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Janus-Faced Hana Yori Dango : Transnational Adaptations in East Asia and the Globalization Thesis
Lingnan University Digital Commons @ Lingnan University Staff Publications Lingnan Staff Publication 3-2014 Janus-faced Hana yori dango : Transnational Adaptations in East Asia and the Globalization Thesis Tak Hung, Leo CHAN Lingnan University, Hong Kong Follow this and additional works at: https://commons.ln.edu.hk/sw_master Part of the Translation Studies Commons Recommended Citation Chan T.H.L (2014). Janus-faced Hana yori dango: Transnational Adaptations in East Asia and the Globalization Thesis. Asian Cultural Studies, 40, 61-77. This Journal article is brought to you for free and open access by the Lingnan Staff Publication at Digital Commons @ Lingnan University. It has been accepted for inclusion in Staff Publications by an authorized administrator of Digital Commons @ Lingnan University. Janus-faced Hana yori dango: Transnational Adaptations in East Asia and the Globalization Thesis Leo Tak-hung Chan Theories of regional formation need to be rigorously examined in relation to East Asian popular culture that has been in circulation under the successive “waves” of Japanese and Korean TV dramas from the 1990s onward. Most overviews of the phenomenon have concentrated on the impact on the region of Japanese, then Kore- an, TV products as they spread southward to the three Chinese communities of Taiwan, Hong Kong and Mainland China. In the voluminous studies devoted to the subject, most conspicuously represented by those of Iwabuchi Koichi, two outstand- ing points of emphasis are noteworthy.1) First, the majority of evidence is drawn from the so-called “trendy” love dramas, like Tokyo Love Story (1991), Long Vacation (1996), Love Generation (1996) and Beautiful Life (2000) from Japan as well as Autumn Tale (2000) and Winter Sonata (2002) from Korea.2) Many of them were so successful that they altered TV drama production in the receptor communities. -
SM Entertainment
SM Entertainment (041510 KQ ) Positive on KeyEast/FNC Add Culture acquisitions Acquisition of rivals to strengthen content production business; Maintain positive view Entertainment We reaffirm our Buy call and target price of W50,000 on SM Entertainment. We continue to maintain a positive view on entertainment firms’ entry into content Company Report productio n, and believe SM Entertainment’s latest acquisitions will broaden the company’s opportunities in this area. We believe investors should focus on new March 15, 2018 business prospects rather than dilution (4.2%) from the share issue. Since 2015, the secondary businesse s (F&B, fashion, cosmetics) of entertainment firms (including SM Entertainment) have been largely disappointing, weighing on their overall earnings. However, we think there is clear potential for synergy between SM (Maintain) Buy Entertainment’s core business and content production, especially in terms of the use of artist-creator resources and the financial compatibility of advertising and content Target Price (12M, W) 50,000 production (stability and profitability). Acquiring KeyEast (25.1%) and FNC Add Culture (30.5%) for a total of W80bn Share Price (03/14/18, W) 41,600 Before yesterday’s market opening, SM Entertainment announced that it had agreed to acquire a 25.1% stake in KeyEast for W50bn (W2,570 per share) and a 30.5% stake in Expected Return 20% FNC Add Culture for W30bn. The company will fund the W80bn deal through a combination of p rivate placement, purchase of existing shares, and equity issue participation. More specifically, SM Entertainment will: 1) issue 920,000 new shares OP (17P, Wbn) 11 (W35bn) to Bae Yong-joon, KeyEast’s current largest shareholder; 2) acquire existing Consensus OP (17F, Wbn) 17 shares of KeyEast (W15bn) and FNC Add Culture (W20bn); and 3) participate in FNC Add Culture’s equity issue (W10bn). -
