, ...... Artist's Portfolio Review Registration

name CAA membership number

address city!state! zip 5 phone e-mail

To meet your changing priorities, academic and cultural institutions to disclipline!medium CAA's annual conference will provide follow our lead in implementing From the more intensive, issue-oriented sessions seminars, fellowships, and mentor / on professional development, as well as protege relationships that will help us I will bring: 35-mm slides VHS video President more opportunities for mentoring thrive in the twenty-first century. through the Artist's Portfolio Review I look forward to seeing you in and the Career Development Work­ Toronto as we cross our international Time slot(s) that cannot be scheduled: shops (see page 7). The Professional borders and join forces with the artists Development Fellowships for Artists and art historians of Canada. and Art Historians will also continue to -Leslie King-Hammond he fall season is now upon us provide support for promising scholars and it .is hoped that the much and artists. International initiatives such Complete and return to: Artist's Portfolio Review, CAA, 275 Seventh Ave., New York, NY 10001. Deadline: December 5,1997. needed summer hiatus has as the UNESCO project are under way, ... T ...... , replenished your intellectual and as are improvements to our scholarly creative energies. The past months have publications. continued to be a fertile period of As you are probably aware, the reflection, transition, and growth for prevailing national political climate has CAA. The Board of Directors and the been detrimental to the arts and numerous committees have been humanities. Academic and cultural NewCAA working dillgently to effect long- and institutions-including CAA-are short-range strategies for CAA's role increasingly challenged to fund Monograph into the next century. programs that are valuable to academ­ Septefuber1997 In order to create a stronger fiscal ics, art professionals, staff, students, and base to meet our members' needs, we the general public without government College Art Association resources. We know that our constitu­ 275 Seventh Avenue ask that you join at a level commensu­ New York, New York 10001 rate with your professional income ents are looking to CAA for professional when renewing your membership this support, and we are certainly trying to fall. We also hope that you will seri­ accommodate your needs. We invite all AA, in association with the Board of Directors ously consider any additional contribu­ University of Washington tion you may be able to make. In Press, will publish a new book Leslie King-Hammond, President C John R. Clarke, Vice-President addition, to further maximize our in its distinguished Monographs on the Nancy Macko, Secretary financial resources, members are now Fine Arts series early next year. The John W. Hyland, Jr., Treasurer asked to choose between receiving CAA Rule, the Bible, and the Council: The Susan Ball, Executive Director News or Careers to help us cut back on Library of the Benedictine Abbey at Praglia Ellen T. Baird Christine Kondoleon postage and printing costs. CAA News (College Art Association Monograph on Marilyn R. Brown Patricia Leighten will continue to be available to all the Fine Arts, Volume LV. $55.00) by Diane Burko Joe Levvis members via CANs website at http:// Diana Gisolfi and Staale Sinding-Larsen Whitney Davis Arturo Lindsay www.collegeart.org. Members may also focuses on the decoration of a Joe Deal Yong Soon Min select both publications by paying an Benedictine library interior conceived Vishakha Desai John Hallmark Neff additional nominal fee. These measures and executed within a few years of the Bailey Doogan Beatrice Rehl will be monitored over the next few conclusion of the Council of Trent Jonathan Fineberg Rita Robillard years as we seek to make CAA more (1545-63). Shifra M. Goldman Norie Sato Linda C. Hults Roger Shimomura responsive to the diversity of needs Susan L. Huntington Jeffrey Chipps Smith within our community. Michi Itami Alan Wallach Ceiling of the Library at Praglia (detail) CONTINUED ON PAGE 2 •

planned by the erudite Benedictine Cranbrook. Sam describes her work as a Contents patrons. The instructive program brings 1997 manifestation of what she overhears; her out key Catholic Reform themes ideas take shape as she eavesdrops Volume 22, Number 5 concerning orthodoxy and learning, "shamelessly," records conversations within the ancient Benedictine tradition September 1997 Fellowship and talk shows, collects other people's of humility as the basis of true wisdom stories, and documents her own daily and the beginning of the path to activities. From the President salvation. Recipients 1 New CAA Monograph The theological, dogmatic, and Juan Jose Robles is enrolled in the historical data disclosed in this mono­ M.F.A. program at Johnson State College graph have broad implications that Named 1997 Fellowship Recipients Named in Vermont, a nonresidency program 3 contribute to a revision of the current affiliated with the Vermont Studio conception of the so-called Counter Center. He held professorships in 5 CAANews Reformation. painting and art history at the National Diana Gisolfi is professor and chair School of Fine Arts in Nicaragua, but 6 Join a CAA Committee of art history at Pratt Institute in when he moved to New York in 1990, he Brooklyn, New York, and Staale discovered that to teach at a comparable Sinding-Larsen is professor and chair of AA is delighted to armounce level in the United States, he needed to Annual Conference Update CAA monograph author 7 the Institute of Architectural History at the 1997 recipients of the Profes­ complete an M.F.A. Before moving to the Norwegian Institute of Technology. C sional Development Fellowships Jeannie Carmen Crosby the United States, Juan exhibited his 8 CAA Advocacy Team Update The Benedictines of the Cassinese Monographs on the Fine Arts is an for Artists and Art Historians and the work internationally as a member of the Congregation were centered at Santa ongoing publication series of the College Professional Development Fellowships Honduran cultural group, Zoth, and as to Japan, and back to the United States. Electronic Bulletin Board Giustina in Padua and employed many Art Association. A listing of available in American Art. This year, seven a founding member of ARTE-FACTO, a 9 leading artists of Venice and the Veneto books in the series, along with ordering fellows were selected from a pool of The culture shock and subsequent young artists' group based in Managua. in sixteenth-century projects. The abbey instructions, appears on the back cover more than 100 applicants. They will nostalgia she experienced after each He originally earned his teaching 11 Thanks to CAA Members at nearby Praglia commissioned work of every issue of the Art Bulletin. receive grants of $5,000 to help them move inform much of her current work, certification from the Normal School in from Paolo Veronese and Tintoretto as Proposals for Monographs publica­ complete their M.F.A., PhD., or M.A. as does her longtime fascination with Honduras. costume design. Jeannie earned a 12 1997 New Members well as Battista Zelotti. Gisolfi and tions in all periods and areas of art degree in 1997-98. CAA will then help Sinding-Larsen have reconstructed the history are welcome. Address submis­ the fellows secure postgraduate employ­ B.F.A. from Virginia Commonwealth Solo Exhibitions by University. Artist Members sixteenth-century library room using sions to CAA Monograph series editor ment at museums, art centers, colleges, 17 physical, on-site evidence, extant Debra Pincus at 619 Massachusetts Ave., or universities, as wen as subsidize their documents on the furnishings, measure­ N.E., Washington, D.C. 20002. first year's salary through matching Samantha Fields is pursuing an M.F.A. 18 People in the News ments of the paintings, and early grants to the institutions that hire them. in painting at the Cranbrook Academy descriptions of the room furnished and CAA initiated the Professional of Art. As an undergraduate at the Cleveland Institute of Arts, Sam crossed Grants, Awards, & Honors decorated from 1562 to ca. 1570. Development Fellowship Program in 19 Gisolfi and Sinding-Larsen's 1993 to help students bridge the gap paths with Beverly Fishman, head of computer-generated reconstruction of between graduate study and profes­ Cranbrook's painting department and Conferences & Symposia 20 the room revealed that the program in sional careers. By offering support at this visiting artist at the CIA. After earning the twenty-four ceiling and wall critical juncture in scholars' and artists' her B.F.A., she avidly pursued the 22 Opportunities canvases by Zelotti is doctrinal. Follow­ careers, CAA intends to make timely opportunity to study with Fishman at ing a close reading of the images with degree completion more viable and Information Wanted reference to biblical texts, the authors employment opportunities more 24 assembled Benedictine and Conciliar accessible. By nurturing outstanding Classified Ads material through which to evaluate and scholars and artists at the begirining of 25 Miscellaneous interpret the program. Largely ignored their careers, CAA hopes to strengthen in art historical and historical literature and diversify the professions as a whole. Juan Jose Robles 26 Datebook for this period, which has emphasized PHOTO: KAREN BERMAN new orders such as the Jesuits, the much The Nathan Cummings Foundation CAA News, a publication of the older Benedictine tradition was impor­ awarded a generous grant to fund the College Art Association, is published Yumi Janairo Roth will earn an M.F.A. tant for its biblical scholarship. Its Professional Development Fellowships. six times per year. Material for in metalsmithing at the State University inclusion should be addressed to: revived, Italian Renaissance incarnation of New York at New Paltz. Her artwork during the Cassinese Congregation is a Jeannie Cannen Crosby is an M.F.A. Jessica Tagliaferro, eAA News is intrinsically connected to her aca­ candidate in sculpture at the University 275 Seventh Avenue significant case of papally initiated, demic background in ethnic and cultural New York. New York 10001 fifteenth-century monastic reform with of Texas, Austin. She describes her studies and anthropology, employing Telephone: 212/691-1051, ext. 215 continuing importance before, during, sculpture as "a synthesis of both familiar commercial materials such as Fax: 212/727-3029 and after Trent. Staale Sinding-Larsen (center), conflicting and converging cultures. Astroturf and styrofoam packing E-mail: [email protected] The authors' stylistic and contextual CAA monograph author dresses, based mostly from historical peanuts, as well as more valuable Editor-in-Chief Susan Ball argument move the date of the Library costumes of the European court, [that] materials such as gold leaf, bronze, and Managing Editor Elaine Koss at Praglia's decoration modestly forward are freestanding, ghostlike second skins Editor Jessica Tagliaferro copper. By juxtaposing the common to ca. 1570. Zelotti's paintings on canvas of past ideas." By the time she was with the treasured, thus upsetting visual for the library show a sensitive and twelve years old, Jeannie had moved Printed on recycled paper class hierarchies, she compels viewers to © 1997 College Art Association clear articulation of the doctrinal intent from South Korea to the United States, Samantha Fields Visit our weI> site at hffp:I/WI.(JUJ,collegearl.org/ma.

2 eM NEWS SEPTEMBER 1997 CAA NEWS SEPTEMBER 1997 3 has spent the past academic year teach­ meetings and sponsors a research artists' responses to critical writing and ing in the women's studies program at CAA session during annual CAA meetings. artists' conversations with critics and Bowdoin College, and this fall she will Further discussion takes place on the curators. Please submit proposals or participate in the Whitney Museum of ALAA listserv. Members receive a twice ideas to: Janet A. Kaplan, Executive American Art's Independent Stndy News annual newsletter and a directory of Editor, Art Journal, College Art Associa­ Program. She earned a B.A. in art his­ members. For listserv and membership tion, 275 Seventh Ave., New York, NY tory and anthropology from Dartmouth information, please contact any officer: 10001. College. President: Stacie G. Widdifield, Art Dept., University of Arizona, Tucson, Editorial Board Gabrielle Esperdy is a doctoral candi­ AZ 85721-0002; [email protected]; Member Sought date at the City Univeristy of New York Vice-President, Patricia Sarro, Dept. of The Art Journal Editorial Board is Graduate Center. Her dissertation, Call for Art, Youngstown University, Young­ seeking nominations and self-nomina- "Modernizing Main Street," will Nominations stown, OH 44503; cdtp576@prodigy. . tions from the CAA membership for an com; Secretary-Treasurer, Joanne examine a nationwide effort to counter­ to the Board opening on the board. The term is three act the effects of the Great Depression Pillsbury, CASV A, National Gallery of The 1998 Nominating Committee is years, July 1998 to June 2001, renewable during the 1930s through the renovation Art, Washington, DC 20565; j-pillsbury counting on members to nominate once. The aim of the board is for its of commercial and residential buildings @nga.gov. individuals for the 1999-2003 term on membership to reflect the range of fields in the United States. On a theoretical Historians of German and Central the CAA Board of Directors. Through and methods current in modern and level, she will also demonstrate that European Art and Architecture their membership on the various contemporary art, as well as the "postmodern debates about populism, (HGCEA), founded in 1997. Member­ governing committees of the association, geographical, philosophical, institn­ consumerism, and legibility were ship: 95. Arrnual dues $25 individual; all board members share in shaping tional, gender, and ethnic range of the anticipated by the discourse of the 1930s $15 student. Purpose: to foster the study CAA membership. Preference for this CAA's many programs and services. of visual and material culture in when architects and industrial designers position will be given to artists and ar~ New board members will be working on Northern and Central Europe and to investigate and question their own first began to exploit the scenographic professionals at the early stages of theIr a variety of exciting new projects and further communication among scholars expectations and prejudices. Yumi and symbolic potentialities of the strip." careers. initiatives. They must be prepared to studying the art and architecture of the earned a B.F.A. in visual arts from the Gabrielle earned an M.A. in art history The editorial board currently meets identify and analyze the needs of the region through the publication of an School of the Museum of Fine Arts, from CUNY and a B.A. in art history Museum of American Art; and Dewey in New York three times a year and at professions and to respond accordingly. annual newsletter (with directory of Boston, as well as a B.A. in anthropol­ from Smith College. Mosby, Picker Art Gallery, Colgate CAA's annual conference. Board In order to ensure that the process members) and through annual confer­ ogy from Tufts University. University. The visual artists' jury in­ is effective and broadly representative of members are expected to attend all The juries also awarded honorable cluded: Maria Elena Gonzalez; ences and meetings. President: Rose­ CAA's vast and diverse membership, meetings. CAA provides travel funds mention to: Mario Caro, University of Carol Washton Long, Ph.D. Program in Shirley Solomon is pursuing an M.A. in Younghee Choi Martin; Joe Lewis, the Nominating Committee relies on for the meetings in New York; board Rochester; Anne Marie Lopez, Art History, CUNY Graduate Center, 33 visual arts administration at New York California State University at North­ members to submit nominations and members pay their own travel expenses Cranbrook Academy of Art; Zita Elisa W. 42 St., New York, NY 10036-8099; fax University. Her tenure at the Smithso­ ridge; Joanna Osbum-Bigfeather, Amer­ self-nominations to the board. Complete for the annual conference, though a Rahn Farrell, Cleveland State Univer­ ican Indian Community House; and 212/642-2845; Secretary: Reinhold nian Institution's Center for African the form on page 27 and mail it to the small fund is available to help offset sity; Alex Villar, Hunter College; and Robert Rindler, Cooper Union. Heller, Dept. of Art History, University American History and Culture (fonnerly attention of the Nominating Committee expenses for members who would be Charles Williamson, University of of Chicago, Chicago, IL 60637; fax 708/ the National African American Museum To request copies of guidelines and at the CAA office. Nominations may unable to attend without financial Minnesota. applications for 1998 fellowships 799-9266; Treasurer: Charles W. Project) inspired her thesis: a study of also be made by petition, requiring the support.- Selection of the new board The art historians' jury included: (include SASE): Professional Development Haxthausen, Williams College, Gradu­ how the existing funding arena, which nomination to be accompanied by at member will be made at the CAA John Clarke, University of Texas, Fellowship Program, CAA, 275 Seventh ate Program in History of Art, Williams­ includes only a handful of minority least 100 signatures of CAA members. annual conference in February 1998, and Austin; Phyllis Jackson, Pomona College Ave., New York, NY 10001; 212/691- town, MA 02167-2566; fax 413/458-9562. administrators, determines the funding Deadline: December 29,1997. candidates will be notified of the board's needs of culturally specific arts organi­ (1993 CAA Professional Development 1051, ext. 220; fax 212/627-2381; nyoffice decision by the beginning of March. For more information on becoming a zations. Shirley completed her B.A. in Fellow); Virginia Mecklenberg, National @collegeart.org (subject: "fellowships"). Nominations and self-nominations~ New . CAA affiliate, write to: Katie Hollander art history and African American including a statement of interest from Affiliated at CAA, 275 Seventh Ave., New York, studies at Washington University. the candidate, a c.v., and any supporting Societies NY 10001. material-should be sent to: Art Journal The Professional Development Fellow­ The College Art Association is pleased Editorial Board, College Art Association, ships in American Art are generously to welcome the following societies that Call to Artists 275 Seventh Ave., New York, NY 10001. funded by the Henry Luce Foundation. have met the standards required for As one of a series of new initiatives to Deadline: December 1, 1997. formal affiliated status: encourage more visibility of and greater Lisa Gail Collins is pursuing a Ph.D. in Association for Latin American participation by artists, the Art Journal American Studies at the University of Art (ALAA), founded in 1979. Member­ Editorial Board invites artists to submit Minnesota with concentrations in visual ship: 200. Arrnual dues: $20 general; $5 ideas and proposals for guest-edited culture and criticism, African American student/retired/non-U.s. address; $100 thematic issues and for shorter special cultural and intellectual history, and individual sustaining; $50 institutional; features. Co-editing and collaborations feminist theory. She credits the overlaps $500 institutional sustaining. Purpose: to with other artists as well as with critics, in her course work with the genesis of encourage the international discussion, art historians, curators, or others are her dissertation topic, "Revolutions in teaching, research, and exhibition of welcome. Visual as well as textual Vision: Black Women, Aesthetics, and Latin American art/ art history in essays are encouraged. The journal is Visual Politics," which will examine educational institutions, museums, and particularly interested in subjects that how black women's history is retold in other sites of interchange and dissemi­ address issues of the arts in the twenty­ contemporary American visual art. Lisa nation. ALAA holds its business first century. It also seeks to publish Lisa Gail Collins

