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Le Corbusier Charles-Édouard Jeanneret-Gris
Le Corbusier Charles-Édouard Jeanneret-Gris Portrait on Swiss ten francs banknote Personal information Name: Charles-Édouard Jeanneret-Gris Nationality: Swiss / French Birth date: October 6, 1887 Birth place: La Chaux-de-Fonds, Switzerland Date of death: August 27, 1965 (aged 77) Place of death: Roquebrune-Cap-Martin, France 1 Created with novaPDF Printer (www.novaPDF.com). Please register to remove this message. Major buildings and projects The Open Hand Monument is one of numerous projects in Chandigarh, India designed by Le Corbusier 1905 - Villa Fallet, La Chaux-de-Fonds, Switzerland 1912 - Villa Jeanneret-Perret, La Chaux-de-Fonds [1] 1916 - Villa Schwob, La Chaux-de-Fonds 1923 - Villa LaRoche/Villa Jeanneret, Paris 1924 - Pavillon de L'Esprit Nouveau, Paris (destroyed) 1924 - Quartiers Modernes Frugès, Pessac, France 1925 - Villa Jeanneret, Paris 1926 - Villa Cook, Boulogne-sur-Seine, France 1927 - Villas at Weissenhof Estate, Stuttgart, Germany 1928 - Villa Savoye, Poissy-sur-Seine, France 1929 - Armée du Salut, Cité de Refuge, Paris 1930 - Pavillon Suisse, Cité Universitaire, Paris 1930 - Maison Errazuriz, Chile 1931 - Palace of the Soviets, Moscow, USSR (project) 1931 - Immeuble Clarté, Geneva, Switzerland 1933 - Tsentrosoyuz, Moscow, USSR 1936 - Palace of Ministry of National Education and Public Health, Rio de Janeiro 1938 - The "Cartesian" sky-scraper (project) 1945 - Usine Claude et Duval, Saint-Dié-des-Vosges, France 1947-1952 - Unité d'Habitation, Marseille, France 1948 - Curutchet House, La Plata, Argentina 1949-1952 - United Nations headquarters, New York City (project) 1950-1954 - Chapelle Notre Dame du Haut, Ronchamp, France 1951 - Cabanon Le Corbusier, Roquebrune-Cap-Martin 2 Created with novaPDF Printer (www.novaPDF.com). -
MIT 4.567 Introduction to Computation in Architectural Design Spring
MIT 4.567 Introduction to Computation in Architectural Design Spring 2017 Takehiko Nagakura Legend A modest modeling B some difficult portions in modeling C challenging Ref Do not select (For reference only) Architects Buildings Year Built Reference Notes Andrea Palladio B 1 Palazzo Da Porto 1552 built Palladio Pl.37-40 (Palazzo Iseppo Da Porto) Forssman Scamozzi Vol.1. p49 B 2 Villa Almerico 1569 built Palladio Pl.52-55 (Villa Rotonda) Scamozzi Vol.2. p8 Camillo B 3 Villa Zen 1566 built Palladio Pl.104-107 partiall involvement (Villa Zeno) Scamozzi Vol.3. p37 by Palladio B 4 Villa Foscari 1560 built Palladio Pl.108-110 (La Malcontenta) Scamozzi Vol.3. p8 B 5 Villa Pisani-Placco 1555 built Palladio Pl.114-117 Scamozzi Vol.2. p20 B 6 Villa Saraceno Lombardi 1548 built Palladio Pl.128-130 B 7 Villa Godi 1552 built Palladio Pl.153-155 Hofer Scamozzi Vo.2. p27 B 8 Villa Sarego Boccoli 1569 built Palladio Pl.156-159 (a.k.a. Villa Serego) Scamozzi Vol.3. p48 C 9 Invenzione per una unknown unbuilt Palladio Pl.168-170 irregular site situazione in Venezia Scamozzi Vol.4. p53 B 10 Villa Pietro Caldogno 1570 built Palladio Pl.196-198 painting on wall Scamozzi Vol.2. p67 B 11 Villa Mocenigo(Badoer) 1563 built Scamozzi Vol.3. p51 Puppi B 12 Villa Emo 1567 built Scamozzi Vol.3. p24 Lewis Ref Villa Marcello Ref Villa Fratelli Bissaro Architects Buildings Year Built Reference Notes Le Corbusier B 1 Maison de Errazuris Au Chili 1930 unsure Boesiger Vol.2 p49 RC + wood A 2 Villa de Mandrot 1931 built Boesiger Vol.2 p59 A 3 Durand Alger 1933 unbuilt Boesiger -
Charles-Édouard Jeanneret
L E COR- BUS- CHARLES-ÉDOUARDIER JEANNERET Charles-Édouard Jeanneret, known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pio- neers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades; he constructed buildings in Eu- rope, Japan, India, and North and South America. Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the Congrès International d’Architecture Moderne (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there. On July 17, 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as “an Outstanding Contribution to the Modern Movement”. Charles-Édouard Jeanneret was born on October 6, 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France. It was an industrial town, devoted to the manufacture of watches. (He adopted the pseudonym Le Corbusier in 1933 of Le Corbusier in 1920). His father was an artisan who Charles-Édouard Jeanneret-Gris[1] October 6, 1887 enameled boxes and watches, while his mother gave piano La Chaux-de-Fonds, Switzerland lessons. His elder brother Albert was an amateur violinist. Died :August 27, 1965 (aged 77) Roquebrune :Cap-Martin, France [3] He attended a kindergarten that used Fröbelian Nationality :Swiss, French methods. -
Universidade Federal Do Rio Grande Do Sul Programa De Pesquisa E Pós-Graduação Em Arquitetura – Propar Faculdade De Arquitetura Departamento De Arquitetura
