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Durham E-Theses
Durham E-Theses The priesthood of Christ in Anglican doctrine and devotion: 1827 - 1900 Hancock, Christopher David How to cite: Hancock, Christopher David (1984) The priesthood of Christ in Anglican doctrine and devotion: 1827 - 1900, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7473/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 VOLUME II 'THE PRIESTHOOD OF CHRIST IN ANGLICAN DOCTRINE AND DEVOTION: 1827 -1900' BY CHRISTOPHER DAVID HANCOCK The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Submitted for the Degree of Doctor of Philosophy, University of Durham, Department of Theology, 1984 17. JUL. 1985 CONTENTS VOLUME. II NOTES PREFACE 1 INTRODUCTION 4 CHAPTER I 26 CHAPTER II 46 CHAPTER III 63 CHAPTER IV 76 CHAPTER V 91 CHAPTER VI 104 CHAPTER VII 122 CHAPTER VIII 137 ABBREVIATIONS 154 BIBLIOGRAPHY 155 1 NOTES PREFACE 1 Cf. -
Letters from Arthur Penrhyn Stanley, (NLW MS 12877C.)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Letters from Arthur Penrhyn Stanley, (NLW MS 12877C.) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 08, 2017 Printed: May 08, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/letters-from-arthur-penrhyn-stanley archives.library .wales/index.php/letters-from-arthur-penrhyn-stanley Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Letters from Arthur Penrhyn Stanley, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Natur a chynnwys | Scope and content .......................................................................................................... 3 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad | Access points ............................................................................................................... 4 Llyfryddiaeth | Bibliography .......................................................................................................................... -
A Humble Protest a Literary Generation's Quest for The
A HUMBLE PROTEST A LITERARY GENERATION’S QUEST FOR THE HEROIC SELF, 1917 – 1930 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jason A. Powell, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Steven Conn, Adviser Professor Paula Baker Professor David Steigerwald _____________________ Adviser Professor George Cotkin History Graduate Program Copyright by Jason Powell 2008 ABSTRACT Through the life and works of novelist John Dos Passos this project reexamines the inter-war cultural phenomenon that we call the Lost Generation. The Great War had destroyed traditional models of heroism for twenties intellectuals such as Ernest Hemingway, Edmund Wilson, Malcolm Cowley, E. E. Cummings, Hart Crane, F. Scott Fitzgerald, and John Dos Passos, compelling them to create a new understanding of what I call the “heroic self.” Through a modernist, experience based, epistemology these writers deemed that the relationship between the heroic individual and the world consisted of a dialectical tension between irony and romance. The ironic interpretation, the view that the world is an antagonistic force out to suppress individual vitality, drove these intellectuals to adopt the Freudian conception of heroism as a revolt against social oppression. The Lost Generation rebelled against these pernicious forces which they believed existed in the forms of militarism, patriotism, progressivism, and absolutism. The -
“That Unhappy War of Yours”: Eight Letters from Samuel Laurence to Old Friends in New York City, 1861–1875
“That unhappy War of yours”: Eight Letters from Samuel Laurence to Old Friends in New York City, 1861–1875 DAVID SOUTHERN Samuel Laurence (circa 1850) Photograph by Anthony Coningham Sterling Copyright © National Portrait Gallery, London AMUEL LAURENCE (1812–84), A PORTRAIT ARTIST WHO SPECIALIZED in literary figures both British and American, was possibly Sborn in Guildford, Surrey, beyond which, at least until recently, nothing was known of his parentage, his education, or any signal events from his formative years, except that at some point he changed the spelling of his last name from Lawrence. CSA 24 2008 6 CARLYLE STUDIES ANNUAL He first exhibited his work in London in 1834 and moved easily in