4 CAA NEWS SEPTEMBER 1997 eAA NEVl'S SEPTEMBER 1997 5 J Committee on Women in the Arts is awards, several of which are named for Arthur Kingsley Porter Prize is At the 1997 Annual Conference in Join a charged with promoting the scholarly distinguished members of the profes­ awarded for a distinguished article Annual New York, more than 300 candidates study and recognition of the contribu­ sion. These awards, presented at the published in the Art Bul/etin during the participated in these informative tions of women to the visual arts. It annual conference, are made to living previous calendar year by a scholar who workshop sessions. This year the CAA develops linkages with organizations individuals whose achievements has received the doctorate not more Conference workshops have been expanded to concerned with compatible interests and transcend the immediate region in than ten years before acceptance of the include more participants from a monitors the current status of women in which they work and serve the profes­ article for publication. broader range of sp~cializations. CAA Committee the visual arts professions. sion and the larger community. Update has also extended -the individual The awards are presented upon the Frank Jewett Mather Award is pre­ workshop time slots so that each Education Committee provides an recommendation of individual commit­ sented for published art criticism that twenty-minute session can cover as ongoing review of career options and tees. Members of awards committees are has appeared in whole or in part during much ground as possible. development opportunities available to distinguished professionals, many of the preceding academic year beginning The 1998 Career Development arts graduates, with special attention whom have been honored by CAA in September 1 and ending August 31. Workshops will take place Thursday, directed toward fellowships, grants, and the past. Individual committees have at Attention is paid to the range of February 26, and Friday, February 27, CAA Committees Artist's Portfolio internships. The committee also least three members, one of whom criticism that appears throughout the Review Opportunity 1998, at the Royal York Hotel in The membership is urged to serve on maintains an awareness of art and art rotates off each year. Chairs are ap­ Toronto. Workshops are by appoint­ country. The 1998 Artist's Portfolio Review will the association's diverse and increas­ history programs at the college and pointed annually by the president and ment only; all participants must be 1998 offer more than 100 artist members of ingly active committees. Committee graduate levels and develops an may be reappointed. The composition of Distinguished Teaching of Art Award CAA members in good standing. To CAA the opportunity to have slides or members serve for fixed terms of three awareness of art education at the K-12 each committee is inclusive, represent­ apply, complete the Career Develop­ is presented to an artist of distinction VHS-format videos of their work years (1998-2001), and at least one new level. ing the broad range and diverse who has developed a philosophy or ment Workshops coupon (see page 26) reviewed by professional curators/ member rotates onto a committee each interests of the membership. As a technique of instruction based on his / and return it to the CAA office. Appli­ critics in private, twenty-minute year. Each committee is composed of at Museum Committee monitors the collective body, the committee is her experience as an artist and has cants will be chosen by lottery from the consultations. Appointments will be least three members, and the chair of activities of public and private institu­ expected,to provide a national perspec­ encouraged his/her students to develop responses. Deadline: November 1, 1997. scheduled in the following time slots: each committee is ordinarily a member tions in the art sector-particularly in tive for the award. their own individual abilities. Wednesday, February 25, 3:00-5:00 P.M.; of the CAA Board of Directors. relation to acquisition, deaccession, and The Board of Directors invites CAA Thursday, February 26, 12:00-2:00 P.M. Room Monitors Committee candidates must possess exhibition policies and procedures. It members to submit nominations and Distinguished Teaching of Art History and 3:00-5:00 P.M.; Friday, February 27, and Projectionists expertise appropriate to the committee's also exercises influence and shares self-nominations for upcoming openings Award is presented to an individual 12:00-2:00 P.M. and 3:00-5:00 P.M.; and specialization and must be CAA efforts in areas of mutual interest, such on CAA Awards committees. Candi­ who has been actively engaged in Sought Saturday, February 28, 12:00--2:00 P.M. If members in good standing. Members of as presentation, conservation, access for dates must possess expertise appropri­ teaching for most of his/her career and Applications are being accepted for too many requests for participation are all committees volunteer their services scholars, and education of the public. ate to the committee's work and must be has been an inspiration to a broad range room monitors and projectionists for received, the slots will be filled by to the association without compensa­ members in good standing. Members of of students in the pursuit of humanistic the 1998 Annual Conference in Toronto. lottery. tion. Nominations for committee Professional Practices Committee all committees volunteer their services Room monitors and projectionists will studies. Interested artists should submit the memberships should include a brief responds to specific concerns of the to CAA without compensation and be paid $8.00/hour and will receive Artist's Portfolio Review coupon (see statement outlining the individual's membership in relation to such areas as serve for fixed terms of three years Artist Award for a Distinguished Body complimentary conference registration. page 28) or a postcard listing name, qualifications and experience along with job placement and recruitment, tenure (1999-2001). Members of CAA commit­ of Work, Exhibition, Presentation, or They are required to work a minimum CAA membership number, address, a resume. Self-nominations are encour­ and promotion procedures, scholarly tees represent the intellectual, geo­ Performance is a peer award given for of four of the session time slots phone number, and discipline/medium. aged. Write to: Katie Hollander, CAA, standards and ethics, artists' practices, graphic, and individual diversity of the work mounted in the penultimate year. (Wednesday-Saturday), and must Indicate whether work to be reviewed 275 Seventh Ave., New York, NY 10001. and studio health and safety. association's constituencies. Nomina­ attend a training session at 5:00 P.M. on 'will be on slides or video and any time Deadline: November 10, 1997. tions should include a brief statement Distinguished Artist Award for Wednesday, February 25. Projectionists slots that cannot be scheduled. Please International Committee is a new outlining the individual's qualifications Lifetime Achievement is a peer award must be able to operate a 35-mm slide Committee on Cultural Diversity. One­ note: in order to be considered for the projector; familiarity with video committee charged with developing and experience, along with a complete celebrating the career of an artist. Artist's Portfolio Review, applicants must third of this nation is composed of relationships between CAA and resume or c.v. Self-nominations are projectors is helpful. Contact: CAA A-V register for the 1998 annual conference. individuals whose cultural, ethnic, organizations and institutions in other encouraged, including those from past CAA/National Institute for Conserva­ Coordinator Elaine Pike, c/o CAA, 275 Artist's Portfolio Review, CAA, 275 racial, and sexual identity is different countries with goals and activities award recipients. Write to: Katie tion Award for Distinction in Scholar­ Seventh Ave., New York, NY 10001; Seventh Ave., New York, NY 10001. from the majority's. This committee is similar to those of CAA. Hollander, CAA, 275 Seventh Ave., New ship and Conservation is presented for [email protected] (subject: "Elaine charged with the recognition and Deadline: December 5,1997. (Artists will be Pike"). York, NY 10001. Deadline: November 10, an outstanding contribution by one or notified of their appointment times by support of the contributions, talents, Intellectual Property Rights Committee 1997. more persons who, individually or Room monitors are needed January 10, 1998.) possibilities, and needs of this constitu­ is responsible for monitoring the latest jointly, have enhanced understanding of Wednesday, 3:30-5:00 P.M.; Thursday ency and with the increased inclusion of issues and legislation that affect Charles Rufus Morey Award is art through the application of knowl­ and Friday, 12:30-2:00 and 3:30-5:00 this group within the association and reproduction rights and scholarly presented for an especially distin­ edge and experience in conservation, art Career P.M.; and Sahrrday, 12:30-2:00 P.M., to the field. publishing. guished book in the history of art, history, and art. Development check in artists for the Artist's Portfolio published in the penultimate calendar Workshops Review interviews. These monitors will Committee on Electronic Information CAAAwards year. Artists, art historians, and museum receive complimentary registration. attempts to keep informed of new ideas Contact: CAA Conference Coordinator Committees professionals at all stages in their careers and developments in the area of Alfred H. Barr, Jr., Award for museum are encouraged to apply for a one-on­ Mary-Beth Shine at 212/691-1051, electronic information. It works to CAA encourages the highest standards ext. 210. of scholarship, practice, connoisseur­ scholarship is presented to the author(s) one consultation with veterans in the ensure that the special needs of our of an especially distinguished catalogue fields. The Career Development constituencies for access to visual and ship, and teaching in the arts. To this end, the association publicly recognizes in the history of art published during Workshop program offers a unique specialized resources linking texts and the penultimate year under the auspices opportunity to receive candid advice on images are fully represented. achievements by individual artists, art historians, curators, and critics by of a museum, library, or collection. how to conduct a thorough job search, regularly conferring a number of annual present work, and prepare for inter­ views.

6 CAA NEWS SEPTEMBER 1997 CAA NEWS SEPTEMBER 1997 7 the NEA and NEH for five more years. of the Cultural Advocacy Group, CAA Senate version (5. 949) contains no such teaching with digital technology. It is CAA The bill (5.1020) was sponsored by the also signed on to a group letter support­ revocation, and the administration's Electronic Bulletin Board perhaps for this reason that the largest Committee Chair, James Jeffords ing the Jeffords Bill and resisting efforts position would also preserve the number of course pages in art and (Republican, Vermont) and called for to implement block grant federal art exemption. Nonetheless, a threat exists. architectural history are essentially Advocacy dramatically increased funding for both funds to states. For information: 800/842-276. electronic publications of traditional and agencies; $175 million for FY-98. To existing course materials. In many ensure that the bill makes it to the - In censorship news, videotapes of universities, students themselves Team Senate floor for a vote in September, Other Points the Academy Award winning film The volunteer or are paid for preparing several amendments were successfully Tin Drum, based on the novel by Gunter course materials for the network. My proposed: the authorization level for the of Interest Grass, were seized by the Oklahoma own course page started when a student Update NEA was reduced to $100 million and -The fifth annual National Arts and police on June 25 after a county judge put my handouts on the MIT network, the NEH to $11 0 million, and a new Humanities Month is scheduled for decided in an off-the-record proceeding transcribed some lecture notes, searched distribution formula allocates forty October 1997. The National Cultural that the film was obscene under the web for illustrations, and added Alliance, the National Humanities The percent for partnership grants, forty Oklahoma law. Police removed the film inimitable commentary of his own. Here percent for grants of national signifi­ Alliance, and the College Art Associa­ from at least one private horne as well as in hacker heaven, my hand was forced. cance, ten percent for direct grants, and tion encourage you and your institu­ six video stores and took possession of a Electronic There are a far greater number of ten percent for arts education and tions to dedicate events already sched­ copy of the £Om that had been borrowed art and architectural history courses Politicians Spar underserved communities grants. uled in October to National Arts and from the public library. Lawsuits have with online components than will be Over Endowments Additional amendments included Humanities Month. Encourage journal­ been filed against the Oklall0ma police Syllabus found through general web indexes, Decisive votes on the future of federal priority consideration for educational ists to publish articles about arts and for violation of First Amendment Rights, bibliographic resources, or compilations arts funding were recently held in both proposals, a cap of ten percent on panel humanities programs in your commu­ as well as for violation of the federal of teaching sites (try The World Lecture houses of Congress. The process to members from anyone state, an nity or write your own press release on Video Privacy Protection Act. The Hall at http://www.utexas.edulworld/ reauthorize and fund the National increased percentage for state partner­ your arts and humanities event. American Civil Liberties Union of lecture/ or Laale up the Academy at http:// Endowment for the Arts (NEA) and ship grants, and a cap of seventeen Oklahoma is also flling suit on behalf of here are few more obvious uses weber.u.washington.edul .... eckman! National Endowment for the Humani­ percent on administrative costs for both -The recently released McKinsey the private citizen whose copy of the for campus computer networks acadurls.html). Traditions of autono­ ties (NEH) began in the House of agencies during the first year, dropping Report, funded by the New York film was seized. For information, call the T than for posting course offerings. mous scholarship, the nonstandardized Representatives. The House, in a 217 to to twelve percent in subsequent years Department of Cultural Affairs and the National Coalition Against Censorship: The electronic syllabus has become nature of teaching in the humanities, 216 procedural vote, agreed to zero out (the NEH currently spends fourteen New York State Council on the Arts, 212/807-6222; National Campaign for increasingly prevalent at American and the fluctuation of information on funding for the NEA, maintain funding percent and the NEA spends seventeen demonstrates the broad returns on the Free Expression: 202/393-2787; Freedom colleges and universities. UCLA has the World Wide Web mllitate against for the NEH at the FY-97 level of $110 percent on administrative costs). The investment of public dollars in the arts. to Read Foundation: 312/280-4222; even mandated course web pages for such a comprehensive index. One million, and increase funding to the Jeffords Bill was approved by a vote of While the publishing of economic American Booksellers Foundation for every class in its College of Letters and suspects that copyright compliance Institute of Museum and Library fourteen to four. impact studies has become a growth Free Expression: 914/591-2665, ext. 267. Sciences, a move that has generated zoning-whether imposed by licensing Services (IMLS) by $1.4 million to $23.4 The Senate Appropriations Com­ industry, this report distinguishes itself some controversy among its faculty and agreements with rights owners or by million. The bill would also eliminate mittee approved the Interior and by articulating the wide range of Final Note to students and beyond. At some institu­ conscientious faculty, librarians, slide businesses that flourish in the presence the NEH's Woodrow Wilson Interna­ Related Agencies recommendations CAAAT Members tions the innovation is seen as nothing curators, systems administrators, or tional Center for Scholars. of the arts. Such a systemic view is more ambitious than the "call-in" (H.R. 2107) that included funding for the The appropriations process is a critical university legal counsel-has greatly The vote on the NEA is not neces­ unique in that it serves both as a model homework voicemail systems popular in NEA at $100.26 million, the NEH at period for arts advocates. Crucial votes impeded the presence of digital imagery sarily a gauge for the popularity of the and a tool to advocate for the arts and primary and secondary education. For $110.7 million, the IMLS at $22.3 million, for both the NEA and NEH will be held on the web. The password-protected agency; rather it offered representatives continued governmental funding. others, course sites are seen as the and $5.8 million for the Woodrow in September. We have appreciated the server has become an alternative tool for with a choice between eliminating the ("Finding Government Profit in Aid to platform from which to launch a Wilson International Center for Schol­ letters we have received from CAAAT depositing digital imagery for student NEA entirely or giving $80 million in the Arts," New York Times, July 16, 1997). transformation of one of the most ars. This success notwithstanding, the members this spring and summer. Keep review. Only a fraction of the scanned the form of state block grants for the common and least adventurous teaching most problematic amendments for the them corning! Your views and opinions images at the University of Virginia arts. Critics complained loudly that the - In June Senate members were formats in the humanities-the survey bill have been held out for introduction are important as we formulate our Digital Imaging Center, for instance, is GOP had forced the restrictive vote in urged to resist a proposed decrease in slide lecture. The proverbial "Darkness on the Senate floor. Of greatest concern strategies and positions. For informa­ available for general use, though their response to political agreements made funding for the National Telecommuni­ at Noon" could instead become collabo­ is a proposal to increase the percentage tion: Katie Hollander, CAA, 275 Seventh technical information about scanning is during the appropriations process two cation and Information Administration's rative learning, individually paced self­ of federal arts funding administered to Ave., New York, NY 10001; 212/691- extensive (see http://www.lib.virginia. years ago. The alleged agreement is said Telecommunication and Information study, directed inquiry, or interdiscipli­ eduldidindex. html). the states through block granting. These 1051, ext. 206. to have provided funding for the NEA Infrastructure Assistance Program. The nary research, depending on the new grants would be distributed through -Blair Winn, Advocacy Intern Nevertheless, restricted course for two years in exchange for eliminat­ state arts councils, potentially limiting program provides seed money for learning model envisioned (the June pages can be tracked down, and even ing the agency in FY -98. According to funding granted to smaller arts organi­ various projects that need assistance 1997 issue of the Art Bulletin contains a where the images cannot be viewed, the the American Arts Alliance's "Legisla_ zations as well as national programming building, implementing, and linking range of views on "Digital Culture and topics, framework, reading lists, and tive Update" (Vol. 2, Issue 7), "The initiatives. Those in favor of block networks, connecting to the Internet, the Practices of Art and Art History," web resources may be accessed. leadership's use of parliamentary granting claim that it more fairly and training in the use of equipment several of which focus on teaching Witll Browsing these pages may contribute to politics to prohibit attempts to restore distributes arts funding to all states. If and software. electronic resources). A future column a productive cross-fertilization of ideas funding for the Endowment illustrates the bill succeeds on the Senate floor it will focus on the many resources and teaching frameworks. The best their fear that there would not have will move to the House-Senate confer­ -The tax exempt status of the available for studio instruction. means of access is often through the been enough Republican votes to kill the ence committee for revision andwill be Teachers Insurance and Annuity Assoc­ There are numerous technical issues university's address itselC which will NEA if an amendment to restore brought back to the floor for final iation, College Retirement Equities Fund to consider when designing a course lead one to the course catalogue or funding had been offered." approval. is being threatened. United States repre­ site, which can distract from the more relevant departments, which in turn By mid-July, the more supportive CAA Advocacy Team (CAAAT) sentatives recently approved legislation challenging pedagogical and intellectual lead to course pages. In other words, try Senate Labor and Human Relations responded to these important votes with (H.R. 2014) that would revoke TIAA­ ones, and there are at present fewer going in the front door (use ".edu"). On Committee was voting to reauthorize letter-writing campaigns. As a member CREF's long-standing tax exemption. A models than resources available for the University of Pennsylvania site you

8 CAA NEWS SEPTEMBER 1997 CAANEVI'S SEPTEMBER 1997 9 what you would expect~"waillabel" will discover an art history server, http: http://www.mip.berkeley.edulquery_ cially effective for studies of ancient and set of factors to consider (... Iresearch Note: Web addresses are preceded by II www.arth.upenn.edul, that houses forms/browse_spiro_form.html. text, excerpts from the Encyclopaedia medieval sites and the urban fabric, agenda.html). Sponsored by tlle ''http://''; most browsers automatically both art history department syllabi and Upon reviewing existing resources, Britannica, or worse, undocumented regardless of period, this approach American Studies Association, this include the protocol. In this article, an Art and Archaeology of the Mediterranean it becomes immediately apparent that paraphrases of texts familiar to scholars. exploits an archaeological paradigm that international curriculum innovation ellipsis indicates a subdirectory of the World, a set of resources created by the image repository defines an entire Image quality in these repositories is understands time in terms of layers and project includes a guide that may prove preceding address. For instance, "www. faculty of the interdisciplinary graduate category of approaches to teaching with another concern. At the moment, spatial arrays; it can easily be translated especially valuable for skeptics and collegeart.org" followed by" . . .caa/news/ program. teclmology, whether the result is a problems in the areas of color and by computer software and graphical novices, Engines of Inquiry: A Practical 1997/5" means type in this address: http:// Another avenue is to consult one of digitized slide collection created locally resolution are technically solvable, but interfaces in which layers already are an Guide for Using Technologtj in Teaching www.collegeart.org/caa/news/1997/5. the many directories designed specifi­ for a course or a project conceived on the they are not feasibly implemented. It is integral part of the design concept. (See American Culture ( ... guide/guide. ~Leila Kinney cally for art historians, which include scale of the Rubens server at the far more difficult for the computer to Stephen Murray's Amiens site, http:// htm!). Here one can find thoughtful deparbnent listings and image data­ Australian National University, http:// simulate texture, surface, scale, and that www.arch.columbia.edu/DDLIprojectsl essays that sift the useless from the bases, as well as links to other existing rubens.anu.edu.au/index2.html. Why is unique feeling of tactile awareness one amiens/, and a review by Ben Davis of useful generalizations about technology digital imagery databases: The Art this so? The curious history of the achieves from confronting an object in the Getty Information Institute of and learning; conceptual frameworks History Research Centre, created by Leif Internet has left academics feeling that it person. It is hoped that artists, and not several more projects of this nature, for course design; sample syllabi and Harmsen of Concordia University, has been highjacked for commerce just only the digiterati among them, will help liThe Future of the Past," Scientific Amer­ assignments; classroom case study Montreal, http://finearts-112-31. as it had miraculously been converted to solve the problem of sensory depriva­ ican, August 1997, p.89, or http://www. reports; and bibliographies galore. concordia.calarthlAHRC/intro.htmi from defense to research purposes, We tion that is currently the "beholder's sciam.com/0897issue/0897review1. Assignments built around photographs Art HistonJ Resources on the Web, http:// have arrived at a point where "access" share" when viewing digital imagery. htm!.) from the American Memory Collection Thanks witcombe.bcpw.sbc.edul ARTHLinks. to digital imagery has become the In an educational context, the Such elaborate, wen-funded, and of the Library of Congress, http://lcweb html#Ancient, compiled by Chris defining issue, and free exchange or preponderance of repositories may say collaborative educational approaches 2.1oc.gov/ammem/, and the hypertext toCAA Witcombe at Sweet Briar College; The minimal cost recovery have become the less about the technology of digital wi1llikely remain the exception for edition of Jacob Riis's How the Other Half History of Art Virtual Library, maintained objectives of the counter-commercial imagery than about the pedagogy of the some time to come. In the meantime, the Lives, www.cis.yale.edulamstud/info by the History of Art Department at image library. In addition to the ANU slide lecture, Several alternative straightforward clarity of the electroni­ rev/riis/title.ht'ml, will be particularly Members Birckbeck College, London, http:// site mentioned above and ACIT, Art approaches are represented on the web, cally transcribed lecture, frequently interesting for teachers of the visual www.hart.bbk.ac.ukIVirtuaILibrary. Images for College Teaching, http://www. three of which might be characterized as accompanied by an annotated bibliogra­ arts, The American Studies Crossroads htm!; The Mother of All Art History Link mcad.eduiAICT/index.html, there are the specific knowledge repository, the phy and directed inquiry into visual Project also contains liT eaching Ver­ Pages, http://www-personal.umich.edu/ several new projects intended to foster animated historical reconstruction, and materials readily accessible on the web nacular Architecture at the George -amidkifflmother/index.hlml, by exchange of imagery among academics the dialogic essay. Marilyn Lavin's Piero has a great deal to recommend it-we Washington University" (. .. Ivern Andrew Midkiff; ARLlS/NA's Guide to for teaching purposes. The most Project and ECIT database, mondrian. might call this the "dialogic" approach, arch.html) and a syllabus for the sem­ AA expresses its sincere the World Wide Web, http://caroline. extensive of these educational image princeton.edu/piero!, works from the in honor of Bakhtin. The elegant inar "Women and Art at the Turn of the gratitude to 1997 Patron, eastlib.ufl.edu:80/arlis/contents.html; repositories is Kathleen Cohen's Gallery, assumption that students need access conciseness of this kind of lecture-essay Century" (lsyllabiljdavis.html). Ex­ Sponsoring, and Sustaining and The PartheNet, by Kathryn L. http://gallery.sjsu.edu/ArtHiart­ not to the contents of the world's at its best achieves a benevolent tone amples of "dynamic" (also referred to as C Conners of Mount Holyoke College, museum. html, created for students at museums but to the professor's years of often absent from the less accessible interactive) syllabi are several art members-individuals who wish to http://home.mtholyoke.edul-kicormer/ San Jose State University. Although its experience. This lode is not delivered as writing with which our students must history subjects: a traditional survey, contribute to CAA above and beyond parthenet.html. Even if instructors have public face is that of a virtual gallery, a a set of conclusions; rather it is embed­ frequently contend (e.g., Ross http://www.usc.edu/deptlfinearts/ their regular dues. These members no immediate plans for online syllabi, more significant experiment is going on ded into a relational database that will Woodrow, Analysis of Images, http:// fa121/; two surveys of African and receive both the Art Bulletin and Art these guides can direct them to online behind the scenes in the form of self­ allow students to investigate, validate, www.newcastle.edu.auldepartment/ African-American Art, http://satie.arts Journal, as well as CAA's annual report. resources that can ease the preparation directed lessons designed for use by disprove, and improve upon its contents fadlfi/woodrow/analysis.htm). .usf.edul..... ooguibe/afroam.htm; and a Membership fees cover less than half of of slide lists, handouts, and the like. students. in a lab or workshop setting. Already there is a glut of informa­ specialized seminar on curatorial issues CAA's operating costs, so voluntary Most useful in this regard are ULAN, Those skeptical about the scramble Lavin's elaborate project, which tion, much of it "infotainment," out in contemporary art offered electroni­ contributions from Patron, Sponsoring, the Getty Institute's Union List of Artists' for digitization must take into account joined researcll to teaclling, necessitates there. Filtering and critiquing it for cally, http://www.cyber.vt.edul and Sustaining members help to make Names, http://www.gii.getty.edululan_ the need to create alternatives before collaboration, as do the ambitious students may be the most valuable vgallery/. possible the wide range of programs browser/, or the French Ministry of most digital image repositories are dom­ historical reconstructions that constitute service that teachers can immediately Crossroads also sponsors work­ and services CAA offers. Culture's databases of art and architec­ inated by proprietary interests. The the second approach to working with provide. From an art historian's shops and research projects designed to tural objects, Joconde, http://www. . majority of these image sites have been computer technology. The Art His­ viewpoint, the web is not yet a visually test the objectives and effectiveness of Individual culture.fr/cgi-bin/mistral/joconde, and created by museums, by art enthusiasts, torian's Guide to the Movies, http://www. significant medium, but it is an interest­ teaching with new technology (... 1 Patron Members Merimee, http://www.culture.fr/cgi-bin/ or by programmers, not by art or rci.mtgers.edul..... eliasonlahgttm.htm, ing, significant way to configure course workshop/; and ... /conversationsl Kristin B. Collins, Hester Diamond, mistrallmerimee. architectural historians. The Art Museum emerged from an extended discussion materials. What art and architectural call.htm!). Although targeted for Beatrice Farwell, Joanne D. Payson, and A similar panoply of materials has Network, http://www.amn.org/AMN on tlle listserv moderated by Lavin historians have to offer-focused American Studies, these projects are Richard G. Tansey. been gathered for architectural history: hlmllAMN home.htm, now lists 2,000 called CAAH (subscribe with a message historical knowledge, a grasp of the adaptable to the teaching of the visual The Architecture Virtual Library, housed museum sites in North America alone; to listserv@pucc,princeton.edu). Apart complexity of visual imagery and spatial arts. Finally, "Thinking Critically about Individual at University of Toronto School of the Virtual Library Museum Pages, http:// from anxieties about the television construction, an intelligent repertoire of World Wide Web Resources" by Esther Sponsoring Members Architecture and Centre for Landscape www.icom. orglvlmp, has thousands generation's attention span and the valid connections among objects, texts, Grassian of the UCLA College Library, Research, http://www.clr.toronto.edul more; a c1ickable map of the paintings of quasi-cinematic apparatus of the slide Jonathan J. G. Alexander, Basil Alkazzi, and cultures-is well suited to the http://www.library.ucla.edu/libraries/ Pamela Askew, Ronald R. Atkins, Barry VIRTUALLIB/arch.html; Jeanne Vermeer was created by a CalTech lecture, this discussion group indicated translation and experimentation that col1ege/instruct/critical.htm, should Brown's Architecture and Building Guide, computer scientist, http://www.ccsf. a real need, particularly in the teaching S. Bailey, Frederica W, Cameron, Faya teaching with electronic resources have a place on every electronic Causey, Madeline H. Caviness, Kevin E. http://www.nscee.edu/unlv/Libraries/ caltech.edu/ ..... roy/vermeer; and Nicolas of architecture, urban planning, and requires, syllabus as well. archlrsrce/webrsrce/index.html; the Pioch at CNRS initiated the WebMuseum sculpture, for contextual viewing or Consey, John P. Driscoll, Anne B. For anyone still skeptical about Ehrenkranz, Anne Hollander, Katharine SAH homepage, http://www.upenn. network, formerly the WebLouvre, http:// simulations thereof, This is the goal of what can be done with technology in the The web version of this article contains C. Lee, Roselyn Leibowitz, Charlene C. edu/sah/; and SPIRO, the slide collection sunsite.unc.edulwml. With notable many ongoing projects that are using classroom, the American Studies Cross­ hotlinks to all of the highlighted sites. of Berkeley'S School of Architecture, exceptions, the accompanying educa­ computer-generated models of de­ Marsh, Elizabeth McG. Enders, Karen N. roads Project, http://www.georgetown. Go to: http://www.collegeart.org/caa/ McGuinn, John Mulvany, Otto tional material on these sites is about stroyed or unbuiIt architecture, Espe- edu:80/crossroadsl, offers an intelligent news/1997/5.

