The Soviet and Hungarian Holocausts: a Comparative Essay
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For a Hero—The Silver Star Jury Tomorrow in the Cemetery Police Laboratory, in Trenton
Weather Dfctrilmtfc* 7 •jn, te«p#r*tu/» ». OrMr May wtt* Wchin the Mi. Clttr THEDAILY *and ood tonight with few in «s. 24,800 Tomorrow suitny and cool with 7 /ted Ban*; Area J high to the 50s. Wednesday fair •ad continued cool. NORTHERN MONMOUTH'S HOME NEWSPAPER DIAL 7414)010 dtli#. M«»|U» throo«h #rtd>r. l*ooa<l Cim Poiugt VOL. 87, NO. 81 Paid at AJdlifi andat AdijUooal Uallln( OUIcei. MONDAY, OCTOBER 19, 1964 7c PER COPY PAGE ONE Cemetery Case Goes Middletown Woman's Husband Killed in Viet Nam Before Grand Jury HOLMDEL — Mrs. Conrad A group of citizens found five Hess, South Laurel Ave., and human bones *- more than 100 Mrs. Marion Norton, Main St., years old in a mound of dirt both informed The Register that next to the excavation. The iden- they will appear before the Grand tification was made by the state For a Hero—The Silver Star Jury tomorrow in the cemetery police laboratory, in Trenton. case. Both Mrs. Hess and Mrs. Nor- WEST POINT, N. Y.—Mrs. Harriet L. Hines,- encouraged them to pursue their efforts in the At the decorations' ceremony here, another Both said they had received ton claim that they have fore- 186 Cherry Tree La., Middletown, N. J., has re- defense of their homeland." fallen hero, the late Capt. James P. Spruill, Suffern, mbpoenas to appear before the bears buried In the old ceme- jury. tery. ceived, with pride, though in grief, the Silver Star A Daily Register editorial April 28, noted N. Y., was honored with the Legion of Merit. -
MARCEL CADIEUX, the DEPARTMENT of EXTERNAL AFFAIRS, and CANADIAN INTERNATIONAL RELATIONS: 1941-1970
MARCEL CADIEUX, the DEPARTMENT of EXTERNAL AFFAIRS, and CANADIAN INTERNATIONAL RELATIONS: 1941-1970 by Brendan Kelly A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Brendan Kelly 2016 ii Marcel Cadieux, the Department of External Affairs, and Canadian International Relations: 1941-1970 Brendan Kelly Doctor of Philosophy Department of History University of Toronto 2016 Abstract Between 1941 and 1970, Marcel Cadieux (1915-1981) was one of the most important diplomats to serve in the Canadian Department of External Affairs (DEA). A lawyer by trade and Montreal working class by background, Cadieux held most of the important jobs in the department, from personnel officer to legal adviser to under-secretary. Influential as Cadieux’s career was in these years, it has never received a comprehensive treatment, despite the fact that his two most important predecessors as under-secretary, O.D. Skelton and Norman Robertson, have both been the subject of full-length studies. This omission is all the more glaring since an appraisal of Cadieux’s career from 1941 to 1970 sheds new light on the Canadian diplomatic profession, on the DEA, and on some of the defining issues in post-war Canadian international relations, particularly the Canada-Quebec-France triangle of the 1960s. A staunch federalist, Cadieux believed that French Canadians could and should find a place in Ottawa and in the wider world beyond Quebec. This thesis examines Cadieux’s career and argues that it was defined by three key themes: his anti-communism, his French-Canadian nationalism, and his belief in his work as both a diplomat and a civil servant. -
Court Proposes New Session to Handle Reapportioning
I^N ESD A Y, OCTTOT^ 18, 186^ iKitnrlrpBt^r lEttrabig ll^raUt ATtnc* Dally Not Press Rm Weather Fsr the Weak l!a«ed Faraoaat of V. S. WMither 24, U M ' fla g Karinaa from tosvn are About Town taking part in Operation Steal Oloadjr and oairier tenlgkt, law Pika In Spaht. Tliey are: Pfc. f r o m b ib s t o c r ib s h e e t s 14,065 4e-46; fair aad eaelar to m u m m , Douglas P. Johnson, aon of aC tka Audit Mgk ee-86. W m KuBitoi Pwiy, dwigh- Douglas A. Jcdinaon, 144 Birch tar oC Mr. «w l M n. JamM Pn^ St.; Lance Cpl. Robert M. a( Maneh0tter— A City of ViUagm Chorm ly, m HoOMar 8t^ !■ a mem- Smith, eon of Mr, and Mrs. celebrating bar o t the program commlttaa RuUedga J. Smith, 411 Bum- for an Open Houaa at Meriden ham St.; Cpl. John B. Fales, VOL. LXXXIV, NO. 25 tTWBNTY-BIGHT PA6BSF-TWO SECTIONS) MANCHESTE^^ CONN., THURSDAY, OCTOBER 29, 1964 (Ctoarifisd Advartiatag aU Faga 24) PRICE SEVEN CE^TS Haqdtal Sdiool of Ntiraing. son of Mr. and Mrs. Bbnmons . n ie event, acheduled for R. Falea, 1S8 N. Elm St.; Wednaaday, Nov. 4, front 12:46 Lance Cpl. James J. Antonio, B A B Y W EEK to S p.m., la open to high school son of Mr. and Mrs.i^James R. atpdents, their parcAta and Antonio, 147 Oloott St., and Events counsektra. Mlsa Perry la a atu- Lance Cpl. -
