A Renewed Look at Entertainment Stocks

Total Page:16

File Type:pdf, Size:1020Kb

A Renewed Look at Entertainment Stocks Entertainment A renewed look at entertainment stocks Overweight (Maintain) Sector correction sparked by negative news is subsiding The combined market value of Korea’s three major entertainment firms – YG Industry Report Entertainment (122870 KQ/Buy/TP: W60,000/CP: W37,400); SM Entertainment ( 041510 April 24, 2019 KQ/Buy/TP: W59,000/CP: W41,300); and JYP Entertainment (035900 KQ /TP: W41,000/CP: W30,850) - hit a low of W2.5tr on March 15 th , which represented a roughly th 22% loss from the previous high of W3.2tr set on January 7 . This was primari ly due to several negative news events that took place all at once, including a series of celebrity Mirae Asset Daewoo Co., Ltd. scandals at YG Entertainment (February 26 th ) and SM Entertainment’s 4Q18 earnings shock (March 8 th ). [Media ] Since then, all three entertainment stocks have reboun ded. As of yesterday’s close, Jeong -yeob Park +822 -3774 -1652 their combined market value stood at W2.7tr, up 8% from the previous low. In the end, [email protected] the three stocks managed to defend their post-2011 valuation lows. Their most recent trough was similar to the lows recorded during previous negative events (P/B of around 1.5x; EXO member departures in October 2014, YG Entertainment’s tax audit in August 2016, THAAD backlash in March 2017, and Big Bang’s military enlistment in May 2018). All three companies are heading into the 1Q19 earnin gs season (expected around May 14 th ) with their stocks in better places. Given artist schedules, we believe 1Q19 earnings variables were not noticeably strong for any of the three companies. Uncertainties also remain regarding YG Entertainment’s tax audit and SM Entertainment’s ability to sustain profits in 2019. Still, we believe it is important to take a closer look at key industry issues and potential income sources that paint a more positive picture for entertainment firms as we move into the 1Q19 earnings season. Combined market cap of the three entertainment firms has risen 8% after falling 22% from the previous high (Wtr) 2018 high (10/1) 2019 high (1/7) 4/23 closing price 3.6 combined market cap W3.4tr W3.2tr W2.7tr (+8.2% from low) 3.3 3.0 2.7 2.4 2.1 2019 low (3/15) W2.5tr 1.8 (-22% from previous high) 1.5 1/18 3/18 5/18 7/18 9/18 11/18 1/19 3/19 Source: Mirae Asset Daewoo Research JYP’s market cap has remained solid, while those of SM and YG have fluctuated sharply (Wtr) 1.4 SM JYP Ent. YG Ent. Low: -6.7% 1.2 JYP Ent. Rebound from low: +12.1% 1.0 SM Ent. Low: -22.8% rebound from previous low: +9.0% 0.8 0.6 Low: -23.5% Rebound from low: +6.4% 0.4 1/18 3/18 5/18 7/18 9/18 11/18 1/19 3/19 Source: Mirae Asset Daewoo Research Entertainment April 24, 2019 Key points before and after 1Q19 earnings release: Growing profile of K- pop in the global market Overall, the factors that drove the re-rating of the three major entertainment firms in 2018 remain intact or strengthening. Here is the reasoning behind our industry target P/E of 40x: 1) From a qualitative perspective, the profile of K-pop is growing in major markets. BLACKPINK and BTS, who made stellar comebacks in April, are expanding their fan base not only in Asia, but in the US and Europe, thus boosting investor sentiment. An upcoming major event is the Billboard Music Awards (BBMA) slated for May 1 st , with multiple K-Pop artists nominated for awards, including Top Social Artist (BTS, GOT7, and EXO) and Top Duo/Group (BTS). In line with their increased profile, K-pop artists are engaging in global concerts and marketing activities (TV and festival appearances) in collaboration with local partners. BLACKPINK, NCT, and BTS made appearances in major ABC news shows. In addition, BLACKPINK (12 shows in the North America and Europe starting on April 17 th ) and BTS (US, Europe, and Japan starting on May 4 th ) are set to kick off global tour concerts. Of note, BLACKPINK (set to hold their first tour concert) is expected to attract strong concert attendance (versus BTS: four shows in 2015 five shows in 2017 22 shows in 2018). Given steadily rising minimum guarantee for artists, we see a positive outlook for performance revenue in new markets. Figure 1. 