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Gemma Bovery
presents GEMMA BOVERY A film by Anne Fontaine Based on the graphic novel ‘Gemma Bovery’ by Posy Simmonds 99 min., France. 2014 In French and English with English subtitles Press Materials: http://www.musicboxfilms.com/gemmabovery-press Official Site: http://www.musicboxfilms.com/gemmabovery Music Box Films Marketing & Publicity Distribution Contact: Lisa Trifone: [email protected] Claire Quinn Rebecca Gordon: [email protected] [email protected] 312-508-5360 / 312-508-5362 312-508-5364 NY Publicity LA Publicity Sophie Gluck & Associates Marina Bailey Film Publicity Sophie Gluck: [email protected] Marina Bailey: [email protected] Aimee Morris: [email protected] Sara Tehrani: [email protected] 212-595-2432 323-962-7511 SYNOPSIS In this vibrant seriocomic re-imagining of Flaubert’s literary classic Madame Bovary, life imitates art in uncanny ways when earthy British beauty Gemma Bovery (Gemma Arterton) and her furniture restorer husband Charles (Jason Flemyng) move to a charming ramshackle old farmhouse in the very same Norman village where the novel was written a century earlier. Their welcoming neighbor, local baker and Flaubert expert Martin Joubert (Fabrice Luchini) becomes entranced with Gemma and sets out to be her guide and mentor to her new surroundings. It doesn't take long before he is drawing parallels between the literary and real life woman, while he insinuates himself into her life. As reality sets in on the fantasy of rural French domesticity, the Boverys' marriage begins to fray and Gemma finds herself at loose ends. She soon catches the eye of a handsome young playboy and when her magnetic ex suddenly reappears, she finds herself at a crossroads and seems to be fulfilling Joubert's worst fears that her destiny is linked to that of Flaubert’s doomed heroine. -
Some Thoughts On… Far from the Madding Crowd and Its Adaptations Quelques Réflexions Sur… Far from the Madding Crowd Et Ses Adaptations
FATHOM a French e-journal of Thomas Hardy studies 3 | 2016 The Hollow Amid the Text Some Thoughts on… Far from the Madding Crowd and its Adaptations Quelques réflexions sur… Far from the Madding Crowd et ses adaptations Laurence Estanove Electronic version URL: http://journals.openedition.org/fathom/592 DOI: 10.4000/fathom.592 ISSN: 2270-6798 Publisher Association française sur les études sur Thomas Hardy Electronic reference Laurence Estanove, « Some Thoughts on… Far from the Madding Crowd and its Adaptations », FATHOM [Online], 3 | 2016, Online since 30 April 2016, connection on 20 April 2019. URL : http:// journals.openedition.org/fathom/592 ; DOI : 10.4000/fathom.592 This text was automatically generated on 20 April 2019. Some Thoughts on… Far from the Madding Crowd and its Adaptations 1 Some Thoughts on… Far from the Madding Crowd and its Adaptations Quelques réflexions sur… Far from the Madding Crowd et ses adaptations Laurence Estanove Introduction: “Bringing Shepherd Back” 1 In the whole of Hardy’s work, Far from the Madding Crowd is probably, today, the novel that has entailed the most numerous adaptations, or at least adaptations of the most various kinds. The multiplication of those in very recent years may naturally be said to testify to the modernity of Hardy’s writing. But one might also wonder what attracted a variety of artistic practices in that particular novel of Hardy’s, while others, such as Tess, have enjoyed a greater popularity yet generated a more restricted number of adaptations. To this day, four filmmakers as well as one cartoonist and one opera composer have made Hardy’s fourth novel their own. -
British Library Conference Centre
The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at -
L'exemple De Gemma Bovery De Posy Simmonds
