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Eagle Creek Park History
Eagle Creek Park History Introduction Before Eagle Creek Park and Reservoir were built, the area they cover was home to many people. This booklet gives a brief history of the land and the people that occupied it. Information about park buildings and sites along the trails is also included. Native Americans Although there were no permanent villages in the area, Miami and Lenape (Delaware) people hunted and fished along the creek prior to and after European settlement. At the time of Indiana’s statehood in 1816, the population of European settlers was concentrated in Southern Indiana. As the population grew, Native Americans were forced to move north and west. The Treaty of St. Mary’s, which is also known as “The New Purchase,” caused the Miami and Lenape nations to give up rights to all land in the central part of the state in 1818. Stories passed down from early settlers indicate that there were a few Native Americans living near Eagle Creek in the 1820s. Early Settlers After The New Purchase, the area was surveyed and divided into counties, townships, and sections. Pike Township, Marion County, Indiana was platted in 1822. From 1822 to 1837, land patents were sold by the federal government. Most were bought by people moving to the area from neighboring states. David Wilson and James Delong were among the first settlers to buy land in what is now Eagle Creek Park. Their families farmed on or near their original land from the 1820s through the 1930s. Roads that bear their names can be found on park property, passing through land that once belonged to them. -
Conspiracy of Peace: the Cold War, the International Peace Movement, and the Soviet Peace Campaign, 1946-1956
The London School of Economics and Political Science Conspiracy of Peace: The Cold War, the International Peace Movement, and the Soviet Peace Campaign, 1946-1956 Vladimir Dobrenko A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, October 2015 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 90,957 words. Statement of conjoint work I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by John Clifton of www.proofreading247.co.uk/ I have followed the Chicago Manual of Style, 16th edition, for referencing. 2 Abstract This thesis deals with the Soviet Union’s Peace Campaign during the first decade of the Cold War as it sought to establish the Iron Curtain. The thesis focuses on the primary institutions engaged in the Peace Campaign: the World Peace Council and the Soviet Peace Committee. -
Foreign Books in Romantic-Period London Diego Saglia
51 The International “Commerce of Genius”: Foreign Books in Romantic-Period London Diego Saglia This essay addresses the question of the presence and availability of foreign books in London between the eighteenth and nineteenth centuries. After considering the difficulties related to obtaining foreign volumes from pri - vate libraries, such as that of Holland House, it turns to examine the role played by periodicals in reviewing foreign titles and advertising the lists and catalogues of those booksellers who stocked and sold foreign works. Focusing on some of the most successful among them (such as Boosey, Treuttel and Würtz, Deboffe and Dulau), the essay sketches out a map of their businesses in London, the languages they covered, their different groups of customers, as well as the commercial and political risks to which they were exposed. As this preliminary investigation makes clear, this mul - tifaceted phenomenon has not yet been the object of detailed explorations and reconstructions. Accordingly, this essay traces the outline of, and ad - vocates, a comprehensive study of the history of the trade in foreign pub - lications in London and Britain at the turn of the nineteenth century. By filling a major gap in our knowledge of the history of the book, this recon - struction may also offer invaluable new insights into the international co- ordinates of the literary field in the Romantic era, and particularly in the years after Waterloo, when the cross-currents of an international “com - merce of genius” (as the Literary Gazette called it in 1817) became an in - trinsic feature of an increasingly cosmopolitan cultural milieu. -
Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986
From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986 Jennifer May Brand Thesis submitted in partial fulfilment of the requirements of Goldsmiths, University of London for the degree of Doctor of Philosophy November 2012 Volume 1 of 2 1 Declaration I declare that the work presented here is my own. Jennifer May Brand November 2012 2 Acknowledgements My thanks are extended to the following people and organisations, who have made the creation of this thesis possible: • The AHRC, for funding the initial period of research. • My supervisors, Professor Stephen Cottrell and Doctor Bradley Strauchen- Scherer, for their wisdom and guidance throughout the process. • All the staff at the Horniman Museum, especially those in the Library, Archives and Study Collection Centre. • Staff and students at Goldsmiths University, who have been a source of support in various ways over the last few years. • All the organologists and clarinettists who have permitted me to examine their instruments, use their equipment, and listen to their stories. • My friends and family, who now all know far more about Boosey & Hawkes’ clarinets than they ever wanted to. 3 Abstract Current literature agrees that British clarinet playing between c. 1930 and c. 1980 was linked to a particular clarinet manufacturer: Boosey & Hawkes. The unusually wide-bored 1010 clarinet is represented as particularly iconic of this period but scholars have not provided details of why this is so nor explored the impact of other B&H clarinets. This thesis presents an empirical overview of all clarinet manufacturing which took place at B&H (and Boosey & Co). -