CAANEWS SEPTEMBER 1997 10 CAi\. NEWS SEPTEMBER 1997 11 Naumann, Jules D. Prown, David Heeks, Jean l. Heilbrunn, Kathryn M. Joan K. Stemmler, Damie Stillman, Alfonso, Albert Alhadeff, Atteqa Ali, Jasmine A Benolken, Karlyn E. Benson, S. Patricia Benson, Campagnoli, Michelle 1. Campau-Callaghan, Alinder, Ruth E. Allan, Clayton E. Allen, David Camille Benton, Joy Berenfield, Sasha M. Alan Campbell, Nancy J. Canter, Fred Cantor, Rosand, Sheri C. Sandler, Stephen K. Heleniak, Reinhold Heller, Gertrude M. Julien M. Stock, Alan N. Stone, Charles F. Allen, David YOlmg Allen, Jane Ingram Allen, Bergmann, Amy 1. Berk, Ellie P. Berkowitz, Paul Elizabeth Lee Cantrell, Agnes 1. Carbrey, L. Talbot, Roberta K. Tarbell, D. E. Tebow, Scher, Mark Weil, and Ruth Weisberg. Helms, Mathew Herban III, Robert Laura Allen, Margaret M. Allen, Paul Allen, Bemabeo, Jason E. Bernth, Lisa D. Berry, Craig J. Caroline Nadi Carey, Bridget A. Carlin, Arnold Herbert, Joel Herschman, Richard A. Mark E. Thistlethwaite, Shirley L. Raymond V. Allen, Regina D. Allen, Darryl Berthold, Elena M. Bertoli, Meredith A Best, C. Carlson, Robin L. Carmichael, Susan Carney, Individual Hertz, Barbara H. Hess, Charles Hess, Thomson, Jane M. Timken, Thomas R. Alleyne, Kristina Alleyne, Ellyn C. Allison, Terry M. Beutler, Josephine M. Bever, Pamela A. Barbara A. Caron, Liliane Caron, Kenneth E. Sustaining Members Rhea P. Higgins, Sharon L. Hirsch, Toperzer, Paul H. Tucker, Horst Uhr, Catherine G. Allport, Stavit N. Allweis, Oscar B. Beverly, Anna Bialobroda, Rose Bilat, Catherine Carpenter, Amelia J. Carr, Chrisly 1. Carr, Luis Margaret H. Hobler, Kristi J. Holden, Kathryn A. Van Dyke, J. Kirk T. Alpy, Ellen W. Altfest, Lee M. Altman, Ellen M. M. Bindman, Lisa Bingham, David A. Binkley, E. Carranza, Elizabeth J. Carrel, Catherine George S. Abrams, Morton C. Margaret L. Howell, Karen A. Huber, Varnedoe, Magda Vasillov, Barbara A. Alvord, Lauren Alwan, Gisele Amantea, Pamela Iris Binor, June Bisantz-Evans, Brian 1. Bishop, Carter, David A. Carter, Nanette C. Carter, Peter Abromson, Maryan W. Ainsworth, E. Ambrose, Price 1. Amerson, Christine N. Caroline Prymas Black, Claire C. Black, Lea P. A. Carter, Sophie J. Carter, Laura E. Carton, Susan Huntington, Nancy R. Ventresco, Anthony Vidler, Kathy L. Svetlana L. Alpers, Emma Amos, Amick, Joyce E. Anastasia, Austin D. Anderson, Black, Stephen R. Black, Juliet A. Blacksher, Sarah C. H. Cartwright, Josely Carvalho, Huntsinger, Carrie J. Intihar-Mumma, Vincent, Anne M. Wagner, Leonard E. Pauline Arama, Kahren J. Arbitman, Caroline A. Anderson, Douglas R. Anderson, Laurie A Blaes, Emily R. Blair, Joan F. Kimberlyn Casey, Cristin L. Cash, Yvonne G. Sherry S. Jacks, Diane C. Jarnes, Carroll Walcott, Jr., Gwen I. Walden, John E. Frederick Asher, Jacquelynn Baas, Ellen Ehry Anderson, Heather Anderson, Holly Blanchfield, Alexandra Blau, Anih'a Blayton, Cassel, Caroline L Cassells, Susalme Casser, Janis, D. Signe M. Jones, Lois Kaggen, Walsh, Jr., Allen Wardwell, Jack Anderson, Kristin Anderson, Lisa M. Anderson, Marian A Bleeke, Kyle D. Blevins, Jill E. Rose Thome Casterline, Katherine F. Castle, Lori T. Baird, Marilyn Baker, Catherine P. Natalie B. Kampen, Pepe Karmel, Ruth Wasserman, Judith Wechsler, H. Robert D. Anderson, Sherman Reed Anderson, Blondin, Laura R. Bloomenstein, Joanne B. M. Cavagnaro, Tara A Cavaliere, Cathleen M. Ball, Georgette F. Ballance, Alan Kaufmann, Diana S. Keevan, Margaret Barbara Weinberg, Gabriel P. Weisberg, Susan Anderson, Virginia B. Anderson, Neil W. Bluestone, Nancy M. Boas, Gina M. Bobrowski, Cavanagh, Alden Cavanaugh, Jacquelyn Cavish, Barkley, Terry L. Barrett, Stephanie J. Andersson, Rhoda Y. Andors, Denzella D. Sarah C. Bockel, Trish L. Bode, Glenn S. Bodish, M. Kelly, Dieter KImpel, Travis B. Fred H. Werner, Richard V. West, Rosemary M. Cellini, Greg P. Ceo, Philip T. Barron, Michael D. Baxandall, Andrea P. Andrews, Catherine A. Angel, F. Bobi Angel, David B. Bodlak, Barbara Moon Boertzel, Gary Cerney, Rosita Chalem, Derek L. Chalfant, Kranz, Phyllis Lambert, Barbara G. Arthur K. Wheelock, Jr., Renate A. Belloli, Shirley K. Bennett, Robert W. John D. Angeline, Jay Angello, Carolyn E. W. Bolding, Margaret A. Bollack, Robert A. Harriet F. Chamberlain, Kristin Chambers, Lane, Richard S. Lanier, Heaja K. Lee, Wiedenhoeft, Anne-Marie Wiemer­ Berger, Robert P. Bergman, Ann C. Angleton, Suzanne C. Anker, William 1. Anthes, Boman, Peter C. Bonadies, Judith H. Bonner, Georgia G. Charnley, Jennifer 1. Champlin, Patricia J. LeFor, Leonard Lehrer, Cathie Sumner, David G. Wilkins, Reba W. Leonard T. Antinori, Stephan Apicella­ Bermingham, Jo-Anne Bernstein, Nancy Bertha V. Boom, Jacob B. Boone, John Boone, M. Melissa 1. Chaney, Danielle Chang, Jeffrey A. Lemon, David Lenefsky, Madeline Williams, Jean c. Wilson, Enid S. Hitchcock, Mary L. Apple, Jonathan D. Elizabeth Boone, Christine A. Boos, Lee R. Boot, Chapp, Maryann Chariston, Amy K. Chase, BiaJIer, Marlene O. Bilsky, Nancy M. Lennon, Vernon L. Lidtke, Lucia S. Winslow, Irene J. Winter, William D. Applefield, Serdar D. Arat, Yves Arcand, David Kawenniiosta Boots, David E. Bordelon, Carol Brianne E. Chase, Cynthia C. Chatman, Swati Boas, S. G. J. Boggs, Doreen Bolger, Lilien, Rose-Carol Washton Long, Carla Wixom, Sally Wriggins, Jim Wright, E. Arcangeli, Cecilie E. Arcari-Glas, Christopher A. K Borelli, Jason A. Borgman, Gillian M. Born, Chattopadhyay, Chiu-Hua Chen, Jennifer J. Elizabeth H. Boone, Edward J. Boyer, B. Archer, Suzanne P. Archibald, Peter R. Georgina E. Borromeo, Elena Borstein, Connie Chen, Kung-Chin Chen, Ya-Ling Chen, Yueh­ Lord, John Lottes, Edward R. Lubin, Robert A. Yassin, Henri Zerner, and Richard Brettell, Richard Brilliant, Judith Arcidiacono, Vincent J. Arcilesi, Kristen E. M. Borup, Derek W. Boshier, Thomas J.Bosket, Mei Cheng, Jermifer E. Chenoweth, Nancy Beatus T. Lucey, Hans A. Luthy, Kent Judith K. ZiJczer. K. Brodsky, Jack Perry Brown, Jonathan Arden, C. Edson Armi, Carol M. Armstrong, Laraine Botsacos, Andrea M. Bottaro, Anne M. Cheser, Ke-Hsin Jenny Chi, Abigail Child, Lydecker, Patricia Mainardi, Michael M. Brown, Ladislas Bugner, James D. Jeffrey D. Armstrong, Martha Armstrong, Philip Boudreau, Rachel A Bounds, Kimberly D. Barbara Suann Childers, Jackie Hoffman Chin, Mallory, Richard 1. Marciniak, Susan N. Armstrong, Marjorie E. Amett, T. Allan Bowes, Julie A. Bowland, Alan C. Braddock, Christine V. Chiocchio, Kristine Lois Burke, James Cahill, Richard Camber, Arnett, Siobhan Arnold, Lindsay M. Aramin, Rosalind E. Bradford, William P. Bradish, Chiongbian, Wendy G. Chisholm, Douglas E. William A. Camfield, Malcolm Mark, James H. Marrow, Joan M. Marter, Sarah Blake McHam, James W. Judith 1. Aronson, Gagik Aroutiunian, Paul TIlOmas G. Brady, Emily A Branch, Susie M. Chismar, Fiona H. Cho, AJbert Y. Choi, Sung-Ho Campbell, Joan Carpenter-Troccoli, Arps, Christine R. Arthur, Emily A Arthur, Brandt, Julia E. Brashares, Anne T. Bray, Nancy Choi, Won Jung Choi, Kelmeth K. Chon, Birgitte McManus, A va McNamee, Constance C. Carolyn K. Carr, Yvonne P. Carter, Peter Richard A. Aschenbrand, Richard R. Aste, Renee R. Breed, Karen Breeden, Susan E. Breitkopt, M. Christensen, Nina M. Christensen, Daric M. McPhee, Jerry D. Meyer, Elly Miller, Chapin, Petra T. D. Chu, Hollis Clayson, Ater, Marcia E. Athens, Plaridel G. Atil Ii, Ross M. Bresler, John E. Brewer, Ed S. Brickler, Christian, Kathleen W. Christian, Leona E. Barbara B. Millhouse, Henry A. Millon, Janice K. Clinton, James L. Coddington, Margaret Atkinson, Thomas P. Atlas, John A. Robert C. Bridges, Rocky Bridges, Barbara A. Christie, TIlOmas A. Christison, Shaila K Atura, Kathryn M. Avery, Maya K. Avina, Briggie-Smith, Frances R. Briggs, Patricia A Edward Colker, Judith Colton, Michele Barbara J. Mitnick, Cathy Montenegro, 1997 Christofferson, Brian W. K. Chu, Yangming Chu, James Morganstern, Dewey F. Mosby, Nicole D. Awai, Elisabeth A. Axel, Robert E. Briggs, Paul S. Briggs, ScoH S. Brightwell, Clark Angiola R. Churchill, Martha H. Chute, C. Cone, Malcolm Cormack, Michael Keith Moxey, Don R. Mullins, Weston J. Axel, Alice Aycock, Anthony D. Ayers, M. Brittain, Arme H Britton, Julie A. Broberg, Laurentia A. Cincoski, Ann M. Ciola, George Corris, Michael W. Cothren, Holland Fernando ].A. Azevedo, Mayumi Azuma, Brian Curt Brock, Mary 1. Brodbeck, James M. Brodie, Naef, Katherine Harding Nahum, John New Cisele, Emily J.Citraro, Charles 1. Citron, Cotter, Janet Cox-Rearick Rebecca T. ]. Bach, Graham P. Bader, Andaleeb Badiee, Lisa R. Brody, Elizabeth L Broman, Sarah E. Andrea Claire, Mary M. Clancy, Stephen C. r Hallmark Neff, Roy R. Neuberger, Linda Crosby, James Cuno, Karen C. C. Renee M. Baert, Alex Bag, Martina Bagnall, Bromberg, Arnold M. Brooks, Lynne V. Brooks­ Clancy, Andrew J. Clark, Cathy Jean Clark, Fred Nochlin, Andrea S. Norris, Peter Dalton, Sally B. Dalton, Robert Dance, Members David E. Bailey, Scott J. Bailey, Beth E. Ballis, Korn, Jason E. Brougham, Christopher P. W. Clark, KathrynJ. Clark, Lesley Anne Clarke, Norton, Edward J. Nygren, John S. Kyle C. Bajakian, Raina K. Bajpai, Allyson J. Broughton, Dennis A Brousseau, Adam L. Sol Alfred Davidson, John T. Daxland, Wendy E. Clarke, Amy E. Clemmons, Byron D. O'Brian, Carol ackman, Clifton C. aIds, Hutton Baker, Arlene S. Baker, Kelly D. Baker, Brown, Arme 1. Bro"Wll, Frankie M. Bro"Wll, Clercx, Sarabeth B. Clevenger, Tom G. Clifton, Kosme M. DeBaranano, Pamela Steven N. Orso, Osmund Overby, John Gabrielle S. Bakker, John W. Bakker, Alexandra Gabrielle M. Brown, Hilton Brown, James Dean Cheryl 1. Clinton, Inga K. Clough, Craig Clunas, DeMarris, Barbara K. Debs, Vishakha N. T. Paoletti, George Pappas, E. C. Parry, Bakovych, Gene F. Baldini, Justin E. Baldwin, Brown ill, Jonathan 1. Brown, Kristen M. Brown, Mama G. CJuthe, Joseph M. Coates, Robert O. Desai, Charlotte Douglas, Dedree A. Laurie Addis Ball, Robert H. Ballard, Laurie 1. Laura Brown, Lenard D. Brown, Linda 1. Coberly, Gretchen S. Cochran, Sara Cochran, Melvin Pekarsky, Ruth Philbrick, R. Balmuth, Yana J. Balson, Carmen Bambach, Brown, Marcia J. Bruwn, Richard M. Brown, Vee Mary K. Coffey, Suzanne Cohan-Lange, Charles Drees, Suzanne Duca, Martha L. ineteen ninety-seven has been Cynthia Polsky, Martin J. Powers, Olga Robert Bambic, Peggy 1. Bang, Linda Bantel, V. Brown, Cathleen H. Brucker, Irene Brueckle, E. Cohen, Gary J. Cohen,Joyce W. Cohen, Mark Dunkelman, Linda Dunne, Elsbeth B. a year of significant growth for Dusenbery, Robert Enggass, Judith Raggio, Virginia C. Ragnin, Archie Rachel Barbanel-Fried, Susan M. Barbehenn, Heidi Brueckner, Orlanda R. Brugnola, D. Cohen, Ruth 1. Cohen, Linda J. Cohn, Chad Rand, Peter S. Reed, Charles S. Rhyne, CAA. We would ilke to Natalia Barbera, Costanza Barbieri, Carl F. Broderick T. Brunson, Caroline A. Bruzelius, Jo William Colby, Robert J. Coldwell, Crystal 1. Esterow, Suzannah J. Fabing, Tecton N Danielle Rice, Robert Rindler, E. Bruce welcome all new members who Barnes, Geoffrey M. Barnes, Kelly J. Barnes­ W. Bryan, Melissa 1. Bryan, Hope E. Buchholtz, Cole, Mary J. Cole, Steve F. Cole, A. D. Coleman, Fabricator, Everett Fahy, Trevor Robertson, Marcel Roethlisberger, Jane registered this year, as well as those Oliver, Rick Barry, Louise I. Barteau, Jan R. James W. Buchman, Andy A. Buck, Peggy A. Craig B. Coleman, David 1. Coleman, Helen M. Fairbrother, Theodore Feder, Alan M. Bartelli, Bruce Barton, Kristin C. Barton, Buckley, Rachel A. Buller, Tracy 1. Bunnell, Coleman, Michael N. Coleman, Holly J. Collins, Mayo Roos, Peter D. Roos, Charles M. who have renewed their membership Fern, Ruth E. Fine, Jonathan Fineberg, Samantha Baskind, Lowell W. Bassett, Nicole Gerry S. Burdette, Charlotte Burgess, Carolyn Kristen M. Collins, Christian C. Colussi, Dee A. Rosenberg, Sheila M. Ross, Timothy F. after a lapse of a year or more. CAA's Eleanor E. Fink, Jerry V. Finrow, Nered Basso, Eleni Bastea, Sara P. Bates, Terence D. Burke, Dave A. Burke, Sandra D. Burke, Alice R. Colvin, TIlOmas J. Como, Leslie F. Concannon, Rub, Polly N. Rubin, Jeffrey Ruda, new and returning members are: Fiorath, Evan. R. Firestone, Jack D. Batt, Michael A. Batterman, Jennifer J. Bauer, Burmeister, Stephanie Burnett, Eleanor R. Elisabeth Condon, Jolm A Cone, Michael P. Emily J. Sano, Carl N. Schmalz, Jr., Monica M. Bauer, Ute Meta Bauer, Elizabeth Burnette, Frank H. Burnham, Helen M. Conforti, Joel R. Conison, Brian G. Conley, Diane Flam, Jaroslav Folda, ilene H. Forsyth, Alfred R. Schmidt, John M. Mary ]. Aagerstoun, Lisa M. Abendroth, Kim T. Bauer-Simon, Kristin 1. Bauersfeld, Jennifer E. Burnham, Linda L. Burnham, Nancy P. A. Conlin, Diane A. Conlon, Andrew Connelly, Joseph c. Forte, Jacqueline A. Frank, Abraham, Barry Accardi, Beverly E. Adams, Schnorrenberg, Frederick C. Schroeder, Baughman, ZIata Baum, Katie R. Bauman, Anja Burnham, Steven A. Burnham, Karen A. Burns, Michael W. Conner, Sarah A. Conner, Kelly A. Anthony Geber, Volker V. Gebhardt, Brent D. Adams, Dennis P. Adams, Marie N. Baumhoff, Kristin Baxter, Kendra J. Bayer, James G. Bursenos, Nancy S. Burson, Larry D. Connole, Arme Connor, Sean A. Connor, Linda Seidel, Salvatore Settis, Rivka T. Robert A. Gerard, Mary W. Gibbons, Adams, Glenn Adamson, Carol Adelman, Patricia K. Beachley, Geoffrey S. Beadle, Joan K. Busbea, Jose F. Buscaglia, Maria-Elena Buszek, Margaret S. Connors, Linda B. Conoval, Cynthia Sevy, Daniel Shapiro, Ellen Sharp, Elizabeth A. Gittings, Mildred L. Charles R. Adiel, Amy H Adler, Kathleen D. Beard, Christina M. Bechstein, Dale A. Becker, Rebecca A. Butterfield, Hyun Soo Byun, Sun­ N. Consentino, Alison M. Conway, David A Adrian, Laura B. Aeling, Karl F. Affronti, Arm Glimcher, Rona GoHen, Hilliard Pamela K. Sheingorn, Tom Sherman, Pattie Lee Becker, Lisa C. Beckner, E. Jane Young Byun, Gary Caat, Patrick S. Cable, Diana Cook, Joshua S. Cooley, Michael G. Coomes, Alan Shestack, Yoshiaki Shimizu, Larry G. Agee, Charles W. Agel, Cheryl 1. Agulnick, Beckvvith, Patterson Beckwith, Pamela Beecher, L. Goldfarb, John S. Gordon, George E. Cabouli, Cathy Cade, Jennifer 1. Cadero­ Daniel P. Cooney, Frederick A. Cooper, Ray A. Silver, Marc Simpson, Marianna S. Rikki Asher, Robert S. Aiger, Carol A. Aiken, Lorea 1. Beeke-Diaz, Nicole E. Been, Arme E. Gillette, Daryl Cagle, Margaret Cagle, Martin A. Cooper, Trina E. Cooper, Abner A. Cope, Gorse, Oleg Grabar, Carol B. Green, Guendalina Ajello, Mary Beth Akre-Seely, E. Simpson, Lowery S. Sims, Jacqueline A. Beffel, Rodgine A. Begg, Christine S. Begley, Eve Cail, Andrea N. Caillouet, Ingrid J. Calame, Stephanie Copoulos-Selle, Robert A. Copskey, Terence Grieder, Catherine S. Gropper, Ofori Akyea, Constancio Del Alamo, Elizabeth Smalley, Thomas W. Sokolowski, Behar, Brigitte M. Beignet, Denise 1. Beimes, Joycelyn Erho Calande, Michael T. Caldwell, Lorna Corbetta-Noyes, Joan M. Corcoran, Nonnan B. Gulamerian, Elizabeth F. A. Albert, Maria Grazia Albertini-Ottolenghi, Leonid A. Beliaev, Keith T. M. Bell, Marina G. Douglas P. Calisch, James E. Callaghan, Helen Leanne M. Corcoran, Charlotte A. Corini, Karen Katherine Solender, Susan G. Solomon, Harris, Reiner Haussherr, Christine M. Bob Alderette, Julia L. Alderson, Efharis Belozerskaya, Alicia Estela Beltramini-Zubiri, M. Calvo, Kit Cameron, Louis V. Cameron, C. Cormier, Shannon K Corrigan, Louise A Priscilla P. Soucek, Ann Sperry, Barbara Alepedis, Amy J. Alexander, James E. Havelock, Andree M. Hayum, Willy Bryan S. Bennett, Kelly A. Bennett, Arme E. Crista j.Cammaroto, Shawn R. Camp, Paul G. Cart, Robert 1. Corwin, Patricia K. Cossard, M. Stafford, Allen Staley, Roger 11. Stein, Alexander, Mark L. Alexander, Bernard

