DOCSLIB.ORG

INTERNATIONAL PROGRAM Saertasoriso Programa 2010 Sarcevi Content

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INTERNATIONAL PROGRAM Saertasoriso Programa 2010 Sarcevi Content INTERNATIONAL PROGRAM saerTaSoriso programa 2010 sarCevi CONTENT litva, vilniusis saqalaqo Teatri, ,,hamleti“ / Lithuania, OKT Theatre “HAMLET” italia, milanis pikolo Teatri, „arlekini, ori batonis msaxuri” Italy, Picollo Theatre, Milan, “ARLECCHINO, SERVANT OF TWO MASTERS” germania, Teatri Zafebze, „iorinde da ioringeli“ / Germany, Theatre on the Thread, “JORINDE AND Joringel” somxeTi, erevanis mozard mayurebelTa saxelmwifo Teatri, „Rrublebi“ Armenia, Yerevan State Youth Theatre, “CloUDS” estoneTi, piarnus endlas Teatri, „monatreba” / Estonia, Pärnu Theatre Endla, “THIRST” litva, Teatri meno fortasi, „hamleti“ / Lithuania, Theatre Meno Fortas, “HAMLET” safrangeTi, sasceno xelovnebis kompania, „cicino anu politikuri piesa“ France, La Compagnie L’ART SCENIQUE, “TSITSINO’S WORLD OR POLITICAL Play” xorvatia, riekas HKDHKD Teatri, „samxece“ / Croatia, HKD Theatre, Rijeka, “Menagerie” iranis Tojinebis Teatri „arani“, ,,rostami da zohrabi” Aran Puppet Theatre, Iran, “Rostam AND SOHRAB” didi britaneTi, kompania Imitating The Dog, „sastumro maTusala” / UK, Imitating The Dog, “Hotel METHUSELAH” ruseTi, giorgi tovstonogovis saxelobis didi dramatuli Teatri, ,,kopenhageni” Russia, BDT Theatre, “Copenhagen” israeli, Tanamedrove cekvis kompania kibuci, „bnel baRSi“ Israel, Kibbutz Contemporary Dance Company, “IN THE BLACK GARDEN” 21-e saukune gamorCeulia kulturis sazRvrebis programa 2010 : gafarToebiTa da meti internacionalizaciiT. am procesSi • saerTaSoriso programa yvelaze mniSvnelovani roli festivalebs ukavia _ • qarTuli speqtaklebis programa festivalebi kulturuli TanamSromlobisa da saerTaSoriso • seminarebi, gamofenebi, prezentaciebi sivrceSi integraciis saukeTeso saSualebaa. Teatraluri festivali yvela qveynisaTvis gansakuTrebuli organizaciuli struqtura festivali dafuZnebulia 2009 wels qalaq Tbilisis meriis provilegiaa da fufuneba, Aara mxolod finansuri, iniciativiT rogorc sajaro samarTlis iuridiuli piri: SemoqmedebiTi fufuneba. ,,Tbilisis saerTaSoriso xelovnebis safestivalo centri”. gaaCnia sakuTari angariSi, beWedi da emblema. festivali, gansakuTrebiT warmatebis SemTxvevaSi, kulturul cxovrebas acocxlebs, profesionalebisaTvis centri Sedgeba direqtoris, mrCevelTa sabWosa da samuSao ki igi erTgvari transfer centria, romelsac axali SemoqmedebiTi potencialiT avsebs atmosferos, qmnis gundisagan. ganviTarebis, warmodgenis axal perspeqtivas. festivali, rogorc wesi, qalaqis kulturul potencials festivalis mrCevelTa sabWo: akavSirebs da aerTianebs da amiTi mayurebels, mosaxleobas gigi ugulava – Tbilisis meri, qalaq Tbilisis mTavrobis sakuTar qalaqsa da qveyanaze axal perspeqtivas uqmnis Tavmjdomare kulturul da socialur konteqstSi. nikoloz rurua – saqarTvelos kulturisa da ZeglTa dacvis ministri mTavaria, rogori iqneba festivali, ras miscems igi zaal samadaSvili – mwerali, Tbilisis sakrebulos Tbiliss, Tbilisis im legendas da miTs, romlis xibli Tavmjdomare didad gansazRvravs saerTaSoriso samyaros dainteresebas iosi tal-gani – direqtori, israelis festivali, israeli festivalis mimarT, ras miscems festivali profesionalebs, Temur CxeiZe – reJisori, didi dramatuli Teatris samxatvro ra SemoqmedebiT perspeqtivas Seuqmnis Teatrs. xelmZRvaneli, peterburgi, ruseTi rojer makkeni – Teatraluri eqsperti, prodiuseri, NFA festivalis misia: direqtori, didi britaneTi festivali profesionalebisaTvis festivali saocnebo unda gogi margvelaSvili – reJisori, SoTa rusTavelis saxelobis gaxdes, xolo mayurelisaTvis gansakuTrebuli movlena, saxelmwifo Teatrisa da kinos universitetis reqtori gansxvavebuli, araordinaruli cxovrebis SesaZlebloba; konstantine kiriaki – sibius saertaSoriso Teatraluri saqarTvelosaTvis – ki savizito baraTi samyaroSi. festivalis samxatvro xelmZRvaneli, prodiuseri, rumineTi zaal Ciqobava – SoTa rusTavelis saxelobis saxelmwifo festivalis mizani qarTuli Teatrisa da kulturis, dramatuli Teatris mmarTveli Tbilisisa da saqarTvelos popularizaciaa msoflios Tamar kirvaliZe – sagareo urTierTobisa da media yvelaze mniSvnelovan kulturul da inteleqtualur komunikaciis direqtori, Tibisi banki movlenaTa rigSi. nikala juReli – biznesmeni, ekonomikur mecnierebaTa doqtori festivalis ofisi 14 da 15 oqtomberi festivalis ofisi mdebareobs marjaniSvilis TeatrSi, kompania “IMMITATING THE DOG”- is vorqSopebi, didi misamarTi: marjaniSvilis q. 8 britaneTi interaqtiuri teqnolgiebi eqsperimentuli teqstebi festivalis maspinZeli Teatrebi: SoTa rusTavelis saxelobis saxelmwifo Teatrisa da • rusTavelis saxelobis saxelmwifo dramatuli Teatri kinos universiteti • marjaniSvilis saxelobis saxelmwifo dramatuli rusTavelis gamziri 19 Teatri • mixeil TumaniSvilis saxelobis kinomsaxiobTa Teatri prezentaciebi: • vaso abaSiZis saxelobis musikisa da dramis Teatri • griboedovis saxelobis saxelmwifo rusuli 6 oqtomberi , 17:00, marjaniSvilis Teatri, mcire scena dramatuli Teatri ,,sxveni”. marjaniSvilis q. 8 • Tavisufali Teatri • sandro axmetelis saxelobis dramatuli Teatri saukeTeso amerikeli dramaturgis saukeTeso piesa • samefo ubnis Teatri ,,kamino reali”, tenesi uiliamsi, pirveli Targmani saqarTveloSi! Tbilisis saerTaSoriso Teatraluri manana anTaZe mTargmneli, mixeil TumaniSvilis fondis festivali 2010 weli damaarsebeli, yovelwliuri premiebis ,,saukeTeso Targmanebi” da ,,axali qarTuli piesa” damaarsebeli da xelmZRvaneli. gamomcemloba ,,agora”, Targmani da gamocema programa dafinansebulia amerikis SeerTebuli Statebis saelCos mier qarTuli speqtaklebis programa 29 seqtemberi - 2 oqtomberi 8 oqtomberi, 17:00, ,,qimerioni”, SoTa rusTavelis saxelobis saxelwmifo dramatuli Teatri saerTaSoriso programa rusTavelis gamziri 17 3-15 oqtomberi akaki vasaZis (me-20-e saukunis gamoCenili msaxiobi, profesional kritikosTa simpoziumi _ reJisori da sazogado moRvawe) wignebis _ `mogonebebi, fiqrebi~ _ (I-II, meore Sevsebuli gamocema) gayidva- kulturuli xidi prezentacia. 1-2 oqtomberi Teatri-mayurebeli-kritika: `bermudis samkuTxedi” Tu proeqtis avtori: maka vasaZe, TeatrTmcodne, kritikosi, `idialuri sameuli” gazeT ,,kulturas” redaqtori sastumro ,,citadini”, Tavisuflebis moedani 4 gamofena vorqSopebi da masterklasebi ,,fotosesia 2009” _ Teona kvezerelis, Tako robaqiZisa 11:00 , 4 oqtomberi , 2010 da xatia fsuturis fotonamuSevrebis gamofena. 2009 wlis feruCo soleris masterklasi komedia del’arteze. festivalis speqtaklebisa da movlenebis koleqcia. pikolo Teatri, italia SoTa rusTavelis saxelobis saxelmwifo Teatrisa da kinos universiteti yvela prezentacia da masterklasi festivalisaTvis rusTavelis gamziri 19 saCuqaria ! da ar daiviwyoT : festivalis klubi 10 A - gelodebaT yo- veldRe RviniT gajeebuli SemoqmedebiTi atmosferoTi ! TBILISI INTERNATIONAL, is founded by Tbilisi Municipality, by initiative Cultural cooperation in general and exchanges between artists of Tbilisi Mayor Gigi Ugulava in 2009. Charm of one of the oldest cities and other cultural professionals are most important tool for artistic in the world - Tbilisi - its atmosphere and diversity , its culture and life, development, for friendship and sure, for peace. We aim TBILISI its vitality is something, that could create unforgettable experience and INTERNATIONAL - with its artistic delights will enliven the development inspiration for all participants. and increase the degree of cooperation and interchange between Georgia, Caucasia and other parts of the world. The Festival runs every year by the end of September, beginning of October and is one of the major events in International life of Georgia. Festival Structure But not only - it is becoming