November 2020
Simon Beattie Largely recent acquisitions To be exhibited at the ABAA Boston Virtual Book Fair 12–14 November 2020 From item 14, Niagara Paper Mills TAKING THE BISCUIT 01. ALBUM des célébrités contemporaines publié par Lefèvre- Utile Nantes [c.1901]. Oblong small folio (262 × 344 mm), pp. [22]; chromolithographed on thick dark grey paper, the leaves with ornate die-cut frames holding 56 chromolithographed cards; original embossed decorated boards, cloth spine. £950 A beautiful piece of Art Nouveau book production, in excellent condition. In 1901, the famous biscuit company Lefèvre-Utile began to issue, on its packets of biscuits, various chromolithographed cards featuring famous figures from the arts; each card (170 × 92 mm), embossed with silver or gold, bore a black-and-white photograph portrait of the celebrity—actor, artist, writer, etc.—along with a relevant colour image and a quotation from the celebrity themselves in praise of LU biscuits. The company also produced albums to house the cards. The present example has been completed (naturally, different albums might hold different cards, depending on what the owner inserted) with 48 cards of celebrities: actors Sarah Bernhardt, Eugénie Segond-Weber, Jane Hading, Gabrielle Réjane, Constant Coquelin (two different cards), Eugène Silvain, Léonie Yahne, Ève Lavallière, Suzanne Desprès, Félix Galipaux, Jules Leitner, and August Mévisto; singers Meyrianne Héglon, Marcelle Lender, Lina Landouzy, Lucienne Bréval, Berthe Soyer, Théodore Botrel, and Jeanne Raunay; dancers Carlotta Zambelli -
Composers and Publishers in Clementi's London
Open Research Online The Open University’s repository of research publications and other research outputs Composers and publishers in Clementi’s London Book Section How to cite: Rowland, David (2018). Composers and publishers in Clementi’s London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52. For guidance on citations see FAQs. c 2018 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: https://www.taylorfrancis.com/books/e/9781351965750/chapters/10.4324%2F9781315265001-3 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 1 Composers and publishers in Clementi’s London David Rowland (The Open University) Clementi was in London by April 1775 and from then until shortly before his death in March 1832 he was involved with the capital’s music publishing industry, first as a composer, but also from 1798 as a partner in one of Europe’s largest and most important music-publishing firms.1 During the course of his career London’s music-publishing industry boomed and composers responded by producing regular streams of works tailored to the needs of a growing musical market. At the same time copyright law began to be clarified as it related music, a circumstance which significantly affected the relationship between composers and publishers. -
To Whom Does a New Use Belong?: an Analysis of the New Use Doctrine and the Protection It Affords After Random House V
William & Mary Bill of Rights Journal Volume 11 (2002-2003) Issue 2 Article 11 February 2003 To Whom Does a New Use Belong?: An Analysis of the New Use Doctrine and the Protection It Affords After Random House v. RosettaBooks Megan M. Gillespie Follow this and additional works at: https://scholarship.law.wm.edu/wmborj Part of the Intellectual Property Law Commons Repository Citation Megan M. Gillespie, To Whom Does a New Use Belong?: An Analysis of the New Use Doctrine and the Protection It Affords After Random House v. RosettaBooks, 11 Wm. & Mary Bill Rts. J. 809 (2003), https://scholarship.law.wm.edu/wmborj/vol11/iss2/11 Copyright c 2003 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmborj TO WHOM DOES A NEW USE BELONG?: AN ANALYSIS OF THE NEW USE DOCTRINE AND THE PROTECTION IT AFFORDS AFTER RANDOM HOUSE V. ROSETTABOOKS* The decision in Random House v. RosettaBooks has the potential to transform the publishing industry and the licensing agreements so commonly relied upon. Courts have attempted to reconcile application ofthe new use doctrine for decades, and yet with every conceived new use there is another interpretation of the rules of the copyright game. In this Note, the author examines the Random House decision in light of the New Use Doctrine and proposes contract-based solutions to new use issues that may avoid the uncertainty of the doctrine as it currently stands. New uses for old works have always been constitutionally protected under the Copyright Clause. -
Pdf, 254.12Kb
Chapter 3 – A new era and new legislation The Copyright Debate in Britain, 1911–12 A public debate For most of 1911, from Buxton’s introduction of the Copyright Bill on 2 April until its passage through the Lords on 16 December, a dual debate occupied the pages of The Times, which followed the copyright controversies of that year attentively. By comparison, the pages of the Sydney Morning Herald in 1912 made few references to the Copyright Bill before the Commonwealth Parliament and the issues debated. The absence of correspondence on the subject in the Australian newspaper suggested that Australians, unlike interested Britons, felt little interest in the topic of copyright. The pattern recurred in 1956, when Britain passed a new Copyright Act, and 1968, when Australia followed suit: substantive debate in Britain and minimal interest in Australia. It would be a mistake to infer Australian intellectual apathy from these comparisons. What they reveal is the economic relevance to both countries of copyright regulation. Britain, in 1911, was the home of a nascent film industry, a powerful phonographic industry, the forerunner of today’s music industry, and a highly developed publishing industry. The latter two industries had already established the characteristics that distinguish their modern counterparts: comparatively low fixed costs, high revenues and high variable profits affected by changes in taste. Selling to the public, they deliberately addressed their political arguments to a public audience. Australia, lacking Britain’s resources of population, technology and historical memory could not hope to create an economically productive culture of creative endeavour on the British scale. -