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PESQUISA E PÓS-GRADUAÇÃO EM ARQUITETURA – PROPAR FACULDADE DE ARQUITETURA DEPARTAMENTO DE ARQUITETURA Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER PORTO ALEGRE 2018 AS MAISONS JAOUL DE LE CORBUSIER Adriana Coradini de Freitas Tumelero Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Área de concentração: Teoria, História e Crítica da Arquitetura. Orientador: Prof. Dra. Andréa Soler Machado PORTO ALEGRE 2018 Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Aprovada em: Porto Alegre, 28 de maio de 2018. Prof. Dra. Andréa Soler Machado, Arq. – Orientadora Prof. Dra. Cláudia Piantá Costa Cabral, Arq. Prof. Dra. Marta Silveira Peixoto, Arq. Prof. Dra. Anna Paula Canez, Arq. RESUMO Em 1951, o arquiteto Le Corbusier foi convidado por seu amigo, o industrialista André Jaoul para projetar duas casas uma para ele e sua esposa e outra para a família de seu filho, no subúrbio de Paris. Devido ao orçamento reduzido, Le Corbusier adotou o uso de paredes portantes de tijolos, coberturas em abóbadas catalãs e vigas de concreto aparente. Estas escolhas definiram a estética brutalista do projeto e fizeram com que as Maisons Jaoul se tornassem conhecidas mundialmente. -
Le Corbusier Y El Salon D' Automne De París. Arquitectura Y
Le Corbusier y el Salon d’ Automne de París. Arquitectura y representación, 1908-1929 José Ramón Alonso Pereira “Arquitectura y representación” es un tema plural que abarca tanto la figuración como la manifestación, Salón d’ Automne imagen y escenografía de la arquitectura. Dentro de él, se analiza aquí cómo Le Corbusier plantea una interdependencia entre la arquitectura y su imagen que conlleva no sólo un nuevo sentido del espacio, sino Le Corbusier también nuevos medios de representarlo, sirviéndose de los más variados vehículos expresivos: de la acuarela Équipement de l’habitation al diorama, del plano a la maqueta, de los croquis a los esquemas científicos y, en general, de todos los medios posibles de expresión y representación para dar a conocer sus inquietudes y sus propuestas en un certamen Escala singular: el Salón de Otoño de París; cuna de las vanguardias. Espacio interior Le Corbusier concurrió al Salón d’ Automne con su arquitectura en múltiples ocasiones. A él llevó sus dibujos de Oriente y a él volvió en los años veinte a exhibir sus obras, recorriendo el camino del arte-paisaje a la arquitectura y, dentro de ella -en un orden inverso, anti-clásico-, de la gran escala o escala urbana a la escala edificatoria y a la pequeña escala de los espacios interiores y el amueblamiento. “Architecture and Representation” is a plural theme that includes both figuration as manifestation, image and Salon d’ Automne scenography of architecture. Within it, here it is analyzed how Le Corbusier proposes an interdependence between architecture and image that entails not only a new sense of space, but also new means of representing it, using Le Corbusier the most varied expressive vehicles: from watercolor to diorama, from plans to models, from sketches to scientific Équipement de l’habitation schemes and, in general, using all possible expression and representation means to make known their concerns and their proposals, all of them within a singular contest: the Paris’s Salon d’ Automne; cradle of art avant-gardes. -
Le Corbusier and His Contemporaries
1 April 2002 Art History W36456 Important announcements: Monday April 8th I cannot prepare class ahead of time, we will instead view a series of films by and about Le Corbusier and his contemporaries. To make up for the missed lecture there will be an extra concluding class of the course on Weds. May 8th at the usual time and in this room. Please mark your calendars. As we are now behind the course will conclude with 1965 and the examination will include all material through topic 25. A new course on Post War Architecture, the third part of the survey then, will be introduced in 2003-4. Le Corbusier: Architecture or Revolution (architecture and urbanism to 1930) Charles-Edouard Jeanneret (takes name Le Corbusier in the 1920s) b. 1887 La Chaux-de-Fonds, Switzerland, died Roquebrunne (Riveria) 1965; architect in Paris from 1917 on. Arts School in La Chaux de Fonds and influence of Charles L’Eplattenier 1905-06 Villa Fallet, La Chaux de Fonds 1908-9 in Paris with Perret and meets Tony Garnier 1910 with Theodore Fischer in Munich and with Behrens in Berlin/Potsdam 1908 Villa Jacquemet, La Chaux de Fonds 1914-16 Villa Schwob (Maison Turque), La Chaux-de-Fonds (first concrete frame) 1914 Domino (Dom-Ino) project with Max Dubois 1918 publishes Après le Cubisme with Amedée Ozenfant 1920 first issue of the magazine L’Esprit Nouveau 1923 Vers une Architecture (translated into English in 1927 as Towards a new Architecture) 1922 Salone d’Automne Paris, he exhibits the Citrohan House and the Ville de 3 Millions d’Habitants 1922 Ozenfant Studio, Paris -
