FY12 Annual Report
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Mad Radio 106,2
#WhoWeAre To become the largest Music Media and Services organization in the countries we operate, providing services and products which cover all communication & media platforms, satisfying directly and efficiently both our client’s and our audience’s needs, maintaining at the same time our brand's creative and subversive character. #MISSION #STRUCTURE NEW MEDIA TV EVENTS RADIO WEB INTERNATIONAL & SERVICES MAD 106,2 Mad TV www.mad.gr DIGITAL VIDEO MUSIC MadRADIO Mad TV CYPRUS GREECE MARKETING AWARDS Mad HITS/ CONTENT Mad TV MADWALK 104FM SOCIAL MEDIA OTE Conn-x SERVICES ALBANIA Mad GREEKζ/ MAD MUSIC ANTENNA EUROSONG NOVA @NOVA SATELLITE MAD PRODUCTION NORTH STAGE Dpt FESTIVAL YouTube #TV #MAD TV GREECE • Hit the airwaves on June 6th, 1996 • One of the most popular music brands in Greece*(Focus & Hellaspress) • Mad TV has the biggest digital database of music content in Greece: –More than 20.000 video clips –250.000 songs –More than 1.300 hours of concerts and music documentaries –Music content database with tens of thousands music news, biographical information –and photographic material of artists, wallpapers, ring tones etc. • Mad TV has deployed one of the most advanced technical infrastructures and specialized IT/Technical/ Production teams in Greece. • Mad TV Greece is available on free digital terrestrial, cable, IPTV, satellite and YouTube all over Greece. #PROGRAM • 24/7 youth program • 50% International + 50% Greek Music • All of the latest releases from a wide range of music genres • 30 different shows/ week (21 hours of live -
Acting the Nation
Acting the Nation Women on the Stage and in the Audience of Theatre in the Late Ottoman Empire and Early Turkish Republic Cora Skylstad TYR 4590 – Master’s thesis in Turkish Studies Area Studies of Asia, the Middle East and Africa Department of Cultural Studies and Oriental Languages UNIVERSITY OF OSLO October 2010 ii iii Abstract In the first decades of the 20th century, the public position of actresses underwent a radical transformation in Turkey. While the acting profession had long been commonly regarded as unsuitable for Muslim women and had been monopolized by women belonging to the non- Muslim minorities, in the 1920s the Muslim actress was not only legitimized but in fact embraced by the state as a model for Turkish women. In the works of Turkish and Ottoman theatre history, the emergence of Muslim actresses has been given some attention, but it has not been studied from a critical perspective inspired by theoretical questions. Moreover, the process of legitimization of Muslim women as theatre audience, which took place prior to the legitimization of the actresses, has been ignored. The present thesis seeks to develop a better understanding of these developments by approaching them as part of social and political history, while drawing inspiration from an interdisciplinary field of scholarship on gender and theatre. The time period studied begins with the late era of the Ottoman Empire and ends with the early years of the Turkish Republic, covering a time span of more than fifty years. In order to capture the complexities of the subject, a wide array of written sources, including memoirs, interviews, theatre reviews, books and a theatre play, are included in the analysis. -
467384274-Virtual-Salute-To-Graduates-2020.Pdf
THE CITY COLLEGE OF NEW YORK VIRTUAL SALUTE TO GRADUATES JUNE 30, 2020 THE CITY UNIVERSITY OF NEW YORK VIRTUAL SALUTE 2020 | 1 PRESIDENT’S MESSAGE Dear CCNY Graduates of the Class of 2020, There are moments in our history that impress an indelible mark upon us, when we are called to do extraordinary things under the press of an indescribable moment. Anyone graduating in the midst of the COVID19 pandemic will be marked by this extraordinary moment. But even among that national class graduating in 2020, you are different. At a time when the inequitable imprint of this scourge underscores the other inequities in our society, the City College—and those who work study and graduate from it—stand apart. You graduate from an institution established to redress inequality, an institution that each generation has the responsibility of scanning the social and Vince Boudreau political landscape, and setting its sights on rectifying that which sits most uneasily in President the light of that responsibility. It has been over fifty years since we have faced the kinds of challenges we face today to our democracy, to the fabric of our society, and to the health and security of our people. As an institution, we were made for this moment. As graduates of CCNY, you now shoulder the responsibility of giving voice to your vision of that just society, a vision we have worked to develop and instill in you all the days of your work with us. You have struggled, sometimes mightily and against long odds, to reach this day, and we beam with pride at your accomplishment. -
