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Gesamtkatalog BRD (Regionalcode 2) Spielfilme Nr. 94 (Mai 2010)
Gesamtkatalog BRD (Regionalcode 2) Spielfilme -Kurzübersicht- Detaillierte Informationen finden Sie auf unserer Website und in unse- rem 14tägigen Newsletter Nr. 94 (Mai 2010) LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS Talstr. 11 - 70825 Korntal Tel.: (0711) 83 21 88 - Fax: (0711) 8 38 05 18 INTERNET: www.laserhotline.de e-mail: [email protected] Katalog DVD BRD (Spielfilme) Nr. 94 Mai 2010 (500) Days of Summer 10 Dinge, die ich an dir 20009447 25,90 EUR 12 Monkeys (Remastered) 20033666 20,90 EUR hasse (Jubiläums-Edition) 20009576 25,90 EUR 20033272 20,90 EUR Der 100.000-Dollar-Fisch (K)Ein bisschen schwanger 20022334 15,90 EUR 12 Uhr mittags 20032742 18,90 EUR Die 10 Gebote 20000905 25,90 EUR 20029526 20,90 EUR 1000 - Blut wird fließen! (Traum)Job gesucht - Will- 20026828 13,90 EUR 12 Uhr mittags - High Noon kommen im Leben Das 10 Gebote Movie (Arthaus Premium, 2 DVDs) 20033907 20,90 EUR 20032688 15,90 EUR 1000 Dollar Kopfgeld 20024022 25,90 EUR 20034268 15,90 EUR .45 Das 10 Gebote Movie Die 120 Tage von Bottrop 20024092 22,90 EUR (Special Edition, 2 DVDs) Die 1001 Nacht Collection – 20016851 20,90 EUR 20032696 20,90 EUR Teil 1 (3 DVDs) .com for Murder 20023726 45,90 EUR 13 - Tzameti (k.J.) 20006094 15,90 EUR 10 Items or Less - Du bist 20030224 25,90 EUR wen du triffst 101 Dalmatiner (Special [Rec] (k.J.) 20024380 20,90 EUR Edition) 13 Dead Men 20027733 18,90 EUR 20003285 25,90 EUR 20028397 9,90 EUR 10 Kanus, 150 Speere und [Rec] (k.J.) drei Frauen 101 Reykjavik 13 Dead Men (k.J.) 20032991 13,90 EUR 20024742 20,90 EUR 20006974 25,90 EUR 20011131 20,90 EUR 0 Uhr 15 Zimmer 9 Die 10 Regeln der Liebe 102 Dalmatiner 13 Geister 20028243 tba 20005842 16,90 EUR 20003284 25,90 EUR 20005364 16,90 EUR 00 Schneider - Jagd auf 10 Tage die die Welt er- Das 10te Königreich (Box 13 Semester - Der frühe Nihil Baxter schütterten Set) Vogel kann mich mal 20014776 20,90 EUR 20008361 12,90 EUR 20004254 102,90 EUR 20034750 tba 08/15 Der 10. -
Anna Netrebko E Rolando Villazón
presenta LA BOHÈME Il Film di Robert Dornhelm con Anna Netrebko e Rolando Villazón Una Produzione Unitel e MR-Film in cooproduzione con ZDF, ORF e Classica in associazione con IMG e il supporto di ÖFI (Österreichisches Filminstitut), FFW (Filmfonds Wien), ORF Film-/Fernsehabkommen. La Bohème Il Film Musica di Giacomo Puccini Cast Mimì (soprano) Anna Netrebko Rodolfo, poeta (tenore) Rolando Villazón Musetta (soprano) Nicole Cabell Marcello, pittore (baritono) George von Bergen / voce: Boaz Daniel Schaunard, musicista (baritono) Adrian Eröd / voce: Stéphane Degout Colline, filosofo (basso) Vitaly Kovalyov Benoît, padrone di casa (basso) Tiziano Bracci Parpignol, venditore ambulante (tenore) Ernst-Dieter Suttheimer / voce: Kevin Connors Alcindoro, consigliere di Stato (basso) Ioan Holender / voce: Tiziano Bracci Un Doganiere Konrad Huber / voce: Tiziano Bracci Sergente dei Doganieri Mario Steller / voce: Gerald Haeussler Un ragazzo Nicolas von der Nahmer Musiche registrate al concerto de "La Bohème" tenutosi con l’orchestra Filarmonica di Monaco al Gasteig in Aprile 2007. 2 Troupe Regia Robert Dornhelm Sceneggiatura Robert Dornhelm Dal libretto di Giuseppe Giacosa e Luigi Illica, basato sul romanzo di Henry Murger "La vie de Bohème". Prodotto da Catharina Mojto Kurt J. Mrkwicka Produttore esecutivo Andreas Kamm Oliver Auspitz Direttore di produzione Christian Wolf Cinematografia Walter Kindler Suono Thomas Schmidt-Gentner Scenografie Florian Reichmann Costumi Uli Fessler Trucco Hannelore Uhrmacher Adolf Uhrmacher Backstage Christoph Engel Direttore musicale Bertrand de Billy Coro Chorus of the Bayerischer Rundfunk Children's Chorus of the Staatstheater am Gärtnerplatz, Munich Bavarian Radio Symphony Orchestra Informazioni tecniche: Anno: 2008 Durata: c. 100 min. Girato in Super 35mm, HD quality Dolby Surround 5.1. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Academy-Award Nominated Director Robert Dornhelm to Receive 2018