circles of London literati. On 10 August 1836, at All Soul’s Church, Marylebone, he married Anastasia Gliddon, cousin and adopted sister of Katherine Gliddon and sister-in-law of Thornton Leigh Hunt. Perhaps as early as 1840 and certainly by 1844, the Laurences were participants in a “Bohemian Phalanstery” modeled upon the utopian philosophy of Charles Fourier (1772–1837), and it included Thornton and Katherine Hunt, George Henry Lewes, and Mary Ann Evans.1 James Spedding likely introduced Laurence to the Carlyles (see CL 29: 355), and at least ten letters to him from Thomas Carlyle (TC) and one from Jane Welsh Carlyle (JWC) can be found in the New York Public Library (Ray collection), the National Library of Scotland (NLS), the University of California Library, Santa Cruz (Strouse collection), and the Rare Book, Manuscript, and Special Collections at Duke University’s Perkins Library. To a letter from TC to his sister Jean Aitken, 6 July 1838, JWC added this piquant postscript: “—only think Carlyle is to have his picture taken again this time by an artist of genius—if it succeeds I mean to buy it of the man[.] It was I formerly that used to be asked to sit for pictures but every dog has its day” (CLO). -
To Bible Study the Septuagint - Its History
Concoll()ia Theological Monthly APRIL • 1959 Aids to Bible Study The Septuagint - Its History By FREDERICK W. DANKER "GENTLEMEN, have you a Septuagint?" Ferdinand Hitzig, eminent Biblical critic and Hebraist, used to say to his class. "If not, sell all you have, and buy a Septuagint." Current Biblical studies reflect the accuracy of his judgment. This and the next installment are therefore dedicated to the task of helping the Septuagint come alive for Biblical students who may be neglecting its contributions to the total theological picture, for clergymen who have forgotten its interpretive possibilities, and for all who have just begun to see how new things can be brought out of old. THE LETTER OF ARISTEAS The Letter of Aristeas, written to one Philocrates, presents the oldest, as well as most romantic, account of the origin of the Septuagint.1 According to the letter, Aristeas is a person of con siderable station in the court of Ptolemy Philadelphus (285-247 B. C.). Ptolemy was sympathetic to the Jews. One day he asked his librarian Demetrius (in the presence of Aristeas, of course) about the progress of the royal library. Demetrius assured the king that more than 200,000 volumes had been catalogued and that he soon hoped to have a half million. He pointed out that there was a gap ing lacuna in the legal section and that a copy of the Jewish law would be a welcome addition. But since Hebrew letters were as difficult to read as hieroglyphics, a translation was a desideratum. 1 The letter is printed, together with a detailed introduction, in the Appendix to H. -
December 13, 2020
ST. CHRISTOPHER’S CHURCH CHESTER, MARYLAND DECEMBER 13, 2020 This week we look not at any of the magi but rather at ourselves with God’s charity and rejoice in the Lord for what He has wrought in us. We give thanks this week for what we can ac- complish in and through Jesus Christ. We also look at the life of the Blessed Mother and can rejoice with her as she prays the Magnificat LK 1:46 -ff. Her soul and likewise our soul can glo- Dear Brothers and Sisters in Christ, rify the Lord. We can look to last week and note the fact that two of the days we celebrated the Blessed Mother under two Rejoice, again I say, Rejoice! Today we celebrate the Third Sun- titles: The Immaculate Conception, Patroness of the United day of Advent and we notice the color rose is used in the envi- States of America, and The Virgin of Guadalupe, Patroness of ronment. Rose is the color signifying charity, the gift of Love the Americas and of the unborn. given by God for all who will receive Him in their heart. Jesus Christ is the perfection of what we will be and as He was incar- Let us Rejoice in what Jesus has made available to us and for all nate, born in time and space in the flesh of man, we humanity. Rejoice in the Him who conquered our faults and acknowledge the wonder of our unity between flesh and soul taught us forgiveness and life in His Father will enable us to live created by our Maker, God Himself. -