Title of Thesis: ABSTRACT CLASSIFYING BIAS
ABSTRACT Title of Thesis: CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis Directed By: Dr. David Zajic, Ph.D. Our project extends previous algorithmic approaches to finding bias in large text corpora. We used multilingual topic modeling to examine language-specific bias in the English, Spanish, and Russian versions of Wikipedia. In particular, we placed Spanish articles discussing the Cold War on a Russian-English viewpoint spectrum based on similarity in topic distribution. We then crowdsourced human annotations of Spanish Wikipedia articles for comparison to the topic model. Our hypothesis was that human annotators and topic modeling algorithms would provide correlated results for bias. However, that was not the case. Our annotators indicated that humans were more perceptive of sentiment in article text than topic distribution, which suggests that our classifier provides a different perspective on a text’s bias. CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis submitted in partial fulfillment of the requirements of the Gemstone Honors Program, University of Maryland, 2018 Advisory Committee: Dr. David Zajic, Chair Dr. Brian Butler Dr. Marine Carpuat Dr. Melanie Kill Dr. Philip Resnik Mr. Ed Summers © Copyright by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang 2018 Acknowledgements We would like to express our sincerest gratitude to our mentor, Dr. -
Trauma and Memory: an Artist in Turmoil
TRAUMA AND MEMORY: AN ARTIST IN TURMOIL By Angelos Koutsourakis Konrad Wolf’s Artist Films Der nackte Mann auf dem Sportplatz (The Naked Man on the Sports Field, 1973) is one of Konrad Wolf’s four artist films. Like Goya (1971), Solo Sunny (1978), and Busch singt (Busch Sings, 1982)—his six-part documentary about the German singer and actor Ernst Busch, The Naked Man on the Sports Field focuses on the relationship between art and power. In Goya, Wolf looks at the life of the renowned Spanish painter—who initially benefited from the protection of the Spanish king and the Catholic church—in order to explore the role of the artist in society, as well as issues of artistic independence from political powers. In Solo Sunny, he describes a woman’s struggle for artistic expression and self-realization in a stultifying world that is tainted by patriarchal values; Sunny’s search is simultaneously a search for independence and a more fulfilling social role. Both films can Film Library • A 2017 DVD Release by the DEFA be understood as a camouflaged critique of the official and social pressures faced by East German artists. The Naked Man on the Sports Field can be seen this way as well, and simultaneously explores questions of trauma and memory. The film tells the story of Herbert Kemmel (played by Kurt Böwe), an artist uncomfortable with the dominant understanding of art in his country. Kemmel is a sculptor in turmoil, insofar as he seems to feel alienated from his social environment, in which people do not understand his artistic works. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Seven Lessons of the Cuban Missile Crisis for the Karabakh Conflict