Press Contact: SEEfest Contact: White Bear PR | Thomas Mikusz [email protected] [email protected] | +1.310.230.5678 FOR IMMEDIATE RELEASE Academy Award nominated director Robert Dornhelm to be honored with the 2018 SEEfest Legacy Award The Award Ceremony to take place on April 26 in Beverly Hills Los Angeles, April 4th, 2018- Academy Award and Emmy nominated director Robert Dornhelm will receive the South East European Film Festival (SEEfest) Legacy Award during the opening night of the 13thAnnual Film Festival. The prolific Austrian Film & TV director will receive the award during the red carpet gala event on April 26th, 7 PM at the Writers Guild Theater in Beverly Hills (135 S. Doheny Dr, Beverly Hills, CA 90211). Romanian-born Dornhelm is a symbol of the escape from the communist regime through his film creations and legacy. Destiny would take him to Austria and the United States where his films received international recognition. His 1977 documentary film, “The Children of Theatre Street,” was nominated for an Academy Award for Best Documentary Feature. He directed the TV miniseries “Anne Frank: The Whole Story” (2002), which received 3 Golden Globe and 11 Emmy nominations including Best Director for Dornhelm and an Emmy win for Best Miniseries. He also directed “Echo Park” (1985), “Requiem for Dominic” (1990), “Sins of the Father” (2002), “War and Peace” (2007), Amanda Knox: Murder on Trial in Italy” (2011), and most recently the critically acclaimed international series “Hotel Sacher” (2016) and “Maria Theresia” (2017). The 2018 SEEfest Legacy Award will be presented to Robert Dornhelm not only for his body of work, but also for his inspiration to young filmmakers and his dedication to telling socially-critical stories. -
Steve Ross Press
Steve Ross Press STEVE ROSS - C'MON AND HEAR: AN IRVING BERLIN JULY 4th CELEBRATION Birdland, NY A themed evening with Steve Ross is as illuminating as it is entertaining. With cards-face-up fidelity, original embellishment, and the kind of indisputable panache that never sacrifices emotion for sophistication, Ross tonight offers a high-spirited celebration of Irving Berlin, “Russia’s best export after vodka.” As exemplified by a jaunty “Alexander’s Ragtime Band,” Ross’ lucid musicianship, aided by the excellent Jered Egan on bass, is more effective than a full band in capturing the intention of Berlin’s of-the-people oeuvre. The pianist effortlessly delivers light, tangy ragtime. Selective history and anecdotes act as bridges, not filler. Composer/lyricist Israel Isidore Baline (1888 -1989) fled a Russian pogrom, landing on New York’s Lower East Side. After stints as a singing waiter and song plugger, he began to write in earnest, catching ragtime fever. Ross describes the genre as “rhythms that came up the Mississippi to sit on marching tempo,” adroitly demonstrating with “Play a Simple Melody.” We’re treated to excerpts from several vivacious songs, including a percussive “When the Midnight Choo-Choo Leaves for Alabam”’ that appears to have fancy footwork. “I Love a Piano,” one of our host’s favorites, is as dancey as it gets. Ross is able to make exuberanceeloquent. Higher octaves arrive quiet-difficult and effective. “Mandy” is equally infectious. “...so don’t you linger...” he sings boyishly, pointing at/warning the audience. Gestures come easily tonight, drawing us in. “When I Lost You,” Berlin’s first ballad, written upon the devastating, post-honeymoon death of his bride, is melodic, yet profound in its grief: “I lost the sunshine and roses/I lost the heavens so blue/I lost the beautiful rainbow/I lost the morning dew....” “Say It Isn’t So”—moving like chiffon and marabou, and a smoky, sotto voce “How Deep Is the Ocean? (How High Is the Sky)” show mastery of melancholy ardor. -
Houchang Allahyari | Götz Spielmann Inhalt
