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CATS Annual Report 2018

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ANNUAL REPORT 2018 CATS Centre for Art Technological Studies and Conservation The centre is a strategic research partnership between three Copenhagen based research institutions Statens Museum for Kunst (SMK) The National Museum of Denmark (NMD) The School of Conservation at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation (KADK) The cornerstone of CATS is technical art history, which is an interdisciplinary field of research between conservators, natural scientists and scholars from art historical and cultural studies. Technical art history investigates the making and meaning of art works, painting techniques and artists’ materials. A main objective of the research centre is to develop new and more exact methods to diagnose, treat and preserve our art historical heritage. The exploration of artistic practices is aimed at shedding light on the complex and fascinating cartography of ageing processes within works of art – to contribute to and advance the field of technical art history. The establishment of the Centre for Art Technological Studies and Conservation was made possible by a donation by the Villum Foundation and the Velux Foundation, and is a collaborate research venture between Statens Museum for Kunst, the National Museum of Denmark and the School of Conservation at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation. Contact CATS Website: www.cats-cons.dk E-mail: [email protected] 2 CATS Annual Report, January - December 2018 Contents INTRODUCTION 4 RESULTS 2018 5 RESEARCH 6 ONGOING PROJECTS: 6 RESEARCH PROJECTS COMPLETED IN 2018: 10 NEW CONSERVATION-RESTORATION RELATED RESEARCH PROJECTS IN 2018 13 NEW INTERNATIONAL RESEARCH COLLABORATIONS INITIATED IN 2018: 14 CONFERENCE PRESENTATIONS: 15 WORKSHOPS, TALKS AND LECTURES: 18 CATS 2018 DISSEMINATION LIST 21 SMK-CATS STAFF 2018 22 NMD-CATS STAFF 2018 22 KADK-CATS STAFF 2018 22 COLLABORATIVE PARTNERS 23 3 CATS Annual Report, January - December 2018 Introduction In May 2017 we celebrated the first six years of CATS’ activities as a research centre with a reception at our premises. Representatives from The Velux Foundations, the foundation that made CATS possible, met with staff from the three institutions, SMK, NMD and KADK, for celebration. On that occasion we handed out a small booklet describing our achievement over the six years including project results, publications and a list of the papers and other scientific contributions from the consortium. We found it quite an accomplishment to be able to present the following statistics for the first six years: CATS organised 4 international conferences under the themes Technical Art History. We published 3 CATS Proceedings (online & printed) and 1 preprint, all realized in collaboration with Archetype Publishers Ltd., London. We published 2 books in the CATS Series of Technical Studies, one on Bosch & Bruegel and one on the painting techniques of Nicolai Abildgaard and his contemporaries. Also 1 book on Art & Plastics focusing on user inclusion of artists, conservators and the plastics industry addressing conservation and innovation. 1 online resource Wooden Supports in 12th–16th-Century European Paintings; an annotated translation of a 1961 iconic book – funded by The Getty Foundation. In 2012 we organised an exhibition at SMK: Gennemlyst. På sporet af Bosch & Bruegel, established though user inclusion of 29 young volunteers from our Unges Laboratorier for Kunst (ULK). 3 Ph.D. projects were realised: one on the negative effects of wax-resin lining of Danish Golden Age paintings, another on the changing colour schemes of Danish church interiors over time, and finally one on seventeenth-century trading in artists’ materials at the royal Danish court. Researchers from the three CATS’ partners have – often in collaboration with external partners – in the first six years contributed with New knowledge in 94 – primarily peer reviewed – articles, papers and posters. In average 15 publications annually. CATS staff presented 103 conference talks. CATS realised 31 workshop or studio talks. CATS was mentioned in the press (printed media, radio, TV) 116 times over the past six years. This seventh annual report will present a status of our activities from May 2017 through December 2018, the first c. 19 months without financial support from The Velux Foundations. Our ability to generate external funding became tested and we are pleased to conclude that raising international as well as national funds have so far been successful. We further complement this support by carrying out research for a variety of external clients such as museums, collections, and private customers. The need for conservation science and art technological research, that serves treatment and authentication of materials and objects in the SMK collection, cannot only be based on CATS as a self-sustaining entity within SMK. An embedding of the laboratories into the organisation – as in comparable art museums – will be necessary in order to successfully continue research into painters’ materials and techniques and conservation methodologies for the optimal understanding, preservation, handling and dissemination of the more than 700 years of art in the collection of SMK. We hope you will enjoy the read, Prof em Dr Jørgen Wadum 4 CATS Annual Report, January - December 2018 Results 2018 CATS Conference The biannual CATS Technical Art History conference was held 21 and 22 June 2018, titled Trading Paintings and Painters’ Materials 1550-1800. The focus of the conference was on the emerging international markets and their implications for the artistic production in Early Modern Europe (1550-1800), in particular in relation to the trade in paintings and artists’ materials. Eighteen highly interesting papers including two key-note talks were presented for an international audience of 107 delegates representing 16 countries world-wide. Currently a peer-review process is underway to prepare the papers for the fourth CATS Conference Proceeding to appear in late spring 2019 on Archetype Publications Ltd. in printed form and at the CATS website as an online resource. The venue of the conference was the National Museum of Denmark with visits to the Royal Cast Collection at SMK and with a conference dinner at KADK in the harbour – a place where over centuries the trade of materials and objects took place. The CATS conference took place under the patronages of the European Year of Cultural Heritage 2018. IPERION CH Annual Meeting in Copenhagen On 18, 19 and 20 April 2018 the 3rd Annual IPERION CH Meeting was held in Copenhagen, with adjoined E-RHIS meeting. On behalf of CATS the meeting was hosted by the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation (KADK). Representatives from all 24 IPERION CH partners met to discuss the state of advancement of the project and to analyse next actions and perspectives. IPERION CH is a consortium of 24 partners that aims at establishing a unique European research infrastructure for restoration and conservation of Cultural Heritage. It offers training and access to a wide range of high-level scientific instruments, methodologies, data and tools for advancing knowledge and innovation in the preservation of Cultural Heritage. IPERION CH is part of the E-RIHS ESFRI proposal. 5 CATS Annual Report, January - December 2018 Research Ongoing projects: MoCMa (Mobility Creates Masters) CATS has been awarded a grant within the framework of the Independent Research Fund Denmark’s E2016 and F2017 call. The aim of this grant is to strengthen research areas that are geographically and institutionally scattered, and to support networks which could lead to larger projects or larger interdisciplinary groups of researchers working across institutions. The aim of the research network MoCMa is to share knowledge, experience and results amongst the participating institutions while investigating materials, the background for, and the impact of the coloured ground layers in paintings across Europe from the Early Modern Period. MoCMa is a ground-breaking international network that aims to strengthen the exchange of theoretical and object related research into paintings from the 16th and 17th centuries. The following institutions are a part of MoCMa: Netherlands: University of Amsterdam, Vrije Universiteit and Rijksmuseum, Amsterdam Denmark: University of Copenhagen/Aarhus University and Statens Museum for Kunst, Copenhagen Sweden: University of Stockholm and Nationalmuseum, Stockholm Spain: Museo del Prado, Madrid UK: National Gallery, London Research period 2017 → 2019 Dendro4Art Based on Professor Emeritus Dr Peter Klein’s (University of Hamburg) dendro- chronology database (tree-ring stratigraphy), studying the chronology of artworks and sculptures to supplement the art history of these objects, Dendro4Art will create a digital archive of dendrochronology in art across Northern Europe and the Baltic region. The project includes the assembling of three data sets (meta data, raw data and historic analogue documentation), a data management storing plan with the aim to allow access to the tree-ring data so that new data can be compared with the old. The CATS Dendro4Art database will be accessible for public and scholars as well as a special login for researchers for updating the database. This project has been made possible thanks to a generous grant from The Carlsberg Foundation. Research period 2016 → 2019 6 CATS Annual Report, January -
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  • Reflecting on Theory, History, and Ethics in the Conservation of Paintings from Sources to the Wider Social Context