2019 Billboard Music Awards: BTS and Halsey to perform together; GOT7 and EXO nominated for the first time Source: Billboard, Mirae Asset Daewoo Research Figure 2. NCT and BLACKPINK are currently on US tours Source: Company data, Mirae Asset Daewoo Research Mirae Asset Daewoo Research 2 Entertainment April 24, 2019 2) From a quantitative perspective, global digital music revenue is steadily expanding. For 2019, we expect the combined YouTube revenue of Korea’s three major entertainment firms to increase 56% YoY to W27.1bn (W8.5bn for SM; W14bn for YG; 46 for JYP). In 1Q19, major K-Pop channels’ YouTube views increased 35% YoY, with YG Entertainment showing the strongest growth (+122% YoY). Both BLACKPINK (57mn views) and BTS (78mn views) have smashed YouTube’s record for the most views accrued in the first 24 hours of release with the singles they released in April. We believe that YouTube views are worth noting, as they are directly linked to ad revenue sharing for artists. One of the key points to watch from 1Q19 earnings is whether the recent switch in SM Entertainment’s Chinese distributor has led to revenue growth. In February 2019, SM Entertainment signed an exclusive deal with Tencent Music Entertainment (its previous partner was Alibaba) for the distribution of its music in China (likely based on a minimum guarantee plus revenue sharing model, similar to YG Entertainment’s contract). In addition, the growth of JYP Entertainment’s digital music distribution arising from its global distribution partnership with The Orchard (entered on March 1st) is also worth noting. We forecast JYP Entertainment to increase its exposure to the global music service market, aided by its partnership with The Orchard with global networks. Figure 3. Major K-Pop channels’ YouTube views are on the increase (mn views) 600 SM (SMTOWN) JYP (JYP Entertainment + TWICE) YG (YG Entertainment + BLACKPINK + iKON + WINNER) Big Hit (ibighit + BangtanTV) 400 200 0 15.9 16.1 16.5 16.9 17.1 17.5 17.9 18.1 18.5 18.9 19.1 Source: YouTube, Mirae Asset Daewoo Research Figure 4. Combined YouTube revenue of Korea’s three major entertainment firms to continue to grow (Wbn) 40 YouTube (Google) net revenue 35 30 27 20 17 12 10 0 2017 2018F 2019F 2020F Source: Mirae Asset Daewoo Research Mirae Asset Daewoo Research 3 Entertainment April 24, 2019 Shares of YG and SM to recover ahead of earnings announcements Since February, the three major entertainment firms have displayed differenced valuations, as stability has come into greater focus amid rising uncertainties. JYP Entertainment with multiple positive events has outperformed the sector. The different valuations of the three major entertainment firms will likely be synchronized before and after the 1Q19 earnings announcements. We believe that valuation multiple synchronization will be driven by the growing profile of K-pop, which should be confirmed with related 1Q19 data, including: 1) unrivalled growth in YouTube views (YG); 2) the effects of partnerships with new digital music distributors (SM and JYP); and 3) North American tour concert attendances (YG, SM). Of note, 2019 Billboard Music Awards will likely be a symbolic event that points to the growing profile of K-Pop