Synergies Espagne n° 14 - 2021 p. 25-41 GERFLINTGERFLINT Adapter l’ironie flaubertienne : l’exemple ISSN 1961-9359 de Gemma Bovery de Posy Simmonds ISSN en ligne 2260-6513 Marina Isabel Caballero Muñoz Université de Séville, Espagne [email protected] https://orcid.org/0000-0002-7680-3534 Reçu le 04-11-2020 / Évalué le 12-12-2020 / Accepté le 17-03-2021 Résumé Gustave Flaubert a refusé d’illustrer ses livres tout au long de sa vie ; une attitude qui contraste, paradoxalement, avec les nombreuses occasions où ses œuvres ont été adaptées aux formats graphiques et cinématographiques. Dans l’univers de la narration graphique, nous trouvons Gemma Bovery (2014) de Posy Simmonds, actuel- lement le seul roman graphique inspiré du chef-d’œuvre Madame Bovary (1857) de Gustave Flaubert. L’objectif du présent article est d’étudier l’ironie flaubertienne comme source de l’humour de Posy Simmonds dans Gemma Bovery (2014). D’abord, nous contextualiserons notre étude dans le domaine des adaptations, de la bande dessinée et du roman graphique à partir des ouvrages et des auteurs clés. Ensuite, dans une partie méthodologique, nous essayerons de définir brièvement le concept d’ironie ainsi que les différents concepts qui peuvent la déclencher dans un texte littéraire. Finalement, dans l’analyse proposée, nous étudierons la présence de l’ironie flaubertienne de la forme au contenu de ce roman graphique, afin d’observer également son originalité. Mots-clés : Adaptation, roman graphique, Posy Simmonds, Gemma Bovery, Madame Bovary Adaptar la ironía flaubertiana: el ejemplo de Gemma Bovery de Posy Simmonds Resumen Gustave Flaubert rechazó ilustrar sus libros durante toda su vida. -
English Literature, History, Children's Books And
LONDON 13 DECEMBER 2016 DECEMBER 13 LONDON HISTORY, CHILDREN’S CHILDREN’S HISTORY, ENGLISH LITERATURE, ENGLISH LITERATURE, BOOKS AND BOOKS ILLUSTRATIONS LONDON ENGLISH LITERATURE, HISTORY, CHILDREN’S BOOKS AND ILLUSTRATIONS 13 DECEMBER 2016 L16408 ENGLISH LITERATURE, HISTORY, CHILDREN’S BOOKS AND ILLUSTRATIONS FRONT COVER LOT 67 (DETAIL) BACK COVER LOT 317 THIS PAGE LOT 30 (DETAIL) ENGLISH LITERATURE, HISTORY, CHILDREN’S BOOKS AND ILLUSTRATIONS AUCTION IN LONDON 13 DECEMBER 2016 SALE L16408 SESSION ONE: 10 AM SESSION TWO: 2.30 PM EXHIBITION Friday 9 December 9 am-4.30 pm Saturday 10 December 12 noon-5 pm Sunday 11 December 12 noon-5 pm Monday 12 December 9 am-7 pm 34-35 New Bond Street London, W1A 2AA +44 (0)20 7293 5000 sothebys.com THIS PAGE LOT 101 (DETAIL) SPECIALISTS AND AUCTION ENQUIRIES For further information on lots in this auction please contact any of the specialists listed below. SALE NUMBER SALE ADMINISTRATOR L16408 “BABBITTY” Lukas Baumann [email protected] BIDS DEPARTMENT +44 (0)20 7293 5287 +44 (0)20 7293 5283 fax +44 (0)20 7293 5904 fax +44 (0)20 7293 6255 [email protected] POST SALE SERVICES Kristy Robinson Telephone bid requests should Post Sale Manager Peter Selley Dr. Philip W. Errington be received 24 hours prior FOR PAYMENT, DELIVERY Specialist Specialist to the sale. This service is AND COLLECTION +44 (0)20 7293 5295 +44 (0)20 7293 5302 offered for lots with a low estimate +44 (0)20 7293 5220 [email protected] [email protected] of £2,000 and above. -
Madame Bovary – Gustave Flaubert (1857)
Madame Bovary – Gustave Flaubert (1857) Titre original : Madame Bovary, Mœurs de Province ‘Madame Bovary‘ a été adapté trois fois au cinéma : Le roman graphique 1933 : Jean Renoir 1940 : Vincente Minelli 1991 : Claude Chabrol (1999) REVIEW OF THE GRAPHIC NOVEL ARTICLE in the GUARDIAN POSY SIMMONDS – BIOGRAPHY Posy Simmonds was born in 1945. She grew up in Berkshire. She studied Graphic Design at the Central School of Art in London. In 1969, she started her first daily cartoon feature 'Bear' in The Sun, and also contributed to a variety of magazines and journals, including The Times and Cosmopolitan. In Literary Life (2003), her targets share the trials and She is renowned for her light, witty satire, and social observation. tribulations of the world of books, as observed in authors, publishers, In 1972, she moved to The Guardian as illustrator, where she booksellers and readers. These cartoons and strips typically show women created a popular cartoon strip about middle-class couple, George writers juggling the demands of work and family, or typing their and Wendy Weber. During this time she also produced graphic novels, including True Love (1981), and Gemma Bovery (1999), an frustrations into laptops. Male writers test their egos at readings and adult reworking of Flaubert's Madame Bovary. She was named book-signings and are forever flirting. The cover drawing, for instance, 'Cartoonist of the Year' in 1980 and 1981. shows a middle-aged man with his arm almost around a young waitress. Looking inside, we find the caption: ‘You know, you’re really beautiful … In 1987, she began to write and illustrate children's books, and Have you ever thought about being a novelist?’ And we see its context, created Lulu and the Flying Babies (1988) and the very the launch of a book titled Love Rats. -