12 eAA NEWS SIiPTEMBER 1997 CAA NEWS SEPTEMBER 10;197 13

II Eduardo C. Costa, James V. Costanzo, Patrick D. K. Drake, Elizabeth A. Dranitzke, Michael W. Ramlah Y. Frediani, Marcy B. Freedman, Julian Grisham, Amy S. Grissom, Gena R. Grochowski, Hether Hoffmann, Marianne Hogue, Rena M. Annetta Kapon, Fritz N. Kappler, Scott L. Coue, Holly A. Coulis, Theo G. Coulombe, Erin Dreeben, John T. Drew, Martin D. Drexler, D. Freeman, Kathryn Freeman, Michael R. Dana L. Groemminger, Janice R. Groenemann, Hoisington, Raymond Holbert, Barry P. Holden, Karakas, Monroe Karetzky, Dan Karlholm, E. Courtney, Joan M. Coutu, Marion W. Covey, Andrew R. Driscoll, David J. Drogin, Sarah Freeman, Lisa D. Freiman, Ricardo A Freitas Benjamin H. Gross, Lori E. Gross, Dina Heather R. Holden, Kevin E. Holder, Jill M. Nicole L. Karron, Charles J. Karubian, Beth Norma J. Cowdrick, Carrie S. Coyle, Margaret A. Drury, Michelle Du Bois, Diana C. Du Pont, Gouvia, Robert W. French, Julia B. Frey, Aida M. Grossman, Wendy A Grossman, Tristina A HoHster, Juanita M. Holland, Nancy M. Holland, Katleman, Wendy J. Katz, B. Samantha Kavky, Craig, Christina L Craigo, Margaret F. Crane, Alan Dubois, Tara S. Duffy, Elisha A. Dumser, Frick, Inga E. Frick, Matthew Friday, Linda K. Gryvvalski, Alicia J. Guerrera, Terry S. Gugler, Kathleen Holmes, Peter C. Holmes, Glerm E. SarahJ. Kaye, Diana Keane, Tim Keating, Joan 1. David M. Cravenho, Lynn M. Creighton, Claudia J. Dunagan, Katherine Dunbabin, Carla Friedlaender, Terri B. Friedman, Samuel C. Mille Guldbeck, Lucia M. Gulino, Anthony L. Holmstrom, David K. Holt, Trevor J. Holtham, Kee, John C. Keefer, Matthew T. Keener, Erin E. Benedict Cressy, P. Britt Crews, Kim L. Cridler, B. Dunham, Fontaine Dunn, Richard E. DlUll, Fritch, Douglas M. Fryer, Karen M. Fuhrman, Gully, Aimee-Marette C. Gunther, Sharon Kristine L. Holzbach, Otatdodah W. Homer, Keever, William E. Keith, Ronald O. Kellen, Angela R. Critics, Alison E. Crocetta, Katherine Cheryl L. Dllllye, David P. Durham, Anne C. Keiko Fukazawa, Maki Fukuoka, Judith A. Gurnack, Glen A. Gumer, Donna J. Gustafson, Larry 1. Homolka, David J. P. Hooker, Debra A. Corey E. Keller, William Keller, Jeff Kelley, G. Crockett, Ralph C. Croizier, Emily D. Croll, Dume, Laura M. Dyer, Claudia O. Dzundza, Fuller, Linda Fuller, Katrina Fullman, Mara J. Rebecca L. Guzak, David W. Haas, Charles A. Hooper, Emily A. Hoover, Scott H. Hopkins, C. Angela M. Kelly, Donna M. Kelly, Jessen L. Bob E. Cromer, Caron N. Cronin, Rebecca T. Scott Eagle, Phyllis Arme Eakins, Taisia Ealy, Fulmer, Stanislaus Fung, Susan L. Funkenstein, Hackett, Jocelyn S. Hackforth-Jones, Susan M. Lynne Horiuchi, James E. Horn, William H. Kelly, Liam Kelly, Barbara F. Kendrick, Timothy Crosby, Laura A. Crouch, Katie J. Croutcher, Cynthia Eardley, Jeffrey W. Eason, Susan E. Matthew G. Funnanski, Frank H Futral, Gloria Haerry, Matthew D. Haffner, Eric M. Hahn, Jane Horn, Andrew J. Hornberger, William K. E. Kermedy, Ellen V. Kermey, Carolyn E. Kent, Susan H. Crowder, Ann G. Crowe, Susan Ebersole, Cathy A Eckdall, Joshua P. Eckels, A Gaddis, Lori D. Gaddy, Heather L. Gage, S. Haimes-Cantres, Mark A. Hain, Gordon Hostennan, Gene P. Hotaling, Thomas F. Houk, Lori A. Kent, Deborah 1. Kerly, Barbara D. Spencer Crowe, Katherine B. Crum, Edwin L. Mitch L. Eckert, Eileen F. Eder, Benjamin D. Penelope H. Gaitanis, Meir Gal, Thomas L Haines, Nancy W. Halbrooks, Michael J. Hale, Steven Hourigan, Wayland L House, Gerard H. Kerne, Katalin Keseru, Deirdre Keyes, Sari Cuenco, Catherine S. Cullen, Terence J. Culver, Edwards, Darnell E. Edwards, John R. Edwards, Galambos, Philip Galanter, Peter Galassi, Stamatia Halkia, Nicholas F. Halko, Adrian Hall, Hovagimyan, Keith J. Howard, Loretta Howard, Khoury, Valerie A. Kidrick, Kathleen M. Cathleen A Cummings, K. L. Cunningham, Laura E. Edwards, Susan E. Edwards, Colleen E. William R. Galbraith, Peggy Gale, Cecilia Steven E. Halvorsen, Alexa Hamilton, Peter D. Shane T. Howell, Rebecca A. Howland, Shu­ Kienholz, Dara K. Kiese, C. K. Kim, Christine Y. Stephanie Cunningham, Ann M. Curran, Ann H. Egan, Heather E. Egan, Marjan J. Eggennont, Galiena, Melinda Gandara, Carol Q. Gandarillas, Hamilton, Barbara J. Hammer, Chong-Sok Han, Chuan Hsueh, Wei Hsueh, Hanns Hubach, John Kim, Dorothy Y. Kim, Eunjean Kim, Hee-Yollllg Currier, Diane B. Curry, Jim M. Cursley, Jocelyn Marianne E. Eggler-Gerozissis, Jacqueline M. Susan M. Gandert, William V. Ganis, Karen J. John H. Han, Jooyeon Han, Kathleen H. Hubenthal, Kaoru M. Hudachek, Donald F. Kim, Kai Y. Kim, Mikyung M. Kim, Mimi D. J. Curtis, H. D'arcy Curwen, Cy L. Cushenberry, Ehlis, Diana J. Eicher, Joel D. Eis, Lori E. Eklund, Ganz, Minglu Gao, Robert K. Garbowski, Angel Hancock, Phyllis F. Handel, Jared Handelsman, Hudgins, Arma V. Hudson, Deborah L. Kim, So Yong Kim, Yikwon K. Kim, Young Kim, Judith A. Cuttler, Anne Marie Cypcar, Francoise John W. Ekstrom, Alan C. Elder, Sally Elesby, K J. Garcia-Zambrano, Arme F. Gardiner, David S. Lee Hanford, Evelyn C. Hankins, Patricia S. Huelsbergen, Arme E. Hughes, Arme Harrington Young Hee Kim, Yunkyoung Kim, Kathleen S. C. Baudoin D'ajoux, Debrah C. D'alessandro, C. Elhard, Karen L Ellis, Lara A. Ellis, Sharon K. Gardiner, Jeremy Gardiner, Alicia M. Gardner, Hanley, Lara M. Hanlon, Caroline M. Hannah, Hughes, Lynn A. Hughes, Meghan L. Hughes, Kime, Wm Michael Kimmerly, Margaret Yuko Adrian G. Dabash, Ivy B. Dachman, James M. Emanuelli, KarenJ. Emenhiser,J. W. Emerich, Joanna P. Gardner-Huggett, Danielle M. Dale]. Hannon, Freya S. Hansell, Elizabeth L. Henry J. Hulett, Greg Humeniuk, Berwyn H. Kimura, Debra A. Kindervatter, Jeffrey T. King, Dahl, Jennifer A. Dailey, Joyce Dallal, Susan David N. Emerick, Karen K Emmett, Christina Garland, Gail Garlick, Carole A. Garmon, Teresa Hansen, Debra W. Hanson, Michael R. Hanson, Hung, Christina N. Hung, George A. Hunt, Kate Alison C. Kipp, Anita M. Kirchen, Saeri Kiritani, Dallas-Swann, Jessica K Dallow, Joseph Dalpra, A. Eng, Nancy B. Engber, Jason G. Engelhardt, S. Garner, Susan J. Garrett, John N. Garton, Karen M. Hanus, Susan T. Hapgood, Krista L L. Hunt, Steven H. Hunt, John Huntington, Lisa V. Kirk, Perry R. Kirk, Lisa 1. Kirksey, Sally B. Dalton, Jeremiah W. Daly, Suzanne K. Anne T. S. Englot, Lynn Engstrom, Yvorme T. Gregory P. Garyey, Chris P. Garvin, Paul A Harberson, Susan Harby, Holmfridur Susan Huntington, Megan M. Hurst, Rudie E. Jeanne S. Kisacky, Suzy Kitman, Eric P. Kjellgren, Dance, Jie Dang, Sarah C. Daniels, Irina Eriksson, Honore M. Ervin, Robert J. Esmay, Gary, Gediminas Gasparavicius, Catherine M. Hardardottir, Mary A. Harden, Richard C. Hurwitz, James K. Hutchens, Timothy B. Janine L. Klees, Mary L. Klein, Melanie A. Klein, Danilova, Valarie J. Danley, Arthur C. Danto, Susan F. Esposito, Jan Estep, Stephen E. Estes, Gass, Marvin H. Gates, Evan A. Gatti, Douglas Harden, Thomas W. Hardy, Alice Q. Hargrave, Hutchings, Cecilia Hutchinson, Rebecca S. Karen L. Kleinfelder, Megan A. Klim, Deborah E. Gerard Dapena, Steve Darnell, Renee Darvin, Christopher L Evans, Lisa M. Evans, Tommy W. F. Gaubatz, Michael P. Gaudio, Patricia A. James B. Hargrove, Allison 1. Harkavy, Bernice Hutchinson, Heidi T. Hutton, Jon Hutton, Yu Jin KHmburg-Salter, Susan E. Kloman, Doris H. Churchill G. Davenport, David Davidson, Joel Evans, Marianne Evans-Lombe, Frederick J. Gaughan, John C. Gaunt, Christine M. Hannon, Grady E. Harp, Hilary Harp, Sharon R. Hwang, Sarah L. Hyde, Happy L. A. Hyder, Kloster, Jason Klotz, Jenny M. Knavel, Gregory M. Davies, Amber Davis, Ben H. Davis, Kendall Evers, Kevin]. Everson, Carolyn S. Eyler, Tecton Gauvreau, Marcus A. Gauzza, Nadia A. Gayed, Harper, Anne F. Harris, Beth A. Harris, David R. Lawrence J. Hyman, Theresa A. Beville M. Knepp, Morgan O. Knicely, Michael J. Knight, Davis, Mary Helen Davis, Melody D. Davis, Fabricator, Patricia A. Failing, Susanne W. Tamar C. Gaylord, Melissa S. Geiger, Beatrice R. Harris, Julie E. Harris, Mark C. Harris, Michael HY"'arinen, Rachel E. Iannacone, Jennie M. Ann-Marie Knoblauch, J. Doug Knotts, Susan Rachel D. Davis, Rebecca S. Davis, Steven S. Fairfax, Kristin E. Fairfield, Edye L. Falencki, Geller, Mira E. Gelley, Amy Gendler, Karen L. D. Harris, Diedra E. Harris-Kelley, Allen C. Ibarra, Keiichi Idehara, Chinwe Ifeoma, Dianna Knowles, Giles R. Knox, Kyerang Ko, Annalee Davis, Kate C. Davis-Rosenbaum, Steve J. Davis­ Denise B. Falk, Kate Fallon, M. Teresa Fallon, Georgi, Aristotle Georgiades, Lorraine T. Gerety, Hanison, Dew Hanison, Lucia A. Harrison, Ilk, Arma P. Indych, Andrew M. Ingall, Erik W. Koehn, Natalia A. Kolodzei, Matthew E. Rosenbaum, Robert S. Davison, Julie A. Day, Michael Fanizza, Lisa A Farese, Angela L Faris, Thomas Germano, Maggie A Gerrity, Rebecca Susan Harrison, William C. B. Harroff, Peter A. Inglis, Jon c. Ippolito, Eugene F. Irschick, Carol Kolodziej, Teresa L. Konechne, Lina Pedro M. L. De Campos Rosado, Blase A. De Clark A. Farmer, Jon E. Farnham, Dee M. L. Ghezzi, Mah-Bobe Y. Ghods, Kambiz Ghodsi, Hart, Terry S. Hart, Kristin M. Hartman, Cheryl R. Irving, Sophia Isajiw, Junko Ishihara, Debra Konstantinidis, Mary D. Koon, Nicole M. Celestino, Georgia R. De Havenon, Johannes L. Farnsworth, Libby D. Farr, Michael]. Farrell, Madhuvanti Ghose, Pika Ghosh, Jennifer D. D. Hartup, Doug 1. Harvey, Muriel H. Hasbun, M. Israel, Peter Ivanoff, Ann Helene Iversen, Koschman, Desiree Koslin, Suzanne E. De Jong, Michael A. De Jong, Marion J. De Darlene D. Farris, Anoka Faruqee, Jane E. Gibbens, David D. Gibboney, Brendan J. Ian W. Hass, Jamelie Hassan, Pattie Belle Hana B. Iverson, Ali G. Jabarzadeh, Madelyn Kosmalski, Juliet Koss, Marta V. Kot, StephenJ. Koning, Kevin De L'aigle, BrianJ. De Lacey, Farver, Beatrice Farwell, Isabel Maria Fascetto, Gibbons, Karen M. Gibson, Lindsey B. Gibson, Hastings, Tanya L. Hastings, Thomas A. Jablon, Victoria Jackman, Camilla E. Jackson, Kovach, Lindsay M. Koval, D. Michael Kowbuz, Angela M. De Laura, Catherine M. De Lorenzo, Laura R. Fattal, Nina M. Favata, Stephanie W. Billie A. Giese-Vella, Martin J. Giesen, Hilary V. Hatfield, Karolyn A. Hatton, Charlene A. Haug, Matt F. Jackson, Matthew Jesse Jackson, Phyllis Paul M. Krainak, Beverly A. Kramer, Martin O. Barbara L. De Mott, Elysabeth De Oliveira, Fay, Vincent C. Fazio, Kristin U. Fedders, Gifford, Carol A. Gigliotti, Lori E. Gilbert, Gabriela Mirensky Hauser, Peter D. Haven, John J. Jackson, Rebecca T. Jackson, Wendy W. Jacob, Kramer, Travis B. Kranz, Uta-Maria Krapf, Xiomara M. De Oliver, Bryan E. De Roo, Michele A. Feder-Nadoff, Georgia Fee, Kelly Jeremy D. Gilbert-Rolfe, Holly Gilchrist, Jennifer R. Hawkins, Pamela S. Hawkins, Thomas 1. David L. Jacobs, Ellen D. Jacobs, Donald G. Jennifer L Kratzer, Kim P. Krausgrill, Barbara J. Elizabeth De Rosa, Douglas T. De Vinny, Martin Feeney, Peggy A. Feerick, Jan A. Feldllausen, E. Giles, Ken W. Giles, R. Wayne Giles, Mary B. Haxo, Jonathan S. Hay, Hiroshi Hayakawa, Jacobson, Andrea Jahn, Jonell T. Jaime, Marla Kreiman, Richard P. Krepel, Arm M. Kresge, D. De Witt, Mary J. Dean, Jolm R. Decker, Philip Vincent D. Feldman, Michelle A. Felgar, Gilkerson, Lauren Gill, Melissa E. Gill, James 1. Michio Hayashi, Gretchen L. Hayman, Bill LynJaksch, Linda R. James, Michael F. James, Kathleen L. Kretz, Karen Kretzer, Scott C. K Dees, Lydia N. Degarrod, Suzanne C. Degler, Francisco Felipe-Martinez, David L. Felker, You­ Gillespie, Sandra E. Gillespie, Sarah C. Gillespie, Hayner, Nancy L. Haynes, Patricia A Heath, Peter L. James, Nina G. James-Fowler, Hey-Yeun Krichau, Nancy M. Kriebel, Kirby Krieger, Joan Del Plato, Jeanluc G. H. Del Saute, Eduardo Heng Feng, Michele P. Fenniak, J. Carlos Regina T. Gilligan, Claire S. Gilman, Sheila A Virginia A. Heckert, NazaninM. Hedayat, Don Jang, Scarlett J. Y. Jang, Callie R. Janoff, James T. Pamela B. Krimsky, Vida Kristolaitis, Ronald H H. Del Valle, Mirta Gomez Del Valle, Roberta H Ferguson, Jo1m C. Ferguson, Jose G. Fernandez, Gilmartin, Karin E. Gimmi, Catherine C. Gines, K Hedrick, Johanna Heer, Cornelius N. Janson, Reinhild Kauenhoven Janzen, Josie Kroutel, Jennifer Krzyminski, Anette G. Kubitza, Delaney, Kurt B. Delbanco, Jamie Dellemonache, A Ferrans, Bonnie M. FeniJI, Augusto J. Ferriols, Maya Gingery, Edward M. Giordano, Thomas Heesters, Michael D. Heffernan, Rachel D. Jaramillo, Susan M. Jarvis, Shelagh T. Jay, James Karil J. Kucera, Elizabeth A. Kuebler, Joanne M. Vikki L. Dempsey, Rachel K. Denham, Thorsten Brian D. Fershtman, Joshua J. Feyen, Al Fialka, D. Gipe, Joe Girandola, Matthew A. Girson, Heiman, Tamara V. Heimarck, Jennifer Hein, J. Jeffers Iii, Earnestine L. Jenkins, Lisa R. Kuebler, Susanne Kuehn, Alexis M. Kuhr, Dawn Dennerline, Kimberly L. Dennis, Mariea C. Amy E. Fichter, Deena B. Fiedler, Agnes R. Field, Hannah Gittleman, Sarah A. Gjertson, Travis A. Alice Y. Helender, Hilary A. Helfant, Scott H. Jennings, Diana Jensen, Claire Jervert, Lynda 1. L. Kunkel, Rebekka Kuntschik, Margaret A. Delmison, Bettyann Derbentli, Dipti Desai, Harvey J. Fields, Ronald Fields, David E. Figiel, Glaab, Howard M. Gladstone, Jason Glasser, Heller, Alison Helm, Caroline J. Hemans, Paul S. Jessup, Wesley P. Jessup, Aili K. Jewell, Darrin J. Klllltz, Karen L. Kurczynski, Nadja Kurtovic­ Katharine B. Desai, Jolm F. Descarfino, Matt J. Mary Starr Figura, Daniel M. Filipkowski, Elena Jonathan D. Gledhill, Terry B. Glispin, Holly M. Hemmerla, Andrea A. Henkels, Heather L JezIorski, Francisco A Jimenez, Tom Jimison, Folic, Amy R. Kurtz, Tim M. Kurtz, Megumi O. Desclmer, Diane Destiny, Patrick M. Devonas, M. Filipovic, Amy M. Fincke, Cynthia S. Gobeler, Karen L. Godfried, Judith Godwin, Henkes, Barbara D. Hennig, Aida C. Henry, Young-Sllll Jin, Alexis Joachimides, Cheryl H Kusuda, Hyuk Kwon, Myoung-Jung Kwon, Jennifer L. Dework, Tamara Di Mattio, Kimberly Finlayson, James P. Finnegan, Amy N. Fisher, Amy M. Gogarty, Armalisa M. Gojmeral, Judith Donna M. Henry, ElizabethJ. Henry, Ken A. Johnson, Frances-Lyrm Johnson, G'rant P. Sowon Kwon, Tricia R. La Barbera, Jean La M. Di Natale, Lia Di Stefano, David Diao, Rita Holly J. Fisher, James L. Fisher, Kathleen J. K. Golden, Michael G. Golden, Roger P. Herbst, Rebecca L. Herman, Atoyol T. Johnson, Henry P. Johnson, Jay Chadwick Marche, Mimi La Plant, Carrie A. La Porte, Steve Dibert, Sean D. Dickson, Barbara A. Diduk, Fisher, Arm Fitzgerald, Frank E. Fitzgerald, Goldenberg, Charles A. Goldman, Irene E. Hernandez, Claudia Hernandez, Angela M. Johnson, Jean M. Johnson, Jennifer D. Johnson, G. La Rose, Michelle Lach, Robert S. Lach, Sarah E. Diebel, Roger M. Diederen, Teresa Taryn M. Fitzgerald, Patti Fitzmaurice, Tracy S. Goldman, Natasha Goldman, Lewis Goldstein, Herren, Gregory P. Herriges, Sue 1. Hershberger, Kenton 1. Johnson, Kimberly L. Johnson, Lance Stephen H. Lack, Claude Lacroix, Tracey E. Dillon, Leah C. Dilworth, Lauretta Dimmick, Fitzpatrick, James Fitzsimmons, Jim Flahaven, Michael Gomez, Beatrice Gonzales, Ken R. Teresa Hess, Sue E. Hettmansperger, Tyler A. K. Johnson, Malik J. Johnson, Meredith Johnson, Ladd, Jeanne M. Laiacona, Christine W. Laidlaw, Shelly M. Dinhofer, Jennifer A. Ditacchio, John W. Flanigan, Arne R. Flaten, Karen H. Gonzales-Day, Cristina C. Gonzalez, Cristina M. Hewitt, Janet L. Hicks, S. L. Hicks, David G. Paul O. Johnson, Sandra L. Johnson, Suellen L. Stephen David Laidlaw, Carol M. Laing, Stefanie Michael R. Dixon, Alexander Djandjoughazian, Flatow, Sherman Fleming, Tuliza K. Fleming, Gonzalez, Jay E. Good, Cynthia J. Goodman, Higham, Kathryn S. Hight, Linda A. Hightower, Johnson, Terry L. Johnson, Jennifer A. Jolly, Jens Lalor, Pauline D. Lamal, Nicola L. Lamb, Kendra Kathleen M. Dlug-os, Jessica L. Dobkin, William Pamela M. Fletcher, Peter V. Fletcher, Patricia A. Sharon E. Goodman, Carolyn S. Goodridge, Alison D. Hildreth, PatrickJ. Hilferty, Daniel G. G. Joneleit, E. C. Jones, Edward T. Jones, George A. Lambert, Mark A. S. Lamont, Aurora M. J. Dobkowski, Alicia Doddy, Elise Dodeles, Jolm Flint, Lyman R. Flook, Holly D. Flora, Elsie Elina Kay Goodrum, Caroline J. Goodson, Hill, Daniel J. Hill, Nils A Hill, Stephan C. Bobby Jones, Janet A. Jones, Jean L. Jones, Kevin Landin, Karen L. Landis, Jenita Landrum-Bittles, W. Dodge, Liz B. .Dodson, Tracy L. Dodson, Florido, Kathryn M. Floyd, Elizabeth M. FOley, Michael D. Goodson, Dana Gordon, E. Adina Hillerbrand, Cecily J. Hilsdale, Stephen J. H Jones, Kristen A Jones, Mary E. Jones, Peggy Cary S. Lane, Graham L. Lane, Kathleen L Lane, Kathleen P. Doherty, Rebecca Dolinsky, Michael Sean Foley, Gia E. Fondien, Kurt A. Fondriest, Gordon, Susan E. Gordon, Charles B. Goss, Hilyard, Sabine Himmelsbach, Laura V. Hines, A Jones, Sandra E. Jones, Sarah A. Jones, - Patricia Fogelman Lange, Bryan A. M. L Doliveck, Steffi R. Domike, Susan T. Donaher, Ted Ford, Douglas R. Fordham, Jennifer L. Jacqueline S. Goss, Bret A Gothe, Dan A. Laurie 1. Hines, Leslie Ashton Hinrichs, Vanessa E. Jones, Maria A. Jonker, Joshua C. A Langlands, Robert S. Langnas, Gerrit L. Lansing, Mary E. Donahue, Suzanne M. Donahue, Zoe A. Formica, Steven L. Fors, Prisha J. Forster, Brian Gottsegen, Amy J. Gotzler, Nicole D. Goude, Alexander L. Hinson, Stella Hiotakis, Kaylyn E. Jordan, Laura Jorgensen, Benjamin J. Jose, Michael A. Lantz, Arme F. Laprade, Todd L. Donnell, Nora M. Donnelly, Mary K. Donovan, F. Foss, April L. Foster, Mary C. Fournier, Elka B. Gould, Lisa R. Gould, Jason E. Gover, Hipps, Will Hipps, Mikiko Hirayama, Ari Marguerite B. Joseph, Pamela Joseph, Catherine Larkin, Eloise D. Larson, Stephan Larson, Judith Timothy B. Dooley, Marsha L. Doran, Valerie Monique M. Fowler-Paul, Stephen H. Fox, John Graham, Fay Grajower, Paul M. Gralen, Hiroshige, Stephen C. Hirshon, John W. R. Joslyn, Michael D. Joslyn, Berta JoHar, A. Larue, Margaret R. Laster, John S. Latimer, Doran, Julie A. Doring, Jennifer A. Doss, Susan Conor G. Foy, Donna D. Foy, Kristin M. France, Donna J. Graves, Charles Green, Lena C. Green, Hitchcock, Lucinda L. Hitchcock, Pahl A. Cynthia R. Joudieh, Clair C. Joy, Julie A. Joyce, Guisela M. Latorre, Kimberly A. Latta, Barbara E. Doster, Richard B. Doubleday, Tim A. Doud, Pons M. Francesca, Karen Francis, Krivicich Robert V. Green, Andrea J. Greenquist, Michele Hluchan, John L Hoag, Pamela C. Hobbs, Erika Charlotte L. Ka, Janice R. Kachadourian, Martine K Lattanzi, Patricia A. Laughlin, Darryl J. Patrick L. Dougherty, Andrea Douglas, Sandra Frank, Suzanne S. Frank, Sara L. Frankel, David M. Greet, Andrea R. Greeven, Ginger M. Gregg, M. Hochberg, David S. Hochstadter, Christopher C. Kaczywski, Youngmee Kah, loli D. Lauster, Eric W. Lawing, Minda M. Lawing, K. Douglas, Patrick F. Dowdey, Terri M. Dowell­ Franks, Alison C. Frantz, Laura E. Franz, Robert Rita E. Grendze, Judith Greve, Arme E. Hocking, Challis D. Hodge, Stephen L. Hodges, Kalavrezou, Richard Kalina, Jeffrey S. Kalstrom, Preston B. Lawing, John D. Lawrence, Robert Dennis, Keith S. Downey, Jeffrey E. Downing, J. Franzini, Cheryl C. Frasch, Diane Fraser, Joyce Grevstad-Nordbrock, Chris A Griffin, Jannelle Krista K. Hoefle, Anne M. Hoff, Jennifer B. John P. Kaly, Debora Vanessa Kam, Louise A. Lawrence, Ken Lax, Adepeju A Layiwola, Carol Doyon, Suzette J. Doyon-Bernard, Ascha C. Fraser, Isabelle Freda, LaurelJ: Frederickson, E. Grigsby, Nancy W. Grinnell, Kathleen Hoffecker, Nancy M. Hoffman, Nick Hoffman, Kames, Rebecca S. Kane, Susie Steele Kaplan, Lizzetta Le Falle-Collins, George Le Grady,

