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The Cultural Creation of Fulvia Flacca Bambula
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2017 The cultural creation of Fulvia Flacca Bambula. Erin Leigh Wotring University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the European History Commons, History of Gender Commons, Intellectual History Commons, Political History Commons, Social History Commons, and the Women's History Commons Recommended Citation Wotring, Erin Leigh, "The cultural creation of Fulvia Flacca Bambula." (2017). Electronic Theses and Dissertations. Paper 2691. https://doi.org/10.18297/etd/2691 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE CULTURAL CREATION OF FULVIA FLACCA BAMBULA By Erin Leigh Wotring A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts in History Department of History University of Louisville Louisville, KY May, 2017 Copyright 2017 by Erin Leigh Wotring All rights reserved THE CULTURAL CREATION OF FULVIA FLACCA BAMBULA By Erin Leigh Wotring A Thesis Approved on April 14, 2017 by the following Thesis Committee: Dr. Jennifer Westerfeld, Director Dr. Blake Beattie Dr. Carmen Hardin ii ACKNOWLEDGEMENTS I would like to thank Dr. -
De Ornanda Instruendaque Urbe Anne Truetzel
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2011 De Ornanda Instruendaque Urbe Anne Truetzel Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Truetzel, Anne, "De Ornanda Instruendaque Urbe" (2011). All Theses and Dissertations (ETDs). 527. https://openscholarship.wustl.edu/etd/527 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Classics De Ornanda Instruendaque Urbe: Julius Caesar’s Influence on the Topography of the Comitium-Rostra-Curia Complex by Anne E. Truetzel A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2011 Saint Louis, Missouri ~ Acknowledgments~ I would like to take this opportunity to thank the Classics department at Washington University in St. Louis. The two years that I have spent in this program have been both challenging and rewarding. I thank both the faculty and my fellow graduate students for allowing me to be a part of this community. I now graduate feeling well- prepared for the further graduate study ahead of me. There are many people without whom this project in particular could not have been completed. First and foremost, I thank Professor Susan Rotroff for her guidance and support throughout this process; her insightful comments and suggestions, brilliant ideas and unfailing patience have been invaluable. -
The Lex Sempronia Agraria: a Soldier's Stipendum
THE LEX SEMPRONIA AGRARIA: A SOLDIER’S STIPENDUM by Raymond Richard Hill A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University August 2016 © 2016 Raymond Richard Hill ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Raymond Richard Hill Thesis Title: The Lex Sempronia Agraria: A Soldier’s Stipendum Date of Final Oral Examination: 16 June 2016 The following individuals read and discussed the thesis submitted by student Raymond Richard Hill, and they evaluated his presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Katherine V. Huntley, Ph.D. Chair, Supervisory Committee Lisa McClain, Ph.D. Member, Supervisory Committee Lee Ann Turner, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by Katherine V. Huntley, Ph.D., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by Jodi Chilson, M.F.A., Coordinator of Theses and Dissertations. DEDICATION To Kessa for all of her love, patience, guidance and support. iv ACKNOWLEDGEMENTS Thank you to Dr. Katherine Huntley for her hours spent proofing my work, providing insights and making suggestions on research materials. To Dr. Charles Matson Odahl who started this journey with me and first fired my curiosity about the Gracchi. To the history professors of Boise State University who helped me become a better scholar. v ABSTRACT This thesis examines mid-second century BCE Roman society to determine the forces at work that resulted in the passing of a radical piece of legislation known as the lex Sempronia agraria. -
Aristocratic Identities in the Roman Senate from the Social War to the Flavian Dynasty
Aristocratic Identities in the Roman Senate From the Social War to the Flavian Dynasty By Jessica J. Stephens A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2016 Doctoral Committee: Professor David Potter, chair Professor Bruce W. Frier Professor Richard Janko Professor Nicola Terrenato [Type text] [Type text] © Jessica J. Stephens 2016 Dedication To those of us who do not hesitate to take the long and winding road, who are stars in someone else’s sky, and who walk the hillside in the sweet summer sun. ii [Type text] [Type text] Acknowledgements I owe my deep gratitude to many people whose intellectual, emotional, and financial support made my journey possible. Without Dr. T., Eric, Jay, and Maryanne, my academic career would have never begun and I will forever be grateful for the opportunities they gave me. At Michigan, guidance in negotiating the administrative side of the PhD given by Kathleen and Michelle has been invaluable, and I have treasured the conversations I have had with them and Terre, Diana, and Molly about gardening and travelling. The network of gardeners at Project Grow has provided me with hundreds of hours of joy and a respite from the stress of the academy. I owe many thanks to my fellow graduate students, not only for attending the brown bags and Three Field Talks I gave that helped shape this project, but also for their astute feedback, wonderful camaraderie, and constant support over our many years together. Due particular recognition for reading chapters, lengthy discussions, office friendships, and hours of good company are the following: Michael McOsker, Karen Acton, Beth Platte, Trevor Kilgore, Patrick Parker, Anna Whittington, Gene Cassedy, Ryan Hughes, Ananda Burra, Tim Hart, Matt Naglak, Garrett Ryan, and Ellen Cole Lee. -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