09–10/2021 KINO KULTUR HAUS NEUANFÄNGE SPIELFILMDEBÜTS ÖSTERREICHISCHER REGISSEURINNEN HOUCHANG ALLAHYARI | GÖTZ SPIELMANN INHALT 30 44 68 08 INHALT AUSSTELLUNG KINO WELT WIEN | BIS 9.1.2022 04 RETROSPEKTIVEN NEUANFÄNGE | 10.9.–19.10. 08 HOUCHANG ALLAHYARI | 16.9.–13.10. 30 GÖTZ SPIELMANN | 7.10.–20.10. 44 KINOSTARTS GOLI JAN | 9.9.–22.9. 59 1 VERABREDUNG IM HERBST | 5.10.–17.10. 61 REIHEN JÜDISCHER FILMCLUB WIEN | 8.9.–6.10. 62 LIVING COLLECTION | 13.9. 66 SECOND LIFE | 14.9.–12.10. 68 WILD FRIDAY NIGHT | 17.9. 70 KINDER KINO KLASSIKER | 2.10.–17.10. 72 EIN ABEND MIT ELSA KREMSER UND LEVIN PETER | 20.10. 74 SPECIALS LANGE NACHT DER MUSEEN | 2.10. 76 BUCHPRÄSENTATION: DER FÄDENZIEHER | 4.10. 78 IN MEMORIAM INGRID HAMMER | 4.10. 80 FESTIVALS SLASH | 23.9.–3.10. 82 JÜDISCHES FILMFESTIVAL WIEN | 8.10.–12.10. 84 SATYR FILMWELT 88 CLUB 90 SPIELPLAN 92 PROGRAMM 5.9.–20.10.2021 Sehr geehrte Besucherinnen und Besucher, laufend aktualisierte Informationen zu den geltenden Covid-19-Schutzmaßnahmen finden Sie auf www.filmarchiv.at. EDITORIAL eu anfangen. Für viele heute keine Option, sondern ein NMuss. Nicht ob, sondern wie sich eine Gesellschaft ver ändert und sich den großen Herausforderungen stellt, ist die Frage. Neuanfänge, die erste Retrospektive nach dem Kino sommer, zeigt die Entwicklung, die für weibliche Filmschaffende in Österreich zum hart erkämpften Aufbruch führte. Eine Rück schau auf das Werk von inzwischen etablierten Regisseurinnen und eine Vorschau auf jenes der Next Generation. Wenn je mand für einen integrativen, sogar therapeutischen Ansatz im sozialen Miteinander steht, dann der AustroIraner und gelernte Psychiater Houchang Allahyari, dessen im Februar geplante Schau anlässlich seines 80ers nun endlich im METRO stattfinden kann. -
Facts+Figures 04
1633_06_FILM_05.qxd 13.07.2006 12:04 Uhr Seite 3 123 456 FILMWIRTSCHAFT VERWERTUNG FILMPREISE FÖRDERUNGEN E FÖRDERUNGEN EU UMFELD facts+figures 04 Redaktion Mag.Gerhard Schedl Mag.Angelika Teuschl facts + figures 04 3 1633_06_FILM_05.qxd 13.07.2006 12:04 Uhr Seite 4 123 456 FILMWIRTSCHAFT VERWERTUNG FILMPREISE FÖRDERUNGEN E FÖRDERUNGEN EU UMFELD INHALTSVERZEICHNIS Erläuterungen und Danksagungen 6 Vorwort 7 Zusammenfassung 8 1 Filmwirtschaft 1.1 Unselbständig Beschäftigte 14 1.2 Jahresproduktionswert 14 1.3 Filmproduktion 14 1.4 Entwicklung der Filmproduktion 14 1.5 Vergaben des ORF an Ö Produzenten 15 1.6 Veränderungen in der Programmaufteilung 22 1.7 Sonstige Aufwendungen für die Filmwirtschaft 22 1.8 Auftragsvolumen des ORF an die österreichische Filmwirtschaft 22 1.9 Entwicklung des Vergabevolumens 23 1.10 Verteilung des Vergabevolumens an Produzenten 23 2 Verwertung 2.1 Anzahl der Kinos in Österreich 28 2.2 Anzahl der Kinosäle in den Bundesländern 28 2.3 Kinosituation Österreich 29 2.4 Kinosituation Wien 29 2.5 Verleiher Besuche 29 2.6 Besuche gesamt 30 2.7 Besuche Ö Filme 34 2.8 Ö Filme in Europa und den USA 35 2.9 Internationale Auswertung 36 2.10 Ö Filme in Spanien 36 2.11 Ö Filme in Frankreich 36 2.12 Ö Filme in Deutschland 37 2.13 Ö Filme in Großbritannien 38 2.14 Ö Filme in USA 38 2.15 Top 50 Sendungen im ORF 39 2.16 Ö Filme Fernsehdaten 40 3 Filmpreise Internationale Filmpreise 45 4 facts + figures 04 1633_06_FILM_05.qxd 13.07.2006 12:04 Uhr Seite 5 123 456 FILMWIRTSCHAFT VERWERTUNG FILMPREISE FÖRDERUNGEN E FÖRDERUNGEN EU UMFELD -
The Compromise of Return: Viennese Jews After the Holocaust
