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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Annual Report and Financial Statements
Annual Report and Financial Statements for the year ended 31 December 2019 Dimensional Funds ICVC Authorised by the Financial Conduct Authority No marketing notification has been submitted in Germany for the following Funds of Dimensional Funds ICVC: Global Short-Dated Bond Fund International Core Equity Fund International Value Fund United Kingdom Core Equity Fund United Kingdom Small Companies Fund United Kingdom Value Fund Accordingly, these Funds must not be publicly marketed in Germany. Table of Contents Dimensional Funds ICVC General Information* 2 Investment Objectives and Policies* 3 Authorised Corporate Director’s Investment Report* 5 Incorporation and Share Capital* 9 The Funds* 9 Fund Cross-Holdings* 9 Fund and Shareholder Liability* 9 Regulatory Disclosure* 9 Potential Implications of Brexit* 9 Responsibilities of the Authorised Corporate Director 10 Responsibilities of the Depositary 10 Report of the Depositary to the Shareholders 10 Directors' Statement 10 Independent Auditors’ Report to the Shareholders of Dimensional Funds ICVC 11 The Annual Report and Financial Statements for each of the below sub-funds (the “Funds”); Emerging Markets Core Equity Fund Global Short-Dated Bond Fund International Core Equity Fund International Value Fund United Kingdom Core Equity Fund United Kingdom Small Companies Fund United Kingdom Value Fund are set out in the following order: Fund Information* 13 Portfolio Statement* 30 Statement of Total Return 139 Statement of Change in Net Assets Attributable to Shareholders 139 Balance Sheet 140 Notes to the Financial Statements 141 Distribution Tables 160 Remuneration Disclosures (unaudited)* 169 Supplemental Information (unaudited)* 170 * These collectively comprise the Authorised Corporate Director’s (“ACD”) Report. Dimensional Fund Advisors Ltd. -
Pan Entertainment (068050 KQ) Poised to Benefit from China’S Growing Content Demand
Pan Entertainment (068050 KQ) Poised to benefit from China’s growing content demand Snapshot: Producer of Winter Sonata, the origin of the Korean Wave Founded in 1998, Pan Entertainment was mainly engaged in the business of managing Company Report recording artists and making soundtracks before producing its first drama series “Winter December 5, 2014 Sonata” in 2002. The drama became a huge hit in Japan, setting in motion the “Korean Wave” across the country. Since then, the company has established itself as a drama producer, but has struggled to maintain stable profits due to the small size and buyer- Not Rated driven culture of the domestic market. Catalyst: China’s video content demand is surging, but options are limited Target Price (12M, W) - In China, there are over 4,000 television channels, all of which rely on advertising as their Share Price (12/03/14, W) 6,380 biggest source of income. Because advertising revenue is largely determined by primetime ratings, many broadcasters crave killer content, most preferably in the form Expected Return - of dramas and entertainment shows. But, while China’s video content demand has been rapidly increasing in terms of both quantity and quality, the country’s production capabilities have lagged far behind. Demand has been growing not only among major OP (14F, Wbn) 1 broadcasters and studios, but also among internet portals like Alibaba, and online video Consensus OP (14F, Wbn) 0 streaming sites such as Youku Tudou and Sohu. To make up for the lack of content, EPS Growth (14F, %) - Chinese companies are increasingly turning to Korean pr oducers, as Korean content is 1) Market EPS Growth (14F, %) 1.1 hugely popular in China, 2) of higher quality, and 3) cheaper to produce. -
TRULY GLOBAL Worldscreen.Com *LIST 1218 ALT2 LIS 1006 LISTINGS 11/21/18 11:19 AM Page 2
*LIST_1218_ALT2_LIS_1006_LISTINGS 11/21/18 11:19 AM Page 1 WWW.WORLDSCREENINGS.COM DECEMBER 2018 ASIA TV FORUM EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_1218_ALT2_LIS_1006_LISTINGS 11/21/18 11:19 AM Page 2 2 TV LISTINGS ASIA TV FORUM EXHIBITOR DIRECTORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THIS EDITION OF TV LISTINGS. 