SCUM Manifesto
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Matt Jenkins
NEWSSTAND PRICE 56.50 MAY 27, 2005 `We Belong' In M.I.P. Territory Islard /IDJMG artist Mariah Carey rocket up the Pop chart this week: We Belong Together," tie latest single from her new album, The Art & Science Of Management The Emancipah9n of Mimi, scores Most Increased This week R &R's format editors cevote their columns Plays at the folma-. with to a wide variety of artist managers in an effort to in the music industry are 1,233 addition il plays and, uncover how changes way they do business. You'll learn how as a result, clir bs 16 -6 *. affecting the and .companies, work Carey will perf arm on The managers brand their artists finesse what they need MTV Movie A ards, airing RAD/0 Ñ ilE88h/hS with radio to get more airplay, much, much more. June 9. www.radioandrecords.com from the labels and MATT JENKINS Men will lay on the couch and laugh! Women will laugh all the way home 'Cause it's true! PLAY IT JUNE 6TH! Produced by Tony Brown www universal- UNIVERSAL south.com - SOUTH - N T E R T 1 1 N NI E N l www mattjenkinsmusi.;.com Management: Vector Management E www.americanradiohistory.com ON YOUR DESK NOW www.bizarresworld.com www sanctuarygroup.com www.americanradiohistory.com INSIDE MAY 27, 2005 A REPORT FROM OVERSEAS GOOD SPORTS The Music Managers Forum is a coalition of worldwide artist managers who have joined forces to deal with Boston may well be the best damn issues that affect the sports city in America, and it has o Music careers of the artists they of the best damn Sports stations in Managers represent. -
Excerpt from “Outlaw Woman: a Memoir of the War Years 1960-1975”
1 Roxanne Dunbar-Ortiz Excerpt from Chapter 4: 1968 pp. 109-156) of Outlaw Woman: A Memoir of the War Years, 1960-1975, (New edition, University of Oklahoma Press, 2014) Presented as part of "A Revolutionary Moment: Women's Liberation in the late 1960s and early 1970s," a conference organized by the Women's, Gender, & Sexuality Studies Program at Boston University, March 27-29, 2014. “SUPER-WOMAN POWER ADVOCATE SHOOTS . .” That news headline propelled me to action. On Tuesday, June 4, 1968, I sat in Sanborn’s restaurant in México City across from the beautiful Bellas Artes building. As the original Sanborn's, the walls are lined with sepia photographs of Emiliano Zapata and Pancho Villa and their soldiers celebrating their revolutionary victory in that very place in 1914. Jean-Louis wanted me to meet his old friend Arturo. Arturo was a Mexican poet and anarchist intensively involved in organizing against the Olympics. I was sullen and angry because Jean-Louis had introduced me as mi esposa, his wife. Screaming fights between us had become normal, and I was trying to devise another way to go to Cuba. I suspected that the purpose of the meeting with Arturo was to dissuade me from going to Cuba. Arturo called Fidel Castro a statist who was wedded to 2 “Soviet imperialism,” and he complained that Cuba had agreed to participate in the Olympics. Arturo was smart, intense, and angry, his personality similar to that of Jean-Louis. When he spoke, he hit the palm of his left hand with the rolled-up tabloid in his right hand. -
Shulamith Firestone 1945–2012 2
Shulamith Firestone 1945–2012 2 Photograph courtesy of Lori Hiris. New York, 1997. Memorial for Shulamith Firestone St. Mark’s Church in the Bowery, Parish Hall September 23, 2012 Program 4:00–6:00 pm Laya Firestone Seghi Eileen Myles Kathie Sarachild Jo Freeman Ti-Grace Atkinson Marisa Figueiredo Tributes from: Anne Koedt Peggy Dobbins Bev Grant singing May the Work That I Have Done Speak For Me Kate Millett Linda Klein Roxanne Dunbar Robert Roth 3 Open floor for remembrances Lori Hiris singing Hallelujah Photograph courtesy of Lori Hiris. New York, 1997. Reception 6:00–6:30 4 Shulamith Firestone Achievements & Education Writer: 1997 Published Airless Spaces. Semiotexte Press 1997. 