Flaubert, Apuleius and Ovid: the Genesis of a Recurring Theme
STEPHEN GODDARD Flaubert, Apuleius and Ovid: The Genesis of a Recurring Theme Abstract: This essay examines the way in which Flaubert uses classi- cal intertexts in his works, and, in particular, how the rewriting often gives rise to a burlesque version of the original. It focuses on the tale of Acteon, as recounted by Ovid in Metamorphoses and alluded to by Apuleius in The Golden Ass, and demonstrates how these classical stories are activated in Flaubert’s work. By means of an examination of often striking textual similarities between Flaubert’s work and that of Ovid and Apuleius, this piece shows how a clear pattern of intertex- tual reference emerges in Flaubert’s work, ranging from early “straight” borrowings from the classical texts to later burlesques of certain of their aspects. Numerous commentators have noted the importance of the fairy tale as a point of reference in Flaubert’s work.1 Equally as obsessive, and, of course, also related to a particular fairy tale – that of La Belle et la Bête – is the appearance of the Cupid/Eros and Psyche myth as a point of reference for much of Flaubert’s symbolism.2 So well-known is the latter intertext that the myth emerges in the most unlikely circum- stances: for example, in Gemma Bovery, Posy Simmonds’s cartoon re- 1 See, for example, Anne Green, ‘Flaubert and the Sleeping Beauty: An Obsessive Image’, in New Approaches in Flaubert studies, ed. by Tony Williams and Mary Orr (Lampeter: Edwin Mellen Press, 1999), pp. 65-80. 2 The most obvious example is Margaret Lowe’s study, Towards the Real Flaubert: A Study of ‘Madame Bovary’ (Oxford: Oxford University Press, 1984). -
Gemma Bovery
presenta Gemma Bovery un film di ANNE FONTAINE con FABRICE LUCHINI e GEMMA ARTERTON Tratto dall’omonima graphic novel di Posy Simmonds FRANCIA - 2014 - 99 minuti distribuzione: Officine UBU www.officineubu.com ufficio stampa film Stefania Collalto – [email protected] - +39 339 4279472 Lisa Menga – [email protected] - +39 346 3854354 Diletta Colombo – [email protected] - +39 347 8169825 SINOSSI Martin è un intellettuale parigino riciclatosi, più o meno volontariamente, come panettiere in un paesino della Normandia. Delle sue ambizioni di gioventù gli rimane una fervida immaginazione e una passione mai sopita per la grande letteratura, in particolare per le opere di Gustave Flaubert. Questa passione si risveglia quando una coppia di inglesi, dai nomi curiosamente familiari, si trasferisce in un rustico nelle vicinanze. I nuovi arrivati si chiamano Gemma e Charles Bovery, e persino i loro comportamenti sembrano imitare gli eroi di "Madame Bovary". Martin si prodiga affinché il destino della coppia non segua la stessa trama, ma la bella Gemma Bovery non ha letto i classici della letteratura e intende vivere la propria vita come più le piace… INTERVISTA AD ANNE FONTAINE Come ha scoperto la graphic novel di Posy Simmonds? Conoscevo Posy Simmonds per via di Tamara Drewe - Tradimenti all'inglese, e il solo fatto che il libro fosse intitolato Gemma Bovery mi intrigava molto: il gioco di parole su un archetipo letterario femminile mi sembrava promettente e divertente. Quando ho letto la graphic novel, i personaggi mi hanno intrigata e toccata nel profondo: ho percepito chiaramente il loro potenziale comico e la loro profondità umana, e sono stata sedotta dal tono dell’autrice, tra commedia feroce e formidabile ironia. -
Posy Simmonds Author / Illustrator