one of the main performing arts events The Festival consists of Festival director’s office and small staff working in Caucasia, attracting attention of the most well-known, creative, on temporary basis. provocative and innovative theater productions from the world, a meeting point of Europe and Asia, of many countries and places in Festival Office: one of the most beautiful, warm, unique theatrical and cultural TBILISI, Kote Marjanishvili State Drama Theatre the capital of Georgia. Marjanishvili 8, 0102, Tbilisi, Georgia Tel/Fax: + 995 32 95 40 01 Briefly about the first edition of TBILISI INTERNATIONAL - 2009 Information: + 995 32 95 35 82 / 95 43 07 In 2009 the Festival hosted 15 performances from 13 different Festival Board: countries of Europe, Caucasia and Asia We had 350 guests and many Gigi Ugulava – Mayor of Tbilisi , Head of Tbilisi Government spectators, with wide media coverage and international publications. Nikoloz Rurua - Minister, Ministry of Culture and Monuments Protection of Georgia The Georgian Show Case- one of the major events of the Festival Zaal Samadashvili - Writer, Head of Tbilisi Local Government, hosted 51 theater producers and critics from Europe and Asia. 27 Yossi Tal-Gan – Director, Israel Festival, Jerusalem, Israel Georgian performances were shown dring the 4 days of Georgian Constantin Chiriac - Producer, Artistic director of International Show Case. As a result , several Georgian productions are invited to Festival of Theater, Sibiu, Romania the international festivals abroad and co-productions with the theaters Temur Chkheidze - Stage Director, Artistic Director, BDT, from Europe are also initiated. St. Petersburg, Russia Gogi Margvelashvili - Rector, Tbilisi Shota Rustaveli State University of 2010 TBS INTERNATIONAL Theater and Cinema • INTERNATIONALPROGRAM Zaal Chikobava - General Manager, Shota Rustaveli State Drama • GEORGIAN SHOWCASE Theatre • MASTERCLASSES, WORKSHOPS AND EXHIBITIONS Roger MacCann – Theater Expert, Producer, NFA International, UK Nikala Jugeli – PhD Economic Sciencies, Businessman Special events and programs for artists, public and guests will add Tamar Kirvalidze
Load more

Recommended publications
  • Table of Content 1
    15 WEEKLY CLIENT ALERTS N N ALERTS CLIENT WEEKLY TK&PARTNERS TABLE OF CONTENT 1. BILLS IN PARLIAMENT 2. GOVERNMENT DECREES 3. TAX LEGISLATION 4. ALEXANDER BAZHBEUK-MELIKYAN #YourSupportTeam BILLS IN PARLIAMENT THE CONSEQUANCE OF OMMISION OF THE DEADLINE FOR THE STATE REGISTRATION OF RIGHTS OF REAL ESTATE The draft, approved on June 11, 2020, proposes to consider the omission of 30 days for the registration of real estate rights under the RA Law “On State Registration of Property Rights” as respectable if the person (applicant) justifies the fact of missing the deadline for reasons beyond their control (in the absence of their fault). The deadline for submitting an application for respecting the omission of the state registration deadline is 15 working days upon the elimination date thereof. In case of non-transaction parties, the deadline for submitting the application is 15 working days upon the day when they knew or were obliged to know about the transaction. The bill has been proposed by the Government and is still in the National Assembly. Find more here. #YourSupportTeam GOVERNMENT DECREES THE STATE OF EMERGENCY CONTINUES It has been resolved to extend the state of emergency declared in the Republic of Armenia on March 16, 2020 and extended until June 13 until July 13, 2020. Henceforth, the activities of certain legal entities and individual 1958. Art Lesson entrepreneurs (including sales by individuals in the markets of agricultural products) at the place (address) may be may temporarily banned by the commandant’s decision if there is a doubt about the presence of infection or in case of detection of infection among the employees.