1970–1993 Published The Dialectic of Sex, Wm. Morrow, 1970, Bantam paperback, 1971. – Translated into over a dozen languages, including Japanese. – Reprinted over a dozen times up through Quill trade edition, 1993. – Contributed to numerous anthologies here and abroad. Editor: Edited the first feminist magazine in the U.S.: 1968 Notes from the First Year: Women’s Liberation 1969 Notes from the Second Year: Women’s Liberation 1970 Consulting Editor: Notes from the Third Year: WL Organizer: 1961–3 Activist in early Civil Rights Movement, notably St. Louis c.o.r.e. (Congress on Racial Equality) 1967–70 Founder-member of Women’s Liberation Movement, notably New York Radical Women, Redstockings, and New York Radical Feminists. Visual Artist: 1978–80 As an artist for the Cultural Council Foundation’s c.e.t.a. Artists’ Project (the first government funded arts project since w.p.a.): – Taught art workshops at Arthur Kill State Prison For Men – Designed and executed solo-outdoor mural on the Lower East Side for City Arts Workshop – As artist-in-residence at Tompkins Square branch of the New York Public Library, developed visual history of the East Village in a historical mural project. -
A Study of the Weathermen, Radical Feminism and the New Left
Exploring Women’s Complex Relationship with Political Violence: A Study of the Weathermen, Radical Feminism and the New Left by Lindsey Blake Churchill A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s Studies College of Arts and Sciences University of South Florida Major Professor: Marilyn Myerson, Ph.D. Ruth Banes, Ph.D. Sara Crawley, Ph.D. Date of Approval: April 1, 2005 Keywords: revolution, weather underground, valerie solanas, robin morgan, jane alpert, gilda zwerman, ti-grace atkinson, bernadine dohrn © Copyright 2005, Lindsey Blake Churchill Table of Contents Abstract ii Introduction 1 Chapter One: SDS 7 The Explosive Convention 11 Wannabe Revolutionaries 18 Chapter Two: Feminism’s Critique 24 Radical-Cultural Feminism 30 Pacifist Feminists 33 Chapter Three: Violent Feminists 35 Female Terrorists 42 Chapter Four: Conclusion 52 References 54 i Exploring Women’s Complex Relationship with Violence: A Study of the Weathermen, Radical Feminism and the New Left Lindsey Blake Churchill ABSTRACT In this thesis I use the radical, pro-violent organization the Weathermen as a framework to examine women and feminism’s complex relationships with violence. My thesis attempts to show the many belief systems that second wave feminists possessed concerning the role(s) of women and violence in revolutionary organizations. Hence, by using the Weathermen as a framework, I discuss various feminist essentialist and pacifist critiques of violence. I also include an analysis of feminists who, similar to the Weathermen, embraced political violence. For example, radical feminists Robin Morgan and Jane Alpert criticized the Weathermen’s violent tactics while other feminists such as Ti-Grace Atkinson and Valerie Solanas advocated that women “pick up the gun” in order to destroy patriarchal society. -
La Pasiva Perifrastica #2
La Pasiva PerifrAstica #2 Mexican Fagzine / Letras Cuir Septiembre 2016 INDICE 3 La derecha está en campaña contra los derechos humanos de la co- munidad LGBT+… Por un hablador irresponsable 7 Contarte en lésbico de Elena Madrigal Héctor 11 Colección de encabezados Por un hablador desconocido 13 Katleen Hanna, Riot Grrl hasta el final Lidia Gatica 9 Title 1 xJvlivsx 19 Sex is not the enemy! Supervixen Está terminantemente permitida y es alentada la reproducción total o parcial de este documento. Nota del Editor Este número resultó en algo muy chingón. Para mí, la perfecta combinación de política y música. Con lo que ha pasado este mes, con tanta marcha por la familia heteronormada y el Trump que se quiere comer a los Estados Unidos y jodernos a los mexicanos en el pro- ceso, uno no puede evitar encabronarse, ¿pero saben qué hay que hacer cuando uno está encabronado, triste o ambos (estado catártico al que llamo emputristeza)? Escu- char punk. No sólo punk, pero mi subgénero favorito: queercore y la música de las Riot Grrls. Súbele el volumen, grita, patalea, arma un slam en tu cuarto y mientras tanto, léete esta zine y checa lo que les traemos ahora. Un colaborador que ha hecho llamar Hablador Irresponsable nos manda una muy bien hecha y muy necesitada crítica a los políticos de izquierda que no se han pronunciado ni en contra del FNF ni a favor de la comunidad LGBTQIA+, mientras que los de dere- cha armaban sus pedas llenas de cisexismo y homofobia. Una vez más, Héctor nos trae una reseña literaria, esta vez de un poemario lésbico, del cual me dejó leer un poema bastante cómico, pero él lo explica mejor que yo, ¡chéquenlo en la página 7! Lidia Gatica ha escrito un artículo sobre Katleen Hanna, para mí, la Riot Grrl más em- blemática, vocalista de Bikini Kill, banda que me enseñó lo que era el queer punk. -
A Good Wife Always Knows Her Place?
