s station. KN 15-25 are views of tower and customs building. KN 26 is photograph of customs building; 27 is photograph of tower.

Orsay-Paris, projet 64 6 x 9 cm. black-and-white negatives (3 cut down to smaller sizes). OP 1-64 pour un Centre de OP 1-25 are photographs of model. culture, 1961 OP 26-64 are photographs of model positioned in front of panoramic background photograph of Paris.

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Visual Arts Center à 102 black-and-white negatives (original inventory lists 104, but 2 of BC 1-101A Cambridge, these were misidentified). Massachusetts 7 4 x 5 in.; 1 99 x 114 mm. (cut down from larger original); 1 66 x 92 (Carpenter Center), mm. (cut down from larger original); 30 6 x 9 cm.(most cut down to 1961-1964 various smaller sizes); 16 6 x 8 cm.; 1 6 x 7 cm. (cut and masked down from larger original); 46 6 x 6 cm. BC 1-6 is sequence of medium-format negatives numbered in ink on edges by Hervé from BO-1 to BO-6. All are photographs of model of site for Center. BC 7-35 is sequence of negatives originally housed in glassine envelopes numbered from BO-16 to BO-44 by Hervé. The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. All are photographs of model of Center. BC 36-75 is sequence of medium-format negatives numbered in ink on edges by Hervé from BOA-1 to BOA-41. All are photographs of model of Center. BC 76-83 and 85 are photographs of model of Center. BC 86-91 are photographs of ramp on west side of building; 92-93 are photographs of ramp on east side. BC 94-95 are details of east façade of building. BC 96-97 are photographs of ramp penetrating through second floor of building. BC 98 is interior view; 99-101 are interior views of studios. BC 101A is view of building from north-west.

88 positive color transparencies (original inventory lists 11). BC 102-189 8 4 x 5 in.; 4 unmounted and 76 mounted 35 mm. BC 102-109 are photographs of model. BC 110 is photograph of commemorative plaque on building. BC 111-114 are views of building from west (111 is photograph of illustration in unidentified book). BC 115-121 are photographs of ramp on west side of building; 122 is detail of staircase tower on west side. BC 123-126 are views of building from north-east. BC 127-135 are miscellaneous views and details of east façade; 136- 140 are photographs of ramp on east side. BC 141-143 are views of building from south-east; 144-149 are views from north-west. BC 150-152 are views along north side; 153-154 are views along south side. BC 155-156 and 189 are photographs of pilotis under building. BC 157-158 are views under ramp on east(?) side from entrance lobby. BC 159-162 are photographs of ramp penetrating through second - Page 104 - floor of building. BC 163-166 are photographs of second floor terrace. BC 163-170 are interior views of entrance lobby; 167-168 are interior views of west staircase tower. BC 173-174 are interior views of auditorium; 175-178 are interior views of studios; 179-183 are interior views of workshop; 184-186 are miscellaneous interior views. BC 187 is photograph of Boston University; 188 is view of city skyline across water.

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Un Pavillon 120 black-and-white negatives (original inventory lists 118). PZ 1-113 d’exposition à 2 6 x 9 cm.; 3 6 x 7 cm.; 115 35 mm. (including Zürich (Centre Le PZ 1-4 are photographs of drawings. 24A-24F, Corbusier), 1963- PZ 5-41 (including 24A-24F and 25A) and 46-59 are photographs of 25A) 1967 construction work in progress. PZ 42 and 60 are views of building from north-west; 43 and 64 are views from south-west; 44 and 63 are views from south; 66-68 and 80 are views from south-east; 65 is view from west; 67-68 are views from north; 70 is view from north-east; 79 is view from east. PZ 45, 75-79, 91, 102-103, and 105 are interior views of first floor exhibition hall. PZ 69 is detail of north façade. PZ 71-73, 81-83, 85-86, 88, 92-94, and 106-108 are interior views of ground floor. PZ 74 is interior view of ramp. PZ 84 and 109-113 are photographs of main entrance door. PZ 87, 95-97, 90, 98-99 are photographs of stairway from ground floor to first floor. PZ 101-102 are views down from first floor into ground floor. PZ 104 is photograph of roof terrace.