Posy Simmonds Author / Illustrator Posy Simmonds is best known for her weekly cartoon strip which ran in the Guardian from 1977 to 1987. The collected cartoons were published as MRS WEBER'S DIARY, TRUE LOVE, PICK OF POSY, PURE POSY and MUSTN'T GRUMBLE. She was Cartoonist of the Year in 1980 and 1981 and in 1998 was overall winner of the National Art Library Illustrations Award. GEMMA BOVERY was published by Cape in 1999 to great critical acclaim. Her last book, TAMARA DREWE, was made into a film starring Gemma Arterton. Agents Caroline Dawnay Assistant Kat Aitken [email protected] 02032140931 Publications Other Publication Details Notes TAMARA DREWE A graphic novel loosely based on Hardy`s FAR FROM THE MADDING 2007 CROWD. Jonathan Cape BAKER CAT The delightful tale of a beastly baker, a hard-working cat and a rabble of 2004 rude and frisky mice. Jonathan Cape United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Publication Details Notes LITERARY LIFE The book consists of approximately fifty `Literary Life` cartoons, as 2003 currently being serialised weekly every Saturday in the Guardian Review, Jonathan Cape and a selection of short stories. GEMMA BOVERY A classic novel rewritten as glittering contemporary satire: the British 1999 adrift in Normandy. Jonathan Cape MATILDA Who told such dreadful lies and was burned to death. 1992 Jonathan Cape LULU AND THE Lulu is swept off her feet by a winged figure and flown into a wonderful FLYING BABIES world of pictures. -
Gemma Bovery Free Download
GEMMA BOVERY FREE DOWNLOAD Posy Simmonds | 112 pages | 02 Jan 2001 | Vintage Publishing | 9780224061148 | English | London, United Kingdom Cartoon marvel Some text is part of the drawing and some in separate panels. Gemma Bovery Arterton Gemma Bovery. But not quite a graphic novel-- because there is a fairly large Gemma Bovery of text. He intervenes but cannot alter the inevitable conclusion. Read the review by Eric Hillis. If you are familiar with Flaubert's work, you are aware of the story although there are a few "updates" and it's twists and Gemma Bovery through the characters lives. Anne Fontaine confirmed in early that she Gemma Bovery direct the film with Philippe Carcassonne and Faye Ward producing it. This is a hybrid of novel and comic book: much of the story is told through chunks of text, representing Joubert's narration, with accompanying illustrations showing what really happened. Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Bruno Coulais Original Music. Gemma Bovery Critics Consensus Gemma Bovery 's bursts of charm -- among them Gemma Arterton's winsome performance in the title role -- are often enough to compensate for its lack of focus. Gemma, unable to resist, makes love to him again witnessed by the furious Joubert but then realises to her delight that she is now able to resist his charms. Loved the sultry atmosphere in this french film. This work needs no explanation or apology to readers of this paper, who felt inconsolably bereft when the strip reached an end over Gemma Bovery year ago. -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes. -
Tamara Drewe by Moira Buffini
Tamara Drewe by Moira Buffini Based on the book by Posy Simmonds SHOOTING DRAFT 24th August 2009 PINK PAGES 4th September 2009 BLUE PAGES 15th September 2009 YELLOW PAGES 21st September 2009 GREEN PAGES 25th September 2009 GOLDENROD PAGES 20th October 2009 Developed with the assistance of the National Lottery through the UK Film Council and the British Broadcasting Corporation Ruby Films 26 Lloyd Baker Street London WC1X 9AW Tel: 0207 833 9990 (c) 2009 UK Film Council, BBC and Ruby Films Limited GOLDENROD REVISIONS 20.10.09 1. 1 SUMMER. POSY DRAWING 1 2 EXT. DAY. STONEFIELD - THE GROUNDS. 2 Andy Cobb, early thirties, is digging an English garden in the hot sun. He is lean, naked to the waist. It’s hard to tell which century he inhabits. Only when he stops to drink from a plastic bottle do we realise he is of our time. TESS (V.O.) And love slipped the bonds of restraint... At a table under a willow tree sits Tess - early fifties, funky specs - at a laptop. She pauses in her typing, staring at Andy. TESS (V.O.)(CONT'D) His touch was like a cosmic ‘yes’. Underneath a converted barn, cross-legged on a bench in a bikini top, sits Eustacia. She is hunched over a note pad, writing at tremendous speed, oblivious to all but her work. EUSTACIA (V.O.) ‘Fuck you,’ screamed Kelly, ‘Fuck you to hell!’ Scott stepped back from the cell door as the gob of spit flew.’ 1A INT. DAY. GLEN’S ROOM. 1A Sitting at a barn window is American academic Glen McCreavy ; a physically awkward man, more at home with his intellect than his body.