Vol. 1 March 2017
Vol. 1 March 2017 Rationalizing GOCCs: The Case of the Merger of the Land Bank of the Philippines and the Development Bank of the Philippines Maria Fe Villamejor-Mendoza, PhD Reactor’s Note Locating the LBP-DBP merger in the context of regional financial integration Lucio Blanco Pitlo III Assessing fiscal data openness in local governments in the Philippines Erwin A. Alampay, Pauline Bautista, and Raphael Montes Reactor’s Note Learning from the Korean Narrative in Open Governance: A Reaction to “Harnessing Open Data for Fiscal Transparency in Local Governments in the Philippines” Jinky Joy dela Cruz Synergies: Production, Marketing, and Promotion of Philippine and Korean Television Series Josefina M. C. Santos Reactors’ Note Contemporary Production Processes: Restructuring our Understanding of Philippine Teleseryes vis-a-vis Koreanovelas Jose Wendell P. Capili, PhD The HanPil (한필) Occasional Papers on Korea and the Philippines is published electronically by the University of the Philippines Korea Research Center. All papers included in the current volume underwent a single-blind peer review process. The HanPil will be published annually. Copyright © 2017 by the UP KRC and authors All rights reserved, except that authorization is given herewith to academic institutions and educators to reproduce articles herein for academic use as long as appropriate credit is given both to the authors and to this publication. The views expressed in each paper are those of the authors of the paper. They do not necessarily represent or reflect the views of the UP KRC, its Editorial Committee, or of the University of the Philippines. ISSN 2546-0234 (Online) ISSN 2546-0226 (Print) The papers were prepared for the research project of the Korea Research Center at University of the Philippines (UP KRC) supported by the Academy of Korean Studies Grant (AKS-2015-INC-2230012). -
Trans)Gender Ontologies for South Korean Namjangyeoja Television Dramas
SHOULD WE PASS ON “PASSING WOMEN”?: THE STAKES OF (TRANS)GENDER ONTOLOGIES FOR SOUTH KOREAN NAMJANGYEOJA TELEVISION DRAMAS BY SHELBY STRONG THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Adviser: Professor Jeffrey T. Martin ABSTRACT Scholarship has gendered the protagonists of namjangyeoja dramas, South Korean live- action television dramas that focus on the lives of female-assigned people who pass as men, as “women”. I argue that we must push back against this narrow reading of namjang characters and instead embrace ambiguity and plural possibilities in namjang gender representations. The widespread pattern of namjang characters being depicted as being coerced into “confessing” that they are “women” calls into question the idea that their “real” gender can only be read as female, static, and singular. Indeed, a deeper reading reveals how some namjang protagonists are portrayed as identifying as gender non-binary and gender fluid. I propose that using “transgender” and “namjangyeoja” in conjunction with each other can help us orient to transgender possibilities in namjang dramas and illuminate how the pervasive practice of using “namjangyeoja” to categorize performances of gender nonconformity by female-assigned people is imbricated with institutionalized forms of transphobic heteronormative familism in South Korea. Ultimately, I argue that we must be vigilant about how our choice to affirm certain ontologies (e.g., “namjangyeoja”) over others (e.g., “transgender”) enacts epistemological forms of violence that support larger, institutionalized projects of death by exclusion and illegibility. -
An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
