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Bargain Booze Limited Wine Rack Limited Conviviality Retail
www.pwc.co.uk In accordance with Paragraph 49 of Schedule B1 of the Insolvency Act 1986 and Rule 3.35 of the Insolvency (England and Wales) Rules 2016 Bargain Booze Limited High Court of Justice Business and Property Courts of England and Wales Date 13 April 2018 Insolvency & Companies List (ChD) CR-2018-002928 Anticipated to be delivered on 16 April 2018 Wine Rack Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002930 Conviviality Retail Logistics Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002929 (All in administration) Joint administrators’ proposals for achieving the purpose of administration Contents Abbreviations and definitions 1 Why we’ve prepared this document 3 At a glance 4 Brief history of the Companies and why they’re in administration 5 What we’ve done so far and what’s next if our proposals are approved 10 Estimated financial position 15 Statutory and other information 16 Appendix A: Recent Group history 19 Appendix B: Pre-administration costs 20 Appendix C: Copy of the Joint Administrators’ report to creditors on the pre- packaged sale of assets 22 Appendix D: Estimated financial position including creditors’ details 23 Appendix E: Proof of debt 75 Joint Administrators’ proposals for achieving the purpose of administration Joint Administrators’ proposals for achieving the purpose of administration Abbreviations and definitions The following table shows the abbreviations -
The Industrial Revolution: 18-19Th C
The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture. -
Museum of Economic Botany, Kew. Specimens Distributed 1901 - 1990
Museum of Economic Botany, Kew. Specimens distributed 1901 - 1990 Page 1 - https://biodiversitylibrary.org/page/57407494 15 July 1901 Dr T Johnson FLS, Science and Art Museum, Dublin Two cases containing the following:- Ackd 20.7.01 1. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 2. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 3. Wood of Melia indica, Anantapur, Paris Exhibition 1900 4. Wood of Anogeissus acuminata, Ganjam, Paris Exhibition 1900 5. Wood of Xylia dolabriformis, Godaveri, Paris Exhibition 1900 6. Wood of Pterocarpus Marsupium, Kistna, Paris Exhibition 1900 7. Wood of Lagerstremia parviflora, Godaveri, Paris Exhibition 1900 8. Wood of Anogeissus latifolia , Godaveri, Paris Exhibition 1900 9. Wood of Gyrocarpus jacquini, Kistna, Paris Exhibition 1900 10. Wood of Acrocarpus fraxinifolium, Nilgiris, Paris Exhibition 1900 11. Wood of Ulmus integrifolia, Nilgiris, Paris Exhibition 1900 12. Wood of Phyllanthus emblica, Assam, Paris Exhibition 1900 13. Wood of Adina cordifolia, Godaveri, Paris Exhibition 1900 14. Wood of Melia indica, Anantapur, Paris Exhibition 1900 15. Wood of Cedrela toona, Nilgiris, Paris Exhibition 1900 16. Wood of Premna bengalensis, Assam, Paris Exhibition 1900 17. Wood of Artocarpus chaplasha, Assam, Paris Exhibition 1900 18. Wood of Artocarpus integrifolia, Nilgiris, Paris Exhibition 1900 19. Wood of Ulmus wallichiana, N. India, Paris Exhibition 1900 20. Wood of Diospyros kurzii , India, Paris Exhibition 1900 21. Wood of Hardwickia binata, Kistna, Paris Exhibition 1900 22. Flowers of Heterotheca inuloides, Mexico, Paris Exhibition 1900 23. Leaves of Datura Stramonium, Paris Exhibition 1900 24. Plant of Mentha viridis, Paris Exhibition 1900 25. Plant of Monsonia ovata, S. -
Annual Report 2004/5 Corrected
THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010. -
Newsletter # 05 / March 2013
EUROPEAN HERITAGE HEADS Newsletter FORUM # 05 / March 2013 Dear colleagues I am looking forward to greeting you in Oslo in May! In this newsletter you will find infor- mation on the programme for the EHHF meeting, from May 22 (evening) to May 24th and information on how to register. We have included news on developments in the European Cultural Heritage sector pertaining to our meeting in May. If you wish to bring your partner or spouse I am happy to welcome them to all meals and excursions. Please notify us of this when you register and please register as soon as possible. The programme for this year’s meeting is focused on two topics. The first, which we will discuss among ourselves, is the organization of the EHHF and the creation of an EHHF Secretariat. The second topic is the cooperation with the NGO sector to improve dialogue and cooperation with civil society to build a more cooperative cultural heritage management policy. A number of guests are invited to discuss this with us. We are still working to com- plete the details. I am also pleased to have accommodated interesting technical excursions. On the evening of the 22nd we shall meet for a welcome reception at the new Opera building, which was inaugurated in 2008 and listed in 2012. In the afternoon of the 23rd we will take the boat to Bygdøy. Here we will have lunch and afterwards visit the Stave Church, the excavated Viking ships and historic buildings from the middle ages up to the 19th century. The dinner will be in the historic Akershus Castle and hosted by the Minister of Environ- ment. -