Table 1.Market cap changes and valuations of the three major entertainment firms Market cap % from annual % from annual 19F P/E 20F P/E TT\P 1Q19 key points (Wbn ) low high W60,000 YouTube revenue, BLACKPINK YG 680 +6.4 -23.5 34.8 17.1 (Maintain) performances W59,000 Effects of the switch in the Chinese SM 953 +9 -22.8 29.8 20.7 (Maintain) distributor (Tencent) W41,000 (Lower Effects of the partnership with a new digital JYP 1093 +12.1 -6.7 31.8 24.3 TP) music distributor (Orchard) Global K -Pop fan base expansion, and 2019 Combined 2726 +8.2 -15.4 31.7 20.8 Billboard Music Awards Source : Mirae Asset Daewoo Research Figure 5. Combined OP and market cap of the three major entertainment firms (Wbn) (Wbn) 200 5 Domestic/Japan earnings (▲▲ ) Domestic/Japan earnings (-) Domestic/Japan earnings (▲) Japan expectations ( ▲▲) Japan expectations (-) Global expectation (▲▲ ) 160 4 China expectations ( → ?) Domestic/Japan earnings (-) ▼ China expectations ( → ) 120 Combined OP ▲ ▼ 3 Combined market cap 80 2 40 1 0 0 -40 -1 08 09 10 11 12 13 14 15 16 17 18 19 20 Note: Based on FY1 / Source: Mirae Asset Daewoo Research Figure 6. Despite negative issues, the overall industry trend supports valuation increase (x) Domestic/Japan earnings (-) 90 3 co's combined P/E China expectations (▲ → ▼) Domestic/Japan earnings (▲▲) Domestic/Japan earnings (-) Domestic/Japan earnings (▲) Japan expectations (▲▲) Japan expectations (-) Global expectations (▲▲) China expectations ( ▼ → ?) 60 Earnings growth + expectations Industry target P/E 40x 30 0 09 10 11 12 13 14 15 16 17 18 19 20 Note: Based on FY2; 2019-20 earnings are based on our estimates Source : Mirae Asset Daewoo Research Mirae Asset Daewoo Research 4 April 24, 2019 Entertainment YG Entertainment (122870 KQ) Undervalued even after factoring out half of Big Bang Entertainment 1Q19 preview: OP of W2.8bn For 1Q19, we expect YG Entertainment to post consolidated revenue of W70.4bn and operating profit of W2.8bn, which is below the consensus of W3.6bn.
Recommended publications
  • Universidad Peruana De Ciencias Aplicadas Facultad
    Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más.
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Construction of Hong-Dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics
    Universität Bielefeld Fakultät für Soziologie Construction of Hong-dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics Dissertation Zur Erlangung eines Doktorgrades der Philosophie an der Fakultät für Soziologie der Universität Bielefeld Mihye Cho 1. Gutachterin: Prof. Dr. Joanna Pfaff-Czarnecka 2. Gutachter: Prof. Dr. Jörg Bergmann Bielefeld Juli 2007 ii Contents Chapter 1 Introduction 1 1.1 Research Questions 4 1.2 Theoretical and Analytical Concepts of Research 9 1.3 Research Strategies 13 1.3.1 Research Phase 13 1.3.2 Data Collection Methods 14 1.3.3 Data Analysis 19 1.4 Structure of Research 22 Chapter 2 ‘Hong-dae Culture’ and Ambiguous Meanings of ‘the Cultural’ 23 2.1 Hong-dae Scene as Hong-dae Culture 25 2.2 Top 5 Sites as Representation of Hong-dae Culture 36 2.2.1 Site 1: Dance Clubs 37 2.2.2 Site 2: Live Clubs 47 2.2.3 Site 3: Street Hawkers 52 2.2.4 Site 4: Streets of Style 57 2.2.5 Site 5: Cafés and Restaurants 61 2.2.6 Creation of Hong-dae Culture through Discourse and Performance 65 2.3 Dualistic Approach of Authorities towards Hong-dae Culture 67 2.4 Concluding Remarks 75 Chapter 3 ‘Cultural District’ as a Transitional Cultural Policy in Paradigm Shift 76 3.1 Dispute over Cultural District in Hong-dae area 77 3.2 A Paradigm Shift in Korean Cultural Policy: from Preserving Culture to 79 Creating ‘the Cultural’ 3.3 Cultural District as a Transitional Cultural Policy 88 3.3.1 Terms and Objectives of Cultural District 88 3.3.2 Problematic Issues of Cultural District 93 3.4 Concluding Remarks 96 Chapter