    [Show full text]
  • Catalogo Giornate Del Cinema Muto 2011
    Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A.
    [Show full text]
  • Maia Tsertsvadze Participants of the Conspiracy of 1832 As
    Maia Tsertsvadze Participants of the Conspiracy of 1832 as presented in the epistolary heritage by N. Baratashvili Abstract: A small-sized epistolary work (18 personal letters) by Nikoloz Baratashvili, a Georgian romantic poet (1817-1845) presents significant material, not only for the exploration of the author’s way of life and creative works but also for the characterisation of the socio-political life of Georgia in the first part of the 19th century. Due to his noble origin (on his mother’s side Nikoloz Baratashvili was a direct descendent of the Kartli-Kakheti branch of the Bagrationi Royal family), Nikoloz Baratashvili lived among the country’s political and cultural elite. As well as this, he had an active contact with the participants of an orginised conspiracy of the nobles of 1832 against the Russian Empire. Moreover, the participants of this event make up a major part of the people mentioned in his personal letters which gives the letters certain significance from the point of view of historiography of the conspiracy. The present research aims at collecting the biographical data regarding the participants of the conspiracy and exploring their interrelationship to the poet. Key words: Nikoloz Baratashvili, epistolary works by Nikoloz Baratashvili, the conspiracy of the year 1832, Russian Imperial Policy in the Caucasus Participants of the Conspiracy of 1832 as presented in the epistolary heritage by N. Baratashvili An important acquisition of Georgian literature - Nikoloz Baratashvili’s epistolary heritage deserves our attention from a number of points./angles. Despite its small size (only 18 of his personal letters have reached us) it presents valuable material regarding, primarily, the life and creative works of the author, his political beliefs, worldview, world perception and a spiritual biography of the poet.
    [Show full text]
  • Byron's Reception in Georgia
    1 THE RECEPTION OF BYRON IN EUROPE In Two Volumes Edited by Richard A. Cardwell Continuum Press, London – New York, 2004 Volume II, Chapter 21: LIBERTY AND FREEDOM AND THE GEORGIAN BYRON Innes Merabishvili At the age of twenty one Lord Byron published his famous satire English Bards and Scotch Reviewers where he set out the plans of his first journey: Yet once again, adieu! Ere this the sail That wafts me hence is shivering in the gale; And Afric’s coast and Calpe’s adverse height, And Stamboul’s minarets must greet my sight; Thence shall I stray through beauty’s native clime Where Kaff is clad in rocks, and crown’d with snows sublime. Here Kaff denotes the Caucasus, but under 'beauty’s native clime' Byron meant Georgia, the country that is situated between the Black Sea and the Caspian Sea, bordering with Armenia, Azerbaijan, Turkey, Chechnya, Ossetia, Ukraine and Russia. Thus, being located on the crossroads of Asia and Europe, the history of Georgia has been marked by intensive interactions with other cultures and nations which, when not aggressors, were generally welcomed. In the same way Georgia welcomed Byron. By the time of Lord Byron’s intended journey across the Caucasus, Georgia had obtained peace through the patronage of the Russian Empire. In 1801 Russia abolished the Kartl-Kakhetian kingdom, which had been a Russian protectorate since 1783 and formally incorporated it into the Russian Empire. The Russian patronage, though politically oppressive, opened huge prospects to Europe and to its great men and writers. Georgia was firmly linked with Russia but this was never a one-sided connection.
