DOCSLIB.ORG

U-Pick Live Scoreboard What Gelser and Rayfield Have Been up to in Salem Berries Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
U-Pick Live Scoreboard What Gelser and Rayfield Have Been up to in Salem Berries Music STATE LAWMAKER U-PICK LIVE SCOREBOARD WHAT GELSER AND RAYFIELD HAVE BEEN UP TO IN SALEM BERRIES MUSIC orvallis C he T ADVOCATE Free Every Thursday I www.corvallisadvocate.com I July 23-30, 2015 IT CAN BE GREAT! A NEW STANDARD OF CARE! NEW TECHNOLOGIES to empower YOU! Committed to Whole Health & Non-Toxic Options! No Insurance? No problem anymore! 2 | Corvallis Advocate Authentic Italian Meats & Cheeses summer July 23-30, 2015 YOGA SPECIAL Natalia & NEW CLIENTS ONLY Cristoforo’s 3 months for $149 351 NW Jackson St. #2 • Corvallis unlimited daytime classes* 541.752.1114 starts date of purchase Alchemist Best Sandwich Shop Winner *excludes classes after 5pm Advocate Selection as a Hidden Foodie Find Wine Classes • Party Trays 971 NW Spruce Ave, Corvallis :: 541.224.6566 :: livewellstudio.com HAT S NSIDE HIS EEK Editor/Publisher W ’ I T W ? Steven J. Schultz 4 Beav-Sci; No Truth in Site; Assoc. Editor McSeaweed Backwash Johnny Beaver 5 As the State Turns; Berry Picky Entertainment Editor 6 Be Representin’ at the Capitol, Ygal Kaufman Session Stats for Dan and Sara You are invited to Words Johnny Beaver an open house! 7 Building Fixed, Streeted Evictees Sidney Reilly Update Kiki Genoa Matt Walton 8 Artist Greta Ashworth Profiled Hannah Darling Join us at the Albany Golf & Kerry Hill Events Center to give the Sheriff 9 Kiss Me Like You Mean It, Reviewed Nathan Hermanson and County Commissioners Ygal Kaufman 10 Calendar feedback on plans for a Design new jail! Adam Payson Benton County’s 39-year-old 12 8 Days jail has become a bottleneck for Calendar the local justice system, holding less than 14 Entertainmental Nathan Hermanson half the number of offenders necessary and offering no space for treatment programs. 15 Hard Truths The Board of Commissioners is considering options to When: address community Tuesday, July 28th safety needs. Contact us: Box 2700, Corvallis, OR 97339 541.766.3675 | corvallisadvocate.com 5:30–7:30 p.m. editor Where: calendar @corvallisadvocate.com Albany Golf & Events Center story ideas 155 NW Country Club Ln., Albany } ads The Corvallis Advocate is a free newsweekly with a very diverse staff that For more information call: 541.766.6082 accepts materials from a number of sources, therefore it should be assumed that not all staff or even the majority of staff endorse all of our published materials. Corvallis Advocate | 3 By Sidney Reilly By Johnny Beaver SUCK IT, DEATH LINN-BENTON BACKWASH OSU Scientists Mainline Resveratrol McBlaze and Accidental Bacon Hyperbole Overkill erhaps you’ve seen resveratrol “This has great potential to improve advertised as a miracle compound ell, well, well I knew you had P chemotherapeutic cancer treatment,” Wit in you, Corvallis! Last week a in the quack science aisle of Rite Aid. said Adam Alani in a press release. Alani fire broke out in some trees at the It usually sits in the aisle with the pills is an assistant professor in the Oregon McDonald’s on 9th Street. The furious that advertise weight loss (with no State University/Oregon Health & blaze managed to burn what appears lifestyle change required!) or height gain, Science University College of Pharmacy, to be nine or so perfectly landscaped or something preposterous like that. It and is the lead author of the study. “trees” (also known as a self-growing turns out this particular miracle worker “The co-administration of high levels fence) and a power line. BAM! really does work miracles, and now OSU of resveratrol and quercetin, in both in Although an investigation is ongoing, researchers in the College of Pharmacy vitro and in vivo studies, I’m going to go ahead and cast my are finding new ways to shows that it significantly vote that it was crackhead in origin. maximize its potential and reduces the cardiac And probably a Burger King fan. effectiveness. toxicity of Adriamycin,” Brilliant scientists at Oregon State The Lebanon Log: On July 15, two Resveratrol has long been Alani elaborated, “and University have been putting their incredibly smart 11-year-old girls suspected as the reason these compounds have funding to good use: They’ve created freaked a bunch of people out by for the so-called “French a synergistic effect that a strain of seaweed that tastes like pretending they were going to jump paradox”—no, not that enhances the efficacy of the bacon. The seaweed, specifically their food smells so good cancer drug, by sensitizing dulse, is highly nutritious. Now is when off the bridge on Grant Street. Also, but their streets don’t. The the cancer cells to the I mention that this discovery took four drunk guys were wrastlin’ or paradox refers to the French effects of the drug.” place by accident, and that the goal something near some horseshoe pits