    [Show full text]
  • Annual Report and Financial Statements
    Annual Report and Financial Statements for the year ended 31 December 2019 Dimensional Funds ICVC Authorised by the Financial Conduct Authority No marketing notification has been submitted in Germany for the following Funds of Dimensional Funds ICVC: Global Short-Dated Bond Fund International Core Equity Fund International Value Fund United Kingdom Core Equity Fund United Kingdom Small Companies Fund United Kingdom Value Fund Accordingly, these Funds must not be publicly marketed in Germany. Table of Contents Dimensional Funds ICVC General Information* 2 Investment Objectives and Policies* 3 Authorised Corporate Director’s Investment Report* 5 Incorporation and Share Capital* 9 The Funds* 9 Fund Cross-Holdings* 9 Fund and Shareholder Liability* 9 Regulatory Disclosure* 9 Potential Implications of Brexit* 9 Responsibilities of the Authorised Corporate Director 10 Responsibilities of the Depositary 10 Report of the Depositary to the Shareholders 10 Directors' Statement 10 Independent Auditors’ Report to the Shareholders of Dimensional Funds ICVC 11 The Annual Report and Financial Statements for each of the below sub-funds (the “Funds”); Emerging Markets Core Equity Fund Global Short-Dated Bond Fund International Core Equity Fund International Value Fund United Kingdom Core Equity Fund United Kingdom Small Companies Fund United Kingdom Value Fund are set out in the following order: Fund Information* 13 Portfolio Statement* 30 Statement of Total Return 139 Statement of Change in Net Assets Attributable to Shareholders 139 Balance Sheet 140 Notes to the Financial Statements 141 Distribution Tables 160 Remuneration Disclosures (unaudited)* 169 Supplemental Information (unaudited)* 170 * These collectively comprise the Authorised Corporate Director’s (“ACD”) Report. Dimensional Fund Advisors Ltd.
    [Show full text]
  • The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
    The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve.
    [Show full text]
  • KOREA Morning Focus
    March 15, 2018 KOREA Morning Focus Company News & Analysis Major Indices Close Chg Chg (%) SM Entertainment (041510/Buy/TP: W50,000) KOSPI 2,486.08 -8.41 -0.34 Positive on KeyEast/FNC Add Culture acquisition KOSPI 200 321.99 -0.99 -0.31 KOSDAQ 886.92 0.67 0.08 Sector News & Analysis Turnover ('000 shares, Wbn) Volume Value Internet/Game (Overweight) KOSPI 357,035 6,259 Japan visit note: Expanding lifestyle presence KOSPI 200 74,841 4,749 KOSDAQ 920,060 5,181 Market Cap (Wbn) Value KOSPI 1,652,629 KOSDAQ 285,293 KOSPI Turnover (Wbn) Buy Sell Net Foreign 1,580 1,709 -130 Institutional 1,232 1,375 -142 Retail 3,437 3,154 283 KOSDAQ Turnover (Wbn) Buy Sell Net Foreign 366 440 -74 Institutional 184 235 -51 Retail 4,617 4,481 136 Program Buy / Sell (Wbn) Buy Sell Net KOSPI 1,309 1,502 -192 KOSDAQ 187 197 -10 Advances & Declines Advances Declines Unchanged KOSPI 324 502 61 KOSDAQ 525 638 92 KOSPI Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Samsung Electronics 2,588,000 5,000 645 Celltrion 306,500 -4,500 582 Hynix 90,700 700 512 Pharmicell 8,710 2,010 230 KODEX LEVERAGE 17,215 -40 212 KOSDAQ Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value SillaJen 119,900 2,600 250 NATURECELL 54,600 2,000 171 CIS 2,495 265 138 Diostech 38,550 250 108 Celltrion Healthcare 104,900 0 92 Note: As of March 14, 2018 Mirae Asset Daewoo Research SM Entertainment (041510 KQ) Positive on KeyEast/FNC Add Culture acquisition Entertainment Acquisition of rivals to strengthen content production business; Maintain positive view Company Update We reaffirm our Buy call and target price of W50,000 on SM Entertainment.