108 Media L28 Five Star Production C28 NHC Media J10 9 Story Distribution International J30 Fixed Stars Multimedia D10 NHK Enterprises B10-18 A+E Networks G20 Flame Distribution L05 Nippon Animation B10-14 ABC Commercial L05 Fortune Star Media G26 Nippon TV B10-19 About Premium Content F10 FOX Networks Group D18 NPO Sales H36 ABS-CBN Corporation J18 FranceTV Distribution F10 NTV Broadcasting Company H27 ADK/NAS/D-Rights B10-15 Fred Media L05 Oak 3 Films E08/H08 AK Entertainment H10 Fremantle E20 Ocon Studios H32 Albatross World Sales L30 Fuji Creative Corporation B10-9 Off The Fence J23 Alfred Haber Distribution F30 GAD F10 Omens Studios E08/H08 all3media international K08 Gala Television Corporation D10 One Animation E08/H08 Alpha Group L10/N10 Gaumont H33 One Life Studios J04 Ampersand F10 Global Agency E27 One Take Media J28 Anima Istanbul N08 Globo K24 Only Distrib F10 Animasia Studio M28 Gloob Participants Lounge Parade Media Group H08-01 Animonsta Studios M28 GMA Worldwide J01 Paramount Pictures Suite 5201 Animoon J25 GO-N International F10 PGS Entertainment F10 Aniplex B27 GoldBee H34 Phoenix Satellite Television G24 Antares International -
KOREA Morning Focus
March 15, 2018 KOREA Morning Focus Company News & Analysis Major Indices Close Chg Chg (%) SM Entertainment (041510/Buy/TP: W50,000) KOSPI 2,486.08 -8.41 -0.34 Positive on KeyEast/FNC Add Culture acquisition KOSPI 200 321.99 -0.99 -0.31 KOSDAQ 886.92 0.67 0.08 Sector News & Analysis Turnover ('000 shares, Wbn) Volume Value Internet/Game (Overweight) KOSPI 357,035 6,259 Japan visit note: Expanding lifestyle presence KOSPI 200 74,841 4,749 KOSDAQ 920,060 5,181 Market Cap (Wbn) Value KOSPI 1,652,629 KOSDAQ 285,293 KOSPI Turnover (Wbn) Buy Sell Net Foreign 1,580 1,709 -130 Institutional 1,232 1,375 -142 Retail 3,437 3,154 283 KOSDAQ Turnover (Wbn) Buy Sell Net Foreign 366 440 -74 Institutional 184 235 -51 Retail 4,617 4,481 136 Program Buy / Sell (Wbn) Buy Sell Net KOSPI 1,309 1,502 -192 KOSDAQ 187 197 -10 Advances & Declines Advances Declines Unchanged KOSPI 324 502 61 KOSDAQ 525 638 92 KOSPI Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Samsung Electronics 2,588,000 5,000 645 Celltrion 306,500 -4,500 582 Hynix 90,700 700 512 Pharmicell 8,710 2,010 230 KODEX LEVERAGE 17,215 -40 212 KOSDAQ Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value SillaJen 119,900 2,600 250 NATURECELL 54,600 2,000 171 CIS 2,495 265 138 Diostech 38,550 250 108 Celltrion Healthcare 104,900 0 92 Note: As of March 14, 2018 Mirae Asset Daewoo Research SM Entertainment (041510 KQ) Positive on KeyEast/FNC Add Culture acquisition Entertainment Acquisition of rivals to strengthen content production business; Maintain positive view Company Update We reaffirm our Buy call and target price of W50,000 on SM Entertainment. -
Bachelor's Virgin Girl (A/N IF YOU ARE BELOW 13 PLEASE QUIT READING THIS
Bachelor's Virgin Girl (A/N IF YOU ARE BELOW 13 PLEASE QUIT READING THIS. BE OPENMINDED. HALATA SA TITL E NA PAGMATURED. HINDI KO TOH GINAGAWA PARA SUMIKAT. BASTA NAISIPAN KO TATYPE KO LANG. PURE IMAGINATIONS. PLEASE KUNG MASASAKIT NA WORDS ANG ICOCOMMENT NIYO. JU ST QUIT READING THIS. BAWAL ANG PAINOSENTE. THINK LIKE SHREK ANG PEG KO. I HATE HUMILIATION. THAT'S ALL THANK YOU) -------------------------- The Bachelor's Virgin Girl P R O L O G U E: All girls know me. All girls would willing to die just to taste me. All girls admired my cock. All girls are interested about what I'm always doing on nights especially on PRI VATE NIGHTS. All girls love my God-like figure. I'm a damn good hottie hunk. A Fvcker one. A devirginizer. A bachelor. A Player on bed. I'm not onto relationship. I don't know the noun 'LOVE'. I hate mutual feelings towards someone. I hate kisses. I hate hugs. I hate doing romantic scenes just to FVCK a girl. No courting? No problem. I'll just Fvck you if i want too. Why? Cause i love to Fvck. I do love it. So do you want to deal with a fvcking playboy?? Call me, and I'll shut your core . I am Jake Daniel Smith and here is my story. Let's say its unexpected but Ghad D amn it. I'm being a Fvcking Gay. I met her with the word: 'who's that pretty hot chik?' But one thing for sure!.. I'll gonna make her mine. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The Oracle - Fall 2017 1 TABLE of CONTENTS the Oracle OMEGA PSI PHI FRATERNITY, INC