high-fat diet of cheese and how much it wasn’t to create something bacon- and got a 30-day exclusion tag from all surprisingly doesn’t cause cardiovascular Quercetin is another polyphenol, like flavored. Sorry. I just thought I’d support city parks. Oh yeah, and a baby turkey resveratrol, thought to have a lot of the the Gazette-Times by repeating their disease. It has been thought that the got stuck in a storm drain. On July 16 same beneficial tendencies. Adriamycin sensationalism. presence of resveratrol in red wine (which some guy got punched in the face you may have heard they drink a lot of) is is a commonly used cancer drug that In Albany, the police department is at a local bar right around the same at the heart of this beneficial paradox. has toxic effects on the heart. The investigating a robbery. Just thought time two idiots on bicycles rammed study showed that not only did the two The new OSU research makes use of you’d want to know. into each other and required police polyphenols reduce the danger of the “copolymers” to make resveratrol water drug, but they also make the drug more Lebanon’s Warriors, their beloved assistance. soluble and thus injectable into the effective. Midget Federal baseball team bloodstream. This means we no longer (whatever the hell that means), were Other than that, just your average have to rely on getting it in our food and This new research threatens to make both picked up by their scruff and viciously car theft, Walmart stuff theft, warrant can just dose up, which could have huge cancer and the quack science aisle things beaten with a rubber hose... right on arrest, public urination, horses in the effects on the fight against cancer and of the past, though the wine section out of the championship tournament. road kinda stuff. several other threats to our lives. should still thrive. By Kiki Genoa BEND GROUP SEES CONSPIRACIES IN OSU CASCADE EXPANSION Truth in Site Group’s Truthyness Problem onstruction of a new four-year state’s Supreme Court. OSU has continued TIS’ biggest concern appears to be that an sites. OSU representatives say these offers Cuniversity has begun at OSU’s new building, despite the appeal. increase in enrollment will cause traffic were fabricated by TIS, who calls those who Cascades campus in Bend. The OSU congestion and limit parking spaces for side with OSU “wimpy,” stating that the OSU-C is building a 10-acre plot off satellite school, a project 30 years in the Bend citizens. OSU, however, has mediated expansion is a dangerous conspiracy. “You making, had been postponed for one year by Southwest Century Drive. Currently, the this issue with public transportation, will be shocked by the facts that we have a group of local citizens opposed to the new campus consists of just one building, but promising a donation of $300,000 to Bend’s uncovered that OSU-C doesn’t want you to campus. the new construction plan includes at least city bus system, Cascades East Transit. know,” TIS wrote to their supporters. three structures, including a three-story Truth in Site comprises 800 locals academic building, residence hall and TIS stands equally against any construction The main point TIS appears to ignore is the campaigning against OSU’s urban dining complex, a coffee shop, and student executed on the neighboring land, upon positive impact that OSU-C’s expansion will expansion in Bend, Oregon’s largest city stores. which exists a pumice mine and, according have on education in both Bend and Oregon without a four-year university. Despite the to TIS, a “toxic landfill.” According to all as a whole. Developing a new four-year fact that OSU received over $1 billion in OSU is considering additional construction statements given by OSU regarding a university augments the state’s 40-40-20 funds, TIS is convinced that Oregonians do on 46 acres of adjacent land. Until recently, possible purchase of this land, the pumice plan for improved state-funded education, not support the expansion of OSU-Cascades. only upperclassmen could attend OSU-C, mine is safe to build on. No toxic landfill and could bring important educational, However, all TIS has accomplished to date but this fall the school will allow enrollment exists anywhere in the area, though a small economic, and cultural benefits to the is delaying construction at OSU-C. for freshmen, and when construction is scrapyard composed of construction rubbish region, adding to the quality of life of all of complete nearly 2,000 students will be from an old building site can be found on Bend’s citizens. The Bend City Council, City of Bend able to attend. OSU officials expect further the adjacent plot. Perhaps, in this pile of Planning Staff, and Land Use Board of Whether or not Bend taxpayers, Truth in expansion of the campus to eventually allow old rubble, TIS found inspiration for its Appeals have all rejected appeals from TIS, Site, or OSU officials agree on the matter 3,000 to 5,000 students by 2025.