    [Show full text]
  • Georgian Country and Culture Guide
    Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager).
    [Show full text]
  • Mzia Chikhradze Modernism and Identity the Paradigm of Modernism
    Mzia Chikhradze Modernism and Identity The paradigm of modernism places it in a cosmopolitan area. The desire to become integrated into a unified artistic space generates not only common, similar artistic trends in modernist art, but also severely limits the borders between the specific national derivatives within it. Coupled with the fact that “national” became a dangerous and unpopular topic after World War I, the modernism that developed in Central Europe developed as an anti-national phenomenon. Georgia enjoyed a short period of independence from 1918 to 1921. Not only Georgian modernism, but also the distinctive model of the Tbilisi avant-garde flourished during this time. It was based on a creative collaboration between different nationalities, their multinational and intercultural art. The specificity of the Tbilisi avant-garde was characterized by integrating different national characteristics into a unified artistic system. Despite the artists’ differing individual and national backgrounds, a unified artistic language was formed and this unique language determined the emerging art’s diversity and vivid imagery. The art and culture that developed in the bosom of independent Georgia generally carried a trace of Georgian national characteristics. The question arises: How organic and relevant is distinctiveness by national features in the context of modernism, which, as already mentioned, promotes cosmopolitanism. The priority of nationality should be considered as a hindering factor in terms of modernist values. However, the specifics of Georgian modernism and the Tbilisi avant-garde differed from the European ones. Namely, as Italian futurism stated and Tommaso Marinetti, its founding father, wrote in his Manifesto of Futurism: “We want to destroy museums and libraries, fight against morality, feminism, and all opportunist and utilitarian cowardice ..
    [Show full text]
  • The Theory of the Café Peripheral: Laghidze's Waters and Peripheral
    189 ARTICLES Paul Manning The Theory of the Café Peripheral: Laghidze’s Waters and Peripheral Urban Modernity Theories of the Cafй Central. One of the most celebrated writings on cafйs in general is Polgar’s Theory of the Cafй Central [1926], essentially a feuilleton-manifesto written from within the world of the eponymous Viennese cafй. The theory is not surprising: the cafй expresses a certain kind of modern urban public sub- jectivity. I am only interested in the title. Why does the Cafй Central need a theory? And what kind of theory would a Cafй Peripheral need? A cafй like, for example, Laghidze’s Cafй, a soft drink cafй in Kutaisi, and later Tbilisi, throughout the twentieth century expressed Georgia’s aspirations for European urban modernity. However, since it was located in a periphery and not the metropole, it could not help but express the deeply felt absence of the very modernity it sought to express. An in- carnation here and now of an urban modernity better instantiated elsewhere, it is constantly threatened by its physical situation on the periphery. There are actually a lot of ‘theories of the Cafй Central’, taking ‘cafй central’ in a wider sense: cafйs that happen to occur in places stereo- typically thought to be central to self-con- Paul Manning gratulatory social imaginaries like ‘European Trent University, urban modernity’. In much postwar social Peterborough [email protected] theory, such public places for commensal No 7 FORUM FOR ANTHROPOLOGY AND CULTURE 190 drinking, what Ellis elsewhere calls ‘archi tectures of sociability’ [Ellis 2008], are emble matic of the tenor of interaction characte - ristic of modern urban public life in general: The early coffee-house was associated with a certain kind of social interaction — what sociologists call a sociability — of which the distinctive feature was an egalitarian and congenial mode of conversation.