Fabrizio 1 Jonnie Fabrizio English 259 Dr. Jill Swiencicki 12 April 2011 A Good Wife Always Knows Her Place? In the late 1960s to early 1970s, a new movement of feminism emerged in America. Second wave feminism perhaps began in response to the 1950’s housewife stereotype that many women were trying to conform to. Up until 1980, the “head of the household” according to the U.S. Census needed to be a male (Baumgardner 331). In the 1950’s, women were subjected to media, advertisements, and society to become the “ideal” housewife. The following is an example of a spread used to stereotypically describe the role of a housewife in a Housekeeping Monthly magazine from 1955: Fabrizio 2 This type of woman was encouraged to become dedicated to household work and activities centered on her spouse and family. The exigency for this feminist movement was due to the frustrated at this subordination of women. Activists of second wave feminism took charge. This form of feminism urged women to embrace their gender identity, and become independent from the male sex. It also insisted that women should be treated equally to men. The roles of women were about to change. Groups such as the National Organization of Women (NOW) used tactics such as holding a “Rights Not Roses” event on Mother’s Day. The goal of this event was to show the nation that women should be freely accepted in the workplace, as well as having equal rights to men. On this day, many women dumped piles of aprons on the White House’s lawn. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Durham E-Theses
Durham E-Theses Not Andrea : The Fictionality of the Corporeal in the Writings of Andrea Dworkin MACBRAYNE, ISOBEL How to cite: MACBRAYNE, ISOBEL (2014) Not Andrea : The Fictionality of the Corporeal in the Writings of Andrea Dworkin, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10818/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 “Not Andrea”: The Fictionality of the Corporeal in the Writings of Andrea Dworkin Submitted for the degree of Masters by Research in English Literature By Isobel MacBrayne 1 Contents Acknowledgments Introduction 4 Chapter I – Re-assessing the Feminist Polemic and its Relation to Fiction 10 Chapter II – Intertextuality in Dworkin’s Fiction 32 Chapter III – The construction of Dworkin and Her Media Representation 65 Conclusion 97 2 Acknowledgments I would like to thank Durham University for giving me this opportunity, the staff of the English Department, and all the admin and library staff whose time and hard work too often goes unnoticed. -
Sexual Violence in America: Theory, Literature, Activism
Sexual Violence in America: Theory, Literature, Activism ENGL | GNSE 18700 Winter 2019 Monday/Wednesday 4:30-5:50pm Cobb 303 Michael Dango, Ph.D. [email protected] Office Hours: Mondays 2:30-4:30pm Walker 420 Course Description This course will consider how a spectrum of sexual violence has been represented, politicized, and theorized in the United States from the 1970s to the present. To get a handle on this vast topic, our archive will be wide-ranging, including legal statutes and court opinions on sexual harassment and pornography; fiction, poetry, and graphic novels that explore the limits of representing sexual trauma; activist discourses in pamphlets and editorials from INCITE to #MeToo; and ground- breaking essays by feminist and queer theorists, especially from critical women of color. How does the meaning of sex and of power shift with different kinds of representation, theory, and activism? How have people developed a language to share experiences of violation and disrupt existing power structures? And how do people begin to imagine and build a different world whether through fiction, law, or institutions? Because of the focus of this course, our readings will almost always present sexual violence itself in explicit and sometimes graphic ways. Much of the material can be upsetting. So, too, may be our class discussions, because difficult material can produce conversations whose trajectories are not knowable in advance. Careful attention to the material and to each other as we participate in the co-creation of knowledge will be our rule. However, even this cannot make a guarantee against surprises. Please read through all of the syllabus now so you know what lies ahead. -
Implicit Bias, Racial Memory, and Black Males in Schools and Society