Jerg-Ratgeb-Skulpturenpfad.Pdf
Skulpturenpfad 2012 Projektgruppe Herrenberger Jerg-Ratgeb-Skulpturenpfad Walter Grandjot (Projektsprecher), Stephanie Brachtl (Stellv.), Marline Fetzer-Hauser, Bernd Winckler Prof. Helge Bathelt (Projektpate und künstl. Sachverstand) Walter Grandjot, Jettinger Str. 42, 71083 Herrenberg-Kuppingen Tel. 07032-33403, mob. 0172-9425773, email: [email protected] Stand: 04.03.2012 - 1 - Der Pfad. Ein gerader Weg. ... vom Bahnhof durch die historische Altstadt zum Schlossberg. - 2 - Skulptur 1 Bahnhof Hellmut Ehrath im Besitz von Doris Ehrath - 3 - Inhalte Ehrath Diese Arbeit war bereits auf dem Skulpturenpfad „EigenArt“ zum Landesjubiläum 2003 vertreten. Dort hat sich eine Lesart heraus gebildet, die den Absichten des Künstlers entspricht. Aus einem strengen, durch seine Kanten dargestellten Würfel, erhebt sich, entflieht, steigt auf, eine Figuration, die in knappen, zerrissenen, verschlissenen Formen gestaltet ist. Beine, Arme, ein Corpus und ein Kopf sind unschwer auszumachen. Die als widersprüchlich inszenierten Materialien – das stumpfe (Gefängnisgitter(?), das Eisen und der gleißende Edelstahl, die stereometrisch klare gegenüber der freien Form geben der Arbeit eine hohe Lesbarkeit: Sie wird dem Betrachter zu einem Fanal einer Freiheit, die sich über alles Festgelegte und Einengende erhebt. Die Arbeit wird dadurch im Jerg Ratgeb Pfad absolut stimmig. zum Künstler Hellmut Ehrath 16. August 1938 in Oberndorf am Neckar; † 13. September 2008 in Herrenberg), Bildhauer und Graphiker. Biografie Ab 1955 machte Hellmut Ehrath nach einer Lehre erste Berufserfahrungen als Grafischer Zeichner. Von 1958 bis 1962 studierte er an der Akademie der Bildenden Künste Stuttgart freie Graphik und Malerei bei den Professoren Rolf Daudert und Manfred Henninger. Danach reiste er vor allem in mehrere Länder des Nahen Ostens und in den Sudan. -
Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
William March (William Edward Campbell)
William March (William Edward Campbell) William March (1893-1954) was a decorated combat veteran of the U.S. Marine Corps in the First World War, a successful businessman, and an influential author of numerous novels and short stories. His literary work draws primarily on two sources: his childhood and youth in Alabama and his war experiences in France. Four of March’s six novels are set in Alabama, as are most of his short stories. March’s Alabama-based works are commonly referred to as the “Pearl County” or “Reedyville” series, after the fictional Alabama locales in which many of them are set. March was born William Edward Campbell on September 18, 1893, in Mobile, Mobile County. March was the second of 11 children born to John Leonard Campbell, an orphaned son of a Confederate soldier and itinerant worker in the lumber towns of south Alabama and the Florida panhandle, and Susan March Campbell, daughter of a well-to- do Mobile family. The Campbells, however, were poor, so William left school at the age of 14 to work in the office of a lumber mill in Lockhart, Covington County. At the age of 16, he moved to Mobile, where he took a job in a law office to earn money for school. He spent a year obtaining his high school diploma at Valparaiso University in Indiana and then studied law for a year at the University of Alabama in Tuscaloosa, Tuscaloosa County. He moved to New York City in 1916 and settled in Brooklyn, taking a job as a clerk with a New York law firm. -
Ontdek Schilder Jerg Ratgeb
65669 Jerg Ratgeb man / Duits schilder Naamvarianten In dit veld worden niet-voorkeursnamen zoals die in bronnen zijn aangetroffen, vastgelegd en toegankelijk gemaakt. Dit zijn bijvoorbeeld andere schrijfwijzen, bijnamen of namen van getrouwde vrouwen met of juist zonder de achternaam van een echtgenoot. Rathgeb, Jörg Schürzjürgen SchürzJörgen Kwalificaties schilder Nationaliteit/school Duits Geboren Herrenberg (Stuttgart)/Schwäbisch Gmünd 1480/1485 born (around) 1480-85 Herrenberg / Schwäbisch Gmünd (AKLONLINE March 2018); Stoppel 2011: bron in Schwäbisch Gmünd between 1470/75 and 1480 Overleden Pforzheim 1526 Deze persoon/entiteit in andere databases 1 treffer in RKDimages als kunstenaar 4 treffers