    [Show full text]
  • TTT - Tips for Tbilisi Travelers
    TTT - Tips for Tbilisi Travelers Venue V.Sarajishvili Tbilisi State Conservatoire (TSC) Address: Griboedov str 8-10, Tbilisi 0108, Georgia Brief info about the city Capital of Georgia, Tbilisi, population about 1.5 million people and 1.263.489 and 349sq.km (135 sq.miles), is one of the most ancient cities in the world. The city is favorably situated on both banks of the Mtkvari (Kura) River and is protected on three sides by mountains. On the same latitude as Barcelona, Rome, and Boston, Tbilisi has a temperate climate with an average temperature of 13.2C (56 F). Winters are relatively mild, with only a few days of snow. January is the coldest month with an average temperature of 0.9 C (33F). July is the hottest month with 25.2 C (77 F). Autumn is the loveliest season of a year. Flights Do not be scared to fly to Georgia! You will most probably need a connecting flight to the cities which have direct flights and you will have to face several hours of trips probably arriving during the night, but it will be worth the effort! Direct Flights To Tbilisi are from Istanbul, Munich, Warsaw, Riga, Vienna, Moscow, London: Turkish Airlines - late as well as "normal" arrivals (through Istanbul or Gokcen) Lufthansa (Munich) Baltic airlines (Riga) Polish airlines lot (Warsaw) Aeroflot (Moscow) Ukrainian Airlines - (Kiev) Pegasus - (Istanbul) Georgian Airlines (Amsterdam, Paris, Vienna) Aegean (Athens) Belavia - through Minsk Airzena - through London from may Parkia - through Telaviv Atlas global - through Istanbul Direct flights to Kutaisi ( another city in west Georgia and takes 3 hr driving to the capital) - these are budget flights and are much more cheaper – shuttle buses to Tbiisi available Wizzair flies to Budapest London Vilnius kaunas Saloniki Athens different cities from Germany - berlin, dortmund, minuch, Milan katowice, warsaw Ryanair - from august Air berlin - from august Transfer from the airport - Transfer from the airport to the city takes ca.
    [Show full text]
  • History of Tbilisi
    Sectoral Research of Investment Potential of Tbilisi Disclaimer Induction Third pary disclosure • The information presented in this • This report is provided in an document (hereinafter – the “Report”) has environment that may rapidly change. been developed by Deloitte (hereinafter – Furthermore, such an environment may the “Consultant”) within the project of sometimes require us to provide advice “Sectoral research of investment potential in situations where there is ambiguous of Tbilisi” for Tbilisi City Hall, Municipal and/or unclear direction from business Department of Economic Development perspective. In these situations, our (hereinafter – the “Client”). conclusions are based upon our current • The purpose of this report is to provide understanding of the market and due high-level information to assist in professional judgment. obtaining an overview of development of • The Report is neither a professional pre-selected sectors in Tbilisi’s economic. advice, nor should be used as a basis for The following list of sectors was provided any decision or action that may affect by Client to be researched: Hospitality, the Third Party or its business. Deloitte Retail & Entertainment, Pharmaceuticals, accepts no responsibility or liability for Healthcare, Creative (including any reliance placed on the contents of the Advertisement, Film Industry, and Fashion Report. Any reliance placed on the Report Design). Countries for review were limited is at the sole and exclusive risk of the by five: two in Eastern Europe, two in CIS Third Party. and Turkey • The presentation is not intended to serve as a basis for any investment decisions and may not be considered a recommendation for investment by the Consultant.
    [Show full text]
  • The World Bank Trade Facilitation in The
    The World Bank Trade Facilitation in the Public Disclosure Authorized Caucasus Final Report October 2000 Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized The World Bank Trade Facilitation in the Caucasus Final Report October 2000 Report no.: 52012 Issue no.: 3 Date of issue: October 2000 Prepared: MRH Checked: HEK Approved: HEK Trade Facilitation in the Caucasus 1 Table of Contents 1. Summary and Conclusions 4 1.1 A Summary of Key Facts 4 1.2 The Potential Impact of Peace 5 1.3 A summary of the recommendations 8 1.4 The Way Forward 13 2. Introduction 15 2.1 Background 15 2.2 The methodology of the study 21 3. The Customs Service 23 3.1 Introduction 23 3.2 The Azerbaijan Customs Service 23 3.3 The Georgian Customs Service 26 3.4 The Armenian Customs Service 30 3.5 Some comparative indicators 35 3.6 The Surrounding Countries 35 4. Other Institutions in the Sector 37 4.1 Azerbaijan 37 4.2 Georgia 39 4.3 Armenia 40 5. Other Institutional Issues 43 5.1 Some Generic Institutional Issues 43 5.2 Azerbaijan 45 5.3 Georgia 47 5.4 Armenia 50 6. The Border Crossings and Inland Terminals 53 6.1 Azerbaijan 53 6.2 Georgia 56 Trade Facilitation in the Caucasus 2 6.3 Armenia 60 7. The Physical Transport Infrastructure 62 7.1 Azerbaijan 62 7.2 Georgia 64 7.3 Armenia 66 7.4 The Surrounding Countries 68 8. International Trade in the Region 69 8.1 Introduction 69 8.2 The Current Situation 69 8.3 Some Influences on Transit Volumes 75 8.4 A product analysis 75 9.
