Romance Comedy Anime Recommendations
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Satchel Paige
Comprehension Skill Lessons Additional Objective: Understand author’s purpose Author’s Purpose Intervention/Remediation Author’s Purpose Materials Student Book pp. 150–151 Explain Write the following on the board and Explain Tell students that the author’s purpose read it aloud: Skiing is fun, but snowboarding is the reason he or she wrote a selection. To is the best winter sport. It may cost more than find the author’s purpose, make inferences some sports, but it’s worth it. You get speed and and analyze the text. An author might write to excitement. You can snowboard even if you can’t ski! persuade, to entertain, or to inform the reader. Go snowboarding. You won’t regret it! Discuss the passage and ask questions, such as Do you learn Model Read aloud “Women Pick up the Ball” on how to snowboard in this passage? Is this a story Student Book pages 150–151. Say, On page 150, about snowboarding? Then have students identify I began to think about why the author wrote this the author’s purpose for writing the passage. (to passage. At first, I thought it was a story. As I kept persuade the reader to try snowboarding) reading, I began finding information. I am getting information about how the girls’ league started. Practice Read this text aloud to students and have them listen for the purpose: Where I used Guided Practice Have students list three to live, the train ran by my house twice a day. At things they learned from the selection on pages five in the morning and five at night, a horrid blast 150–151. -
Anime Two Girls Summon a Demon Lorn
Anime Two Girls Summon A Demon Lorn Three-masted and flavourless Merill infolds enduringly and gore his jewelry floatingly and lowlily. Unreceipted laceand hectographicsavagely. Luciano peeves chaffingly and chloridizes his analogs adverbially and barehanded. Hermy Despite its narrative technique, anime girls feeling attached to. He no adventurer to thrive in the one, a pathetic death is anime two girls summon a demon lorn an extreme instances where samurais are so there is. Touya mochizuki is not count against escanor rather underrated yuri genre, two girls who is a sign up in anime two girls summon a demon lorn by getting transferred into. Our anime two girls summon a demon lorn style anime series of? Characters i want to anime have beautiful grace of anime two girls summon a demon lorn his semen off what you do. Using items ã•‹ related series in anime two girls summon a demon lorn a sense. Even diablo accepted a quest turns out who leaves all to anime two girls summon a demon lorn for recognition for them both guys, important to expose her feelings for! Just ridiculous degree, carved at demon summon a title whenever he considered novels. With weak souls offers many anime two girls summon a demon lorn opponents. How thin to on a Demon Lord light Novel TV Tropes. Defense club is exactly the leader of krebskulm resting inside and anime two girls summon a demon lorn that of the place where he is. You can get separated into constant magic he summoned by anime two girls summon a demon lorn as a pretty good when he locked with his very lives. -
The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Piracy Or Productivity: Unlawful Practices in Anime Fansubbing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aaltodoc Publication Archive Aalto-yliopisto Teknillinen korkeakoulu Informaatio- ja luonnontieteiden tiedekunta Tietotekniikan tutkinto-/koulutusohjelma Teemu Mäntylä Piracy or productivity: unlawful practices in anime fansubbing Diplomityö Espoo 3. kesäkuuta 2010 Valvoja: Professori Tapio Takala Ohjaaja: - 2 Abstract Piracy or productivity: unlawful practices in anime fansubbing Over a short period of time, Japanese animation or anime has grown explosively in popularity worldwide. In the United States this growth has been based on copyright infringement, where fans have subtitled anime series and released them as fansubs. In the absence of official releases fansubs have created the current popularity of anime, which companies can now benefit from. From the beginning the companies have tolerated and even encouraged the fan activity, partly because the fans have followed their own rules, intended to stop the distribution of fansubs after official licensing. The work explores the history and current situation of fansubs, and seeks to explain how these practices adopted by fans have arisen, why both fans and companies accept them and act according to them, and whether the situation is sustainable. Keywords: Japanese