14 CAA NEWS SEPTEMBER 1997 CAA NEWS SEPTEMBER 1997 15 William S. Le Trenko, Anna L. Le Vine, Jo G. Martine, Daniel J. Martinez, James G. Martinez, Mongiovi, Daniela Montanucci, Chemi Montes­ MIDWEST Joan Backes. Virginia Lynch Gallery, Tiverton, Leadingham, Lisa H. Leary, Adrienne M. Leban, Anthony W. Martino, Valerie Martino, Barbara Armenteros, David L. Montgomery, Lynette M. Julie Gawne. LRC Gallery, Sinclair Community R.I., May 18-June 22, 1997. Paintings; Centro A. Mark Ledbury, Geralyn S. Lederman, Brian E. Martinson, Allison V. Massari, Don J. Masse, Montgomery, Elizabeth J. Moodey, Barbara C. Solo College, Dayton, Ohio, September 8-0ctober 24, Cultural Recoleta, Buenos Aires, Argentina, June A. Ledwell, Betty Lee, Haejae Lee, Honore C. Scott Massey, Tina 1. Mastropolito, Barbara Moody, Carol A. Moon, Cleland R. Moore, 1997. 25-July 1997. Paintings and drawings. Lee, Paul P. Lee, So Young Lee, 1110mas Lee, Mathe, Steven Matheson, Susan C. Matthews, Darrell Moore, Ella Moore, Kevin D. Moore, Beth Bams. Gallery E5, LaGuardia Community Yongwoo Lee, Yotmgsook Lee, Susan E. Lee­ Tonia R. Matthews, Charlene G. Mattingly, Olga B. Moore, P. AyanahMoore, Robert P. William Harroff. New Harmony Gallery, New Exhibitions College, Long Island City, N.Y., September Warren, LindaJ. Leeuwrik, Deborah G. Mary E. Mattlage, Andrea 1. Mauery, Carol J. Moore, Robin B. Moore, Tony Moore, William T. Harmony, Ind., August la-September 17, 1997. 1996-September 1997. Fusion Paintings. Lefkowitz, Cari Lehman, Reiner M. Leist, Mavor, Jack K Maxwell, Jeanette M. May, Moore, Lee Morais, Reinaldo Morales, Mark W. C. Kelly Lohr. Blanden Memorial Art Museum, Christopher A. Leitch, DomenicJ. Leo, Ellen M. Nicole M. Maynard-Sahar, Sherry 1. Mayo, and Moran, Mike Moran, Dakin W. Morehouse, by Artist Fort Dodge, Iowa, September 12-November 2, Frank Bosco. Phoenix Gallery, New York, June Leo, Michael Leonard, Christopher A. Leone, Margaret 1. Mazzullo, Dona Ann McAdams, Dahlia Morgan, Patricia C. Morgan, France 1997. Woman! 11-28,1997. New Work. Daniel C. Leonhardt, Katie J. Leovic, Kelly Mary Beth McAuley, Claire S. McAuliffe, Elaine Morin, Cindy D. Abel Morris, Eden 1. Morris, Hilary S. Lorenz. Carnegie Art Center, Nancy Brett. The Painting Center, New York, Leslie, Tommaso Lesnick, Richard A. Leson, D. McBride, Judith McCabe, Susan E. McCaffrey, Laura L. Morris, Thomas P. Morris, Lisa O. Members Leavenworth, Kans., June 23-July 26, 1997; May 20-June 14, 1997. Susan B. Lesse, Lauren K. Lessing, Ivy 1. Bradley H. McCallum, Laurette E. McCarthy, Morrisette, Mandy Morrison, Marla J. Morrison, Barrett House Galleries, Duchess County Art Brad Buckley. Franklin Furnace, New York, Lessner, Joseph J. Letitia, Sara B. Levavy, Lisa H. Sarah C. McCarthy, Miranda McClintic, Karen E. Steven Morrison, Leo Morrissey, Kara A. Association, Poughkeepsie, N.Y., July 19- March 15-April15, 1997. The Slaughterhouse Leventhal, Briles M. Lever, Gregory P. Levine, McCluskey, Tim J. McCourt, Daryl D. Morrow, Aaron M. Morse, Anne E. Morse, Sarah Only artists who are CAA members are included August 16, 1997. Prints. Project: On the Edge. Loren R. Levine, Sally 1. Levine, Dare J. Levy, McCracken, E. Ira McCrudden, Christine E. E. Morse, Mary A. Morvan, Brian C. Moss, in this listil1g. When submitting information, Mark Levy, Mireya E. Lewin, Daniel C. Lewis, McCullough, Juliette A. McCullough, Karl V. Kristin 1. Mott, Rebecca J. Mott, Mary Moycik­ include name of artist, gallery or museUl!1name, William T. Moore. The Sculpture Center, Dave Anthony Burke. Division of Legal Affairs: Gwendolyn Lewis, Karen K. Lewis, Matthew R. McDade, John W. McDaniel, Sean McDaniel, Aguilera, V. Jeanette Moyer, Debbie S. Mueller, city, dates of exhibition, and medium. Please indicate Cleveland, Ohio, September 19-0ctober 17, Martin Pierce, New York, June 23-27, 1997. 1997. Figurative and abstracted sculpture of Lewis, Vicki 1. Lewis, Rayoung H. Lho, Vanessa Suzanne B. McDemlOtt, Sean P. McDevitt, Gay Robert E. Mueller, Alaka Mukerji, Karen 1. CAA membership. Transitional Exhibitions: Dave Anthony Burke; Lokwa Li, John C. Libby, Lorna E. Libert, Janice R. McDonald, Kathryn J. McDonnell, Tara 1. Mulder, James A. Tony Mullins, John P. Photographs are welcome but will be used only if various materials. Harlem School of the Arts, New York, July 12- R. LHien, Jong S. Lim, Chia-Jtmg Lin, Serena C. McElhose, Charles Scott McEwan, Jane P. Mulvaney, George H. Mtmdell, Kristine Mtmoz­ space allows. Photographs canl10t be returned. Russ Revock. McHenry County College, Crystal 28,1997. Perceptions of Color; Macy Gallery, Lin, Shu-Fen Lin, Julie Linden, Joan 1. Linder, McFadden, Kathryn A. McFadden, George Vetter, Alexandra Munroe, Portia Ann Munson, Lake, Ill., March 10-April16, 1997; SPACES, Teachers College, Columbia University, New Rachel A. Lindheim, Nicole M. Lindt, Jiayi D. McGinnis, Lisa A. McGlashan, Kaja M. Aribert Munzner, Shuichi Murakami, Mia A. Cleveland, Ohio, June 20-July 11, 1997. York, July 20-31, 1997. Ling, Stella F. Ling, Jenni R. Linkagel, Christine McGowan, Cheryl S. McGrath, Elizabeth A. Muratori, Anna V. Murch, Marilyn 1. Murphy, Paintings, drawings, and prints. Nanette Carter. June Kelly Gallery, New York, Linnell, Hui Chu Daisy Liou, Rebecca S. McGrath, Amanda McHale, Alice Kate Patrick Murphy, Paul B. Murphy, Holly S. May 2-June 4,1997. Point-Counterpoint; Sande Lippman, Barbara B. Lipton, Sara G. Lipton, Mcilwain, Georgia C. McInnis, Elspeth R. Murray, Karin G. Murray, Tanya M. Murray, Webster Gallery, Philadelphia, October 3-31, Laura N. Lisbon, Anne H. Lisca, Victoria List McIntosh, Rebecca 1. McIntyre, Beverly Paulus 1. Musters, Jemme T. Myers, Mark C. ABROAD J. NORTHEAST 1997. Works 011 Mylar. Tracy A. Lisk, Andrea Liss, Ardele D. Lister, McIver, Jon V. McKenzie, Cecily McKeown, Myers, Susan B. Myers, Victoria C. Myers, Ann Joan Backes. Centro Cultural Recoleta, Buenos Ita Aber. Hudson River Museum of West­ Stephen 1. Little, Esther Kit-Lin Liu, Hung Liu, Lenore F. McKerlie, Kreshaun McKinney, Shawn R. Myhre, James A. Myrick. Aires, Argentina, June 2S-July 1997. The chester, Yonkers, N.Y., June 13-November 2, Laura Carton. Bronx Museum of the Arts, Bronx, N.Y., July 17-September 14, 1997. Artist ill the Weihong Liu, Lisa 1. Livingston, Morna M. M. McKinney, Ian J. McKinnon, Laurie B. Landscape Beyond the Landscape, paintings and 1997. Fruitful Harvest, outdoor panel paintings. Livingston, Susan C. Lloyd, John Lobell, Mary 1. McKnight, Hylarie McMahon, William K. drawings. Marketplace 1997. The remainder of the list of new and Lindsay Aromin. T. W. Wood Gallery, Vermont Lobsinger, Sonia W. Lochner, Alison S. Locke, McManus, Dennis McNally, Ava McNamee, returning members (N-Z) will appear in the Luca Buvoli. Caffe Florian, Venice, Italy, June College of Norwich University, Montpelier, Vt., Cora Cohen. Jason McCoy, New York, Thomas O. Loeb, Douglas 1. Loewen, Lorin M. Megan E. McNaught, Christina F. McNeamey, November issue of CAA News. 12-July 31,19"97. Not-a-Superhero,! Presume. August 4-10,1997. M.F.A. graduate exhibit; September 10-November 1, 1997. New Paintings. Loffredo, Veronique M. Loggins, Betsy Lohrer, Michelle A. McQuillan, John McWilliams, Diane Rita Dibert. Forbes Cafe, Wellington, New Norwich Arts Cotmcil Gallery, Norwich, Conn., Caroline Blessing Bowne Court. Broadway Barbara J. London, GleIm A. Long, Nerissa S. H. Mead, William M. Mead, Clifton K. Meador, Zealand, Jtme-July, 1997. Tatami fo Concrete, IV; August IS-September 19, 1997. Windows, New York Uluversity, New York, July Long, Jacalyn Lopez Garcia, Elaine Lorenz, Virginia M. Mecklenburg, Joyce D. Medina, Gallery of the Quay School of the Arts, 18-September 2, 1997. Brickwall Variation 3. Sharon N. Lorenzo, Lori A. Lorion, Anna Ronald J. Medina, Elizabeth A. Medrano, David Conrad Atkinson. Ronald Feldman Fine Arts, Wanganui Regional Community Polytechnic, Loseva, Kenneth Wade Lough, Jeannette Louie, Adm Meekison, Caren A Meghreblian, Laleh K. New York,Jtme 7-July II, 1997. Dorothy Gale Robin Dash. Ludmilla Baczynsky Gallery, New Wanganui, New Zealand, September 1997. Francois C. Louis, K. Lynn Love, Stevie Love, Mehran, Dorothy J. Mehrer, Regina Meier, Meets Emily BronN! ill Technicolor. York, April 8-26, 1997. Recent paintings. Photographic Retrospective: 1975-1997. Celeste A. Lovette, Rowland C. Lowe­ Merry Meikle, Scott F. Meikle, Ellen M. Marcy B. Freedman. Garrison Art Center, Mackenzie, Keren E. Lowell, Anne E. Lowery, Meissinger, Elizabeth A Meissner, Jemrifer F. Janet Echelman. National Institute of Design Garrison, N.Y., October 25-November 19, 1997. Margaret M. Lubel, Jennifer 1. Lucas, Rhett R. Melby, Becki D. Me1chione, Allyson Tasato Gallery, Ahmedabad, India, March 27-April3, Polaroid compositions. Lucas, Carol A. Luce, James W. A. Luckett, Mellone, Anil D. Melnick, Robert Z. Melnick, 1997; Century Gallery, Bombay, April 15-20, Carol Heft. Blue Mountain Gallery, New York, Laurel C. Lueders, Andreas Luescher, Peter Susan E. Menzies, Michael Sean Mercer, Michael 1997; Birla Museum, Calcutta, April 30-May 10, December 19, 1997-January 14, 1998. Lunenfeld, Mark S. Luttrell, Boreth J. Ly, Vi Ly, B. Merchant, Valerie Merians, Mary A. Merker­ 1997. Bellbottoms: Sculpture Combining Bronze and Brian D. Lynch, Meng-Ching Ma, Bonnie 1. Benton, Alfonso Merlini, Lee Merrill, Lisa N. Net. Marta Violette Kot. Harlem School of the Arts, MacDonald, Heather E. MacDononald, Lisa H. Merrill, Rebecca Mersereau, Stephanie M. Andrea Hoelscher. International Arts Center, New York, May 8-25, 1997; Division of Legal Mackie, Rose C. Mackiewicz, Christine Maey, Mesrobian, Harry 1. Messersmith, Ann H. Pozan, Poland, July 3-25, 1997. Pieces of Poland, Affairs: Martin Pierce, New York, May 19- September 26, 1997. Transitional Exhibitions, Amanda D. Maerz, Diana Magaloni, Ruth T. Messner, Dara B. Metz, Elizabeth B. Meyer, photographs. Magnusson, Todd Jerome Magreta, Laurie C. Walter J. Meyer, Teri Micco, Creighton Michael, performance installation. Margo Kren. Yunnan Art Institute, Kunming, Magriel, Mary E. Magsamen, Karen W. Maguire, Erika B. Michael, Eileen M. Michal, Margaret M. Hilary Lorenz. Barrett House Galleries, Laura F. Maguire, Meghan Maguire, Fatima Michel, Ann M. Michels, Amy M. Middleton, Yunnan, China, September 1997. Works on ii' Poughkeepsie, N.Y., July 19-August 16, 1997. paper. Mahdi, D. Anthony Mahone, Marie 1. Mairs, Christine K. Mihevc, Christopher N. Miles, Selected prints. Natalia Majluf, Michel H. Makhoul, Robbin 1. Robert P. Milici, Steven D.Millar, Christine E. Malbon, Vilma Maldonado-Reyes, Arrma Malik, Miller, Ingeborg K Miller, Jean M. K. Miller, Jill Alex Mambach. Gallery on 2nd, New York, June MID-ATLANTIC Karen M. Malnar, Jennifer A. Malone, John D. E. Miller, Judith G. Miller, Lee Anne Miller, 26-July 20, 1997. Creighton Michael. Cantor Fitzgerald Gallery, Malpede, Carol N. Malt, Aida M. Mancillas, Michael B. Miller, Michael J. Miller, Michael S. Michael Poast. Gallery E4, LaGuardia Commu­ Haverford College, Haverford, Pa., September Sheila Manion-Artz, Robert Manley, Jonathan S. Miller, Nadine Miller, Naney S. Miller, Penelope nity College, Long Island City, N.Y., October 12-0ctober 19, 1997. Line Play: Sculptuml Mann, Kevin P. Mann, Lian Hurst Mann, Mari 1. B. Miller, Rod A. Miller, Sarah M. Miller, Wendy 1996-September 1997. Drawings/Constructions. Drawings: 1991-1996; Kim Foster Gallery, New Mann, Steve Mannheimer, Eleanor M. R. Miller, Kristen Miller-Zohn, Cristin 1. Millett, York, October 18-November 15, 1997. Vantage: Susannah Ray. White Columns Gallery, New Mannikka, Mark C. Manno, Angelo A. Mantas, Barbara B. Millhouse, Randi 1. Millman-Brown, Paintings/Works 011 Paper 1995-1997. York, July 17-August 7, 1997. home/land. Lisa C. Manyi, Christina Maranci, Julie Terese A. Millmann, William K. Millmine, Marchenko, David E. Marchwick, Susan Robert W. Milnes, Carol Minchin, James S. Teresa Shields. Sol Mendick Gallery, University Michael Rich. South Wharf Gallery, Nantucket, Mareneck, Melanie S. Marino, Susan Mark, Minor, Alec Mishory, Curtis Mitchell, Ja Carol of the Arts, Philadelphia College of Art and Mass., Jtme 1997. Compositions. Leslie S. Markle, Liz C. Markus, Megan B. Mitchell, Keith M. Mitchell, Mark D. lviitchell, Design, Philadelphia, September S-October 3, Stephanie Sakellaris. Angel Orensanz Center Marlatt, Kathy A. Marmor, Max C. Marmor, Scott B. Mitchell, R. Scott Miterko, Naoki Mitsui, 1997. New Book/New Life, A Journal of a Wife. for the Arts, New York, September 10-21,1997. Fran M. Marno, Paul Marquardt, Virginia H. Agnes T. Miyuki, Mary E. Mizerany, Timothy R. Tom Wagner. Suraci Gallery, Marywood Hukkim. Marquardt, Natalie R. Marsh, Quint R. Marshall, Mockler, Heather E. Modders, Steve College, Scranton, Pa., September 3-28, 1997. Scott W. Marshall, Blair G. Marten, Anna C. Modzelewski, Frederick C. Moffatt, Mark A. Susan Schwalb. Arthur B. Mazmanian Gallery, Rituals of Dance, ink and collage on paper. Framingham, Mass., September 16-0ctober 10, Martin, Christopher R. Martin, Jill Martin, Katy Moffett, Ann 1. Mohler, Patricia G. Moisan, 1997. Improvisations on Outer Space: Recent Martin, Liza A. Martin, Mark J. Martin, Michelle Nnamudi Nam Mokwunye, Pearla I. Moler, Rita Dilbert, Urban Series: Miyama Is/and, M. Martin, Susan A. Martin, Margaret Carter Alice E. Momm, Janice 1. Monger, Laura A gelatin silverprint, 16" x 20"