PRAISE FOR THE COMPROMISE OF RETURN “In an engaging, thoroughly researched study, Elizabeth Anthony reveals how and why Jewish returnees came back to ‘their’ city, Vienna, but not to Austria. They persisted in reclaiming their familial, professional, and polit- ical homes, as they compromised with ongoing individual and governmen- tal antisemitism, including the refusal to return their property. Elegantly written, Anthony’s book highlights the hardships and disappointments of Jewish survivors as they settled back ‘home.’” —Marion Kaplan, author of Hitler’s Jewish Refugees: Hope and Anxiety in Portugal “With The Compromise of Return Elizabeth Anthony brings history alive. She paints a vivid picture of the life of Jewish Austrians who chose to remain in or returned to Vienna after the fall of the Nazi regime. Through poignant personal interviews coupled with meticulous archival research and in conversation with international scholarship, the author convinc- ingly argues how their unique Jewish-Viennese identities allowed them to remain in an anti-Semitic society that presented itself as Hitler’s first vic- tim. The Compromise of Return, the first comprehensive English-language study on the topic, constitutes a major contribution to post-war Austrian and Holocaust histories.” —Jacqueline Vansant, author of Reclaiming Heimat: Trauma and Mourning in Memoirs by Jewish Austrian Reémigrés “Deeply researched and beautifully written, this book tells the poignant story of Jewish survivors’ return to Vienna, really for the first time. Brim- ming with insights, it gives voice to the returnees; it is they who stand at the core of this history.” —Dirk Rupnow, Institute for Contemporary History, University of Innsbruck The Compromise of Return THE COMPROMISE OF RETURN VIENNESE JEWS AFTER THE HOLOCAUST ELIZABETH ANTHONY WAYNE STATE UNIVERSITY PRESS Detroit © 2021 by Elizabeth Anthony. -
1985 Sundance Film Festival Awards Jurors
1985 SUNDANCE FILM FESTIVAL Now under the administration of Sundance Institute, The United States Film Festival presented over 80 feature- length fi lms this year, including: STRANGER THAN PARADISE, THE FALCON AND THE SNOWMAN, MRS. SOFFEL, BEFORE STONEWALL: THE MAKING OF A GAY AND LESBIAN COMMUNITY, THE KILLING FLOOR, BLOOD SIMPLE, THE TIMES OF HARVEY MILK, BROTHER FROM ANOTHER PLANET, THE KILLING FIELDS, and WHERE THE GREEN ANTS DREAM. The Festival also spotlighted the work of Christopher Petit (AN UNSUITABLE JOB FOR A WOMAN, FLIGHT TO BERLIN), Francois Truffaut (THE 400 BLOWS, DAY FOR NIGHT), Ivan Passer (INTIMATE LIGHTING, CUTTER’S WAY) and the students of Roger Corman. There was an emphasis on international fi lm, with screenings of seven new Australian works alone. AWARDS GRAND JURY PRIZE Documentary—SEVENTEEN, directed by Joel DeMott and Jeff Kreines Dramatic—BLOOD SIMPLE, directed by Joel Coen SPECIAL JURY PRIZES Documentary—AMERICA AND LEWIS HINE, directed by Nina Rosenblum; THE TIMES OF HARVEY MILK, directed by Rob Epstein; STREETWISE, directed by Martin Bell; KADDISH, directed by Steve Brand; and IN HEAVEN THERE IS NO BEER, directed by Les Blank Dramatic—THE KILLING FLOOR, directed by William Duke; ALMOST YOU, directed by Adam Brooks; and STRANGER THAN PARADISE, directed by Jim Jarmusch. USFF Staff Group Photo. PHOTO BY SANDRIA MILLER JURORS [Documentary Competition] Frederick Wiseman, D.A. Pennebaker, Barbara Kopple [Dramatic Competition] Robert M. Young, Peter Biskind, Mirra Bank 1985 SUNDANCE FILM FESTIVAL FILMS 400 Blows, -
Historical Dictionary of German Cinema
07_677 (01) FM.qxd 1/15/08 6:20 PM Page i HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Er- rol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old-Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 07_677 (01) FM.qxd 1/15/08 6:20 PM Page ii 07_677 (01) FM.qxd 1/15/08 6:20 PM Page iii Historical Dictionary of German Cinema Robert C. -
0317.1.00.Pdf
siting futurity Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) Siting Futurity: The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna. Copyright © 2021 by Susan Ingram. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http:// creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2021 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-953035-47-9 (print) ISBN-13: 978-1-953035-48-6 (ePDF) doi: 10.21983/P3.0317.1.00 lccn: 2021935512 Library of Congress Cataloging Data is available from the Library of Congress Book Design: Vincent W.J.