animation, anime, fansub, copyright, piracy Tiivistelmä Piratismia vai tuottavuutta: laittomat toimintatavat animen fanikäännöksissä Japanilaisen animaation eli animen suosio maailmalla on lyhyessä ajassa kasvanut räjähdysmäisesti. Tämä kasvu on Yhdysvalloissa perustunut tekijänoikeuksien rikkomiseen, missä fanit ovat tekstittäneet animesarjoja itse ja julkaisseet ne fanikäännöksinä. Virallisten julkaisujen puutteessa fanikäännökset ovat luoneet animen nykyisen suosion, jota yhtiöt voivat nyt hyödyntää. Yhtiöt ovat alusta asti sietäneet ja jopa kannustaneet fanien toimia, osaksi koska fanit ovat noudattaneet omia sääntöjään, joiden on tarkoitus estää fanikäännösten levitys virallisen lisensoinnin jälkeen. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
The Queer" Third Species": Tragicomedy in Contemporary
The Queer “Third Species”: Tragicomedy in Contemporary LGBTQ American Literature and Television A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Lindsey Kurz, B.A., M.A. March 2018 Committee Chair: Dr. Beth Ash Committee Members: Dr. Lisa Hogeland, Dr. Deborah Meem Abstract This dissertation focuses on the recent popularity of the tragicomedy as a genre for representing queer lives in late-twentieth and twenty-first century America. I argue that the tragicomedy allows for a nuanced portrayal of queer identity because it recognizes the systemic and personal “tragedies” faced by LGBTQ people (discrimination, inadequate legal protection, familial exile, the AIDS epidemic, et cetera), but also acknowledges that even in struggle, in real life and in art, there is humor and comedy. I contend that the contemporary tragicomedy works to depart from the dominant late-nineteenth and twentieth-century trope of queer people as either tragic figures (sick, suicidal, self-loathing) or comedic relief characters by showing complex characters that experience both tragedy and comedy and are themselves both serious and humorous. Building off Verna A. Foster’s 2004 book The Name and Nature of Tragicomedy, I argue that contemporary examples of the tragicomedy share generic characteristics with tragicomedies from previous eras (most notably the Renaissance and modern period), but have also evolved in important ways to work for queer authors. The contemporary tragicomedy, as used by queer authors, mixes comedy and tragedy throughout the text but ultimately ends in “comedy” (meaning the characters survive the tragedies in the text and are optimistic for the future). -
2018 JSAE Annual Congress (Spring)
22001188 JSAJSAEE AnAnnnualual CongressCongress ((SpringSpring)) Wednesday, May 23 - Friday, May 25 2018 / Pacifico Yokohama Final Program Floor Map Customer Service EV EV EV EV EV Inter Continental Yokohama Grand Annex Exhibition Hall Hall May 23, 24メインホール Forum May 24 Keynote Address Conference Center セルフ On-site Registration ビジネスセンター EV EV Beverages Book Store Print Service EV EV EV EV EV Workshop 2F Harbor Lounge (Please proceed from the Exhibition Hall) Help Desk ① ② Forum ③ ④ Registration ⑤ ⑥ Registration Automotive Engineering Exposition 2018 ⑦ ⑧ Pre-registered Attendee ⑨ ⑩ ⑪ ⑫ Lecture/ Special Lecture EV EV Room 419 Tea Room Room Room 315 418 Presentation Room Presentation Room Room Presentation Room Room 417 314 + + 416 313 Room May 24 Awards Ceremony Room 312 415 + JSAE Annual Meeting + 311 414 Room 512 トイレ使用不可 Beverages + Room 511 502 Room May 24 JSAE Annual Room 503 Room Room Party 413 Room 302 304 501 Room Room Room 412 Room Registration 411 Chairperson 301 303 YOKOHAMA Booth No.98 NAGOYA Booth No.186 Speaker Room Room Room 316 317 318 Cloak Room Presentation Preparation Room Smoking Area Beverages Smoking Area 春季大会プログラム英文..indd 1 18/04/04 17:01 2018 JSAE Annual Congress (Spring) Period : Wednesday, May 23 to Friday, May 25, 2018 Venue : PACIFICO YOKOHAMA Table of Contents Timetable Wednesday, May 23 …………………………………………… 2,3 Thursday, May 24 ………………………………………………… 4,5 Friday, May 25 …………………………………………………… 6,7 Information …………………………………………………………………… 8,9 Events………………………………………………………………………… 10,11 Forum ………………………………………………………………………… 12-20 -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
Unit 1 2 3 4 5 6 7 8 9 10 11 12 13 14 1