UCLA UCLA Entertainment Law Review Title Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California Permalink https://escholarship.org/uc/item/88z2z7wm Journal UCLA Entertainment Law Review, 20(2) ISSN 1073-2896 Author Tsai, Patricia Publication Date 2013 DOI 10.5070/LR8202027172 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Tal- ent Agencies Act of California Patricia Tsai* The 360 deal has been an attractive option for music labels in the United States to gain traction in the faltering music industry, but po- tential legal obstacles may hinder the incentive to enter into the deals both for the label andfor the artist. Labels entering into 360 deals may find themselves liablefor violating the Seven-Year Statute or the Talent Agencies Act (TAA). With 360 agreements becoming more popular, labels should turn to an existing music industry that has dealt with the potentiallegal problems of 360 dealsfor years. The Korean pop industry, commonly called "K-pop, " has taken advantage of a 360-deal-like model for many years, and as a conse- quence, many Korean labels have experienced the potential legal prob- lems that American labels may face. Particularly,the legal problems faced by S.M Entertainment, a talent agency and music label giant in South Korea, as a result of their contract with TVXQ, a popular and hugely successful boy band,reveal exactly the type ofpotential liability faced by American music labels. -
K-Pop As a Means to an End Among Thai Youth: Korean Wave As Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London
ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London To cite this article: Keith Howard and Great Lekakul, “K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image.” Culture and Empathy 1(1-4): 18-33, DOI: 10.32860/26356619/2018/1.1234.0003. To link to this article: https://doi.org/10.32860/26356619/2018/1.1234.0003 Published online: 8 Oct 2018. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 1, No. 1-4, pp. 18-33 https://doi.org/10.32860/26356619/2018/1.1234.0003 K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image Keith HOWARD, SOAS, University of London Great LEKAKUL, SOAS, University of London Abstract Assessments of the impact of K-pop beyond Korea, and of other aspects within the broader Korean Wave, often focus on groups of fans. The research reported here began from an intention to move beyond fandom, encouraged by a challenge to demonstrate that ARTICLE HISTORY members of the British Thai community, aware of their heritage in Received 10 August 2018 Southeast Asia but growing up in the eclectic cultural mix of Revised 24 September 2018 Accepted 30 September 2018 contemporary Britain, were interested in K-pop. -
Taemin at Least Once
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Dálný Východ Far East
Dálný východ Far East Ročník V číslo 1 Univerzita Palackého v Olomouci Olomouc 2015 Redakce Vedoucí redaktor: Mgr. David Uher, PhD Členové redakční rady: Prof. Zdeňka Švarcová, Dr., Doc. Lucie Olivová, Ph.D., DSc., Doc. Ing. Ludmila Mládková, Ph.D., Doc. Mgr. Roman Jašek, Ph.D., Doc. Ing. Miloslava Chovancová, Ph.D., Doc. Ing. Jan Sýkora, M.A., Ph.D., Doc. PhDr. Miriam Löwensteinová, Ph.D., Mgr. Ivona Barešová, Ph.D. Adresa redakce: Dálný východ Katedra asijských studií, Katedra aplikované ekonomie Filozofická fakulta Univerzity Palackého v Olomouci Křížkovského 14 771 80 Olomouc www.kas.upol.cz Technická redakce a obálka: Jiřina Vaclová Odpovědná redaktorka: Mgr. Jana Kreiselová Vydala a vytiskla: Univerzita Palackého v Olomouci, Křížkovského 8, 771 47 Olomouc www.upol.cz/vup email: [email protected] Zpracování a vydání publikace bylo umožněno díky finanční podpoře udělené roku 2014 Ministerstvem školství, mládeže a tělovýchovy ČR v rámci Institucionálního rozvojového plánu, programu V. Excelence, Filozofické fakultě Univerzity Palackého v Olomouci: Zlepšení publikačních možností akademických pedagogů ve filologických a humanitních oborech FF UP. ISSN: 1805-1049 MK ČR E 20430 Olomouc 2015 OBSAH This issue comprises papers presented at the conference Winning Central Europe: Spread and Reception of the Korean Wave in the Czech Republic. The conference was supported by the Academy of Korean Studies Grant (AKS-2014-C18). Understanding the K-magic: Korean Popular Culture in Europe and Beyond (Introduction to the Special Issue on Hallyu) Jana Hajzlerová -