Load more

Recommended publications
  • Gemma Bovery
    presents GEMMA BOVERY A film by Anne Fontaine Based on the graphic novel ‘Gemma Bovery’ by Posy Simmonds 99 min., France. 2014 In French and English with English subtitles Press Materials: http://www.musicboxfilms.com/gemmabovery-press Official Site: http://www.musicboxfilms.com/gemmabovery Music Box Films Marketing & Publicity Distribution Contact: Lisa Trifone: [email protected] Claire Quinn Rebecca Gordon: [email protected] [email protected] 312-508-5360 / 312-508-5362 312-508-5364 NY Publicity LA Publicity Sophie Gluck & Associates Marina Bailey Film Publicity Sophie Gluck: [email protected] Marina Bailey: [email protected] Aimee Morris: [email protected] Sara Tehrani: [email protected] 212-595-2432 323-962-7511 SYNOPSIS In this vibrant seriocomic re-imagining of Flaubert’s literary classic Madame Bovary, life imitates art in uncanny ways when earthy British beauty Gemma Bovery (Gemma Arterton) and her furniture restorer husband Charles (Jason Flemyng) move to a charming ramshackle old farmhouse in the very same Norman village where the novel was written a century earlier. Their welcoming neighbor, local baker and Flaubert expert Martin Joubert (Fabrice Luchini) becomes entranced with Gemma and sets out to be her guide and mentor to her new surroundings. It doesn't take long before he is drawing parallels between the literary and real life woman, while he insinuates himself into her life. As reality sets in on the fantasy of rural French domesticity, the Boverys' marriage begins to fray and Gemma finds herself at loose ends. She soon catches the eye of a handsome young playboy and when her magnetic ex suddenly reappears, she finds herself at a crossroads and seems to be fulfilling Joubert's worst fears that her destiny is linked to that of Flaubert’s doomed heroine.
    [Show full text]
  • L'exemple De Gemma Bovery De Posy Simmonds
    Synergies Espagne n° 14 - 2021 p. 25-41 GERFLINTGERFLINT Adapter l’ironie flaubertienne : l’exemple ISSN 1961-9359 de Gemma Bovery de Posy Simmonds ISSN en ligne 2260-6513 Marina Isabel Caballero Muñoz Université de Séville, Espagne [email protected] https://orcid.org/0000-0002-7680-3534 Reçu le 04-11-2020 / Évalué le 12-12-2020 / Accepté le 17-03-2021 Résumé Gustave Flaubert a refusé d’illustrer ses livres tout au long de sa vie ; une attitude qui contraste, paradoxalement, avec les nombreuses occasions où ses œuvres ont été adaptées aux formats graphiques et cinématographiques. Dans l’univers de la narration graphique, nous trouvons Gemma Bovery (2014) de Posy Simmonds, actuel- lement le seul roman graphique inspiré du chef-d’œuvre Madame Bovary (1857) de Gustave Flaubert. L’objectif du présent article est d’étudier l’ironie flaubertienne comme source de l’humour de Posy Simmonds dans Gemma Bovery (2014). D’abord, nous contextualiserons notre étude dans le domaine des adaptations, de la bande dessinée et du roman graphique à partir des ouvrages et des auteurs clés. Ensuite, dans une partie méthodologique, nous essayerons de définir brièvement le concept d’ironie ainsi que les différents concepts qui peuvent la déclencher dans un texte littéraire. Finalement, dans l’analyse proposée, nous étudierons la présence de l’ironie flaubertienne de la forme au contenu de ce roman graphique, afin d’observer également son originalité. Mots-clés : Adaptation, roman graphique, Posy Simmonds, Gemma Bovery, Madame Bovary Adaptar la ironía flaubertiana: el ejemplo de Gemma Bovery de Posy Simmonds Resumen Gustave Flaubert rechazó ilustrar sus libros durante toda su vida.