16 CAANEWS SEPTEMBER 1997 CAANEWS SEPTEMBEJ{ 1997 17 Katherine E. Manthorne has been apPOinted Vera Bennett Townsend, associate professor Acad~e~m~e~ ~ ______academic program coordinator at the Research Heidi Kumao. McKinney Avenue Contempo­ emerita of art history and archaeology at the and Scholars Center at the National Museum of rary, Dallas, Tex., June 21-August24, 1997. University of Missouri-Columbia, died on July Janet Catherine Berlo has been appointed Susan American Art in Washington, D.C. Heidi Kllmao: Hidden Mechanisms; TIle Alterna­ People in 10,1997. She was 74. B. Anthony Chair of Gender Studies and Art tive Museum, New York, September 20- Townsend was educated at Georgia State History at the University of Rochester in Caron Smith has been appOinted curator of November 1, 1997. Nervous Systems. College for Women, the University of Georgia, Rochester, N.Y. Asian art and deputy director of administration the News and Emory University, where she received her at the San Diego Museum of Art. Ph.D. in 1968. She taught in secondary schools Carolyn Malone, associate professor at the WEST and colleges and exhibited regularly as a painter University of Southern California, Los Angeles, •• £II; • David Andersen. California Center for the Arts before joining the faculty at the University of has been named president of the Art Historians Museum, Escondido, July 13-August 31, 1997. 1.·.··j,.·p'... .. ?:' Missouri in 1961. She was a broadly trained and of Southern California. ·.I...... I.· ..·.· ..• ·· .. · ..·.~.:.' Recent Works. gifted teacher who introduced students to the Organization_s______Debra Swack, The Gifts of War #5 (detail), Jeff Carr. D. King Gallery, Berkeley, Calif., June great humanistic traditions of Western culture. Donald A. McColl has been appointed assistant Townsend taught for the Honors College cast resin on plastic 19-July 19, 1~97. Unmasked. professor of art history at Washington College in William Brooks has been named executive as wen as in her own specialization of modern Chestertown, Md. director of Frog Hollow Vennont State Craft Julia Couzens. Robert Else Gallery, California art, and she is remembered as a particularly Center in Middlebury, Vt. State University, Sacramento, September 1- Metallic Paintings and Silverpoint Drawings; Birke In Memoriam effective academic adviser. She served her Richard Meyer, assistant professor at the October 8, 1997. Physical Evidence. Art Gallery, Marshall University, Huntington, deparhnent as chair from 1982 to 1985 and in University of Southern California, Los Angeles, Jay Krueger has been named president of the W.Va., February 27-March 30, 1998. Improviza­ Yuji Hiratsuka. Pullium Deffenbaugh Gallery, Sister Karen Boccalero, artist and community various volunteer capacities for the Museum of has been awarded a postdoctoral fellowship at American Institute for the Conservation of tions 011 Outer Space: Recent Metallic Works all Portland, Ore., June 3-28, 1997. New Prints. leader, died on June 24, 1997, at her horne in East Art and Archaeology at the university. Among the Getty Research Institute for the History of Historic and Artistic Works. Paper. Muriel Magenta. Arizona State University Art Los Angeles. the several awards Townsend received was the Art and the Humanities for 1998. Boccalero, a Catholic nun, grew up in East Lynn Seeney. SOHO 20 Gallery, New York, Museum, Tempe, August 9-September 30,1997. coveted Purple Chalk Award for excellence in Barry Munitz, California State University Los Angeles and attended Immaculate Heart June 17-July 12, 1997. Templates afTime. Token Off: A Multimedia Installation. teaching in 1981. Following her retirement in Gregory Shelnutt, associate professor at the chancellor, will assume the post of president and College, where she studied with Corita Kent. 1988 she returned several times to the University of Mississippi, will serve as artist-in­ chief executive officer of the J. Paul Getty Trust Rachel Siporin. Bowery Gallery, New York, Younghee Choi Martin. Mesa Public Library, While studying in Rome with the Tyler School of univ~rsity for teaching and advising appoint­ residence at Duncan of Jordanstone College in in January 1998. June 13-July 2, 1997. Gotham City Romance. Los Alamos, N.Mex., August 1-31, 1997. A Art Abroad program, she had several solo ments. Dundee, Scotland. Kelly Wagner Steinke. The Painting Center, Hundred Visions and Revisions: Works on Paper. exhibitions and received the La Sulla Painting -Howard Wight Marshall New York, July 15-27, 1997. Paintings and Diane McGregor. Ramsay Galleries, Honolulu, Award. She earned her M.F.A. from Temple Universih) of Missouri-Columbia Janet Snyder has been appointed assistant works on paper. Hawaii, October 6-28, 1997. Myth, Memory, University in Philadelphia in the early 1970s and professor in the division of art at West Virginia returned to Los Angeles at the height of the Alice Huei-Zu Yang, curator and art historian, University Coll!i'ge of Creative Arts. Debra Swack. Gallery 128, New York, Metaphor. Chicano Art Movement in 1972. She and a group died in February 1997. September 3-27, 1997. The Gifts of War. Susan Wink. Civic Center Plaza, Roswell, of local am5t5 began making prints with a Yang was born in Taiwan in 1961 and came David M. Stone has been promoted to associate N.Mex., July 31, 1997. Oasis, public sculpture. Gayle Tanaka. A.IR. Gallery, New York, July 8- salvaged printing press in her garage, an to the United States when she was 15. She professor in the Deparhnent of Art History at 26,1997. Office Polifics, an installation of operation that eventually evolved into Self Help attended Yale University, graduating cum laude the University of Delaware. photography and mixed-media constructions. GraphiCS, a Chicano art center in East Los in 1984 with a degree in art history, and went on Grants, Angeles. to work at a number of galleries and museums Nancy J. Troy has been appointed chair of the Boccalero's impact in the Chicano in New York. As assistant curator at the New Art History Deparhnent in the College of SOUTII community and contributions to the arts have Museum of Contemporary Art, Yang organized Letters, Arts, and Sciences at the University of Awards, Michael Ambach. Sarratt Gallery, Vanderbilt been recognized by a number of cultural several exhibitions and contributed essays to Southern California in Los Angeles. University, Nashville, Tenn., September 9-23, organizations. She received the MALDEF museum publications. She received her M.A in 1997. The Institution. Community Service Award in 1994, the Watts art history from New York University's Institute & Honors Les Barta. University of Arkansas Fine Arts TIurd World Art Legend Award in 1995, and the of Fine Arts in September 1995 and passed her Center Gallery, State University, September 22- Artists Nominated Award from the Side Street doctoral oral examination in December 1996. Museums and Galleries October 17, 1997. Photographic Constructions. Projects in 1996. Yang contributed articles and reviews for such magazines as Art and Asia PacifiC and Asian Jennifer Blazina. Arlington Arts Center, Henry Adams has been appointed curator of Phyllis Freeman, art book editor, died on April Art News and served as guest curator and Arlington, Va., November 1997. American painting at the Cleveland Museum of 29,1997. She was 68. Freeman was a senior panelist at numerous cultural and educational Art and professor of American art at Case Gloria De Duncan. lAO Gallery, Oklahoma editor at Harry N. Abrams for 18 years. She institutions. In 1994, she was a session chair for a Jane Ingram Allen received a grant from the Western Reserve University in Ohio. City, Okla., September 5-27, 1997. Mind worked with such notable art historians and panel at the CAA annual conference titled Ruth Chenven Foundation. The grant will Renderings: Matter and Spirit, paintings and scholars as Kirk Varnedoe, Robert Rosenblum, "Siting China: On Migration and Displacement Douglas Dreishpoon has been named interim support her public art project, Bird Watching, mixed media. Francis Naumann, and Joachim Pissarro. in Contemporary Art." Her paper "High and which consists of 100 sculptures in the form of director of the Weatherspoon Art Gallery in Freeman was born in New York City and Low: The Cultural Space of Contemporary birds, in Utica, NY Dorothy Gillespie. Art Museum of Western Greensboro, N.C. Virginia, Center in the Square, Roanoke, January grew up on Long Island. She attended Smith Taiwanese Art" was read at the conference in College and received a Master's degree in New York in February 1997. Beth Bailis, artist and assistant director of the 24-April5, 1998. Dorothy Gillespie: Paintings and Lia Gangitano, former assistant curator and English from Columbia University. Before Shortly before her death, Yang had begun InterMedia Ensemble in New York, received a Sculptures; The Art Gallery, Pembroke Pines, registrar at the Institute of Contemporary Art in joining Abrams, she worked with Robert working as curator at the Parrish Art Museum in 1996-97 Independent Artist Challenge grant Fla., September 11, 1997-January 9,1998. Boston, has been named curator of Motherwell on the Documents of 20th-Century Southampton, N.Y. She was also curator of from TIle Field. She also received an award for Environmental Installation. Threadwaxing Space in New York. Art series for Viking Press. She also worked as Tracing Taiwan: Contemporary Works on Paper for mixed-media sculpture during the 11 th Annual Barbara Grossman. Hollins College, Ro.anoke, Heather Ryan Kelley, Washers at the Ford. senior acquiring editor for Frederick A Praeger the Drawing Center in New York. A catalogue of City College Alunmi Exhibition at Westbeth Lynda Roscoe Hartigan, senior curator at the Va., October 14-November9, 1997. Recent oil on canvas, 66" x 48" and as managing editor at Pocket Books. When the exhibition has been published, and an National Museum of American Art in Washing­ Gallery in New York. paintings and oil pastels. she died, Freeman was working on a lifelong anthology of Yang's writings on Asian and ton, D.c., has been appointed to a 2-year tenn as project collecting and analyzing artists' Asian-American art is forthcoming this fall. Stephanie Barron, curator and scholar of Ellen Jacobs. The Art Museum at Florida deputy chief curator as part of the museum's International University, Miami, June 13-August manifestoes of the 20th century, for which she TIlOse who were fortunate to know Alice as expressionist art at the Los Angeles County new rotational system. 9,1997. Glass, metals, and enamels. was awarded 3 grants, including a Guggenheim, a colleague and friend will always remember her Museum, is the recipient of the 1997 Ernst and a publishing contract from Penguin Books. brilliance, integrity, modesty, generosity, and Ludwig Kirchner Prize, the highest endowed Heather Ryan Kelley. Still Zinsel Contemporary BilI Hayner has been appOinted gallery director In addition to Freeman's significant grace. Her life and work will continue to inspire cultural prize of its kind in Switzerland. Fine Arts, New Orleans, La., June 7-July 5,1997; for the Fine Arts Gallery of Fullerton College in professional contributions to the fields of many. She is survived by her husband, Gerald James Joyce Centre, Dublin, Ireland, July 30- Fullerton, Calif. publishing and art history, friends say they will Szeto, her parents, Mr. and Mrs. William Yang, August 31, 1997. Paintings based on Wysses and James Bursenos was granted the Juror's Award remember her for her generosity, humor, and and 2 brothers, James and Andrew. Finnegans Wake. Isobel Christine lIes has been appointed curator at the Halpert Biennial Visual Arts Competition formidable intelligence. -Miriam Basilio at Appalachian State University in Boone, N.C. of fIlm and video at the Whitney Museum of Institute of Fine Arts, Nero York American Art.