2007 Media Guide Work-File.Indd
2007USC Rowing USC Quick Facts Table of Contents University Information Table of Contents / Quick Facts ................................................... 1 Location: ................................................... Los Angeles, California 2007 Season Outlook ....................................................................... 2 Founded: ..................................................................................... 1880 USC Boathouse / Port of Los Angeles ......................................... 3 Enrollment: .................................. 33,000 (17,500 undergraduates) Zenon Babraj, Director of Rowing / Co-Head Coach ..................... 4 Size: ................................................................................... 150 Acres Kelly Babraj, Co-Head Coach .......................................................... 5 President: ........................................................... Dr. Steven Sample Craig Webster, Assistant Coach & Sarah Pomeroy ...................... 6 Athletic Director: ........................................................ Mike Garrett 2007 Varsity and Novice Roster .................................................... 7 Senior Women’s Administrator: ....................... Carol Dougherty Varsity Rower Profi les .................................................................... 8 National Affl iliation: .......................................... NCAA Division I Novice Rowers / Pronounciation Guide ................................... 19 Conference: ...................................................................... -
2018 Or Tax Year Beginning , 2018, and Endina Name of Foundation a Employer Ldentlf1catlon Number the PFJEER FOUNDATION, INC
Form 990-PF Return of Private Foundation or Section 4947(a)(1) Trust Treated as Private Foundation Department o,,t the Treasury ... Do not enter social security numbers on this form as it may be made public. Internal Revenue Service .,. Go to www.irs.gov/Fonn990PF for instructions and the latest information For ca endar vear 2018 or tax year beginning , 2018, and endina Name of foundation A Employer ldentlf1catlon number THE PFJEER FOUNDATION, INC. 13-6083839 Number and street (or PO box number 11 ma1l 1s not delivered to street address) Room/suite B Telephone number (see 1nstruct1ons) 235 EAST 42ND STREET ( 212) 733 -4250 City or town, state or province, country, and ZIP or foreign postal code C If exemption appllcat1on 1s pending, check here. • • NEW YORK, NY 10017 G Check all that apply Initial return ,___ Initial return of a former public charity D 1 Foreign organ1zat1ons. check here. ,___ Final return ~ Amended return 2 F ore1gn orgamzat1ons meeting the 85% test, check here and attach Address change Name change computat1on • • • • • • • • H Check type of organization X Section 501 (c)(3) exempt private foundation oy E If private foundation status was terminated D _.___.n __S.::.e.::.c::.:t::..:10:.:.n.:...4...:..::.94..;..7.:...'<:c:a:u..H1,_,, >...:n::..:o:..:n::..:e:::.x:.=e::..:m.:.,10:.:t....:c:.:.h:.=a::..:ri:.=ta:.:b:.:.le:;....::.tr.:::u.:::st:....__,_""._,_=O:.:t::..:h=e.:...r.:.ta=xa:;:=b:..::le;...c..:.:Pn.:.v::::ac:cte;....:.f.:::o.;:u::..:n.=d.=ac.::t1.:::o::..:n n ___ ..:__--l under section S07(b)(1)(A) check here . -
Believes in Building Long-Term Relationships “Being There”
CASE STUDY #74 #45 Harwill Express Press Believes in Building Long-term Relationships “Being There” Have you ever wished you had another set of eyes to help you out? Harwill Express Press clients get that all the time. Our staff members, from delivery person to the president, are here to help you. We are part of our client’s team so we do our best to make sure we all are putting our best foot forward through- CELEBRATING EXCELLENCE IN ROWING FOR 2016 out the project. We pay attention to every detail to ensure accuracy. Sample 6: USRowing Association When USRowing Association moved to Princeton NJ, they did not want to move the magazine and a variety of posters and invitations from the Midwest printer they had been using. After USRowing moved to the November 17, 2016 area, Harwill’s sales associate met with New York Athletic Club the management on a consistent basis. We were able to help solve minor issues Get a closer look at on projects they were working on with all the componenets their current printer. Over time we were on the back! awarded a small project. The success of that project led them to trust Harwill Express Press and we are now one of their main printing vendors. We col- laborate work with their marketing and publication staff on projects. Our in- house designer works with the client to create a consistent branded look from project to project, start to finish. Princeton, NJ Princeton, Permit No. 377 No. Permit Princeton, NJ 08540 NJ Princeton, PAID U.S.