    [Show full text]
  • Madame Bovary – Gustave Flaubert (1857)
    Madame Bovary – Gustave Flaubert (1857) Titre original : Madame Bovary, Mœurs de Province ‘Madame Bovary‘ a été adapté trois fois au cinéma : Le roman graphique 1933 : Jean Renoir 1940 : Vincente Minelli 1991 : Claude Chabrol (1999) REVIEW OF THE GRAPHIC NOVEL ARTICLE in the GUARDIAN POSY SIMMONDS – BIOGRAPHY Posy Simmonds was born in 1945. She grew up in Berkshire. She studied Graphic Design at the Central School of Art in London. In 1969, she started her first daily cartoon feature 'Bear' in The Sun, and also contributed to a variety of magazines and journals, including The Times and Cosmopolitan. In Literary Life (2003), her targets share the trials and She is renowned for her light, witty satire, and social observation. tribulations of the world of books, as observed in authors, publishers, In 1972, she moved to The Guardian as illustrator, where she booksellers and readers. These cartoons and strips typically show women created a popular cartoon strip about middle-class couple, George writers juggling the demands of work and family, or typing their and Wendy Weber. During this time she also produced graphic novels, including True Love (1981), and Gemma Bovery (1999), an frustrations into laptops. Male writers test their egos at readings and adult reworking of Flaubert's Madame Bovary. She was named book-signings and are forever flirting. The cover drawing, for instance, 'Cartoonist of the Year' in 1980 and 1981. shows a middle-aged man with his arm almost around a young waitress. Looking inside, we find the caption: ‘You know, you’re really beautiful … In 1987, she began to write and illustrate children's books, and Have you ever thought about being a novelist?’ And we see its context, created Lulu and the Flying Babies (1988) and the very the launch of a book titled Love Rats.
    [Show full text]
  • Flaubert, Apuleius and Ovid: the Genesis of a Recurring Theme
    STEPHEN GODDARD Flaubert, Apuleius and Ovid: The Genesis of a Recurring Theme Abstract: This essay examines the way in which Flaubert uses classi- cal intertexts in his works, and, in particular, how the rewriting often gives rise to a burlesque version of the original. It focuses on the tale of Acteon, as recounted by Ovid in Metamorphoses and alluded to by Apuleius in The Golden Ass, and demonstrates how these classical stories are activated in Flaubert’s work. By means of an examination of often striking textual similarities between Flaubert’s work and that of Ovid and Apuleius, this piece shows how a clear pattern of intertex- tual reference emerges in Flaubert’s work, ranging from early “straight” borrowings from the classical texts to later burlesques of certain of their aspects. Numerous commentators have noted the importance of the fairy tale as a point of reference in Flaubert’s work.1 Equally as obsessive, and, of course, also related to a particular fairy tale – that of La Belle et la Bête – is the appearance of the Cupid/Eros and Psyche myth as a point of reference for much of Flaubert’s symbolism.2 So well-known is the latter intertext that the myth emerges in the most unlikely circum- stances: for example, in Gemma Bovery, Posy Simmonds’s cartoon re- 1 See, for example, Anne Green, ‘Flaubert and the Sleeping Beauty: An Obsessive Image’, in New Approaches in Flaubert studies, ed. by Tony Williams and Mary Orr (Lampeter: Edwin Mellen Press, 1999), pp. 65-80. 2 The most obvious example is Margaret Lowe’s study, Towards the Real Flaubert: A Study of ‘Madame Bovary’ (Oxford: Oxford University Press, 1984).