Le Corbusier's Cité De Refuge
DOI: http://dx.doi.org/10.4995/LC2015.2015.796 Le Corbusier’s Cité de Refuge: historical & technological performance of the air exacte L.M. Diaz, R. Southall School of Arts, Design and Media, University of Brighton Abstract: Despite a number of attempts by Le Corbusier to implement the combination of ‘respiration exacte’ with the ‘mur neutralisant’ he was never able to test the viability of his environmental concepts in a realised building. The Cité de Refuge, which was built with a more conventional heating system and single glazed facade, is however unique in that unlike the other potential candidates for the implementation of these systems, the building, as built, retained a key design feature, i.e. the hermetically sealed skin, which ultimately contributed to the building’s now infamous failure. It is commonly argued that Le Corbusier, however, abandoned these comprehensive technical solutions in favour of a more passive approach, but it is less well understood to what extent technical failures influenced this shift. If these failures were one of the drivers for this change, how the building may have performed with the ‘respiration exacte’ and ‘mur neutralisant’ systems becomes of interest. Indeed, how their performance may have been improved with Le Corbusier's later modification of a brise-soleil offers an alternative hypothetical narrative for his relationship to technical and passive design methodologies. Keywords: environment, technology, performance, history, Cité de Refuge. 1. Introduction There are two technical building concepts that represent, perhaps more than any others Le Corbusier’s early drive to find comprehensive and exclusively mechanical approaches to the heating and ventilation of modern buildings: a) the mur neutralisant, a double-skin glazed wall with conditioned air circulated within the cavity to moderate heat exchange between the interior and exterior, and b) the respiration exacte, a mechanical ventilation system for providing conditioned air to interior spaces at a constant temperature of 18˚C. -
Impressionist & Modern
IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT. -
The Urban Canvas: Urbanity and Painting in Maison Curutchet
130 ACSA EUROPEANCONFERENCE LISBON HISTORYTTHEORY/CRITIClSM . 1995 The Urban Canvas: Urbanity and Painting in Maison Curutchet ALEJANDRO LAPUNZINA University of Illinois at Urbana-Champaign USA ABSTRACT A BRIEF HISTORY AND DESCRIPTION OF MAISON CURUTCHET This paper proposes a reading of the faqade of Maison Curutchet, a significant yet largely unstudied building de- In September 1948, Dr. Curutchet, a well-knownprogressive signed by Le Corbusier in 1949, as a metaphor or a condenser surgeon from Argentina, contacted Le Corbusier, however of the architect's ideas on urban-planning and painting. It indirectly, requesting his architectural services for the de- also proposes that in this building Le Corbusier proved to be sign of a combination of single family dwelling and medical (contrary to what is often asserted) one of the most contex- office in a site, facing a beautiful large urban park, that he tually urban oriented architects of the twentieth century. owned in the city of La Plata, one-hundred kilometers south of Buenos Aire~.~He sent to Le Corbusier a very detailed program of his needs that included a three- bedroom house INTRODUCTION with all "modern comforts," and an independent medical Maison Curutchet is undoubtedly one of the least known cabinet consisting of waiting room and consultation office buildings designed by Le Corbusier. The reasons for the little where he could perform minor surgical interventions imple- attention that this work received from critics and historians menting his then revolutionary techniques. to-date are manifold, and should be attributed to the building's In spite of being extremely busy with the design and geographical location, far away from what were then the construction of other major projects (most notably the Unite centers of architectural production (the discourse and the d'Habitation in Marseilles and the Masterplan for St. -
Le Corbusier
