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Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid
Angeletti, Gioia (1997) Scottish eccentrics: the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis. http://theses.gla.ac.uk/2552/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] SCOTTISH ECCENTRICS: THE TRADITION OF OTHERNESS IN SCOTTISH POETRY FROM HOGG TO MACDIARMID by Gioia Angeletti 2 VOLUMES VOLUME I Thesis submitted for the degreeof PhD Department of Scottish Literature Facultyof Arts, Universityof Glasgow,October 1997 ý'i ý'"'ý# '; iý "ý ý'; ý y' ý': ' i ý., ý, Fý ABSTRACT This study attempts to modify the received opinion that Scottish poetry of the nineteenth-centuryfailed to build on the achievementsof the century (and centuries) before. Rather it suggeststhat a number of significant poets emerged in the period who represent an ongoing clearly Scottish tradition, characterised by protean identities and eccentricity, which leads on to MacDiarmid and the `Scottish Renaissance'of the twentieth century. The work of the poets in question is thus seen as marked by recurring linguistic, stylistic and thematic eccentricities which are often radical and subversive. -
Full Bibliography (PDF)
SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
RBWF Burns Chronicle Index
A Directory To the Articles and Features Published in “The Burns Chronicle” 1892 – 2005 Compiled by Bill Dawson A “Merry Dint” Publication 2006 The Burns Chronicle commenced publication in 1892 to fulfill the ambitions of the recently formed Burns Federation for a vehicle for “narrating the Burnsiana events of the year” and to carry important articles on Burns Clubs and the developing Federation, along with contributions from “Burnessian scholars of prominence and recognized ability.” The lasting value of the research featured in the annual publication indicated the need for an index to these, indeed the 1908 edition carried the first listings, and in 1921, Mr. Albert Douglas of Washington, USA, produced an index to volumes 1 to 30 in “the hope that it will be found useful as a key to the treasures of the Chronicle” In 1935 the Federation produced an index to 1892 – 1925 [First Series: 34 Volumes] followed by one for the Second Series 1926 – 1945. I understand that from time to time the continuation of this index has been attempted but nothing has yet made it to general publication. I have long been an avid Chronicle collector, completing my first full set many years ago and using these volumes as my first resort when researching any specific topic or interest in Burns or Burnsiana. I used the early indexes and often felt the need for a continuation of these, or indeed for a complete index in a single volume, thereby starting my labour. I developed this idea into a guide categorized by topic to aid research into particular fields. -
Representations of Scotland in Edwin Morgan's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Representations of Scotland in Edwin Morgan's poetry Theresa Fernandez Mendoza-Kovich Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Mendoza-Kovich, Theresa Fernandez, "Representations of Scotland in Edwin Morgan's poetry" (2002). Theses Digitization Project. 2157. https://scholarworks.lib.csusb.edu/etd-project/2157 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Theresa Fernandez Mendoza-Kovich September 2002 REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Theresa Fernandez Mendoza-Kovich September 2002 Approved by: Renee PrqSon, Chair, English Date Margarep Doane Cyrrchia Cotter ABSTRACT This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. ' Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future This hope, according to Morgan, is largely associated with the advent of technology and the more modern landscape of his native Glasgow. -
Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met. -
Scots Verse Translation and the Second-Generation Scottish Renaissance
Sanderson, Stewart (2016) Our own language: Scots verse translation and the second-generation Scottish renaissance. PhD thesis https://theses.gla.ac.uk/7541/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Our Own Language: Scots Verse Translation and the Second-Generation Scottish Renaissance Stewart Sanderson Kepand na Sudroun bot our awyn langage Gavin Douglas, Eneados, Prologue 1.111 Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Critical Studies College of Arts University of Glasgow September 2015 Contents Acknowledgements ............................................................................................................................... 2 Abstract .................................................................................................................................................. 3 Introduction: Verse Translation and the Modern Scottish Renaissance ........................................ -
The Complete Macdiarmid
Studies in Scottish Literature Volume 18 | Issue 1 Article 13 1983 The ompletC e MacDiarmid Ruth McQuillan Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation McQuillan, Ruth (1983) "The ompC lete MacDiarmid," Studies in Scottish Literature: Vol. 18: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol18/iss1/13 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Ruth McQuillan The Complete MacDiarmid My first reaction on buying Hugh MacDiarmid's Complete Poems 1 at Christmas 1978 for what now seems the incredibly low price of £15 was one of disappointment. Disappointment first that Dr. Aitken, whom the poet long ago appointed as his "bibliographer and rembrancer," and whom he had chosen to edit in company with Michael Grieve the definitive edition of his published work, had included no bibliographical notes. And secondly disappointment because of the technical defects of Martin Brian & O'Keefe's production. The title-page is creased in the binding (though I am assured other early purchasers were luckier than I); ink is regret tably scarce on several pages of the Sangschaw poems, and again in sections of In Memoriam ,James Joyoe; and the type setting of the page-heading "Hitherto Uncollected Poems" is not well or spaced. And yet the fly leaf bears the proud boast: "Printed in Scotland by Robert MacLehose & Co. -