1 unmounted and 4 mounted positive color transparencies; 1 4 x 5 PZ 114-119 in. color negative (original inventory lists 21 transparencies, but 15 of these were misidentified). PZ 119 is the color negative. PZ 114 is photograph of construction work in progress. PZ 115 is view of building from north-west; 116-117 are views from south; 118-119 are views from south-west. L’Ambassade de 49 black-and-white negatives (original inventory lists 51, but only 50 AF 1-49 France à Brasilia, were found at time of processing, and one of these was 1964-1965 misidentified). 8 6 x 9 cm.; 41 6 x 6 cm. All are photographs of model. Le nouvel hôpital 17 6 x 6 cm. black-and-white negatives (original inventory lists 22, VH 1-17 de Venise, 1965 but 5 of these were misidentified). All are photographs of model. Palais des Congrès 34 6 x 6 cm. black-and-white negatives (2 cut down to smaller sizes). PS 1-34 à Strasbourg, 1964 All are photographs of model. Le Corbusier’s 13 black-and-white negatives and 1 positive black-and-white AT 1-14 atelier at 35, rue de transparency (original inventory lists 7 negatives). Sèvres—not Negatives are: 1 4 x 5 in.; 1 63 x 51 mm. (masked down from larger included under this original); 11 6 x 6 cm. name in Œuvre AT 9 is the positive black-and-white transparency (internegative complète, undated from AT 10). AT 1-3 are photographs of entrance and ground floor access corridor; 4 is photograph of staircase. AT 5-14 are interior views of first floor atelier (Le Corbusier is present in 5).

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Photographs of 28 black-and-white negatives (not in original inventory). RP 1-28 pages from, Le 2 4 x 5 in.; 1 66 x 138 mm. (cut down from larger original); 1 62 x 87 Corbusier, L’atelier mm. (cut down from larger original); 20 approximately 6 x 8 cm.; 3 6 de la recherche x 6 cm.; 1 51 x 87 mm. (cut down from larger original). patiente, 1960 RP 1-2: pp. 22-23. RP 3-4: pp. 30-31. RP 5-7: (drawings reproduced on) p. 34. RP 8-11: pp. 38-41. RP 12: (drawing reproduced on) p. 47. RP 13: p. 70 (upper part). RP 14-15: pp. 74-75. RP 16: p. 94 (upper part). RP 17: p. 128. RP 18: p. 120 (plan only). RP 19: p. 143. RP 20: p. 202. RP 21: p. 203. RP 22: p. 205. RP 23: p. 206. RP 24: p. 298 RP 25: p. 304 (lower part). RP 26: (upper left corner of) p. 23. RP 27: (detail of) p. 22 (26-27 are 2 negatives of 3 listed in (original inventory as “Dessins de La Chaux-de-Fonds” in Dossier 9). RP 28: (drawing reproduced on) p. 307 (this negative listed in (original inventory as “La Tâche de l’Ingénieur” in Dossier 9). Photographs of 10 black-and-white negatives (not in original inventory). OC 1-10 pages from Œuvre 4 approximately 4 x 5 in.; 1 60 x 112 mm. (all cut down from larger complète originals); 5 6 x 8 cm. OC 1 is photograph of p. 9 of Œuvre complète, Vol. 1, with text masked out; 2 is photograph of drawings reproduced on p. 9, as reproduced on page of unidentified publication. OC 3-7 are photographs of pp. 17-21 of Œuvre complète, Vol. 1. OC 8-9 are photographs of details of p. 77 of Œuvre complète, Vol. 1, with text masked out (these 2 negatives listed in (original inventory as “Appel aux Industriels” in Dossier 15). OC 10 is photograph of lower left corner of p. 148 of Œuvre complète, Vol. 4. Box 36 Photographs of The bulk of the photographs are filed in four categories: No unidentified 1. Photographs of drawings, plans, etc.; identification buildings 2. Photographs of models; numbers 3. Photographs of exterior views and details; 4. Photographs of interior views and details. The last four photographs in the binder are: 3 of Royal National Theatre, London; 1 of L’Institut du Monde Arabe, Paris.