    Reflecting on Theory, History, and Ethics in the Conservation of Paintings from Sources to the Wider Social Context

    REFLECTING ON THEORY, HISTORY, AND ETHICS IN THE CONSERVATION OF PAINTINGS FROM SOURCES TO THE WIDER SOCIAL CONTEXT 6-7 February 2020 CONFERENCE BOOKLET Introduction This meeting intends to explore in which ways cultures of conservation of paintings have changed throughout the years, and how they continue to shift in light of recent social and theoretical advancements. Ahead of ICOM-CC’s 19th Triennial Meeting, to be held in Beijing in 2020, this joint Interim Meeting on Paintings and Theory, History, and Ethics of Conservation Working Groups will focus on various aspects of conservation practice, starting on how we get to know the artworks we conserve, and exploring in which ways our ways of seeing them are influenced by both the context of their emergence and the contexts and conditions in which conservators operate. In other words, this joint meeting aims at discussing the multiple ways cultures of conservation, conservators, and artworks co-constitute each other in practice and theory. Cultures of conservation might vary in scale – from institutional cultures, to regional or national cultures, or even disciplinary cultures. In this meeting we will reflect on ethical issues that emerge through the intersection of different cultures and practices of conservation in relation to the care of paintings in various supports. Historical analysis of conservation treatments and approaches seems to be particularly helpful. What was considered good practice in the 1960s, is now regarded differently for reasons that range from a deeper knowledge of materials and techniques to the evolving nature of art theory and social understanding of artworks. Revisiting past decision-making processes allows us to understand not only in which ways the way art is seen, known, and conserved has changed, but also the importance of various sources, as well as the role of structures and theoretical frameworks in the way we engage with knowledge production activities that we call conservation.