Home Songs Fiction and Poetry from the North
The FREE literary magazine of the North Northwords Now Issue 26, Spring 2014 Home Songs Prize Winning Poems and Stories ‘Just Telling Stories’ Interview with A.L. Kennedy States of Mind – new books about Scotland Fiction and poetry from the North EDITORIAL Contents Homelands 3 Interview with A.L. Kennedy by Stephen Keeler An old song. A rickle of stones. A name on a map. (Norman MacCaig) 4 Poems by Stewart Sanderson 5 Grigor’s Gifts – Short Story by Liz Grafton he literary critic Raymond Williams once remarked that ‘nature’ is the most complex word 6 Poems by Alison Scott, Thomas Clark, Joan Lennon, Katherine Lockton Tin the English language. He may have a point but and Jan Sutch-Pickard for my money ‘home’ runs it pretty close. To write about home is to explore somewhere familiar, personal, intimate 7 Elemental – Short Story by Donald McKenzie – a sense of place that takes root in the heart. But home can also be a site of fear, regret and trepidation or an impossible 8 Poems by Maggie Wallis, Ian McFadyen, Pàdraig Macaoidh and Jane Aldous dream, somewhere yearned for but never attained. The entries for The Skye Reading Room’s Baker Prize 9 Babel – Poem by James Sinclair and the Highland Literary Salon writing competition evoke the complexity of home and I’m pleased to publish 10 Poems by Jon Plunkett, Gordon Jarvie and Crìsdean MacIlleBhàin some of the best of these entries in this issue of Northwords Now. They explore ‘the strangeness’ of home, the longing 11 Poems by Marcas Mac an Tuairneir and Jared Carnie and regret that suffuses our need to belong, and the pain of exile. -
Timeline of the Scots Language Since 1700
Timeline of the Scots Language Since 1700 MODERN SCOTS PERIOD 1700 to Present, subdivided into: Language scholars have not usually subdivided Modern Scots into periods, but given the differences between 18th and 21st century speech, and the various changes that have occurred over the past 300 years, we suggest the following useful subdivisions. Early Modern Scots AD 1700-1845 In this period Scots was redefined as ‘provincial dialect’ for the purposes of the political union with England. The vast majority of people continued to speak, and occasionally write in Scots, but the Scottish elite increasingly shifted to English in order to be accepted by the new ruling class in London. 1703 Reverend James Kirkwood makes the complaint that ‘in our English Bibles there are several hundred words and phrases not vulgarly used nor understood by a great many in Scotland’, meaning Scot speakers. 1707 Treaty of Union ends Scottish independence. Scots-speaking politicians must now sit in a parliament in London and are mocked by the English because of their language. 1720’s Introduction to Scotland of the New Method of teaching English based directly on English models of accent and language. 1722 William Starrat is the earliest known Ulster poet writing in Scots. 1724 Allan Ramsay’s (1686-1758) Tea Table Miscellany sparks revival of interest among the Scottish elite in poetry and songs in Scots. He is the first to give Scots the alternative name Doric. 1746 Death of Lady Grisel Baillie (1665-1746) noted songwriter in Scots. c.1750 The rise of the Moderate Party in the Church of Scotland leads to a decline in preaching in Scots in favour of English. -
Gordon, Katherine H. (2000) Voices from the 'Cauld East Countra' : Representations of Self in the Poetry of Violet Jacob and Marion Angus
Gordon, Katherine H. (2000) Voices from the 'cauld east countra' : representations of self in the poetry of Violet Jacob and Marion Angus. PhD thesis http://theses.gla.ac.uk/6928/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Voices from the 'Cauld East Countra': Representations of Self in the Poetry gf Violet Jacob and Marion Angus Katherine H. Gordon University of Glasgow Department of Scottish Literature April 2000 © Katherine H~ Gordon 11 Abstract This dissertation examines the representations of self in the poetry of Violet Jacob (1863-1946) and Marion Angus (1865-1946), two Scottish poets who wrote primarily in Scots in the inter-war years. Until recently, many critics have dismissed the work of Jacob and Angus as 'minor' in its themes or significant only as it anticipates the Scots poetry of Hugh MacDiarmid. The general absence of their work from print, and the narrow range of their poems appearing in anthologies, support the impression that their poetry is limited in scope; This dissertation suggests that in fact their poetry makes a significant contribution to the development of Scottish poetry. -
TOCC0547DIGIBKLT.Pdf
FRANCIS GEORGE SCOTT Complete Piano Music Eight Songs of Francis George Scott (transcribed by Ronald Stevenson)* 23:22 1 No. 1 Since all thy vows, false maid, are blown to air 3:30 2 No. 2 Wha is that at my bower-door? 2:17 3 No. 3 O were my love yon lilac fair 3:20 4 No. 4 Wee Willy Gray 1:37 5 No. 5 Milk-Wort and Bog-Cotton 3:05 6 No. 6 Crowdieknowe 3:09 7 No. 7 Ay Waulkin, O 3:50 8 No. 8 There’s news, lasses, news 2:34 9 Urlar (5 October 1948) 3:06 10 April Skies (? 1912) 6:19 Intuitions 37:12 11 No. 1 Lullaby. Grave (undated) 0:41 12 No. 2 Trumpet Tune. Allegro moderato (undated) 0:17 13 No. 3 Lonely Tune. Andantino (undated) 0:48 14 No. 4 Running Tune. Animato (10 May 1943) 0:24 15 No. 5 Lilting Tune. Andante (14 October 1943) 0:35 16 No. 6 National Song. Andante (25 February 1944) 0:42 17 No. 7 An Clarsair. Grave (13 September 1944) 0:56 18 No. 8 Singing Game. Presto (27 September 1944) 0:21 19 No. 9 Strathspey. Moderato (3 October 1944) 0:28 20 No. 10 Processional. Comodo (19 October 1944) 1:10 21 No. 11 Love’s Question and Reply (Dialogue). Andantino (28 October 1944) 0:42 22 No. 12 Border Riding-Rhythm. Animato (12 December 1944) 0:37 23 No. 13 Old Irish! Andantino (7 February 1945) 0:44 24 No. 14 Deil’s Dance.