Seven Lessons of the Cuban Missile Crisis for the Karabakh Conflict Simon Saradzhyan and Artur Saradzhyan October 2012 SEVEN LESSONS OF THE CUBAN MISSILE CRISIS FOR THE KARABAKH CONFLICT SIMON SARADZHYAN AND ARTUR SARADZHYAN OCTOBER 2012 Discussion Paper #2012 – 14 Belfer Center for Science and International Affairs John F. Kennedy School of Government Harvard University 79 JFK Street Cambridge, MA 02138 Phone: (617) 495-1400 Email: [email protected] Website: http://www.belfercenter.org Copyright 2012 President and Fellows of Harvard College The authors of this report invite use of this information for educational purposes, requiring only that the reproduced material clearly cite the full source: Saradzhyan, Simon and Artur Saradzhyan. “Seven Lessons of the Cuban Missile Crisis for the Karabakh Conflict,” Discussion Paper 2012-14, Belfer Center for Science and International Affairs, Harvard Kennedy School, October 2012. Statements and views expressed in this discussion paper are solely those of the authors and do not imply endorsement by Harvard University, the Harvard Kennedy School, or the Belfer Center for Science and International Affairs. Cover: Armenian forces perform their final day of maneuvers in the self-proclaimed republic of Nagorno-Karabagh, Tuesday Aug. 10, 2004. (AP Photo / Photolur) Layout by Traci Farrell ACKNOWLEDGEMENTS The authors would like to thank the following individuals for their insightful suggestions on ways to improve this paper (in alphabetical order): Nabi Abdullaev, Head of Foreign-Language News Service at RIA Novosti; Matthew Bunn, Associate Professor at Harvard Kennedy School; Kevin Ryan, Executive Director for Research at the Belfer Center for Science and International Affairs, Harvard Kennedy School; Emil Sanamyan, Washington Editor for The Armenian Reporter; and William Tobey, Senior Fellow at the Belfer Center for Science and International Affairs at Harvard Kennedy School. -
This Is the Published Version of a Chapter Published in Russische Und Sowjetische Geschichte Im Film
http://www.diva-portal.org This is the published version of a chapter published in Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n. Citation for the original published chapter: Kotljarchuk, A. (2016) Invisible Victims: The Cold War and Representation of the Roma Genocide in Soviet Feature Films, Teleplays and Theater Performances. In: Alexander Friedman ; Frank Jacob (ed.), Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n (pp. 129-150). New York: ALTIJA N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32100 Powered by TCPDF (www.tcpdf.org) RUSSISCHE UND SOWJETISCHE GESCHICHTE IM FILM Von bolschewistischen Revolutionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ Alexander FRIEDMAN und Frank JACOB (Hrsg.) New York Geschichte und Film, Bd. 1 Hrsg. Frank JACOB und Alexander FRIEDMAN Alexander Friedman und Frank Jacob: Russische und Sowjetische Geschichte im Film: Von bolschewistischen Revolu- tionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ © ALTIJA, Frank Jacob, New York 2016. Coverdesign: Judith Weber / Smakelig ISBN: 978-1541360853 Inhaltsverzeichnis 1. Kino als „wichtigste aller Künste“: Einleitung Alexander FRIEDMAN und Frank JACOB 5 2. „Das weite Land und die Reichtümer der Rus lockten die Eroberer an“ – Das bedrohte Russland im Film Alexander QUERENGÄSSER 15 3. The Images of Dying and New Jewish Worlds in the Soviet Ci- nema: “The Jews on the Land” versus “Jewish Luck (Menachem Mendel)” Andrei ZAMOISKI 33 4. „Kube, Hitlers Gauleiter in Minsk, war der leibhaftige Teufel“. -
War Memory Under the Leonid Brezhnev Regime 1965-1974
1 No One is Forgotten, Nothing is Forgotten: War Memory Under the Leonid Brezhnev Regime 1965-1974 By Yevgeniy Zilberman Adviser: Professor David S. Foglesong An Honors Thesis Submitted To The History Department of Rutgers University School of Arts and Sciences New Brunswick, NJ April, 2012 2 Table of Contents Acknowledgements Pg. 3 Introduction Pg. 5 1964-1967: Building the Cult Pg. 18 a) Forming the Narrative: Building the Plot and Effacing the Details Pg. 21 b) Consecrating the War: Ritual, Monument and Speech Pg. 24 c) Iconography at Work: Soviet War Poster Pg. 34 d) Digitizing the War: On the Cinema Front Pg. 44 1968-1970: Fascism Revived and the Battle for Peace Pg. 53 a) This Changes Everything: Czechoslovakia and its Significance Pg. 55 b) Anti-Fascism: Revanchism and Fear Pg. 59 c) Reviving Peace: The Peace Cult Pg. 71 1970-1974: Realizing Peace Pg. 83 a) Rehabilitating Germany