eAA NEWS SEPTEMBER 1997 19 18 CAA NEWS SEPTEMBER 1997 III Robin Dash has been appointed visiting scholar received a research fellowship award from Gallery of Art, Ailsa Mellon Bruce National "The Nsukka Group and the State of Nigerian School for Scanning: Issues of Preservation and a short c.v. or proposals for sessions with and artist in the interdisciplinary humanities Winterthur Museum, Garden, and Library to Gallery of Art Sabbatical Curatorial Fellow; Contemporary Art," October 19-20, 1997, is and Access for PaperMBased Collections will be abstracts and c.v. to: Glenn Burger, Dept. of program at Brandeis University. research his dissertation "Architecture and the Suzanne Glover Lindsay of the University of organized in conjunction with the exhibition held November 3-5, 1997, at the New York English, University of Alberta, Edmonton, AB, Picturesque Mind, 1800-1860." Pennsylvania, Paul Mellon Visiting Senior "TIle Poetics of Line: Seven Artists of the Academy of Medicine. The seminar will include Canada T6G 2E5; 403/492-4639; fax 403/492- Tim Doud was granted a patrons' award at the Fellow; Natalia Majluf of Museo de Arte de Nsukka Group" at the National Museum of training on digital technology, legal issues, text 8142; [email protected];Lesley Halpert Biennial Visual Arts Competition at Kat O'Connor received the 1996 Wyoming Lima, Inter-American Development Bank and African Art in Washington, D.C. Seven artists and image scanning, quality control, metadata, Cormack, Dept. of History and Classics, Appalachian State University in Boone, N.C. Works Grand Prize from the Nicolaysen Art Ailsa Mellon Bruce Visiting Senior Research will participate in the symposium that will relate digital preservation, web and cd-rom publica­ University of Alberta, Edmonton, AB, Canada Museum in Casper, Wyo. Fellow; Therese O'Malley, Paul Mellon Board of Nsukka art to the larger contemporary art scene tions, and the management of digital projects. T6G 2H4; 403/492-4686; fax 403/492-9125; Janet Echehnan, Harvard University artist-in­ Advisors Sabbatical Fellow; Carol C. Mattusch in Nigeria and throughout the world. The Fee: $245. For information: Gay Tracy, Northeast [email protected];orNataliaPylypiuk, residence, has received a Fulbright senior Linda Dugan Partridge, assistant professor of of George Mason University, Samuel H. Kress symposium is free and open to the public. Document Conservation Center, 100 Brickstone Dept. of Modern Languages and Comparative lectureship in visual art for 1997 to teach at the art history at Marywood College in Scranton, Paired Fellow for Research in Conservation and Advance registration is advised. For informa­ Sq., Andover, MA 01810-1494; 508/470-1010; fax Studies, University of Alberta, Edmonton, AB, National Institute of Design in Ahmedabad, Pa., received a National Endowment for the Art History/Archaeology; Maria Lia Munilla tion: 202/357-4600, ext. 221; http://www.si.edu. 508/475-6021; [email protected]. Canada T6G 2E6; 403/492-3498; fax 403/492- India. The grant will enable her to produce a Humanities fellowship for postdoctoral research Lacasa, Association of Research Institutes in Art 2715; [email protected]. Deadline: new body of sculpture combining cast bronze at Winterthur Museum, Garden, and Library, in History Fellow; and Bezalel Narkiss of Hebrew "Love and the Enlightenment," November 7-8, Annual Meeting of the Renaissance Society of November 1, 1997. and net. Winterthur, Del. Her research topic is "True University of Jerusalem, Samuel H. Kress 1997, will be presented in conjunction with the America will be held March 26-29, 1998, at the Knowledge of Birds: Audubon on the Frontier of Professor. loan exhibition ''Intimate Encounters: Love and University of Maryland, College Park The "The Resurrection in Art: Christ Corporeal or Creighton E. Gilbert, professor of the history of Science and Art." In addition, the following members were Domesticity in 18th-Century France" at the deadline for submission of papers and panels for Surreal?:' sponsored by the American Bible art at Yale University and former book review appointed predoctoral fellows for 1997-98: Hood Museum of Art, Hanover, N.H It will the 1999 meeting at University of California, Los Society, will be held April 24, 1998. Papers are editor and editor-in-chief of the Art Bul/etin, was Monica Pierce has received a Kimbrough Fund Marian Feldman, Harvard University; address notions of private life, gender politics, Angeles, is May 1, 1998. Renaissance Society of sought on conceptual issues as well as test-case awarded an honorary Doctor of Humane Letters award from the Dallas Museum of Art. Jacqueline Francis, Emory University; Max and family ideology as expressed in French America, 1999 Program Committee, 24 W. 12th analyses from any period or style; a theoretical by the University of Louisville, Ken., on Grossman, Columbia University; Mimi Enlightenment culture. For information: Juliette St., New York, NY 10011. and interdisciplinary emphasis is encouraged. February 20, 1997. Michael Poast, artist and director of the Hellman, Princeton University; and Matthew Bianco, Hood Museum of Art, Dartmouth Send 2-3-page abstract to: Ena Giurescu, ABS InterMedia Ensemble in New York, has received Kennedy, Institute of Fine Arts. College, Hanover, NH 03755; 603/646-3646; The 85th Symposium on the History of Art, Gallery, 1865 Broadway, New York, NY 10023; Alicia Haber received a Fulbright grant for the the Lila Acheson Wallace Theater Fund Award, [email protected]. sponsored by the Frick Collection and the 212/408-1236; [email protected]. spring and fall of 1997 to work at the Museum of the AT&T Artsline Marketing Award, and a Institute of Fine Arts, New York University, will Deadline: November 15, 1997. Contemporary Art in Chicago and complete Queens Arts Fund award for the 1997 season. Mountain Plains Museums Association's 1997 be held April 3-4, 1998. Graduate students from research at the Art Institute of Chicago. TIle awards will be used to produce the Annual Meeting will be held October 2-4, 1997, 14 participating institutions in the Northeast will Southern Humanities Council and Huntingdon Earthquake! Avant-Garde Arts Festival. in Missoula, Mont. TIlls year's theme, "The present papers. All members of the academic art College present the Conference on Justice to be Nicholas Hill, recently named chair of the art Meaning of Museums: Will the Millermium history community are invited to attend. Frick held in Montgomery, Ala., March 20-22,1998. department at Otterbein College in Westerville, Marl Carmen Ramirez, curator of Latin Modify Our Definitions?" will emphasize the Collection, 1 E. 70th St., New York, NY 10021. Proposals for papers, panels, sessions, creative Ohio, has been awarded a residency at the American art at the Archer M. Huntington Art museum's involvement with the community. writing, and performance work related to the Ragdale Foundation in Lake Forest, Ill. Gallery at the University of Texas, Austin, was For information: Susan Near; 406/444-4710; or theme of justice are welcome. Send 3 copies of 1- awarded a 1997 Peter Norton Family Founda­ Conferences MPMA, PO Box 8321, Durango, CO 81301; 970/ page proposal induding audiovisual requests to: Paul llluchan was granted the Director's Award tion curator's grant. TIle grant will be used 259-7866. CheBa Courington, Huntingdon College, 1500 E. at the Halpert Biennial Visual Arts Competition toward acquisitions for the gallery's collection of Calls for Papers Fairview Ave., Montgomery, AL 36106; 334/833- at Appalachian State University in Boone, N.C. contemporary Latin American art. & 5 ia Joint Annual Meeting of the American Studies INFO; [email protected]. Deadline: November Association and the Canadian Association for 1998 American Society of 18th-Century Studies 15,1997. Dianne Sachko Macleod, professor of art W. Jackson Rushing, associate professor at the American Studies, October 30-November 2, Annual Meeting will be held at the University history at the University of California, Davis, has University of Missouri-St. Louis, has received 1997, at the Hyatt Regency Capitol Hill in of Notre Dame, April 1-5, 1998. The session, Boston University and the Museum of Fine been awarded the 1997 Jacques Barzun Prize in the 1996 Southeast Book Award for Modem by Washington, D.C., will explore the theme "The Construction of English Landscape Arts, Boston, announce the 14th Annual Cultural History from the American Philosophi­ Tradition: American Indian Painting in the Studio "Going Public: Defending Public Culture(s) in Painting, 1760-1820," will focus on the recently Graduate Student Symposium on the History of cal Society for her book Art and the Victorian Style. the Americas." Plenary sessions, workshops, published researches of Charlotte Klonk and Art, March 21, 1998. Proposals from all areas of Middle Class: Money and tlte Making of Social conversations, films, performances, and tours Ann Bermingham. Respondents addressing the visual culture are welcome. Submit I-page Identittj (Cambridge, 1996). Kim Schoel was granted a patrons' award at the will explore questions of diversity and unity, social construction of English landscape painting abstract or address inquiries to: Louisa Iarocci, Halpert Biermial Visual Arts Competition at To Attend identity, and difference in American public are sought for this session. Send I-page abstract Dept. of Art History, Boston University, 725 Andrea Hoelscher has been awarded a Appalachian State University in Boone, N.C. culture. For information: Convention Manager, and c.v. to: Kathleen Pyne, Dept. of Art, Art Commonwealth Ave., Boston, MA 02215; 617/ Fulbright grant to study painting in Berlin. American Studies Association, 1120 19th St., History, and Design, University of Notre Dame, 353-2520; fax 617/353-3243. Deadline: December 1, "Taste Cultures and Contemporary Culture" Annette Stott, associate professor of art history N.W., Ste. 301, Washington, DC 20036; pp001366 Notre Dame, IN 466556; 219/631-6479; fax 219/ 1997. is the theme of the Center for Arts Admin­ Christine Kondoleon of the Worcester Art at the University of Denver, received a National @mindspring.com;http://muse.jhu.edu/ 631-6312; [email protected]. Deadline: istration's 23rd Annual Conference on Social Museum in Massachusetts is curator of the Endowment for the Humanities fellowship for associations / asa / program97. October 1, 1997. 11th Biennial New College Conference on TIleory, Politics, and the Arts to be held at the traveling exhibition Antioch: The Lost Roman Cihj, postdoctoral research at Winterthur Museum, Medieval Renaissance Studies, March 12-14, Kennedy Space Center, October 2-4, 1997. which has been awarded an NEH Planning Garden, and Library in Winterthur, Del., to "The Rhetorics and Rituals of (Un)veiling in "Surfacing, Subverting, Supplanting" is a 1998, will be held in Sarasota, Fla. Papers are Topics include: the arts and public interest, the grant. The exhibition will reunite the finds of support research on gender politics and Early Modern Europe," October 3-5,1997, proposed panel for the annual conference of the sought from any discipline on all aspects of arts and a changing economic environment, art Antioch's excavation. American watercolor painting. University of Michigan. This interdisciplinary Association for Asian American Studies,June Europe and the Mediterranean before 1630: and theory across taste cultures, aesthetic issues, conference considers various manifestations and 24-28,1998, in Honolulu, Hawaii. Topics include Italian studies, Burgundian-Netherlandish culture and community environments, and Linda Kroff has been awarded a Southern Brian Wallace won the Ramapo College significances. of a gendered body and its veiling the relationship of postcolonialism to Asian studies, medieval/Renaissance Humanism, comparative cultural policy. Fee: $85. For Regional Visiting Artist award by the American Curatorial Prize for the exhibition proposal "Our in social practices and discursive constructions. American art. Send proposals of 250 words to: medieval/Renaissance courtly culture, art and information: Charles Dorn, Center for Arts Academy in Rome. Her award consists of a 3- Ideas of Perfect Are So Imperfect." The For information: 313/764-5400; ww.umich.edu/ Joan Kee, 5330 HLS Holmes Mail Center, society, ritual and drama, and urban history. For Administration, Florida State University, 126 month residency at the academy in the fall of exhibition will open in October at the Ramapo ~veil/ . Cambridge, MA 02138-5330. Deadline: October 15, information: Lee D. Snyder, New College of the Carothers Hall, Tallahassee, FL 32306-4480; 850/ College Art Gallery. 1997. University of South Florida, 5700 N. Tamiami 1997. 644-2158; fax 850/644-5067. "Race and Ethnicity in American Material Trail, Sarasota, FL 34243-2197; fax 941/359-4475; Roberta Mayer, a member of the art history The following CAA members have been Life," Annual Winterthur Conference in "Making Contact: Natives, Strangers, and [email protected]. Deadline: December 1, "Visual Narratives of Technology," the Society department at the University of Delaware, appointed members of the Center for Advanced Winterthur; Del., October 3-4,1997. This Barbarians," October 1-4, 1998, is the confer­ 1997. for the History of Technology's annual con­ received a research fellowship jointly funded by Study in the Visual Arts at the National Gallery conference examines the influence of race and ence of the Medieval and Early Modern Institute ference, will be held October 18, 1997, at the Winterthur Museum, Garden~ and Library and of Art in Washington, D.c., for 1997-98: Tracy ethnicity as formative factors in American of the University of Alberta in Edmonton, Midwest Art History Society will hold its 25th Doubletree Hotel in Pasadena, Calif. Panelists Hagley Museum in Wilmington, Del. She will Cooper of Temple University, Ailsa Mellon material life in the 17th-19th centuries. For Canada. What sort of boundaries were drawn by annual meeting April 2-4, 1998, in Chicago. All include David Wilson of the Museum of Jurassic conduct research on the arts and crafts of Bruce Visiting Senior Fellow; Michael Ann information: Sandra Soule, Education, Public and around cultures, identities, and geographies participants must be members of the association. Technology, artists Chris Burden and Ellen K. Lockwood de Forest. Holly of the University of Rochester, Ailsa Programs, and Visitor Service Div., Winterthur during these periods? At the end of the 20th Dues: $15; $8 students. Some travel funds are Levy, and art historians Francine Tyler and Ann Mellon Bruce Senior Fellow; Deborah Howard Museum, Garden, and Library, Winterthur, DE century, what sort of boundaries do we draw available for students. For information: David Schoenfield. For information: Linda Biggs, W. Barksdale Maynard, a doctoral candidate in of Cambridge University, Samuel H. Kress 19735; 302/888-4600; 800/448-3883; ITY 302/ around periods, disciplines, and methodologies? Sokol, 1998 MAHS Meeting, Dept. of Art SHOT; 334/844-6645; 334/844-6673; biggslb art history at the University of Delaware, Senior Fellow; Douglas Lewis of the National 888-4907. Send 1-2-page abstracts for 20-minute papers History, 935 W. Harrison St., Chicago, IL 60607- @mail.auburn.edu.