A Summer of British Festivals Featuring 3 Performances at the the Proms, 2 Operas at Glyndebourne and Shakespeare at Stratford and the Globe
Australian Freephone: 1800 132 385 New Zealand Freephone: 0800 132 385 Email: [email protected] A Summer of British Festivals Featuring 3 performances at the The Proms, 2 operas at Glyndebourne and Shakespeare at Stratford and The Globe As Summer comes to England, our minds turn towards glorious Summer Festivals. The wonderful series of BBC Proms at the Royal Albert Hall, a night out at the opera at Glyndebourne and, in the 450th anniversary year of Shakespeare’s birth, to the Summer performances of the bard at the RSC in Stratford and at the Globe in London. Our 14 night program combines these inspiring events into a summer symphony of culture and allows you to sit back and relax while enjoying some stunning performances of drama and music. However, our musical and dramatic pursuits do not prevent us from enjoying some of the best scenery England has to offer. Naturally, while in London, we enjoy a tour of the National Gallery with a specialist guide, we visit splendid Kew Palace and Gardens, enjoy a day out on the Thames at Windsor and Eton, visit Hampton Court Itinerary at a Glance and take advantage of the special Summer opening of Buckingham Site / Number of Nights Palace. We stay at Brighton, close to Glyndebourne, to visit the London - 4, Royal Pavilion and nearby Sissinghurst Gardens, as well as the Brighton - 3, quaint towns and villages of Kent and East Sussex, such as Stratford – 3, Tenterden and Rye. While in Stratford, not only do we visit the town of the Bard but also immerse ourselves in the history of London – 4. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Life and Cult of Cnut the Holy the First Royal Saint of Denmark
Life and cult of Cnut the Holy The first royal saint of Denmark Edited by: Steffen Hope, Mikael Manøe Bjerregaard, Anne Hedeager Krag & Mads Runge Life and cult of Cnut the Holy The first royal saint of Denmark Report from an interdisciplinary research seminar in Odense. November 6th to 7th 2017 Edited by: Steffen Hope, Mikael Manøe Bjerregaard, Anne Hedeager Krag & Mads Runge Kulturhistoriske studier i centralitet – Archaeological and Historical Studies in Centrality, vol. 4, 2019 Forskningscenter Centrum – Odense Bys Museer Syddansk Univeristetsforlag/University Press of Southern Denmark «SANCTUS OLAUS REX ET MARTIRIS»: CONSTRUCTING THE EARLY CULT OF ST OLAV OF NORWAY 1030 – 1220 «Sanctus Olaus rex et martiris»: Constructing the early cult of St Olav of Norway 1030 – 1220 By Øystein Ekroll In Norwegian medieval history and historiography, fourteenth century also with the union of the three the holy king St Olav (995 – 1030) looms larger than Nordic kingdoms. During these centuries, the cult all other persons. Traditionally, in historical writing, of St Olav lent its prestige to the earthly monarchy, his death in battle in 1030 marks the beginning of but as the cult gradually developed in Scandinavia, the Middle Ages in Norway, while the destruction it also acquired and incorporated royal ideology. St of his shrine and cult in 1537 marks the end. Many Olav belonged to an exclusive group of holy Europe- questions still surround the development of his cult: an kings who acquired a position as dynastic saints, How does one establish the cult of a saint in a newly lending their prestige to their successors. -
Transcription of 3D Royal Pavilion Estate Commentary [PDF]
Transcription of 3D and VR Pavilion Estate curatorial commentary Written and voiced by Alexandra Loske URL: http://brightonmuseums.org.uk/3DPavilion/ Royal Pavilion The Royal Pavilion was created between 1785 and 1823 by George, Prince of Wales who would later become Prince Regent and eventually King George IV. George first visited Brighton as a young man aged 21 in 1763 and soon after decided to make the seaside town his playground away from London. He rented a house on the site of the present Pavilion and in 1786 hired the architect Henry Holland to build him a ‘pavilion by the sea’. This first building on this site was a two-storey, symmetrical structure in a neo- classical style. It was elegant and sophisticated, but by no means exotic in appearance. George made alterations and changes to his pleasure palace throughout his life, gradually creating the outlandish and exuberant palace we see today -- although he never called it a palace. He mostly used it for lavish banquets and to stage great balls and concerts, and often spent several months at a time here. The greatest change to the exterior was made between 1815 and 1823, when the famous architect John Nash was hired to transform the neo-classical building into an oriental fantasy. The exterior we can see here was inspired by Indian architecture, with added Gothic elements. Nash added two large state rooms to the Pavilion on the north and south end, with tent-shaped roofs. The onion-shaped domes and ornamental features in the centre of the building were built around and on top of the existing building, using cast iron on a large scale. -