"Teaching Transgressive Roman Women: the Persona of Fulvia in Cicero's Philippics"
"Teaching Transgressive Roman Women: The Persona of Fulvia in Cicero’s Philippics" Ann R. Raia, The College of New Rochelle The Historical Fulvia: a brief review Fulvia is unique among Republican women for the number of ancient texts in which she appears, both contemporary and those written generations after her death. She played a significant if brief role in the struggle that contributed to the constitutional crisis of the late Republic and in the chaos that followed the assassination of Julius Caesar (March 15, 44 BCE). Nevertheless, the historical Fulvia remains essentially unknowable, even in regard to the basic facts of her life. This is partly a result of her sex: as a woman in Republican Rome, she could participate in few activities that would make her worthy of record until she challenged male prerogatives. In addition, not a single word of her own has survived – not even her letters, of which there is evidence – which could provide insight into her thoughts and motivations for her behavior which others freely construct. Finally, and most importantly, the living Fulvia has been effaced by narratives written by Republicans hostile to Antony, like Cicero, by the victor of the civil wars, Octavian, and by later historians like Appian & Dio who relied on propaganda and Augustus’ lost Memoirs to reconstruct the events of the civil war. Not surprisingly, material evidence is scanty: it consists of possible portrait busts on Victory coins, crude insults on sling bullets from Perugia, and a possible marble head. Those seeking to discover the historical Fulvia behind Paterculus’ charge that there was nothing feminine about her except her body nihil muliebre praeter corpus gerens (Roman History 2.74) must engage feminist strategies for reading between the lines for what is left unsaid about her, set her conduct within the brutality of the civil wars, and question the bias of surviving evidence. -
SUMI, Ceremony and Power
BOOK REVIEW Ceremony and Power: Performing Politics in Rome between Republic and Empire. By GEOFFREY S. SUMI. Ann Arbor: The University of Michigan Press, 2005. Pp. 360 + xii. Cloth, $75.00. ISBN 0–472–11517–0. This study is concerned with “the relationship between political power and public ceremonial in the Roman Republic,” with particular focus on the months following Caesar’s assassination. Sumi (S.) focuses on public ceremonies “at which the elite and the governed came into contact, where political power was on display”: contiones, quaestiones, comitia, ludi, munera, festivals, funerals and triumphs (p. 1). Most political activity occurred in the open air in full view of the Roman people—in public, in other words—where the activities of aristocrats were monitored, questioned and/or approved of (p. 2). S. stresses that “the will of the people … was part of the political consciousness of Roman aristocrats … Roman aristocrats prided themselves on how the people responded to them” (p. 5). The thesis is that these ceremonies came to serve as venues for political discourse and helped shape the political process, and that under Augustus these public performances were transformed into the court ceremony of the principate. The nine chapters trace public ceremonial from the dictatorship of Caesar to the death of Augustus. Chapter 1 (“Consensus and conflict: a typology of Roman Republican ceremonial”) begins by enumerating and describing the kinds of events that are the focus of S.’s study and their historical development. Public ceremonial was political action, but it is “overly simplistic to view such events as merely displays of aristocratic power” (p. -
Octavia Minor and the Transition from Republic to Empire Katrina Moore Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2017 Octavia Minor and the Transition from Republic to Empire Katrina Moore Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Moore, Katrina, "Octavia Minor and the Transition from Republic to Empire" (2017). All Theses. 2738. https://tigerprints.clemson.edu/all_theses/2738 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. OCTAVIA MINOR AND THE TRANSITION FROM REPUBLIC TO EMPIRE A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Katrina Moore August 2017 Accepted by: Dr. Elizabeth Carney, Committee Chair Dr. Stephanie Barczewski Dr. Caroline Dunn Dr. Thomas Kuehn ABSTRACT As a “good girl,” Octavia Minor, older sister to Octavian née Augustus, has been understudied as a historical figure of the Late Roman Republic. Her portrayal as a “good” exempla in the written classical sources obscures Octavia’s agency. This thesis seeks to divest Octavia of her “good girl” reputation, as has been done by other scholars for many “bad girls” of antiquity, such as Cleopatra and Livia. Removing this “good” stereotype will allow for an examination of Octavia’s role in transforming the moral example of a Roman woman from the Republic to the Empire. Through attentive handling of androcentric classical sources, this study will carefully seek to rehabilitate Octavia as an astute, rather than “good” woman. -
A Study of Fulvia
A STUDY OF FULVIA by Allison Jean Weir A thesis submitted to the Department of Classics In conformity with the requirements for The degree of Master of Arts Queen’s University Kingston, Ontario, Canada December 2007 copyright © Allison Jean Weir 2007 Abstract Who was Fulvia? Was she the politically aggressive and dominating wife of Mark Antony as Cicero and Plutarch describe her? Or was she a loyal mother and wife, as Asconius and Appian suggest? These contrasting accounts in the ancient sources warrant further investigation. This thesis seeks to explore the nature of Fulvia’s role in history to the extent that the evidence permits. Fulvia is most famous for her activities during Antony’s consulship (44 BC) and his brother Lucius Antonius’ struggle against C. Octavian in the Perusine War (41-40 BC). But there is a discrepancy among the authors as to what extent she was actually involved. Cicero, Octavian and Antony, who were all key players in events, provide their own particular versions of what occurred. Later authors, such as Appian and Dio, may have been influenced by these earlier, hostile accounts of Fulvia. This is the first study in English to make use of all the available evidence, both literary and material, pertaining to Fulvia. Modern scholarship has a tendency to concentrate almost exclusively on events towards the end of Fulvia’s life, in particular the Perusine War, about which the evidence is much more abundant in later sources such as Appian and Dio. However, to do this ignores the importance of her earlier activities which, if studied more fully, can help to explain her later actions in the 40’s BC. -
Mystical Rome V 2.0- July Release Morra Universal Cinematic Game System Contents Chapter Eight: Genre: Mystical Rome
Mystical Rome V 2.0- July Release Morra Universal Cinematic Game System Contents Chapter Eight: Genre: Mystical Rome ................................................................ 4 Mystical Rome Credits .................................................................................... 5 Target Audience ............................................................................................ 5 Rating and Descriptors: R ............................................................................... 5 Mystical Rome Inspiration ............................................................................... 6 Mystical Rome Budget .................................................................................... 7 Mystical Rome Archetypes ............................................................................... 7 Artisan .................................................................................................... 7 Barbarian ................................................................................................. 9 Bureaucrat ..............................................................................................10 Clergy ....................................................................................................11 Criminal ..................................................................................................12 Druid ......................................................................................................13 Gladiator .................................................................................................14 -
Cornelia: on Making One's Name As Mater Gracchorum
“Cornelia: on making one’s name as mater Gracchorum” 1 “Cornelia: on making one’s name as mater Gracchorum” June 2012 Version Matthew B. Roller Johns Hopkins University © Matthew B. Roller, [email protected] Not for citation without author’s permission “Cornelia: on making one’s name as mater Gracchorum” 2 Cornelia: on making one’s name as mater Gracchorum I. Introduction In his Tiberius and Gaius Gracchus, Plutarch discusses the motivations that may have spurred Tiberius Gracchus to propose his agrarian law immediately upon entering office as Tribune of the Plebs in 133 BCE. Tiberius may have been incited by Diophanes the rhetorician and Blossius the philosopher, who were his friends and teachers (§8.6); or by rivalry with another ambitious aristocrat called Spurius Postumius (§8.8); or by his own observation of the condition of the Tuscan countryside (§8.9); or by the direct urging of the people themselves (§8.10). Plutarch also reports (§8.7) that some writers say that his mother Cornelia spurred him on, by constantly reproaching her sons that the Romans still addressed her as the mother-in-law of Scipio (Aemilianus), and not yet as the mother of the Gracchi.1 In a perceptive discussion of this passage, Burckhardt and Von Ungern- Sternberg observe that it is premature for Tiberius’s mother to demand great things of her elder son. Any contemporary aristocrat would have lodged hopes for making a great name not in the lowly tribunate, but in the higher magistracies, above all the consulship with its accompanying military commands.2 Tiberius, about 30 years old in 133, was at 1 Plut. -
4 ` Cicero' on the (Theatre) Stage
4 CI` CERO' ON THE(THEATRE) STAGE The earliest dramas in which ‘Cicero’ appears on stage as acharacter date from the last quarter of the sixteenth century: apiece in France, one in Germany and (at least) three in Britain were produced in fairly quick succession. In all of these ‘Cicero’ is not the protagonist after whom the plays are named; instead, he is a more or less important figure involved in the dramatic action. 4.1 Robert Garnier, Corne´ lie (1574) Context Robert Garnier ( c. 1545–1590) studied law and did legal work in Paris before becoming amagistrate in his native district of Maine (a region in France) and later amember of the Grand Conseil du Royaume in Paris. From his student days onwards Garnier wrote literary works, starting with lyric and later turning to dramatic poetry.Heisnow regarded as one of the most significant French dramatists of the sixteenth century. The majority of Garnier’splays dramatize stories from the ancient world: Porcie (1568), Corne´ lie (1574), Hippolyte (1574), Marc-Antoine (1578), La Troade (1579) and Antigone (1580). At the same time the themes have contemporary resonance: the pieces share an emphasis on civil war,are characterized by arepublican outlook and were published during the turbulent period of the French Wars of Religion.1 As for their form, Garnier’splays feature little dramatic action and rather consist of an alternation of rhetorically developed speeches and choruses; they are based on the model of Seneca’sLatin tragedies.2 28 R EVIVING C ICEROIN D RAMA Corne´ lie was first performed in 1573; it was first published in 1574 and then included in an edition of Garnier’stragedies in 1585.