20 CAA NEWS SEPTEMBER 1997 CAA NEWS SEPTEMBER 1997 21 7039; [email protected]. Deadlil1e: December 10, Butcher, Kurt Weill Foundation for Music, 7 E. of Photography and critic for the New York a dedicated, site-specific gallery. For a prospec­ Grants and Fellowships School of Historical Studies, Institute for 1997. 20th St., New York, NY 10003-1106; 212/505- Times. For a prospectus, send SASE to: The Print tus, send SASE to: ARC Gallery, 1040 W. Huron, Advanced Study, Princeton, NJ 08540; 5240; http://wwvv.kwf.org. Deadline: Sepfember Center, 1614 Latimer St., Philadelphia, PA 19103; IL [email protected]. Deadlil1e: November 15, 1997. Chicago. 60622; 312/733-2787. The American Antiquarian Society (AAS) seeks "'J'Accuse... !': Offensive Moves, Defensive 20,1997. [email protected];http://wvvw.liberty applications for visiting fellowships for histor­ Modes," the 24th Annual Colloquium in 19th­ net.org/ ~print. Deadline: October 18, 1997. Herndon Gallery, Antioch College, seeks slides Gladys Krieble Delmas Foundation announces ical research by creative and performing artists, Century French Studies sponsored by the The Woman's Yellow Pages seeks design for solo and group curatorial exhibitions and predoctoral and postdoctoral grants for writers, film makers, jOUJl1alists, and other Continuing and Distance Education Deparhnent entries for the cover of the 1998-99 New York Slowinski Gallery announces Emerging Artists proposals for 1997-99. The gallery will consider independent research in Venice and the Veneto. persons whose goals are to produce works at Penn State University, will be held October City Women's Yellow Pages. The winner will be '98, an international group exhibition to be held 2-D work of contemporary and emerging artists. Eligible areas of study include archaeology, dealing with pre-2Oth-century American history 22-25,1998, at the Penn State Conference Center determined by ballot at a reception and in February 1998 in SoHo. Open to all media. Send 10-20 fully labeled slides with support architecture, art, bibliography, economics, that are intended for the general public. For Hotel in State College, Pa. For more information, fundraiser for Artists in Residence (AJR). The First prize is $1000. For a prospectus, send SASE materials and SASE to: Herndon Gallery, Antioch history, history of science, law, literature, music, application: American Antiquarian Society, 185 to: Slowinski Gallery, 215 Mulberry St., New College, Yellow Springs, OH 45387. including the call for papers: 800/PSU-TODAY; artist will receive a full-page bio in the directory. Salisbury St., Worcester, MA 01609-1634; 508/ political science, religion, and theater. Grants http://wwvv.cde.psu.edu/C&I/FrenchStudies/ . Send copies/duplicates of original designs no York, NY 10012; [email protected]. Deadline: range from $500 to $12,500 per academic year. 752-5813 or 508/755-5221; fax 508/754-9069; larger than 11" x 14"; include name, address, and October 30, 1997. For information: Gladys Krieble Delmas [email protected]. Deadline: October 6, 1997. American Studies Association seeks submis­ phone and fax numbers. Fee: $5 (checks made Foundation, 5215th Ave., Ste. 1612, New York, out to NYC Women's Yellow Pages). Women's Gallery 84 is conducting a national juried show. sions of possible panels or papers for its armual National Humanities Center is a residential NY 10175-1699; wwvv.delmas.org. Deadline: meeting, November 19-22, 1998, in Seattle, Yellow Pages, 459 Columbus Ave., Ste. 3030, Juror: Marisol. Two-dimensional artwork in any Calls for Manuscripts December 15, 1997. institute for advanced study in history, Wash. For information: 1998 ASA Program New York, NY 10024; 212/724-4899. Deadline: medium except photography will be considered. languages and literature, philosophy, and other For a prospectus, send 4" x 9" SASE to: Dept. L, The Heinz Kaempfer Fund announces the 3rd Committee, 1120 19thSt., N.W., Ste. 301, September 25, 1997. fields of the humanities. The center awards 30 Winterthur Museum, Garden, and Library is Washington, DC 20036; 202/467-4783; fax 202/ Gallery 84, 50 W. 57th St., New York, NY 10019- International Essay Contest on Japanese Arts offering 1998-99 research fellowships in the fellowships each year to scholars who hold a 467-4786; [email protected]. Mixed Media 1997 Exhibition will be at the 3989. Deadline: November 5, 1997. and Crafts of the Society for Japanese Arts in the study of American art, architecture, and doctorate or have equivalent professional Netherlands. Collaborative or individual essays material culture. Recipients will utilize Winter­ Erector Square Gallery in New Haven, Conn., accomplishments and to promising younger November 7-28, 1997. The exhibition is open to 11th Parkside National Small Print Exhibition, of 3000-6000 words with 10-20 illustrations will thur Library's materials and the museum's scholars engaged in work significantly beyond all artists 18 years and older working in any January 20-February 19, 1998, is seeking all be considered. Previously published material collection of domestic artifacts and architecture the dissertation. The center will award 3-4 medium except video or jewelry. Fee: $20 for 3 original print media, including monoprints. will not be accepted, and preference will be made 01' used in America (1640-1860). For additional Lilly Fellowships in Religion and the SASE Work must be no more than 18" in height or given to students and yotmger scholars and slides. For a prospectus, send to: Mixed Humanities each year for the study of religion information on National Endowment for the Media 1997, Erector Square Gallery, 315 Peck St., width. For a prospectus: Doug DeVirmy, collectors. Prizes are approximately $1500, Humanities fellowships, Winterthur Research by scholars from fields other than religion or New Haven, CT 06513; 203/865-5055; fax 203/ Parkside National Small Print Exhibition, Art $1000, and $500. Submit essay with name, sex, fellowships, or Lois F. McNeil Dissertation theology. For information: Fellowship Program, 865-3311. Deadline: October 8,1997. Dept., University of Wisconsin-Parkside, date of birth, nationality, present address and Research fellowships: Advanced Studies Office, National Humanities Center, PO Box 12256, Kenosha, WI 53141; 414/595-2581. Deadline: phone number, description of professional Research Triangle Park, NC 27709-2256. Research Fellowship Program, Winterthur I-t""""'ortu n i ties Delaware Center for the Contemporary Arts November 8, 1997. background and description of involvement in Museum, Garden, and Library, Winterthur, DE Postmarked deadline: October IS, 1997. 1997-98 Member's Juried Exhibition opens Japanese arts and crafts, and list of previous 19735. Deadlil1e: lal1uan) 15, 1998. 1998 Pacific States Biennial National Print publications, in particular those on Japanese arts November 25, 1997, and travels through June American Institute for Yemeni Studies, a 1998. The competition is open to all DCCA Exhibition, March 9-ApriI24, 1998, at the and crafts to: Heinz Kaempfer Ftmd 1997 Essay American Council of Learned Societies (ACLS) nonprofit consortium of academic instilutions members except board and staff. Nonmembers University of Hawaii, Hila. The exhibition is Contest, Beukelsdijk 86 b, 3022 DJ Rotterdam, offers grant and fellowship opportunities in the studying and supporting research on Yemeni open to artists 18 years or older presently The Netherlands. Deadline: November 15, 1997. humanities and social sciences: ACLS fellow­ may include $25 with their entry to receive a and South Arabian studies, plans to award 1997- residing in the U.S. and tenitories. Original year of membership. All media are welcome. For 98 predoctoral and postdoctoral fellowships. ships, ACLS/SSRC International Postdoctoral information: Members' Juried Exhibition, work in all prinhnaking media including mono­ Art & Academe, a journal for the humanities, fellowships, Contemplative Practice fellowships, Scholars from the fields of the humanities, social DCCA, 103 E. 16th St., Wilmington, DE 19801; prints are eligible. For a prospectus, send SASE to: sciences, and the education of artists published Henry Luce Foundation/ ACLS Dissertation sciences, and sciences are eligible to apply. For Pacific States Biennial National Exhibition, by the School of the Visual Arts, seeks submis­ 302/656-6466. Deadline: October 14, 1997. information: Maria Ellis, American Institute for Fellowship Program in American Art, fellow­ Wayne Miyamoto, Art Dept., University of sions. This 50th anniversary issue will address Yemeni Studies, PO Box 311, Ardmore, PA ships for East European Studies, CSCC China Award the theme "Politics, Culture, Education, and the 13th Annual Greater Midwest International Hawaii, 200 W. Kawili St., Hilo, HI 967204091. 19003-0311; 610/896-5412; fax 610/896-9049; programs, and more. Requests for application Arts." Papers on empirical topics to short Exhibition, sponsored by the Central Missouri Deadline: November 14, 1997. [email protected]. Deadline: November forms must contain: country of citizenship (U.S. The Graphic Artists Guild calls for award fictional works and poems will be considered. State University Art Center Gallery and the 1,1997. citizenship or permanent residence required), nominations for the Walter H. Hortens Missouri Arts Cmmcil, is open to all artists 21 American Watercolor Society announces its Any illustrations should be of a professional highest academic degree held and date received, Memorial Service Awards given in 2 categories. quality, camera ready, with a letter of permis­ years or older. All work must be original, 131st Annual International Exhibition, April 6- Canadian Center for Architecture (CCA)1998- academic 01' other position, field of specializa­ The Distinguished Service Award recognizes an May 3, 1998, at Salmagundi Club Galleries in sion. Along with a letter stating that the piece completed in the last 3 years, and not previously 99 Visiting Scholars program is established to tion, proposed subject of research, period of individual who has demonstrated recognizable has not been previously published and is not exhibited at the Central Missouri State New York. The competition is open to all artists encourage postdoctoral research in architectural time for which support is requested, and service on behalf of fellow artists, the graphic University Art Center Gallery. Up to 5 works working in aquamedia on paper (no collage or being considered for publication elsewhere, program for which application is contemplated. history and thought. Applicants are invited to arts, or allied industries 01' who has worked to pastel). Awards will total $32,000; 12 medals will submit 1 copy of manuscript with title, author's Office of Fellowships and Grants, ACLS, 228 E. may be entered. For a prospectus: Central submit proposals in the following areas of study: improve industry standards. The Outstanding be awarded. A color catalogue will be published. name, institutional title and affiliation, and 45th St., New York, NY 10017-3398; 212/949- Missouri State University, Art Center Gallery, "Architecture and the Critical Debate after 1945" Client Award is presented to an individual 01' GMI XIII, c/o Morgan Dean Gallatin, 217 Clark Fee: $20 for 1 slide. For a prospectus and address and phone number to: Robert lvfilgrom, 8058; [email protected]. and "The Baroque Phenomenon beyond Rome." entity who has demonstrated the highest St., Warrensburg, MO 64093-5246. Postmarked submission label, send SASE to: Richard Art & Academe, School of the Visual Arts, 209 E. The center will provide a monthly stipend of standards in ethical policy within their business Brzozowski, 13 Fox Rd., Plainville, CT 06062. 23 St., New York, NY 10010. For information: Cornell University announces a Mellon deadline: October 15, 1997. Can$3,000-$5,000. For information: Study practices. Awards will be voted on by the Deadline: November 15, 1997. Office of Humanities and Sciences, SVA; 212/ Center, Canadian Center for Architecture, 1920 Postdoctoral fellowship in the history of art for membership of the guild. For nomination fOffil: Positive/Negative 13, February 9-March 11, 592-2624. Deadline: November 24, 1997. 1998-99. Ancient Near East, Mesopotamian, 212/791-3400. rue Baile, Montreal, PQ H3H 2S6, Canada; 514/ 1998, is spo.nsored by the Slocumb Galleries at Women in the Visual Arts 1998 Exhibition will 939-7000; fax 514/939-7020; [email protected]. Assyrian, Achaemenid, or Egyptian art be at the Erector Square Gallery in New Haven, Renaissance Drama, published by Northwestern preferred, but related areas are welcome. East Tennessee State University. TIle competi­ Deadline: November 1, 1997. tion is open to all artists residing in the U.S. with Conn., March 6-27, 1998. The exhibition is open University Press, seeks essays that explore the Fellows will conduct research and teach 2 the exception of faculty and students of the to women artists 18 years and older working in relationship of Renaissance dramatic traditions courses in area of specialization. Candidates Institute for Advanced Study, Princeton, invites any medium except video 01' jewelry. Juror will to their precursors and successors, explore the must have received Ph.D. after September 1992, Calls for Entries university. Purchase awards of up to $2,000 and applications for the School of rlistorical Studies be annotmced. Fee: $20 for 3 slides. For a relationship of the drama to sociely and history, honor awards will be selected. Fee: $20 for slides for 1998-99. The school is primarily concerned and they must be citizens of the u.s. or Canada of up to 3 works. For information: Ann Ropp, prospectus, send SASE to: WNA 1998, Erector examine the impact of new forms of interpreta­ or have permanent U.S. residency cards. For The Kurt Weill Foundation for Music with the history of western and near eastern Slocumb Galleries, East Tennessee State Square Gallery, 315 Peck St., New Haven, CT tion on the study of Renaissance plays, or have information: Aggie Sirrine, Cornell University, announces a logo contest. TIle wimling logo will civilization, with emphasis on Greek and Roman University, Box 70708, Johnson City, 1N 37614- 06513; 203/865-5055; fax 203/865-3311. Deadline: an interdisciplinary orientation. Submissions Society for the Humanities, A.D. White House, be used to commemorate the centenary of the civilization, the history of Europe, Islamic 0708; 423/4394247. Deadline: October 17, 1997. December 19, 1997. should conform to the MLA Style Mrmual. Send 2 27 E. Ave., Ithaca, NY 14853. birth of German-born composer Kurt Weill culture, the history of art, and the history of copies of the manuscript along with an SASE. For (1900-1950). All graphic designers, students, and modem international relations. Approximately The Print Center's nnd Annual Competition: ARC Gallery, a not-far-profit women's information: Mary Beth Rose, Rel1aissance Drama, Judith Rothschild Foundation seeks to professionals are encouraged to participate. 40 visiting memberships are appointed each Photography offers over $2000 in cash, cooperative gallery, is reviewing for solo and Newberry Library, 60 W. Walton St., Chicago, IL stimulate interest in recently deceased American Weill's centenary will be celebrated by a series year. Ph.D. or equivalent and substantial materials, and purchase awards, including group exhibitions. All media will be considered 60610-3380. Deadline: February 1, 1998. painters, sculptors, and photographers whose of perfonnances, exhibitions, and symposia to be publications are required at the time of purchase for the Philadelphia Museum of Art. including video, performance, and film. The work lacks wide recognition. TIle foundation held through 2001 at leading cultural centers in application. Application may be made for 1-2 Juror: Andy Grundberg, past director of Friends gallery is also considering works for Raw Space, offers grants for individual or group museum Europe and America. For information: Brian terms. For information: Administrative Officer,

22 CAA NEWS SEPTEMBER 1997 CAA NEWS SEPTEMBER J997 23 exhibitions, the acquisition of works of art for Publications Multiplex slide storage box with light source. museum collections, publications, conservation, Information Wanted Classified Ads Holds 4000 slides. Originally $1600. Almost new Miscellaneous cataloging of artists' works, or the production of American Council of Learned Societies (ACLS) CAA News accepts classified ads of a professional or $700.516/627-4375. documentary film. It will also provide an artist's has published Infonnation Technology in semiprofessional nature. $1.25/word for members, $2/ estate planning conference and publication of a Humanities Scholarship: Achievements, Prospects, word for nonmembers; $15 minimultl. All ads must New York City. Elegant, spacious, I-bedroom companion handbook. For information: Judith Museum Assessment Program (MAP), and Challenges: The United States Foclls (ACLS Biographical information on African-American be prepaid. For display advertising, contact the apartment with formal dining room, study, Rothschild Foundation, 1110 Park Ave., New visual artists who have lived, studied, or sponsored by the American Association of Occasional Paper No. 37) by Pamela Pavliscak, advertising manger at 212/691-1051, ext. 213; marble bathroom, and 24-hour doorman. York, NY 10128; 212/831-4114. Museums (AAM), is designed to help museums Seamus Ross, and Charles Henry. The report produced work in the state of Wisconsin from [email protected]. IGverside Dr., 1 block Columbia University. 1850-1997 is sought. The artists will be featured establish institutional priorities and frameworks surveys the various applications of information January I-late August 1998. $2,200/month + Mellon Fellowships are offered each year to 2 for advancement, to prepare for initial or technology in humanities research. It contains a in the upcoming book 150 Year Celebration: The utilities, deposit. 212/316-7321. assistant professors from universities and subsequent accreditation, to enhance board comprehensive bibliography of humanities­ Wisconsin Conrtribution to African-American Art Amsterdam Center. Small 2-bedroom aparhnent colleges in the United States and Canada by the effectiveness, to upgrade policies and proce­ related electronic resources and projects. A and the Africart-American Contribution to in 17th-century canal house. Five minute walk to Paris/Marais. Apartment for rent: charm, calm, Institute for Advanced Study. Applicants must dures, and to increase services to communities. revised version of this publication will be Wisconsin Art by artist Evelyn Patricia Terry in museums and libraries. Mid-December through luminous, fully fumished, all conveniences. OIl have served 2--4 years at the assistant professor­ Assessments include: MAP I: Institutional available on the web with links to the relevant cooperation with Cream City Links. Please mid-May. $900/month; dates and price neg­ 33143799937. level in instirutions in North America, and must Assessment, MAP II: Collections Management projects and services. The electronic version will respond in writing-include 5-10 professionally otiable. Phone/fax 31206233502. have approval to rerum to their instirutions produced slides depicting the work of the artist; Professional slide dupes as low as 49!t/ slide. Assessment, MAP III: Public Dimension be maintained and expanded as part of the following the period of membership. Stipends David Allen Fine Art specializes in artists' slides Assessment. Eligible museums may receive a American Arts and Letters Network (AALN). 1 b/wphotograph of the artist; a resume or 1- Books on the Fine Arts. We wish to purchase match combined salary and benefits of the single, noncompetitive grant for each assessment For information: 212/697-1505, ext. 133; http:// page bio of the artist, and an artist's statement scholarly o.p. titles on Western European, at bargain prices. Text printed on slide mounts member's home institution; all privileges of about the artwork-or call with information on and other photography services also available. through the IMLS. For information: American www.ads.org. medieval, and Renaissance art and architecture, membership at the Instirute for Advanced Study artists: Evelyn Patricia Terry, PO Box 06375, as well as review copies and library duplicates. Please call for details and complete price list. Association of Museums; 202/289-9118. Gra11t will apply. Administrative Officer, Institute for David Allen; 718/624-7504. deadlines: MAP I: October 31, 1997 and April 24, Guide to Graduate Degree Programs in Milwaukee, WI 53206-0375; 414/264-6766; or Please request current catalogues. Andrew Advanced Study, Princeton, NJ 08540. 1998; MAP II: March 13, 1998; MAP III: February Architectural History, 9th ed., will be published researcll assistant Annik Lott; 414/964-6219. Washton Booh, 411 East 83rdSt., New York, Rome Rental. Fully furnished aparhnent; living, 27,1998. by the Society of Architectural Historians in the NY 10028. Phone/fax 212/481-0479. dining, and 2 bedrooms. Central location near late fall of 1997. Administrators should contact Claudine Raguet Hirst (1855-1942): art History of Art Department at the University of the society for a survey form for programs not historian/curator seeks information about this "Conversations with Paul Rand" on design, art, stores, buses, and subway. Available from July Bristol offers a postgraduate research scholar­ already listed in the current edition (1995). 312/ American painter for a forthcoming dissertation aesthetics. VHS, 26 minutes. Send cashier's 1997. Security deposit references required. 508/ Online 877-2139. ship funded by the GNS Trust in the history of 573-1365; [email protected]. and exhibition. Information from collectors, check/money order for $50 to: PM Films, 74 dealers, friends, and scholars would be ap­ Blue Gentian Rd., Cranston, RI 02921. postmedieval architecture or landscape American Council of Learned Societies (ACLS) gardening. Currently the GNS Scholarship Cleveland Museum of Art announces the preciated. Contact: Christine C. Neal, Telfair Upper West Side Apartment in New York City- has a web site at http://www.acls.org. Museum of Art, PO Box 10081, Savannah, GA 3 nights/week (Sun./Mon./Tues. or Mon./ provides £8,000 annually towards fees and inaugural issue of Cleveland Studies in the HisfonJ Gay and Lesbian Caucus. For a free copy of maintenance. Registration begins from October of Art. Institutional $50/year; Individual $30/ 31401. newsletter and membership application: Tues./Wed.). Private room/bath/kitchen American Institute for Conservation of 1, January 1, or April 1. The scholarship is year (20% discount for 2-year subscription). Jonathan Weinberg, PO Box 208272, New privileges in large apartment 1/2 block from Historic Artistic Works (AIC) has a web site at normally for 3 years, but can be extended to 4 Membership Dept., Cleveland Museum of Art, Thomas McCormick Gallery is gathering Haven, CT 06520-8272; jonathan. weinberg Central Park. Excellent mass transit, shopping. http:// palimpsest.stanford.edu/ aic/. years. Applicants should have an M.A. in art or 11150 East Blvd., Cleveland, OH 44107-1797; information for the publication Prints by Jan @yale.edu. Willingness to cat sit (2 cats) essential. Long­ term comrnihnent (academic year minimum). architectural history. For information: GNS 216/421-7340, ext. 266; fax 216/231-6565. Matulka: A Catalogue Raisonnr'i. The authors wish Berkeley Art Museum and Pacific Film to make contact with individuals who own Manhattan Sublet. Share in East 80s. $695/ No smoking; references. $600/month. 212/222- Trust Scholarship, History of Art Dept., Archive (BAMlPFA) at the University of Matulka prints or related material. Thomas month. Available September 1. Christine; 212/ 4918. University of Bristol, 36 Tyndalls Park Rd., California has launched a redesigned, expanded McCormick Gallery, 2055 N. Winchester Ave., 517-7739. Bristol BS8 IPL, England; [email protected]. version of its web site. The sit~ also carries a Chicago, IL 60614; 773/227-0440; fax 773/862- new address to reflect a change in the museum's 0440; [email protected]. name: http://www.bamfa.berkeley.edu.

Conference on Fair Use (CONFU) guidelines and information on the organizations and institutions that endorse them may be found at http:// oregon.uoregon.edu/ ~csundt/ cweb.htm.

Museo Virtual de Arte (MUVA), http:// Art on the Edge and Over: www.diarioelpais.com/muva.isa virrual Searching for Art's Meaning in The schedule for your museum devoted to Uruguayan contemporary contemporary Society, 1970s -1990s Careers publication art. The site is now in Spanish and will soon be is changing. available in English. It may be viewed with a new book by Linda Weintraub Netscape 3.0 or higher. Foreword by Arthur C. Danto Afterword by Thomas McEvilley NO ART HISTORY BACKGROUND REQUIRED! Religious Studies Digital Archive, created by AN IDEAL TEACHING TOOL WHICH INCLUDES the American Academy of Religion and the 35 concise essays that each cover a particular deviation from conventional Society of Biblical Literature. The copyright-free art practices, such as using smeli, pollen, blood, old clothes, shopping, archive was created in response to emerging discarded dolls or toxic earth as a medium of expression. need for a source of digitized images of Beginning with the October 1997 issue, Careers will be published bimonthly in Eac-h chapter focuses on and quotes one artist. The works of David authentic religious practices suitable for those February, April, June, August, October, and December. with instructional technologies (e.g., the Hammons, Janine Antoni, Mike Kelley, On Kawara, Laurie Simmons and distribution of course materials over campus others are featured. networks or the World Wide Web). published by ART INSIGHTS, INC. This means that 1997 members will receive an issue of Careers in December 1997 Soft cover: $22.50 P.O. Box 626, Litchfield, CT 06759 in place of the regular November issue. The Resource Library is a web magazine Hard cover: $47.00 Distributed by D. A. P. -+ 212 6'Z] 1999 devoted to 19th- and 20th-century American paid IIdvcrliscmcuf See your 1998 membership renewal packet for additional information about changes to representational art. http://www.tfaoi.com/ Careers in 1998. resourc.htm.

24 CAA NEWS SEPTEMBER 1997 CAA NEWS SEPTEMBER 1997 25 • 1------1 Career Development Workshops : Suggested Nominee for CAA Board of Directors 1998 CAA Annual Conference, Toronto, Canada I (See pages 6-7 for details) name Check one of the following categories and circle your area of specialization. If choosing more than one specialtyI please indicate the order I OfYOUT preference (for details, see page 7): title o Art History o Studio Art 0 Curatorial affiliation Ancient-Medieval Painting/Printmaking/Drawing/ Museum/University Gallery office address Renaissance-Modern Sculpture / Ceramics / Glass /Installation/ Contemporary Performance/Graphic Design/ Architectural History Digital Imaging/Textiles/Fiber Arts office phone office fax home address name CAA membership number

address home phone home fax e-mail

city/state/zip Is this person a current eAA member?

phone e-mail Why I believe this person should be selected as a nominee:

All applicants will be notified by mail of the status of workshop participation by January 10, 1998. CAA will make every effort to Iaccommodate all applicants, however time and space constraints will limit the 1998 workshops to a total of approximately 400 Iparticipants.

: Complete and return to Career Development Workshops, CAA, 275 Seventh Ave., New York, NY 10001. Deadline: November 1, 1997.

L ______~

Datebook November 10, 1997 Deadline for nominations and self­ nominations to CAA committees (see page 6) September 26-27, 1997 CAA sponsored Town Meeting, December 1, 1997 "Copyright Law and the Digital World: Deadline for nominations to the Art *** Fair Use, Education, and Libraries," to Journal Editorial Board (see page 5) be held in Portland, Oregon December 5, 1997 October 1, 1997 Deadline to register for Artist's Portfolio Deadline for submissions to November *** Review at the 1998 Annual Conference CAANews in Toronto (see page 7)

November 1, 1997 January 31, 1998 Deadline for submissions to January Deadline for applications to the Profes­ *** CAANews sional Development Fellowship Pro­ gram for Artists and Art Historians National Arts Deadline to register for the Career Development Workshops at the 1998 person submitting this suggestion (optional): Annual Conference in Toronto (see and Humanities page 7) Month Complete and return this to: CAA Nominating Committee, c/o Katie Hollander, CAA, 275 7th Ave., New York, NY 10001. CAA November 7, 1997 will send a Personal Data Form to all suggested nominees. Deadline: December 29, 1997. Deadline for submissions to December Careers October

26 CAANEWS SEPTEMBER 1997 CAANEWS SEPTEMBER 1997 27 •