Pg. 85 b) Cinema: Germany and the Second World War on the Film Screen Pg. 88 c) Developing Ostpolitik: War memory and the Foundations for Peace Pg. 95 d) Embracing Peace Pg. 102 Conclusion: Believing the War Cult Pg. 108 Bibliography Pg. 112 3 Acknowledgements Perhaps as a testament to my naivety, when I embarked upon my journey toward writing an honors thesis, I envisioned a leisurely and idyllic trek toward my objective. Instead, I found myself on a road mired with multiple peaks and valleys. The obstacles and impediments were plentiful and my limitations were numerous. Looking back now upon the path I traveled, I realize that I could not have accomplished anything without the assistance of a choice collection of individuals. -
Babi Yar, the Tragedy of Kiev's Jews
Brandeis Graduate Journal http://www.brandeis.edu/gradjournal 2004, Volume 2 All Rights Reserved Babi Yar, the Tragedy of Kiev’s Jews Victoria Khiterer Near Eastern and Judaic Studies Department, Graduate School of Arts and Sciences Brandeis University The mass murder of European Jews by the Nazis gathered momentum in September 1941 at the ravine of Babi Yar in Kiev, the capital of Ukraine, then in the Soviet Union, which had just been occupied by the German Army. Here is where the Nazis had their first experience with luring tens of thousands of Jews into a trap from which escape was practically impossible and death almost certain. In a few days the Nazis killed over a 100 thousand Jews, practically the entire Jewish population of Kiev at that time. A careful examination the events surrounding the Babi Yar massacre provides insight into the development of the tricks used by the Germans during the Holocaust to entice Jews to leave their homes and go to the designated gathering places from which they were ushered to their execution. In spite of the importance of Babi Yar as a testing ground for the Nazi’s vile chicanery and limitless cruelty, surprisingly little serious scholarly research been published about these tragic events at the end of the summer of 1941. My article uncovers details essential to understanding the actions of the Jewish victims, their German executioners as well as the local collaborators who assisted the Nazis. The sparse literature about the horrifying events at Babi Yar includes George St. George’s1 book “The Road -
Book Reviews
Book reviews International Relations theory Before anarchy: Hobbes and his critics in modern international thought. By Theodore Christov. Cambridge: Cambridge University Press. 2015. 297pp. Index. £65.00. isbn 978 1 10711 453 1. Available as e-book. This ambitious study of the impact of Thomas Hobbes’s writings on international theory has much to commend it, in terms of both scope and substance. Theodore Christov is primarily concerned to challenge the ‘common assumption that has come to dominate the theory and practice of statehood: that the spheres of the domestic and the foreign are fundamentally distinct from each other’. What is seen to be their ‘radically binary nature’ remains uncontested: ‘the internal creates peacefulness and order from within, whereas the external perpetuates warfare and anarchy from without’ (p. 3). Christov cites English School thinking as a more convincing alternative to orthodox ‘crude’ realism with its emphasis on realpolitik unconstrained by law and morality. By contrast, Hobbes’s international theory supports a more nuanced interpretation of his thought, in particular of an ‘international society of states’ governed by rules and norms which provide a ‘relatively stable and self-regulatory international order, albeit the same label of “anarchy” is now attached to an alternative model of global organisation’ (p. 20). Part one of the book is concerned with elucidating what Hobbes really said ‘about the relationship between the domestic and the foreign’ (p. 27). Part two examines how Hobbes was received ‘before the emergence of a “discourse of anarchy” in the 20th century’ (p. 27). Space will not permit a detailed exegesis of the individual chapters in the first part. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of