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The Korean Wave
The Korean Wave: Who are behind the success of Korean popular culture? Master thesis by William Tuk Leiden University (MA) History of European Expansion and Globalization Supervisors: Prof. dr. Jos Gommans & Mrs. drs. Monique Erkelens 1 Table of content Chapter 1 Introduction………………………………………………………………………………………………………………. 3 Chapter 2 The beginning of the entertainment industry……………………………………………………………. 7 Media liberalization and the movie industry………………………………………………………………….. 8 The broadcasting industry……………………………………………………………………………………………… 9 K-pop………………………….…………………………………………………………………………………………………. 11 Chapter 3 South Korean popular culture goes global.…………………………………………………………………. 13 Korean movies……………………………………………………………………………………………………………….. 13 K-drama………………………………………………..……………………………………………………………………….. 15 k-pop……………………………….…………………………………………………………………………………………….. 19 Chapter 4 The success of hallyu……………..…………………………………………………………………………………… 23 Government policy……….………………………………………………………………………………………………… 23 Media…………………………………………………………………………………………………………………………….. 28 Market: supply side….…………………………………………………………………………………………………….. 31 Market: demand side………………………………………………………………………………………………………. 41 Chapter 5 Conclusion…………………………………………………………………………………………………………………… 47 Sources……………………………………………………………………………………………………………………………………….. 49 Appendix 1 Interview questions .……….……………………………………………………………………………………….. 55 Appendix 2 Korean respondents.……….……………………………………………………………………………………….. 56 2 Chapter 1 Introduction Gangnam style from the rapper/singer Psy is the first Korean music video that -
Listagem De Artistas - Letra T
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Penggambaran Lgbt Dalam Video Klip Korea Selatan Tahun 2017
PENGGAMBARAN LGBT DALAM VIDEO KLIP KOREA SELATAN TAHUN 2017 SKRIPSI Disusun Oleh: NYDIA ALFIYYAH PUTRI NRP.1423015148 FAKULTAS ILMU KOMUNIKASI UNIVERSITAS KATOLIK WIDYA MANDALA SURABAYA SURABAYA 2018 SKRIPSI PENGGAMBARAN LGBT DALAM VIDEO KLIP KOREA SELATAN TAHUN 2017 Diajukan Untuk Memenuhi Sebagian Persyaratan Dalam Memperoleh Gelar Sarjana Ilmu Komunikasi Universitas Katolik Widya Mandala Surabaya Disusun Oleh : Nydia Alfiyyah Putri NRP. 1423015148 FAKULTAS ILMU KOMUNIKASI UNIVERSITAS KATOLIK WIDYA MANDALA SURABAYA SURABAYA 2018 HALAMAN PERSEMBAHAN Pertama-tama, peneliti mengucapkan syukur dan terima kasih yang sebesar- besarnya kepada kepada Allah SWT, yang telah memberikan rahmat-Nya dan selalu melancarkan perkuliahan peneliti, sehingga peneliti bisa menyelesaikan skripsi dan perkuliahan tepat waktu. Peneliti ingin mempersembahkan penelitian ini kepada kedua orang tua peneliti, yang senantiasa mendoakan, memberi semangat, hingga mendukung apa saja yang peneliti lakukan ketika mengerjakan skripsi ini. Tidak lupa juga peneliti berterima kasih kepada kedua dosen pembimbing, Pak Nanang Krisdinanto, M.Si. dan Bung Djoko Wahjono Tjahjo, M.S.i. yang dengan sabar membimbing peneliti sejak seminar proposal hingga skripsi ini dapat terselesaikan. ُ ُ َي ْكو ْا ََمْعُنَا ُ َهاْ َانُبْسَح 173ا:اImran‘اAliا.QS - sebaikاadalahاAllahاdanاkamiاbagiاpenolongاmenjadiاAllahاCukuplah“ ”pelindungاbaiknya ا”A Miracle Is Another Name of an Effort“ (Keajaiban adalah nama lain dari kerja keras) – ’To The Beautiful You‘اKoreaاDrama Surabaya, 30 November Nydia Alfiyyah Putri KATA PENGANTAR اberterima اdan اbersyukur اsangat اpeneliti ا,alamin‘ اAlhamdulillahi rabbil kasih kepada Allah SWT, yang telah memberikan rahmat-Nya, sehingga peneliti dapat menyelesaikan skripsi dengan judul PENGGAMBARAN LGBT DALAM VIDEO KLIP KOREA SELATAN TAHUN 2017. Skripsi ini disusun sebagai syarat wajib untuk memperoleh gelar sarjana Ilmu Komunikasi Universitas Katolik Widya Mandala Surabaya.