    [Show full text]
  • Gemma Bovery
    presenta Gemma Bovery un film di ANNE FONTAINE con FABRICE LUCHINI e GEMMA ARTERTON Tratto dall’omonima graphic novel di Posy Simmonds FRANCIA - 2014 - 99 minuti distribuzione: Officine UBU www.officineubu.com ufficio stampa film Stefania Collalto – [email protected] - +39 339 4279472 Lisa Menga – [email protected] - +39 346 3854354 Diletta Colombo – [email protected] - +39 347 8169825 SINOSSI Martin è un intellettuale parigino riciclatosi, più o meno volontariamente, come panettiere in un paesino della Normandia. Delle sue ambizioni di gioventù gli rimane una fervida immaginazione e una passione mai sopita per la grande letteratura, in particolare per le opere di Gustave Flaubert. Questa passione si risveglia quando una coppia di inglesi, dai nomi curiosamente familiari, si trasferisce in un rustico nelle vicinanze. I nuovi arrivati si chiamano Gemma e Charles Bovery, e persino i loro comportamenti sembrano imitare gli eroi di "Madame Bovary". Martin si prodiga affinché il destino della coppia non segua la stessa trama, ma la bella Gemma Bovery non ha letto i classici della letteratura e intende vivere la propria vita come più le piace… INTERVISTA AD ANNE FONTAINE Come ha scoperto la graphic novel di Posy Simmonds? Conoscevo Posy Simmonds per via di Tamara Drewe - Tradimenti all'inglese, e il solo fatto che il libro fosse intitolato Gemma Bovery mi intrigava molto: il gioco di parole su un archetipo letterario femminile mi sembrava promettente e divertente. Quando ho letto la graphic novel, i personaggi mi hanno intrigata e toccata nel profondo: ho percepito chiaramente il loro potenziale comico e la loro profondità umana, e sono stata sedotta dal tono dell’autrice, tra commedia feroce e formidabile ironia.
    [Show full text]
  • Gemma Bovery Free Download
    GEMMA BOVERY FREE DOWNLOAD Posy Simmonds | 112 pages | 02 Jan 2001 | Vintage Publishing | 9780224061148 | English | London, United Kingdom Cartoon marvel Some text is part of the drawing and some in separate panels. Gemma Bovery Arterton Gemma Bovery. But not quite a graphic novel-- because there is a fairly large Gemma Bovery of text. He intervenes but cannot alter the inevitable conclusion. Read the review by Eric Hillis. If you are familiar with Flaubert's work, you are aware of the story although there are a few "updates" and it's twists and Gemma Bovery through the characters lives. Anne Fontaine confirmed in early that she Gemma Bovery direct the film with Philippe Carcassonne and Faye Ward producing it. This is a hybrid of novel and comic book: much of the story is told through chunks of text, representing Joubert's narration, with accompanying illustrations showing what really happened. Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Bruno Coulais Original Music. Gemma Bovery Critics Consensus Gemma Bovery 's bursts of charm -- among them Gemma Arterton's winsome performance in the title role -- are often enough to compensate for its lack of focus. Gemma, unable to resist, makes love to him again witnessed by the furious Joubert but then realises to her delight that she is now able to resist his charms. Loved the sultry atmosphere in this french film. This work needs no explanation or apology to readers of this paper, who felt inconsolably bereft when the strip reached an end over Gemma Bovery year ago.
    [Show full text]
  • Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
    November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes.