in RKDlibrary als onderwerp 2 treffers in RKDtechnical als onderzochte kunstenaar Verder zoeken in RKDartists& Geboren 1480 Sterfplaats Pforzheim Plaats van werkzaamheid Italië Plaats van werkzaamheid Stuttgart Plaats van werkzaamheid Heilbronn Plaats van werkzaamheid Hessen (deelstaat) Plaats van werkzaamheid Frankfurt am Main Plaats van werkzaamheid Herrenberg (Stuttgart) Kwalificaties schilder Onderwerpen christelijk religieuze voorstelling Biografische gegevens Werkzaam in Hier wordt vermeld waar de kunstenaar (langere tijd) heeft gewerkt en in welke periode. Ook relevante studiereizen worden hier vermeld. Italië 1500 long study stay in Italy around 1500 Stuttgart 1503 - 1509-04 Stoppel 2011 Heilbronn 1509-04 - 1512 Stoppel 2011 Hessen (deelstaat) 1511 - 1514 Hirschhorn Frankfurt am Main 1514 - 1517 Herrenberg (Stuttgart) 1518 - 1519 Stuttgart 1520 - 1525 Onderwerpen In dit veld worden de diverse onderwerpscategorieën of genres vermeld die in het oeuvre van de beschreven kunstenaar voorkomen. De inhoud van dit veld is doorgaans meer gebaseerd op het aanwezige beeldmateriaal in het RKD dan op de literatuur. christelijk religieuze voorstelling Literatuur Literatuur in RKDLibrary 4 treffers in RKDlibrary als onderwerp Thieme/Becker 1907-1950 , vol. -
Empathy, Christian Art and the Body Dan O'brien
ϭ EMPATHY͕ CHRISTIAN ART AND THE BODY sense of being emotionally and cognitively “in tune with” Dan O’Brien another person, particularly by feeling what their situation Oxford Brookes University 3 [email protected] is like from the inside or what it is like for them’. Analytic somaesthetics highlights the role of the body in the knowledge we have of ourselves, the world, and ABSTRACT: Christianity has a fraught relationship with the body: bodily pleasure is a sinful distraction from the others. In contrast, religion—and Christianity in particu- spiritual life of the immortal soul, yet it is hard to escape lar—downplays the role of the body in favour of the im- images of the, often tortured, bodies of Christ, martyrs 4 and Saints in Christian art. There are images of Christ’s material soul. Here, though, I explore how somaesthetic suffering that elicit low-level empathy in the viewer, and considerations can be brought to bear on the relation there are depictions of God’s high-level empathetic understanding of humanity. I argue that the latter—via between religious art and how we conceive of God. Much depiction of the body of Christ—can reconfigure our religious art focuses on the body of Christ, and, the claim conception of God and specifically his omniscience. This should be seen in terms of divine understanding, with stressed here, is that our own bodies play a crucial role in empathy and love required for God’s understanding of our appreciation of such art and how this contributes to human beings. -
Deuteronomy- Kings As Emerging Authoritative Books, a Conversation
DEUTERONOMY–KinGS as EMERGING AUTHORITATIVE BOOKS A Conversation Edited by Diana V. Edelman Ancient Near East Monographs – Monografías sobre el Antiguo Cercano Oriente Society of Biblical Literature Centro de Estudios de Historia del Antiguo Oriente (UCA) DEUTERONOMY–KINGS AS EMERGING AUTHORITATIVE BOOKS Ancient Near East Monographs General Editors Ehud Ben Zvi Roxana Flammini Editorial Board Reinhard Achenbach Esther J. Hamori Steven W. Holloway René Krüger Alan Lenzi Steven L. McKenzie Martti Nissinen Graciela Gestoso Singer Juan Manuel Tebes Number 6 DEUTERONOMY–KINGS AS EMERGING AUTHORITATIVE BOOKS A CONVERSATION Edited by Diana V. Edelman Society of Biblical Literature Atlanta Copyright © 2014 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Offi ce, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Control Number: 2014931428 Th e Ancient Near East Monographs/Monografi as Sobre El Antiguo Cercano Oriente series is published jointly by the Society of Biblical Literature and the Universidad Católica Argentina Facultad de Ciencias Sociales, Políticas y de la Comunicación, Centro de Estu- dios de Historia del Antiguo Oriente. For further information, see: http://www.sbl-site.org/publications/Books_ANEmonographs.aspx http://www.uca.edu.ar/cehao Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence.