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Foreign Books in Romantic-Period London Diego Saglia
51 The International “Commerce of Genius”: Foreign Books in Romantic-Period London Diego Saglia This essay addresses the question of the presence and availability of foreign books in London between the eighteenth and nineteenth centuries. After considering the difficulties related to obtaining foreign volumes from pri - vate libraries, such as that of Holland House, it turns to examine the role played by periodicals in reviewing foreign titles and advertising the lists and catalogues of those booksellers who stocked and sold foreign works. Focusing on some of the most successful among them (such as Boosey, Treuttel and Würtz, Deboffe and Dulau), the essay sketches out a map of their businesses in London, the languages they covered, their different groups of customers, as well as the commercial and political risks to which they were exposed. As this preliminary investigation makes clear, this mul - tifaceted phenomenon has not yet been the object of detailed explorations and reconstructions. Accordingly, this essay traces the outline of, and ad - vocates, a comprehensive study of the history of the trade in foreign pub - lications in London and Britain at the turn of the nineteenth century. By filling a major gap in our knowledge of the history of the book, this recon - struction may also offer invaluable new insights into the international co- ordinates of the literary field in the Romantic era, and particularly in the years after Waterloo, when the cross-currents of an international “com - merce of genius” (as the Literary Gazette called it in 1817) became an in - trinsic feature of an increasingly cosmopolitan cultural milieu. -
Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986
From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986 Jennifer May Brand Thesis submitted in partial fulfilment of the requirements of Goldsmiths, University of London for the degree of Doctor of Philosophy November 2012 Volume 1 of 2 1 Declaration I declare that the work presented here is my own. Jennifer May Brand November 2012 2 Acknowledgements My thanks are extended to the following people and organisations, who have made the creation of this thesis possible: • The AHRC, for funding the initial period of research. • My supervisors, Professor Stephen Cottrell and Doctor Bradley Strauchen- Scherer, for their wisdom and guidance throughout the process. • All the staff at the Horniman Museum, especially those in the Library, Archives and Study Collection Centre. • Staff and students at Goldsmiths University, who have been a source of support in various ways over the last few years. • All the organologists and clarinettists who have permitted me to examine their instruments, use their equipment, and listen to their stories. • My friends and family, who now all know far more about Boosey & Hawkes’ clarinets than they ever wanted to. 3 Abstract Current literature agrees that British clarinet playing between c. 1930 and c. 1980 was linked to a particular clarinet manufacturer: Boosey & Hawkes. The unusually wide-bored 1010 clarinet is represented as particularly iconic of this period but scholars have not provided details of why this is so nor explored the impact of other B&H clarinets. This thesis presents an empirical overview of all clarinet manufacturing which took place at B&H (and Boosey & Co). -
November 2020
Simon Beattie Largely recent acquisitions To be exhibited at the ABAA Boston Virtual Book Fair 12–14 November 2020 From item 14, Niagara Paper Mills TAKING THE BISCUIT 01. ALBUM des célébrités contemporaines publié par Lefèvre- Utile Nantes [c.1901]. Oblong small folio (262 × 344 mm), pp. [22]; chromolithographed on thick dark grey paper, the leaves with ornate die-cut frames holding 56 chromolithographed cards; original embossed decorated boards, cloth spine. £950 A beautiful piece of Art Nouveau book production, in excellent condition. In 1901, the famous biscuit company Lefèvre-Utile began to issue, on its packets of biscuits, various chromolithographed cards featuring famous figures from the arts; each card (170 × 92 mm), embossed with silver or gold, bore a black-and-white photograph portrait of the celebrity—actor, artist, writer, etc.—along with a relevant colour image and a quotation from the celebrity themselves in praise of LU biscuits. The company also produced albums to house the cards. The present example has been completed (naturally, different albums might hold different cards, depending on what the owner inserted) with 48 cards of celebrities: actors Sarah Bernhardt, Eugénie Segond-Weber, Jane Hading, Gabrielle Réjane, Constant Coquelin (two different cards), Eugène Silvain, Léonie Yahne, Ève Lavallière, Suzanne Desprès, Félix Galipaux, Jules Leitner, and August Mévisto; singers Meyrianne Héglon, Marcelle Lender, Lina Landouzy, Lucienne Bréval, Berthe Soyer, Théodore Botrel, and Jeanne Raunay; dancers Carlotta Zambelli -
Composers and Publishers in Clementi's London
Open Research Online The Open University’s repository of research publications and other research outputs Composers and publishers in Clementi’s London Book Section How to cite: Rowland, David (2018). Composers and publishers in Clementi’s London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52. For guidance on citations see FAQs. c 2018 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: https://www.taylorfrancis.com/books/e/9781351965750/chapters/10.4324%2F9781315265001-3 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 1 Composers and publishers in Clementi’s London David Rowland (The Open University) Clementi was in London by April 1775 and from then until shortly before his death in March 1832 he was involved with the capital’s music publishing industry, first as a composer, but also from 1798 as a partner in one of Europe’s largest and most important music-publishing firms.1 During the course of his career London’s music-publishing industry boomed and composers responded by producing regular streams of works tailored to the needs of a growing musical market. At the same time copyright law began to be clarified as it related music, a circumstance which significantly affected the relationship between composers and publishers. -
ONE STEP at a TIME Per Bay, No Minimum
THIS WEEK on the WEB White River Township Fire Department honors employees Page 2 BEECH GROVE • CENTER GROVE • GARFIELD PARK & FOUNTAIN SQUARE • GREENWOOD • SOUTHPORT • FRANKLIN & PERRY TOWNSHIPS FREE • Week of March 7-13, 2019 Serving the Southside Since 1928 ss-times.com PAGES 6-9 SBL: COVER STORY E.M. Company celebrates 50 years PAGE 6 RENTAL BAYS Rent garage bay, $15 an hour ONE STEP AT A TIME per bay, no minimum. Perry Meridian senior wins first prize TOOLS available for rental for $5 an hour: scholarship after a life of adversity compressor, welder, chop saw, cut off saw, working cabinet, floor jacks, hydraulic lift for engines, PAGES 4-5 drills, torches and impact gun. ROBERT HAUNTS & JAUNTS SUMMER CAMPS 2019 GRAMMAR GUY SBL: OPEN 4 BUSINESS HENRY Stressful host produces Today’s summer camps offer Top 10 funniest words a Mechanic’s Friend A ‘farm’ in the city stressful ghost something for everyone in the English language 317-650-6099 Page 9 Page 3 Pages 11-17 Page 22 University Heights - rehab that works for everyone. REHABILITATION LONG TERM CARE MEMORY SUPPORT superPOWER www.university-heights.us 2 Week of March 7-13, 2019 • ss-times.com COMMUNITY The Southside Times Contact the Southside THIS Editor/Publisher News Quiz on the Have any news tips? Want WEEK to submit a calendar event? WEB Have a photograph to How well do you know your share? Call Rick Myers at 300-8782 or email him at Southside community? [email protected]. Remember, our news Test your current event deadlines are several days knowledge each week prior to print. -
To Whom Does a New Use Belong?: an Analysis of the New Use Doctrine and the Protection It Affords After Random House V
William & Mary Bill of Rights Journal Volume 11 (2002-2003) Issue 2 Article 11 February 2003 To Whom Does a New Use Belong?: An Analysis of the New Use Doctrine and the Protection It Affords After Random House v. RosettaBooks Megan M. Gillespie Follow this and additional works at: https://scholarship.law.wm.edu/wmborj Part of the Intellectual Property Law Commons Repository Citation Megan M. Gillespie, To Whom Does a New Use Belong?: An Analysis of the New Use Doctrine and the Protection It Affords After Random House v. RosettaBooks, 11 Wm. & Mary Bill Rts. J. 809 (2003), https://scholarship.law.wm.edu/wmborj/vol11/iss2/11 Copyright c 2003 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmborj TO WHOM DOES A NEW USE BELONG?: AN ANALYSIS OF THE NEW USE DOCTRINE AND THE PROTECTION IT AFFORDS AFTER RANDOM HOUSE V. ROSETTABOOKS* The decision in Random House v. RosettaBooks has the potential to transform the publishing industry and the licensing agreements so commonly relied upon. Courts have attempted to reconcile application ofthe new use doctrine for decades, and yet with every conceived new use there is another interpretation of the rules of the copyright game. In this Note, the author examines the Random House decision in light of the New Use Doctrine and proposes contract-based solutions to new use issues that may avoid the uncertainty of the doctrine as it currently stands. New uses for old works have always been constitutionally protected under the Copyright Clause. -
WEB PRESENCE and STRUCTURE EVALUATION of the EUROPEAN NATIONAL LIBRARIES’ WEBSITES: a STUDY Monika Gupta Maharaja Agarsen P
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Library Philosophy and Practice (e-journal) Libraries at University of Nebraska-Lincoln 2017 WEB PRESENCE AND STRUCTURE EVALUATION OF THE EUROPEAN NATIONAL LIBRARIES’ WEBSITES: A STUDY Monika Gupta Maharaja Agarsen P. G. College for Women, Jhajjar, Haryana, [email protected] Paramjeet K. Walia Department of Library and Information Science, University of Delhi, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/libphilprac Part of the Library and Information Science Commons Gupta, Monika and Walia, Paramjeet K., "WEB PRESENCE AND STRUCTURE EVALUATION OF THE EUROPEAN NATIONAL LIBRARIES’ WEBSITES: A STUDY" (2017). Library Philosophy and Practice (e-journal). 1809. http://digitalcommons.unl.edu/libphilprac/1809 WEB PRESENCE AND STRUCTURE EVALUATION OF THE EUROPEAN NATIONAL LIBRARIES’ WEBSITES: A STUDY Dr. Monika Gupta Librarian Maharaja Agarsen Post-Graduate College for Women, Jhajjar Jhajjar- 124103 Haryana, India E-mail: [email protected] Mobile No: 8684031775 Prof. Paramjeet K. Walia Professor Department of Library and Information Science, University of Delhi. Delhi-110007 E-mail: [email protected] Mobile No: 9810767709 Abstract The purpose of this study is to evaluate European national libraries’ websites on the basis of webometrics. It also analyze the structure of the selected European national libraries’ websites on the basis of number of checkpoints. On the basis of number of web indicators such as number of webpages, in-links, rich content files, publications in Google Scholar and WISER, web presence of the selected European national libraries’ websites were examined. For collection of webometrics data Google search engine and Check PageRank tool were used. -
Teaching Gender with Libraries and Archives the Power of Information
Teaching Gender with Libraries and Archives The Power of Information i5 Libraries 00 book.indb 1 2013.10.04. 9:49 Titles in the Series: 1. Teaching with Memories. European Women’s Histories in International and Interdisciplinary Classrooms 2. Teaching Gender, Diversity and Urban Space. An Intersectional Approach between Gender Studies and Spatial Disciplines 3. Teaching Gender in Social Work 4. Teaching Subjectivity. Travelling Selves for Feminist Pedagogy 5. Teaching with the Third Wave. New Feminists’ Explorations of Teaching and Institutional Contexts 6. Teaching Visual Culture in an Interdisciplinary Classroom. Feminist (Re)Interpretations of the Field 7. Teaching Empires. Gender and Transnational Citizenship in Europe 8. Teaching Intersectionality. Putting Gender at the Centre 9. Teaching “Race” with a Gendered Edge 10. Teaching Gender with Libraries and Archives The Power of Information Title 1 is published by ATHENA2 and Women’s Studies Centre, National University of Ireland, Gal- way; Titles 2–8 are published by ATHENA3 Advanced Thematic Network in Women’s Studies in Europe, University of Utrecht and Centre for Gender Studies, Stockholm University; Title 9-10 are jointly published by ATGENDER, The European Association for Gender Research, Edu- cation and Documentation, Utrecht and Central European University Press, Budapest. i5 Libraries 00 book.indb 2 2013.10.04. 9:49 Edited by Sara de Jong and Sanne Koevoets Teaching Gender with Libraries and Archives The Power of Information Teaching with Gender. European Women’s Studies in International and Interdisciplinary Classrooms A book series by ATGENDER ATGENDER. The European Association for Gender Research, Education and Documentation Utrecht & Central European University Press Budapest–New York i5 Libraries 00 book.indb 3 2013.10.04. -
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Chapter 3 – A new era and new legislation The Copyright Debate in Britain, 1911–12 A public debate For most of 1911, from Buxton’s introduction of the Copyright Bill on 2 April until its passage through the Lords on 16 December, a dual debate occupied the pages of The Times, which followed the copyright controversies of that year attentively. By comparison, the pages of the Sydney Morning Herald in 1912 made few references to the Copyright Bill before the Commonwealth Parliament and the issues debated. The absence of correspondence on the subject in the Australian newspaper suggested that Australians, unlike interested Britons, felt little interest in the topic of copyright. The pattern recurred in 1956, when Britain passed a new Copyright Act, and 1968, when Australia followed suit: substantive debate in Britain and minimal interest in Australia. It would be a mistake to infer Australian intellectual apathy from these comparisons. What they reveal is the economic relevance to both countries of copyright regulation. Britain, in 1911, was the home of a nascent film industry, a powerful phonographic industry, the forerunner of today’s music industry, and a highly developed publishing industry. The latter two industries had already established the characteristics that distinguish their modern counterparts: comparatively low fixed costs, high revenues and high variable profits affected by changes in taste. Selling to the public, they deliberately addressed their political arguments to a public audience. Australia, lacking Britain’s resources of population, technology and historical memory could not hope to create an economically productive culture of creative endeavour on the British scale. -
HOW COPYRIGHT KEEPS WORKS DISAPPEARED Paul J. Heald* a Random Sample of New Books for Sale on Amazon.Com Shows More Books for S
HOW COPYRIGHT KEEPS WORKS DISAPPEARED Paul J. Heald* A random sample of new books for sale on Amazon.com shows more books for sale from the 1880’s than the 1980’s. Why? This paper presents new data on how copyright stifles the reappearance of works. First, a random sample of more than 2000 new books for sale on Amazon.com is analyzed along with a random sample of almost 2000 songs available on new DVD’s. Copyright status correlates highly with absence from the Amazon shelf. Together with publishing business models, copyright law seems to deter distribution and diminish access. Further analysis of eBook markets, used books on Abebooks.com, and the Chicago Public library collection suggests that no alternative marketplace for out-of-print books has yet developed. Data from iTunes and YouTube, however, tell a different story for older hit songs. The much wider availability of old music in digital form may be explained by the differing holdings in two important cases Boosey & Hawkes v. Disney (music) and Random House v. Rosetta Stone (books). One justification for granting authors a property right in their creations is the assumption that copyright stimulates the production of new works.1 An alternative justification of growing importance claims that after a work is created, it needs to be protected for a significant period of *Herbert Smith Fellow & Affiliated Lecturer, Cambridge University; Professor of Law & Raymond Guy James Faculty Scholar, University of Illinois; Professorial Fellow, Bournemouth University (UK), [email protected]. -
*** Special Issue *** EBLIDA Checklist in the Face of the Covid-19 Crisis (4) No
Subscribe Past Issues Translate RSS The EBLIDA Newsletter is normally published monthly and View this email in your deals with European library & information issues, browser programmes, news and events of interest to the library and the cultural community. *** Special issue *** EBLIDA Checklist in the face of the Covid-19 crisis (4) No. 7. May 2020 Share Tweet Forward Editorial by Ton van Vlimmeren, EBLIDA President With this fourth special EBLIDA Newsletter issue dedicated to European libraries in the face of the Covid-19 crisis, EBLIDA is releasing the last chapter in the series of country profiles. Altogether, seventeen countries have been covered: Bulgaria, Cyprus, Denmark, Estonia, Finland, France, Germany, Ireland, Italy, Latvia, Luxembourg, Netherlands, Norway, Poland, Portugal, Spain, Sweden and Switzerland. Previous issues were published on on 3rd, 23rd and 25th April. The measures, practices and potential services that were initiated during the crisis and could be pursued in one way or another in the post-Covid 19 age, are summarised in the Report “Preparing a European Library Agenda for the post-Covid 19 age.” This Report aims to keep separate library activities based on contingent factors – the Covid-19 crisis - which hopefully will not replicate, from library activities and trends that will become permanent in the post-Covid 19 age. More extensive information will be provided in the next Newsletter issue, to be published mid-May. All libraries in Europe are already open or are starting to re-open, in the weeks to come. We are ready to publish your experiences in how you managed the transition successfully. / Do not hesitate to send your witness account and your feed back to the EBLIDA Secretariat Subscribe Past Issues Translate RSS ([email protected]).