    [Show full text]
  • Emma Bovary – Gemma Bovery
    Emma Bovary – Gemma Bovery Barbara Vinken schreibt im nächsten Heft der Romanischen Studien über den Film Gemma Bovery (2014) von Anne Fontaine und über den zugrundeliegenden Comic (1999) von Posy Simmonds. Quittant son amant Patrick à Londres, l’artiste Gemma épouse le restaurateur de meubles Charlie Bovery et le couple achète une fermette en Normandie. Leur voisin Martin, le boulanger du village, est passionné de littérature. Lorsque Gemma démarre une liaison avec Hervé, le fils du château, Martin est consterné parce qu’il imagine qu’elle suivrait la descente tragique de Emma dans Madame Bovary de Gustave Flaubert. Il lui envoie une lettre, faisant semblant d’être signée par Hervé, pour terminer l’histoire d’amour. Charlie ayant quitté le foyer à cause de cette infidélité, Gemma se trouve seule lorsque son ancien amant Patrick apparaît, cherchant à raviver leur relation passée. Lorsqu’il arrive, un pain spécial que Martin a préparé pour elle est devant sa porte. Mais Gemma s’étouffe en le goûtant. Patrick essaie de l’aider par une manœuvre de Heimlich, quand Charlie réapparaît prenant l’acte médical qu’il pratique sur elle pour un acte amoureux. Alors que les deux hommes se mettent à se battre, Gemma meurt étouffée. (Wikipedia) Als „Gemma Bovery“ vor zehn Jahren in Frankreich erschien, löste es eine Kontroverse aus. Dabei ging es keineswegs darum, dass sich eine Engländerin erfrechte, einen französischen Klassiker zu einer Bande dessinée umzuformulieren, sondern um die Frage, wie textlastig ein Comic sein darf. Tatsächlich missachtet Simmonds etliche Konventionen des Comics. […] Besonders auffällig sind die Textpassagen, mit denen sie die Bildsequenzen unterbricht: Tagebuchaufzeichnungen, Briefe, Beschreibungen, innere Monologe.
    [Show full text]
  • Flaubert Enfariné / Gemma Bovery]
    Document généré le 24 sept. 2021 20:30 Séquences La revue de cinéma Flaubert enfariné Gemma Bovery Patricia Robin Numéro 294, janvier–février 2015 URI : https://id.erudit.org/iderudit/73396ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Robin, P. (2015). Compte rendu de [Flaubert enfariné / Gemma Bovery]. Séquences, (294), 22–22. Tous droits réservés © La revue Séquences Inc., 2015 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 22 LES FILMS | CRITIQUES ANNE Fontaine Gemma Bovery Flaubert enfariné La lecture des grands classiques devenant de plus en plus obsolète, le dernier film d’Anne Fontaine prêche auprès d’un public érudit qui, d’une part, connaît le roman de Gustave Flaubert, Madame Bovary et, d’autre part, admire inconditionnellement Fabrice Luchini. À cet effet, peu de comédiens auraient pu endosser le rôle de cet éditeur parisien reconverti à la boulangerie dans sa Normandie natale. On doit à cet acteur cette verve littéraire, ce ton et cette passion, tant pour la parole que pour les textes bien tournés.