Mccarthy.Pdf
HISTORY OF LISP John McCarthy A rtificial Intelligence Laboratory Stanford University 1. Introduction. 2. LISP prehistory - Summer 1956 through Summer 1958. This paper concentrates on the development of the basic My desire for an algebraic list processing language for ideas and distinguishes two periods - Summer 1956 through artificial intelligence work on the IBM 704 computer arose in the Summer 1958 when most of the key ideas were developed (some of summer of 1956 during the Dartmouth Summer Research Project which were implemented in the FORTRAN based FLPL), and Fall on Artificial Intelligence which was the first organized study of AL 1958 through 1962 when the programming language was During this n~eeting, Newell, Shaa, and Fimon described IPL 2, a implemented and applied to problems of artificial intelligence. list processing language for Rand Corporation's JOHNNIAC After 1962, the development of LISP became multi-stranded, and different ideas were pursued in different places. computer in which they implemented their Logic Theorist program. There was little temptation to copy IPL, because its form was based Except where I give credit to someone else for an idea or on a JOHNNIAC loader that happened to be available to them, decision, I should be regarded as tentatively claiming credit for It and because the FORTRAN idea of writing programs algebraically or else regarding it as a consequence of previous decisions. was attractive. It was immediately apparent that arbitrary However, I have made mistakes about such matters in the past, and subexpressions of symbolic expressions could be obtained by I have received very little response to requests for comments on composing the functions that extract immediate subexpresstons, and drafts of this paper. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Romanian Music
Romanian music Romanian music is very similar to serbian music. They have type of music that they call ,,Manele’’ and we call it ,,Turbo-folk’’. From this group of music, almost every time when you will go out, you will hear ,,Saint-Tropez’’. This song has a very danceable music and a lot of people enjoy when DJ plays that. So, let’s talk about some other types of music and songs that you will hear, for sure, when you will go out. Hmm, from where to start? From Inna, of course. She is the most popular Romanian singer around the world. It’s a little bit strange that you will not hear a lot of time her songs, but most popular songs are ,,Yalla’’ and ,,Diggie down’’. Another songs that you will probably hear are ,, Mi-e bine’’ from Lidia Buble feat. Matteo ,,Morena’’ from Antonia, ,,Aventura’’ and ,,Bilionera’’ from Otilia, ,,Amor’’ from Kamelia, ,,El perdon’’ from Nicky Jam and Enrique Iglesias, ,,Cheap trills’’ from Sia, ,,Mr. Saxobeat’’ from Alexandra Stan, ,,Policeman’’ from Eva Simons, ,,I took pills in Ibiza’’ from Mike Posner, ,,How deep is your love’’ from Calvin Harris and Disciples, ,,Faded’’ from Alan Walker. The most popular band in Romania is, for sure, Carla’s dreams. Romanian people really love their songs and they are very special band because, during the concert, they wear hoods, sunglasses and their faces are masked. The songs that you will hear are ,,Sub piela mea’’, ,,Imperfect’’, ,,Suna-ma’’ (duet with Antonia) and ,,P.O.H.U.I.’’ (duet with Inna) Not every time, but probably you will also hear some Arabic songs like ,,Boshret Kheir’’ from Hussain Al Jassmi and ,,LM3ALLEM’’ from Saad Lamjarred. -
LISP Session
LISP Session Chairman: Barbara Liskov Speaker: John McCarthy Discussant: Paul Abrahams PAPER: HISTORY OF LISP John McCarthy 1. Introduction This paper concentrates on the development of the basic ideas and distinguishes two periods--Summer 1956 through Summer 1958, when most of the key ideas were devel- oped (some of which were implemented in the FORTRAN-based FLPL), and Fall 1958 through 1962, when the programming language was implemented and applied to problems of artificial intelligence. After 1962, the development of LISP became multistranded, and different ideas were pursued in different places. Except where I give credit to someone else for an idea or decision, I should be regarded as tentatively claiming credit for it or else regarding it as a consequence of previous deci- sions. However, I have made mistakes