The Oracle - Fall 2017 1 TABLE OF CONTENTS The Oracle OMEGA PSI PHI FRATERNITY, INC. International Headquarters 3951 Snapfinger Parkway Decatur, GA 30035 404-284-5533 U.S. Army's Lt. General Brother William E. "Kip" Ward was the Commander, U.S. Africa Command. Bro. Ward is one of Omega's highest ranking officers in Volume 89 No. 33 the Fraternity's history. FALL 2017 The official publication of Grand Basileus Message 7 Omega Psi Phi Fraternity, Inc. Bro. Antonio F. Knox, Sr. America's First Black Astronaut 10 Send address changes to: Bro. Major Robert H. Lawrence Omega Psi Phi Fraternity, Inc. Military Hall of Honor Attn: Grand KRS Omega Psi Phi's Military Men 12 3951 Snapfinger Parkway Decatur, GA 30035 Omega's War Chapter 14 The next Oracle deadline: By Bro. Jonathan A. Matthews January 15, 2018 *Deadlines are subject to change. Military Profiles 16 Brothers Jackson and Jones Please Email all editorial concerns, comments, and information to Military and Sports 20 Bro. M. Brown, Editor of The Oracle Brothers Black and Simmons [email protected] Leadership Conference 2017 24 Cincinnati, Ohio ORACLE COVER DESIGN By DEPARTMENTS Bro. Haythem Lafhaj Congressional Black Caucus-30 Legal News-32 Kappa Psi Graduate Chapter Omega's Office of Compliance-34 Lifetime Achievement Award-36 Undergraduate News-38 IHQ Website Editor District News-39 Brother Quinest Bishop Omega Chapter-56 2 The Oracle - Fall 2017 THE ORACLE Editorial Board EDITOR’S NOTES International Editor of The Oracle Brother Milbert O. Brown, Jr. n this issue we pay Itribute to the Brothers of Assistant Editor of The Oracle-Brother Norman Senior Omega who have served and are still serving in the Director of Photography- Brother James Witherspoon United States Armed Emeritus Photographer-Brother John H. -
Download Exceeds 5 Million People - Established Game Duck, a Subsidiary for Game Play Storage and Sharing Service
1 Research on Promoting SMEs’ Participation in Global Value Chains – ICT/Electronic Industry Table of Contents Executive Summary ..................................................................................................................................1 1. Overview.................................................................................................................................................3 1.1. Background and Purpose .................................................................................................. 3 1.2. Scope of Study .................................................................................................................. 4 2. Concept of GVC and SMEs’ Participation in GVC .......................................................................5 2.1. Concept of GVC and SMEs’ Participation ....................................................................... 5 2.1.1. Concept and Significance of GVC ........................................................................ 5 2.1.2. Review of Precedent Studies on GVC ................................................................ 15 2.1.3. Patterns and Types of GVC Structure ................................................................. 17 2.1.4. Significance of SMEs’ Participation in GVC ..................................................... 22 2.2. Changes and Development of GVC Structure ................................................................ 25 2.2.1. Outlook of GVC Structure Changes .................................................................. -
A Guide for College & University
PBS-5b | MEMBER 2020 ACKNOWLEDGEMENT OF ANTI-HAZING PHI BETA SIGMAPOLICY FRATERNITY, AND INC. HOLD HARMLESS AGREEMENT A GUIDE FOR COLLEGE UPDATED: 11/8/2017 & UNIVERSITY OFFICIALS 145 KENNEDY STREET, NW | WASHINGTON, D.C. 20011 www.phibetasigma1914.org www.phibetasigma1914.org TABLE OF CONTENT Message from the President pg3 About Phi Beta Sigma Fraternity, Inc. pg4 Phi Beta Sigma’s Community Initiatives, Partnerships and Programs pg5 Training, Development and Support pg6 Fraternity Structure pg7 Organizational Flow pg9 Membership Criteria pg10 2 Sigma’s MIP at a glance pg11 Sigma’s Risk Management Policy pg14 2018 Regional Conference Schedule pg49 2017 Fraternity Highlights pg50 Notable Members pg52 Phi Beta Sigma’s Branding Standards pg55 MESSAGE FROM THE PRESIDENT Dear Campus Partner- It is an honor and a privilege to address you as the 35th International President of Phi Beta Sigma Fraternity, Incorporated! This is an exciting time to be a Sigma, as our Fraternity moves into a new era, as “A Brotherhood of Conscious Men Actively Serving Our Communities.” We are excited about the possibilities of having an even greater impact on your campus as the Men of Sigma march on! We prepared this booklet to provide you a glance into the world of Phi Beta Sigma, our cause and our initiatives. Indeed, we are a brotherhood of conscious men; Conscious Husbands, Conscious Fathers, Conscious Servants, Conscious Leaders, called to improve the lives of the people we touch. Our collegiate Brothers play a major role in achieving our mission, as they are the lifeblood and future of our Fraternity and communities. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.