    [Show full text]
  • Media Influence Matrix: Georgia
    F E B R U A R Y 2 0 1 9 Media Influence Matrix: Georgia Government, Politics and Regulation Author: Giorgi Jangiani Research consultant: Ekaterine Basilaia Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the authors The Center for Media, Data and Society Giorgi Jangiani is a researcher at the Center for Media, (CMDS) is a research center for the Data and Society. He’s currently a Master's candidate study of media, communication, and in European Public Policy at CEU. He focuses on the information policy and its impact on integration of Eastern European countries to the EU and society and practice. Founded in 2004 public policy transfer and improvement. Prior to as the Center for Media and attending CEU, he worked at the think tank Georgia's Communication Studies, CMDS is part Reforms Associates (GRASS), where he as a Project of CEU’s School of Public Policy and Manager/Research Fellow supported projects on the serves as a focal point for an EU-Georgian Integration. He also holds an M.A. in Diplomacy and a B.A. in International Relations from international network of acclaimed the Tbilisi State University. scholars, research institutions and activists. Ekaterine Basilaia is currently a lecturer and a researcher at Tbilisi State University. She is a co-author of the book “The Role and Limitations of non- CMDS ADVISORY BOARD Governmental Policy Advocacy in Georgia: Groups and Media in Agenda-Setting” (2016). She was a senior Clara-Luz Álvarez researcher in Georgia for the Horizon 2020 WOSCAP Floriana Fossato project (2016-2017), studying the EU's engagement and Ellen Hume communication strategies in Georgia.
    [Show full text]
  • Soviet Books 2015
    www.bookvica.co.com 2015 EARLY SOVIET BOOKS 1917-1940 4. [STENBERG BROTHERS DESIGN] 4. [STENBERG BROTHERS DESIGN] O'NEILL, E.G. Lyubov' pod vyazami. Pyesa v tryokh deistviyakh / Perevod P. O'NEILL, E.G. Lyubov' pod vyazami. Pyesa v tryokh deistviyakh / Perevod P. Zenkevicha i N. Krymovoi [Desire under the Elms: Three act play / Translat- Zenkevicha i N. Krymovoi [Desire under the Elms: Three act play / Translat- ed by P.Zenkevich and N. Krymova]. Moscow; Leningrad: MODP i K, 1927. 48 ed by P.Zenkevich and N. Krymova]. Moscow; Leningrad: MODP i K, 1927. 48 pp.: ill. 24x16 cm. In original illustrated wrappers. Covers rubbed, some pp.: ill. 24x16 cm. In original illustrated wrappers. Covers rubbed, some foxing, light crease and previos owner's pencil signature on the first page. foxing, light crease and previos owner's pencil signature on the first page. Otherwise very good. Otherwise very good. First edition of the play. The poster to the play Desire under the Elms made by Stenberg First edition of the play. The poster to the play Desire under the Elms made by Stenberg brothers was used for the front cover of this edition. The play was first staged in Russian brothers was used for the front cover of this edition. The play was first staged in Russian in the Kamerny Theatre by A. Tairov in 1926. Stenberg brothers were invited as artists to in the Kamerny Theatre by A. Tairov in 1926. Stenberg brothers were invited as artists to this production. The text is accompanied by a few photographs taken during the play.
    [Show full text]