Peabody Journal of Education ISSN: 0161-956X (Print) 1532-7930 (Online) Journal homepage: https://www.tandfonline.com/loi/hpje20 From Subhuman to Human Kind: Implicit Bias, Racial Memory, and Black Males in Schools and Society Anthony L. Brown To cite this article: Anthony L. Brown (2018) From Subhuman to Human Kind: Implicit Bias, Racial Memory, and Black Males in Schools and Society, Peabody Journal of Education, 93:1, 52-65, DOI: 10.1080/0161956X.2017.1403176 To link to this article: https://doi.org/10.1080/0161956X.2017.1403176 Accepted author version posted online: 13 Nov 2017. Published online: 13 Feb 2018. Submit your article to this journal Article views: 770 View related articles View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=hpje20 PEABODY JOURNAL OF EDUCATION , VOL. , NO. , – https://doi.org/./X.. From Subhuman to Human Kind: Implicit Bias, Racial Memory, and Black Males in Schools and Society Anthony L. Brown The University of Texas at Austin, Austin, Texas ABSTRACT This paper argues that implicit racial bias regarding black males is a manifes- tation of a long trajectory of Western racial memory and anti-blackness where black males have been considered subhuman or as human kinds. The author draws from theological, scientific, and social science literature to illustrate how racial discourses have historically constructed black males as subhuman or as human kinds (Hacking, 1995). The central argument of this paper is that cur- rent practices in schools and society that engage in racial bias are tied to durable racial discourses of power that have consistently rendered black males as feared and dangerous. -
Wonder Waif Meets Super Neuter
Wonder Waif Meets Super Neuter CATHERINE LORD “As far as I’m concerned, the guy was a fucking saint.”1 The fucking saint is Michel Foucault. The guy who wrote the sentence is David Halperin, whose Saint Foucault: Toward a Gay Hagiography is one of the most battered books in my library. I scribble and underline not because I revere Michel Foucault, or David, although I do, in different ways, but because I cannot resist a good polemic: Oscar Wilde’s De Profundis, for example, Malcolm X on white devils, and Yvonne Rainer’s No to everything she could think of in 1965. To write a polemic is a for- mal challenge. It is to connect the most miniscule of details with the widest of panoramas, to walk a tightrope between rage and reason, to insist that ideas are nothing but lived emotion, and vice versa. To write a polemic is to try to dig oneself out of the grave that is the margin, that already shrill, already colored, already feminized, already queered location in which words, any words, any com- bination of words are either symptoms of madness or proof incontrovertible of guilt by association. Halperin’s beatification of Foucault is a disciplined absur- dity, at once an evisceration of homophobia and an aria to the fashioning of a queer self. You don’t get to be a saint without pulling off a miracle or two. Foucault’s History of Sexuality was, says Halperin, the “single most important source of political 1. David M. Halperin, Saint Foucault: Towards a Gay Hagiography (New York: Oxford University Press, 1995), p. -
Arc @ COFA ART & DESIGN GRANTS Help Your Creative
A CONTENTS EDITORIAL A CONTENTS EDITORIAL 4 - 5. Gooooodmorning! Alice Couttoupes: Spring has sprung! Thank goodness too, winter was really Subversive Clay getting to us... EDITORS Penelope Benton 6 - 7. In the spirit of Spring this issue of COFAtopia is all about Kelly Doley shedding that winter coat, taking some risks and getting out Interview with COFA SRC FRONT COVER IMAGE there. Alice Couttoupes Queer Officer Edison Chen Our cover story this issue features Alice Couttoupes who Colonial Gaze, has been selected to exhibit in the prestigeous 2012 Australian Kangaroo Paw 8 - 9. Ceramics Triennale, and was awarded an Arc @ COFA ADG (art Botany and design grant) to get there. We then catch Edison Chen in (detail), ceramics, 2011 Kudos Award the midst of UNSW Queer Week 2012 which is all about supporting and developing Queer community on campus. We LOGO DESIGN Kiera Chevell 10 - 11. announce the judges and prizes for this year’s Kudos Award. WHAT’S ON Then going back out west, we check out the current Desert PRINTING Equinox exhibition featuring works responding to the sun and Arc Office @ COFA solar energy by COFA students and staff in Broken Hill, curated 12 - 13. by COFA Lecturer Allan Giddy. Whilst out there, we visit our THANKS Desert Equinox Exhibition recently refurbished desert studio The Green House at Fowlers Arc @ UNSW Ltd Gap, 115km west of Broken Hill. We finish this all off with a jam-packed what’s on and a rant from COFA SRC International 14 - 15. Officer Alan Fernandez on important International student The Green House issues.