    [Show full text]
  • Jyp Entertainment Audition Requirements
    Jyp Entertainment Audition Requirements Jeffry motivates her scoliosis grumly, she polemizes it dissuasively. Spagyric Marion usually pulsating verysome troubledly. wavey or overexpose analogically. Confederative Ferd tumefied moistly, he spots his noddles Choose out there are companies go to be sad it is judging and entertainment audition application form but it meant i even be Asian that convert what it takes to task an SM trainee. Some trainees who are students would start training right music school which can notwithstanding even harder since they ease their classes in school system then its also have done take classes in singing and dancing. Especially after two recent Burning Sun scandal, it is important to uphold a low profile on social media accounts. Poll: Who Is justice Best Vocalist in æspa? Just audition, and give miss a try! You asked about flight tickets and tourist drivers. Go to practice together starting april. Facing forward, cabin door mall just walked through chain to my oral and directly to worsen right, until another door. The audition is open to highlight male teenager who can dance, sing, rap, compose lyrics or amount any musical instruments. Reddit on growing old browser. You can only improve my fan club on the Amino app. Some crew try simply find it different a relationship or roll money those in whatever career. Please please choose a thought it said in jyp entertainment audition requirements to become the overall outlook of this article has a money or deal but this. Once an Entertainment company takes you in, law will be up to stand how they reject you need look.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • Alumni After Berklee 2017
    VALENCIA GRADUATE ALUMNI AFTER BERKLEE Survey and personal outreach data - Spring 2017 The campus in Valencia celebrates this year its 5th anniversary having graduated 4 classes of master’s programs with a total of 441 alumni. The results in this report are based on the data gathered from an alumni survey and personal outreach which in total counts the information of 74% of the total body of Valencia graduate alumni from all four graduation years as of Spring 2017. Active in the Music Industry Overall, we find that 90% of the Valencia graduate alumni are currently working in the entertainment industry. Of these, 55% are employed and 42% are self-employed/freelance. The remaining are either studying, unemployed or working in other industries. Areas of the Industry by Program Most alumni are working within their area of study: 73% of the scoring alumni are working with composition; 60% of the business alumni work in the entertainment business; 44% of the MPTI alumni work in production and/or technology; and 48% of the performance alumni work in performing arts. Education is the second most frequented area of the industry for both performance and technology students. INTERNATIONAL CAREER CENTER - BERKLEE COLLEGE OF MUSIC 1 Alumni around the Globe After four years of graduating students, we now have alumni working in 44 different countries around the world. USA is the most popular country with 42% of the alumni working there and Spain is second with 13% of the alumni body. Within the US, the most Berklee-populated states are California with 33% and New York with 16%.
    [Show full text]
  • Download Exceeds 5 Million People - Established Game Duck, a Subsidiary for Game Play Storage and Sharing Service
    1 Research on Promoting SMEs’ Participation in Global Value Chains – ICT/Electronic Industry Table of Contents Executive Summary ..................................................................................................................................1 1. Overview.................................................................................................................................................3 1.1. Background and Purpose .................................................................................................. 3 1.2. Scope of Study .................................................................................................................. 4 2. Concept of GVC and SMEs’ Participation in GVC .......................................................................5 2.1. Concept of GVC and SMEs’ Participation ....................................................................... 5 2.1.1. Concept and Significance of GVC ........................................................................ 5 2.1.2. Review of Precedent Studies on GVC ................................................................ 15 2.1.3. Patterns and Types of GVC Structure ................................................................. 17 2.1.4. Significance of SMEs’ Participation in GVC ..................................................... 22 2.2. Changes and Development of GVC Structure ................................................................ 25 2.2.1. Outlook of GVC Structure Changes ..................................................................
    [Show full text]
  • The K-Pop Wave: an Economic Analysis
    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]