Narrator: from Brighton, on the English South Coast, These Are the Voices of the Royal Pavilion & Museums, with Dr
Narrator: From Brighton, on the English South Coast, these are the voices of the Royal Pavilion & Museums, with Dr. Sophie Frost. Sophie: Hello! I'm Sophie, and I've spent the past 9 months wandering the corridors of the Royal Pavilion & Museums in Brighton & Hove - otherwise known as RPM - uncovering the stories of the museum people who keep Brighton's historic buildings and collections relevant, vibrant, and accessible for the world we're living in. Sophie: In this episode I'm joined by Marcus Bagshaw, Sue Winkett, Clare Hartfield, and Zak Flannery, who all work in the Visitor Services team at Royal Pavilion & Museums, Brighton and Hove. As we discovered last time, schemes such as the Workforce Development programme provoked a family feel across the workforce at RPM. In what follows, we'll see how the enthusiasm and expertise of different frontline staff provides a collective energy that keeps RPM's objects, buildings, and collections, alive for its visitors. Marcus: My name is Marcus Bagshaw and I'm what they call a Visitor Services Officer - basically front-of-house. The role is all-encompassing - it's not just the one thing - we get involved in many different elements of customer service. And, I think one of the main reasons we are there, is to embellish the customer experience - provide just that little bit more information that they might not get, ordinarily. So, that means that we do get into some very interesting conversations, long and short. And, of course, working in a place like the Royal Pavilion - visitors are never short of questions. -
Royal Collection Trust Exhibitions and Displays 2020
CONTACT SHEET Royal Collection Trust Exhibitions and Displays 2020 The Queen’s Gallery, Buckingham Palace George IV: Art & Spectacle Japan: Courts and Culture 15 November 2019 – 3 May 2020 12 June – 8 November 2020 Sir Thomas Lawrence, Iwai Yozaemon, George IV, 1821 Armour (dōmaru), c.1610 Masterpieces from Buckingham Palace 4 December 2020 – September 2021 Pieter de Hooch, Card Players in a sunlit Room, 1658 The Queen’s Gallery, Palace of Holyroodhouse Leonardo da Vinci: A Life in Drawing Eastern Encounters: Four Centuries of Paintings and Manuscripts from the Indian 22 November 2019 – 15 March 2020 Subcontinent 3 April – 13 September 2020 Attributed to Francesco Painting from the Melzi, Leonardo da Vinci, Padshahnama manuscript 1515–18 (‘Book of Emperors’), 1656–7 Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.rct.uk The Queen’s Gallery, Palace of Holyroodhouse George IV: Art & Spectacle 16 October 2020 – 5 April 2021 Sir David Wilkie, George IV, 1829 Windsor Castle Christmas at Windsor Castle 29 November 2019 – 5 January 2020 The Christmas tree in St George’s Hall, Windsor Castle Palace of Holyroodhouse Christmas at the Palace of Holyroodhouse George Washington Wilson: Queen Victoria’s 6 December 2019 – 6 January 2020 Photographer in Scotland 17 July – 4 October 2020 George Washington Wilson, Queen Victoria on ‘Fyvie’ with John Brown, Balmoral, 20 October 1863 Christmas display in the Throne Room, Palace of Holyroodhouse Press Office, Royal Collection Trust, -
702231 MODERN ARCHITECTURE a Nash and the Regency
702231 MODERN ARCHITECTURE A Nash and the Regency the Regency 1811-1830 insanity of George III rule of the Prince Regent 1811-20 rule of George IV (former Prince Regent) 1820-1830 the Regency style lack of theoretical structure cavalier attitude to classical authority abstraction of masses and volumes shallow decoration and elegant colours exterior stucco and light ironwork decoration eclectic use of Greek Revival and Gothick elements Georgian house in Harley Street, London: interior view. MUAS10,521 PROTO-REGENCY CHARACTERISTICS abstract shapes shallow plaster decoration light colouration Osterley Park, Middlesex (1577) remodelled by 20 Portman Square, London, the Adam Brothers, 1761-80: the Etruscan Room. by Robert Adam, 1775-7: the music room MUAS 2,550 MUAS 2,238 ‘Etruscan’ decoration by the Adam brothers Syon House, Middlesex, remodelled by Robert Portland Place, London, Adam from 1762: door of the drawing room by the Adam brothers from 1773: detail MUAS 10,579 MUAS 24,511 shallow pilasters the Empire Style in France Bed for Mme M, and Armchair with Swan vases, both from Percier & Fontaine, Receuil de Décorations (1801) Regency drawing room, from Thomas Hope, Household Furniture and Decoration (1807) Regency vernacular with pilastration Sandford Park Hotel, Bath Road, Cheltenham Miles Lewis Regency vernacular with blind arches and Greek fret pilasters Oriel Place, Bath Road, Cheltenham photos Miles Lewis Regency vernacular with balconies No 24, The Front, Brighton; two views in Bayswater Road, London MUAS 8,397, 8,220, 8,222 'Verandah' [balcony], from J B Papworth, Rural Residences, Consisting of a Series of Designs for Cottages, Decorated Cottages, Small Villas, and other Ornamental Buildings ..