LE CORBUSIER ..................................................................................................................................................................................................................... I mille volti di un architetto rivoluzionario Le Corbusier 1887 - 1965 Annual Report 2019 cultural insert supplement Testi di Beat Stutzer, Franco Monteforte, Casimiro Di Crescenzo, Christian Dettwiler Banca Popolare di Sondrio (SUISSE) ..................................................................................................................................................................................................................... Testi di Beat Stutzer, Franco Monteforte, Casimiro Di Crescenzo, Christian Dettwiler LE CORBUSIER ..................................................................................................................................................................................................................... IThe mille many volti different di un architetto faces of a rivoluzionario revolutionary architect Articles by Testi di Giampiero Bosoni, Brigitte Bouvier, Philippe Daverio, Alessandra Dolci, Beat Stutzer, Franco Monteforte, Casimiro Di Crescenzo, Fulvio Irace, Sergio Pace, Bruno Reichlin, Marida Talamona, Simon Zehnder Christian Dettwiler The many different faces of a revolutionary architect .................................................................................................................................................................................................................... -
10 Franc Banknote: Le Corbusier (Charles Edouard Jeanneret),1887-1965 Architect, Town Planner and Theoretician, Painter, Sculptor and Writer
10 franc banknote: Le Corbusier (Charles Edouard Jeanneret),1887-1965 Architect, town planner and theoretician, painter, sculptor and writer Le Corbusier is regarded as one of the outstanding creative personalities of the twentieth century. He was a universal designer who was active in many fields: as an architect, town planner, painter, sculptor and the author of numerous books on architecture, urban planning and design. Le Corbusier's remarkable ability to communicate his ideas helped to gain recognition for his theories throughout the world. His work is a modern Gesamtkunstwerk that combines individual disciplines into a complex whole. This is particularly apparent in his visionary urban planning projects. Le Corbusier pioneered a quintessentially modern approach to architecture. Urban planning Le Corbusier's concepts of residential building design are based on extensive studies of the social, architectural and urban planning problems of the industrial era. Le Corbusier always placed the human being at the centre of his creative principles. In his book Urbanisme (The City of Tomorrow), published in 1924, and in numerous other studies on this topic, he formulated some of the most important principles of modern urban planning: the city, he wrote, must be planned as an organic whole and designed in spatial terms to support the functions of living, work, recreation, education and transport. One important goal was to separate work and relaxation into spaces that would be experienced separately. Chandigarh (1950 - 1962) Although Le Corbusier was involved in numerous urban planning projects, only two were implemented: Pessac- Bordeaux (1925) and Chandigarh. In this latter project, Le Corbusier received a contract from the government of India in 1950 to build the new capital of the Indian state of Punjab, which was established after the Second World War. -
Los Alzados Inmateriales Como Planos Abstractos Y Su Control Geométrico
CAPÍTULO 5: LOS ALZADOS INMATERIALES COMO PLANOS ABSTRACTOS Y SU CONTROL GEOMÉTRICO. Como sostenía Scully, los alzados de Garches están sólo dibujados y no construidos. Son de papel. Se redibujaron posteriormente a la obra, para su publicación en “L´Architecture Vivante” y posteriormente en L´Oeuvre Complète. Son esquemas, y como tal han de ser considerados, Contienen errores, como el único tensor de la marquesina; pero demuestran el control de la Geometría en las composiciones de Le Corbusier mediante los trazados reguladores. El texto que los acompaña recalca el carácter de la geometría como mecanismo de obtención de la emoción en arquitectura. Tras una página doble homogénea en la que la que sólo aparecía un tipo de representación (la planta), Le Corbusier vuelve a una página doble con una composición multifacética. El montaje de esta página doble está compuesto por un texto, dos planos (el alzado delantero y el trasero), y una secuencia de 8 fotografías. Es la única página doble sobre Garches donde se mezclan estos tres métodos de descripción: el escrito del texto, el plano y la fotografía. No es por lo tanto un modo ortodoxo de representación. Al darse esta conjugación de los 3 elementos; es necesario que sean vistos de modos distintos: la lectura atenta del texto, la detención de la mirada ante la objetividad del plano, para pasar después a la continuidad fragmentaria y la superposición visual de la secuencia de imágenes. Lo visual y lo mental están continuamente relacionándose. Es manifiesto que estas dos páginas no pueden sino concebirse como una sola, dado que dos imágenes del recorrido “saltan” de la página 145 a la página 144.