about such matters in the past, and I have received very little response to requests for comments on drafts of this paper. It is particularly easy to take as obvious a feature that cost someone else considerable thought long ago. As the writing of this paper approaches its conclusion, I have become aware of additional sources of information and additional areas of uncertainty. As a programming language, LISP is characterized by the following ideas: computing with symbolic expressions rather than numbers, representation of symbolic expressions and other information by list structure in the memory of a computer, representation of in- formation in external media mostly by multilevel lists and sometimes by S-expressions, a small -
Flexible Supply Chain Simulation
J. Manuel Feliz-Teixeira Flexible Supply Chain Simulation Thesis 01 MARCH 2006 Text submitted in partial fulfilment for the degree of Doctor in Sciences of Engineering Supervisor António E. S. Carvalho Brito Advisor Richard Saw RESEARCH SPONSORED BY THE: THROUGH THE: PUBLISHER: Publindústria® Produção de Comunicação, Lda. EUROPEAN UNION European Social Fund (III framework) Copyright: Ó J. Manuel Feliz-Teixeira All rights reserved First Edition: Porto, 1 March 2006 ISBN: 972-8953-04-6 Legal deposit: 239362/06 Original cover art: Jorge Pereira Publisher: Publindústria, Produção de Comunicação Pr. Da Corujeira, 38 – Apt.3825 4300-144 Porto Portugal Tel: +351.22.589.96.20 Fax: +351.22.589.96.29 Email: [email protected] URL: http://www.publindustria.pt Flexible Supply Chain Simulation Thesis J. Manuel Feliz-Teixeira* 01 March 2006 Text submitted in partial fulfilment for the degree of Doctor in Sciences of Engineering Supervisor: António E. S. Carvalho Brito Advisor: Richard Saw Research sponsored by the: European Social Fund (III framework) Through the: * Complete name: José Manuel Feliz Dias Teixeira i To my mother and my father, and my old professors of Physics. J. Manuel Feliz-Teixeira IMPORTANT NOTE: NOTA IMPORTANTE: The contents of this text are registered with the Portuguese Society of Authors and protected by the law of intellectual rights, including the copyright. No reproductions or publications are allowed without the expressed permission of the author. O conteúdo desta tese encontra-se registado na Sociedade Portuguesa de Autores e está protegido pela lei geral e específica dos direitos de autor, morais e patrimoniais (copyright). Não é permitida qualquer reprodução ou publicação sem o expresso consentimento do autor. -
The Oxford Democrat
The Oxford Democrat. JANUARY NUMBER 1. VOLUME 62. PARIS. MAINE, TUESDAY. 2,1894. i«* of tin* luial In- a«mMUtm »m intellectual iM r» ItU bartm, whoahrank hark with TtiU ol<l *411 It ia «• in**. Kim prnarh u. c I 11 u n«r ImI ii- watching eruiently |wmnmi] THINGS SELDOM SEEN. in tin" Not 4MB* ft wRiuirr, | uoceaha a«ked freahlng. I »tu<li«*l him cuo»tantly, al- • l<»»k of ab»4nte terror oil bar far*. I trrtatintf (iIm-mi ra|itto|. AMONG THE FARMERS. Niial fimr D««, iwl rrorganl/«il half deflrml »n«|>ictona,for | mrrtlui, tb* wunli I bad heard r» aHi*h*r arm ami many rltllitn know of Iti riUlHMv, nor, A Counawlor. Th* A Transferred imIii car*l«"«a manner. which wm ways recalling M* him Highly Attorney •la dormant linnfn. pal* path arnator* Identity. •I tb« Rat* the night Wfore, Dangrh lark tb* flowing ilwn ami la* DOWN IN THE LOWER REGIONS OF for that matter, but frw of tlw MAIM. nu* ami ullwi work pertaining aaaunted, whether 1 hat! heard lnwljr M»t*TN TAKIft. pahljr Itoh. •ml rrpnt-iiUttrwi. fljr ap|»li< aii.*i to lu the of Nitlrr hu lieen »«» antmd* about the houa* the •otnin from d« aouf—awful." Untly arrntlnlir tint lorely han> I Mult « »4,i utlbral Inpt* EDITH SESSION TUPPEL anjr unuvual THE QREAT CAPITOL «'V-r ><«f %*•**»«*• »r*4 of By > old J. /••!« 1 ahould to frw h*r- Ik* oflW-f of tli« an lutr« t of IIm* ci|iiUi|t W •■iTIi tMil tiMmt all tunathlitaaM IB heat v. -
Computer Programming 1