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Box 37 Le Corbusier’s 320 black-and-white negatives (original inventory lists 334). NB 1-320 notebooks 7 approximately 4 x 5 in.; 2 approximately 6 x 8 cm. (cut and masked down from larger originals); 304 6 x 6 cm.; 7 35 mm. All are photographs of pages from Le Corbusier’s notebooks and sketchbooks. NB 1-63 is sequence of negatives numbered from IN-1 to IN-51 by Hervé (numbers are not continuous, and some are repeated with various suffixes). NB 64-181 is sequence of negatives numbered from IN-II-1 to IN-II- 125 by Hervé (numbers are not continuous, and some are repeated with various suffixes). NB 182-239 is sequence of negatives numbered from IN-IV-1 to IN- IV-52B by Hervé (numbers are not continuous, and some are repeated with various suffixes). NB 240-259 is sequence of negatives numbered from AN-1 to AN- 79XC by Hervé (numbers are not continuous, and some are repeated with various suffixes). In these four sequences some negatives only had these numbers written on glassine envelopes in which they were originally housed. The glassine envelopes have been discarded, and the numbers of the negatives involved have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. NB 260-276 is sequence of negatives numbered in ink on edges by Hervé from AR-10 to AR-56 (numbers are not continuous). NB 277-281 is sequence of negatives numbered in ink on edges by Hervé from CAR-2 to CAR-9 (numbers are not continuous). NB 282-320 are other photographs of pages from Le Corbusier’s notebooks and sketchbooks. Le Corbusier’s 107 black-and-white negatives and 1 positive black-and-white VO 1-108 notebooks: transparency (original inventory lists 145 negatives). “Voyage de Negatives are: 1 approximately 6 x 7 cm.; 106 6 x 6 cm. Jeunesse” VO 105 is the positive black-and-white transparency. All are photographs of pages from Le Corbusier’s notebooks and sketchbooks (some of this material published in Voyage d’Orient). VO 1-103 is sequence of negatives numbered from VJ-1 to VJ 82B by Hervé (numbers are not continuous, and some are repeated). Some negatives only had these numbers written on glassine envelopes in which they were originally housed. The glassine envelopes have been discarded, and the numbers of the negatives involved have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. VO 104-108 are other photographs of pages from these notebooks.

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Photographs of Le 22 black-and-white negatives. CF 1-22 Corbusier’s student All are 6 x 8 cm. and apprentice CF 1-21 is sequence of negatives originally housed in glassine work envelopes numbered from FO-15A to FO-25B by Hervé. The glassine envelopes have been discarded, and the original numbers have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. All are photographs of displays of drawings and design work. Furniture 4 black-and-white negatives (original inventory lists 3). CM 1-14 3 6 x 7 cm.; 1 6 x 6 cm. Photographs of furniture designed by Le Corbusier. Exhibitions 209 black-and-white negatives (original inventory lists 195). XS 1-209 95 6 x 9 cm.; 113 6 x 6 cm.; 1 35 mm. XS 1-8 is sequence of negatives originally housed in glassine envelopes numbered from A-1 to A-37B by Hervé (numbers are not continuous). XS 9-45 is sequence of negatives originally housed in glassine envelopes numbered from A-II-1 to A-II-60 by Hervé (numbers are not continuous). XS 46-49 is sequence of negatives originally housed in glassine envelopes numbered from A-III-1 to A-III-7 by Hervé (numbers are not continuous). XS 50-55 is sequence of negatives originally housed in glassine envelopes numbered from A-V-28 to A-V-40 by Hervé (numbers are not continuous). XS 56-82 is sequence of negatives originally housed in glassine envelopes numbered from A-XI-1 to A-XI-37 by Hervé (numbers are not continuous). These five sequences comprise photographs of exhibitions of Le Corbusier’s artworks and architectural designs and models. Most negatives only had the numbers written on glassine envelopes in which they were originally housed. The glassine envelopes have been discarded, and the numbers of the negatives involved have been transcribed onto the paper tags bearing the GRI’s identification numbers. Each original number is placed in square brackets after the corresponding GRI number. XS 83-188 is sequence of negatives numbered in ink on edges by Hervé from EL-1 to EL-117 (numbers are not continuous). Photographs of exhibition of Le Corbusier’s artworks and architectural designs and models at Musée des Beaux-Arts, Lyon, 1956. XS 189-209 are unidentified photographs of exhibitions of Le Corbusier’s artworks and architectural designs and models.

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Printed Le 17 black-and-white negatives (original inventory lists 20). TS 1-17 Corbusier Negatives are of various sizes, and all are cut down from larger chronology originals. Photographs of different sections of unidentified printed chronolgy of Le Corbusier’s life and work. All have some portions of text masked out.

(Document originally created by Alan Tomlinson in October 2006, and edited by Talia Olshefsky in May 2017.)

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