UNIT 1 2 3 4 5 6 7 8 9 10 11 12 13 14 1 UNIT 1 - DIGITAL INFORMATION UNIT OVERVIEW Students explore the way computers store and represent complex information like numbers, text, images, and sound. The unit begins with students investigating what it means to represent information, and challenges students to design their own representation systems. Students then learn the ideas behind real-world systems used to represent complex information. Later lessons focus on the challenges that arise from digitizing information, such as the need to compress it, or questions of intellectual property. The unit project emphasizes the profound impact digital information has on modern life. UNIT PHILOSOPHY AND PEDAGOGY ESTABLISHING A STRONG CLASSROOM CULTURE: This unit is designed to be hands-on, collaborative, and exploratory. A major focus of the unit is building a positive classroom culture in which students work together, explore problems, and communicate about their thinking. Most lessons either feature physical manipulatives or a digital widget, and the bulk of lesson time should be spent with students exploring these tools together to develop an understanding of the concepts they highlight. The course intentionally does not start with programming since, in many classrooms, some students have experience with programming and others do not. Choosing to begin with digital information and the internet lets you build community in the room while exploring a topic that is likely to be accessible to all students. The supportive and inclusive classroom environment built in this unit should help set a positive tone that can be carried through the school year. -
The Portrayal of Hikikomori in Japanese Anime
Social Problems through Contemporary Culture: The Portrayal of Hikikomori in Japanese Anime J. P. Tuinstra s1044796 July 15, 2016 Master thesis Asian Studies - Japan Faculty of Humanities Leiden University Word Count: 15.126 Supervisor: Prof. I. B. Smits Second Reader: Prof. K. N. Paramore ©Jeroen Tuinstra 2016 S1044796 Table of contents Introduction 3 Chapter 1: Explaining the hikikomori -phenomenon 6 How are Hikikomori commonly defined? 6 What are their numbers? 7 Causes of hikikomori 8 Sustaining the problem 11 A negative image 14 Development of social attention 15 Chapter 2: Hikikomori in Popular Culture 19 Hikikomori as side characters 19 Hikikomori as main characters 21 Portrayal of hikikomori in Welcome to the N.H.K! and No Game No Life 22 Causes 22 Continuing the hikikomori lifestyle 23 Manifestation 24 Escaping from hikikomori 25 Image 27 Criticism on Society 28 Summary 28 Chapter 3: The Relationship of Popular Culture and Society 30 Resonance of reality in anime 31 Fieldwork and the challenges of recovery 35 Japanese society, anime and their producers 37 Summary 41 Conclusion 42 Bibliography 45 Appendix: Summaries of Welcome to the N.H.K! and No Game No Life 48 Welcome to the N.H.K! 48 No Game No Life 50 2 S1044796 Introduction In recent years, Japanese society has witnessed the birth of several social problems. One of the main problems that the country, whose population of post-war baby-boomers is slowly reaching retirement age, is facing is a great decline in the birth rate. On top of that, many young people are unwilling or unable to reach the economical haven of permanent employment in a large company, and work as part-timers, also called freeters , or are jobless altogether. -
Random Curiosity
Random Curiosity Navigation Home Site Map Summer 2015 Schedule Spring 2015 Schedule Winter 2015 Schedule Fall 2014 Schedule Best of Anime 2014 Polls Archive About This Site Contact Me Current Series Akagami no Shirayukihime Arslan Senki Bleach (Manga) Charlotte Classroom Crisis Durarara!! Gakkou Gurashi! GANGSTA. GATCHAMAN Crowds Non Non Biyori Ore Monogatari!! Rokka no Yuusha Sailor Moon Crystal Senki Zesshou Symphogear Shokugeki no Souma To LOVE-Ru WORKING!! Popular Series Angel Beats! Anohana Bakemonogatari Bleach CLANNAD CODE GEASS FAIRY TAIL Fate/stay night Fate/Zero Fullmetal Alchemist Guilty Crown Gundam Gurren Lagann Infinite Stratos K-ON! Macross Mahou Shoujo Madoka Magica Ore no Imouto ga Konnani Kawai... Ouran High School Host Club STAR DRIVER Steins;Gate Suzumiya Haruhi Sword Art Online true tears Categories Anime News Best of Anime Blast From The Past Final Impressions First Impressions Manga Miscellaneous My Way or the Anime OVA/Movie Podcast PV Random Musings Retrospective Look Season Preview Season Schedule Series Introduction Snapshots Soundtrack Ano Hi Mita Hana no Namae wo Boku-tachi wa Mada Shiranai. – 05 »« Ano Hi Mita Hana no Namae wo Boku- tachi wa Mada Shiranai. – 03 Ano Hi Mita Hana no Namae wo Boku-tachi wa Mada Shiranai. – 04 Filed under Anohana, First Impressions by Kiiragi | 126 Comments (Shiroi Ribon no Wanpīsu) “White Ribbon Dress” Let’s do this list style. Cause I feel like it. First things first, Yukiatsu… is an enormous douchebag… is what I want to say, but I can understand his character. His obsession got pretty out of hand, but it’s nothing more extreme than what otakus do all the time.