    [Show full text]
  • Esther Caroline Jaquemar
    Universität für Angewandte Kunst Wien Diplomarbeit „C’est un film...non...c’est un livre.“ Exemplarische Analyse von Comic- und Filmadaptionen am Beispiel von Germaine Dulacs La souriante madame Beudet und Posy Simmonds Gemma Bovery. verfasst von Esther Caroline Jaquemar angestrebter akademische Grad Magistra Artium (Mag.a art.) eingereicht an der Universität für Angewandte Kunst Wien am Institut für Kunstwissenschaften, Kunstpädagogik und Kunstvermittlung Wien, Dezember 2019 Studienkennzahl lt. Studienblatt: S 190 590 347 A Studienrichtung lt. Studienblatt: Lehramtsstudium UF Bildnerische Erziehung UF Französisch Betreut von: Univ.-Prof. Mag.a Dr.in phil. Gabriele Jutz Eidesstattliche Erklärung: Ich, Esther Jaquemar, erkläre hiermit, dass ich die Diplomarbeit selbstständig verfasst, keine andere als die angegebenen Quellen und Hilfsmittel benutzt und mich auch sonst keiner unerlaubten Hilfen bedient habe, dass diese Diplomarbeit weder im In- noch Ausland (einer Beurteilerin oder einem Beurteiler zur Beurteilung) in irgendeiner Form als Prüfungsarbeit vorgelegt wurde, dass dieses Exemplar mit der beurteilten Arbeit übereinstimmt. Ort, Datum ................................................................................................ Unterschrift Abstract: Die Diplomarbeit hat ausgewählte Comic- und Filmadaptionen, die sich an dem literarischen Thema von Madame Bovary anlehnen, zum Thema und beschäftigt sich mit der Frage, ob und warum diese beiden Arten von Medien besonders gut für intermediale Transfers geeignet sind. Im ersten Teil der Arbeit wird eine Definition von Intermedialität vorgestellt sowie auf die verschiedenen Typen eingegangen. Des Weiteren stellt sich heraus, dass sich Comics und Filme vieler ähnlicher Erzählstrukturen bedienen. Die Besonderheit aber ist, dass die Sequenzialität von Bildern, sowohl in Form von Panels als auch von Einstellungen, das wichtigste gemeinsame narrative Merkmal dieser beiden Medientypen darstellt. Diese Erkenntnis wird sogleich mithilfe von Film- und Comicanalysen zur Probe gestellt.
    [Show full text]
  • Caribbean Journeys Intersections of Female Identity in the Novels of Michelle Cliff
    TURUN YLIOPISTON JULKAISUJA ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA - TOM. 341 HUMANIORA Caribbean Journeys Intersections of Female Identity in the Novels of Michelle Cliff By Kaisa Ilmonen TURUN YLIOPISTO UNIVERSITY OF TURKU Turku 2012 ISBN 978-951-29-4941-0 (PRINT) ISBN 978-951-29-4942-7 (PDF) ISSN 0082-6987 Layout Linda Talve Cover photo © Lars Christensen Uniprint – Turku, Finland 2012 Acknowledgements One thing that I remember from my childhood is my love of stories. I began to invent all kinds of stories myself, before I even could read or write. Another point is that I almost always found the protagonists in the children’s books extremely boring, and I used to imagine that they had hidden evil sides, ulterior motives, or secret characteristics. I also wanted to know more about the rather flat secondary characters. I tended to ask questions like, ‘What happened to them after that?’, ‘Where did they come from?’, ‘What are their families like?’, and I never received satisfactory answers to my ponderings. Today, more than thirty years later, my love for stories has grown into an academic interest in the study of narratives and literary theory. Indeed, I feel lucky almost every day that I have had the opportunity to turn my love of books into a profession, and that I get to teach my favorite short stories to students who share the same love of narrative with me. My path to being a literary scholar, however, has been long, and at times, also rough. Now, it is time to stand back and thank all of you people without whose help, intelligence, inspiration, advice and friendship, I would never have achieved my dream of completing my doctoral dissertation.
    [Show full text]
  • Women's Studies Librarian on Women, Gender, And
    WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Number 52 Spring 2008 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM No. 52, Spring 2008 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 57 Anthropology...................... 1 Religion/ Spirituality . 59 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 64 Biography ........................ 5 Sexuality ........................ 65 Economics/ Business/ Work . 11 Sociology/ Social Issues . 66 Education ....................... 14 Sports & Recreation . 74 Film/ Theater..................... 16 Women’s Movement/ General Women's Studies . 75 Health/ Medicine/ Biology . 17 Periodicals ...................... 77 History.......................... 21 Indexes Humor.......................... 27 Authors, Editors, & Translators . 79 Language/ Linguistics . 28 Subjects....................... 97 Law ............................ 28 Citation Abbreviations . 125 Lesbian Studies .................. 30 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 31 New Books on Women, Gender, & Feminism is published by Literature Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Drama ........................ 31 State Street, Madison, WI 53706. Phone: (608) 263-5754. Fiction ........................ 33 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Amy Dachenbach, Christine Kuenzle, JoAnne Lehman, Alanna History & Criticism . 35 Baldwin, Heather
    [Show full text]