2014224 [NUN-2015-30.1] 006-Ribouillault-proof-01 [date 1412151024 : version 1412031345] page 124 Nuncius 30 (2015) 124–160 brill.com/nun Atlas and Hercules in the Garden Scientific Culture and Literary Imagination at the Villa Aldobrandini at Frascati Denis Ribouillault University of Montréal, Canada
[email protected] Abstract This essay explores the interplay in early modern Roman gardens between the iconog- raphy of instruments and fountains and scientific culture, especially astronomy. Exam- ining the sundials that adorned the garden at the Villa Aldobrandini at Frascati, it suggests a new reading of the garden and its iconographic programme, centred on the iconography of Atlas and Hercules holding the celestial sphere. It stresses the impor- tance of scientific culture for both the conception and the subsequent reception of the programme. Several themes are developed: the relevance of wonder and curiosity in the process of understanding nature, the multiple links between nature and artefacts in the space of the garden, and the scientific interests of the patron, Cardinal Pietro Aldobrandini, and his main adviser, the letterato Giovanni Battista Agucchi. Keywords gardens – Giovanni Battista Agucchi – sundials … For Volker Remmert ∵ In Galileo as a Critic of the Arts (1954), Erwin Panofsky famously advanced the contention that it was Galileo’s aesthetic taste that explained his refusal to con- © koninklijke brill nv, leiden, 2015 | doi: 10.1163/18253911-03001006 2014224 [NUN-2015-30.1] 006-Ribouillault-proof-01 [date 1412151024 : version 1412031345] page 125 atlas and hercules in the garden 125 sider Kepler’s discovery of the elliptical orbit. The ellipse, he argued, was too foreign to the idea of perfection represented by the circle.