Computer programming 1 Computer Programming Copyright © Milo Except where noted, all text is copyright Milo. Unless otherwise specified, all materials in this book are owned by the original copyright holder. PDF version of October 2007 This PDF is version 0 from 14 October 2007. The intent of this free downloadable college text book is to attempt to directly help poor and middle class students with the high cost of college text books by providing a high quality free alternative that can be used in the classroom for a subject that most college students are required to take. This free downloadable book is based on and includes materials from http://www.OSdata.com . Materials from OSdata.com have already been used in more than 300 colleges and universities around the world and have been quoted in studies and policy decisions by the U.S. Navy and the government of the Federal Republic of Germany. This is still a work in progress. Feedback and constructive criticism appreciated (especially feedback from professors who might want to use the finished book). While this book is still being written, professors are free to use specific chapters (or portions of chapters) as class handouts to supplement existing for-profit text books. This same policy will continue to apply after the book is completed, but this policy offers usefulness for many classes right now today even though the book is still incomplete. Poor students should not feel bad about using this book for free. You are exactly who this book is intended to help. You may optionally do volunteer work for the charitable organization of your choice (not political or religious activity — actual work for a charitable organization helping the poor, the elderly, the sick, the disabled, or the environment, etc.). -
<[email protected]> Sent: Tuesday, May 22, 2018 5:32 PM To
From: [email protected] <[email protected]> Sent: Tuesday, May 22, 2018 5:32 PM To: Smith, Ashley <[email protected]>; Neufeld, Darin <[email protected]> Subject: Golden Door Comment on Newland Sierra GHG Mitigation Attached is a comment letter from Kathy Van Ness of the Golden Door on the Newland Sierra project. Christine Sherer Legal Secretary LATHAM & WATKINS LLP 12670 High Bluff Drive San Diego, CA 92130 Direct Dial: +1.858.523.5440 Fax: +1.858.523.5450 Email: [email protected] http://www.lw.com This email may contain material that is confidential, privileged and/or attorney work product for the sole use of the intended recipient. Any review, disclosure, reliance or distribution by others or forwarding without express permission is strictly prohibited. If you are not the intended recipient, please contact the sender and delete all copies including any attachments. Latham & Watkins LLP or any of its affiliates may monitor electronic communications sent or received by our networks in order to protect our business and verify compliance with our policies and relevant legal requirements. Any personal information contained or referred to within this electronic communication will be processed in accordance with the firm's privacy notices and Global Privacy Standards available at www.lw.com. Darin Neufeld Ashley Smith Planning and Development Services County of San Diego 5510 Overland Avenue, Suite 310 San Diego, CA 92123 Dear Mr. Neufeld and Ms. Smith: I am writing on behalf of the Golden Door, to follow up my letter in January of this year asking that the County of San Diego (County) to do its part to ensure that greenhouse gas (GHG) emissions are reduced within the County. -
Commencement Ceremony
2019-2020 commencement Ceremony May 28, 2021 50th Annual Commencement Ceremony May 28, 2021 Skyline College is proud to present the Class of 2020 Congratulations to the graduates on their achievements. Skyline College recognizes the contributions of families and friends to student success. Commencement Ceremony Opening of Ceremony Michael Fitzgerald, Faculty Marshal Greetings, Dr. Melissa Moreno, President Introductions & President’s Remarks Introduction of Dr. Melissa Moreno, President Student Speaker Class of 2020 Student Karen Mei Ling Lai Commencement Speaker Recognition of Dr. Jennifer Taylor-Mendoza, VP of Instruction Retiring Faculty/Dean Recognition of Dr. Newin Orante, VP of Student Services Retiring Classified Recognition Eloisa Briones, VP of Administrative Services of Retiring Administrators Presentation of the Leigh Anne Shaw, Academic Senate President Class of 2020 Acceptance and Tom Nuris, Board President Conferral of Degrees Awarding of Diplomas/ Dr. Melissa Moreno, President Turning of Tassels Slideshow Closing of Ceremony Dr. Melissa Moreno, President 2 Associate of Arts Summer 2019 Graduates Gemma Alondra Alcala Carmen Lee Christopher David Rochette MCL Yessica Marina Arredondo Marc Daniel Lee MCL Dania Romero Terry Acquaye Asiedu Kathryn G. Leydecker MCL William Vincent Sapp Jessica Lim Batres Kyra T. Lomotan Christian K. Shelley MCL Michelle Cheung Alejandro Uzziel Lopez Ana Giulia Celestina Silva Serra CL Sarah Marie Davis Tatiana Intsova Lucero MCL Neil Tristan Sterling MCL Marielle Cayabyab De Guzman CL Anngela May Capati Macam Michael Douglas Suen CL Mary Judeth Vergara Dimailig Malena Christine Marsh Rayna Danielle Tam Iran Veronica Dominguez Nelson Amilcar Martinez Jr CL Moe Pwint Thae CL Jillien Angeli Faustino Hayley Jane McLean Miguel A.