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Nysba Spring 2020 | Vol
NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped. -
AP English Literature Required Reading
Kerr High School AP English Literature Summer Reading 2019 Welcome to AP Literature! I’m fairly certain you are parched and thirsty for some juicy reading after a year of analyzing speeches and arguments, so let us jump right in. After months of deliberation and careful consideration, I have chosen several pieces from as far back as 429 BC Athens, to 1200 AD Scotland, venturing on to Africa 1800s, and finishing up in 20th century Chicago. Grab your literary passport and join me as we meet various tragic heroes and discover their tragic flaws and tragic mistakes. You will learn the difference between an Aristotelian tragic hero and a Shakespearean tragic hero, not to mention gain a whole bunch of insight into the human condition and learn some ancient Greek in the process. I made sure each piece is available in PDF online. If you choose to use the online documents, be certain you are able to annotate and have quick access to the annotated text for class discussions. The only AP 4 summer writing you will do is five reading record cards. Four of your reading record cards could include all of the required summer reading pieces. It is my expectation that you earnestly read, annotate, and ponder each of the required pieces and be ready to launch into discussion after your summer reading exam. Heavily annotated notes on the four attached tragic hero articles and your handwritten reading record cards will count as one major grade and are due Thursday, August 15, by 3:00 pm. Instructions for the reading record cards are attached. -
Archies Giant Kids Joke Book Free
FREE ARCHIES GIANT KIDS JOKE BOOK PDF Archie Superstars | 192 pages | 31 Dec 2016 | Archie Comic Publications, Inc | 9781936975280 | English | Mamaroneck, United States Preview: Archie's Even Funnier Kids' Joke Book - Good Comics for Kids Like its predecessors, this fat almost pages book focuses on one-page gags, jokes, and puzzles, all featuring the Riverdale crowd. Catalog text follows the preview. Brigid Alverson, the editor of the Good Comics for Kids blog, has been reading comics since she was 4. She has an MFA in printmaking and has worked as a book editor and a newspaper reporter; now she is assistant to the mayor of Melrose, Massachusetts. Brigid is married to a physicist and has two Archies Giant Kids Joke Book in college, which is why she writes so much. She was a judge for the Eisner Awards. Notify me of followup Archies Giant Kids Joke Book via e-mail. You can also subscribe without commenting. Follow This Blog:. We are a group of librarians, parents, and writers--and most of us wear at least two of those hats--who started writing about kids' comics in because, well, nobody else was. We like everything from Literary Graphic Novels to blatantly commercial but fun! And we don't lump all ages together; we're smart enough to know that a three-year-old has different abilities and interests than a year-old. Our goal is to cover kids' comics for Archies Giant Kids Joke Book from birth to age 16 with both breadth and depth, through a mix of news, reviews, interviews, and previews, and to be both accessible to casual readers and interesting enough for serious fans. -
The Adventures of Little Archie Vol.1 (Archie Classics) Online
MUXBe [Download ebook] The Adventures of Little Archie Vol.1 (Archie Classics) Online [MUXBe.ebook] The Adventures of Little Archie Vol.1 (Archie Classics) Pdf Free Bob Bolling DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #633730 in eBooks 2015-05-12 2015-05-12File Name: B00WZHK0XS | File size: 67.Mb Bob Bolling : The Adventures of Little Archie Vol.1 (Archie Classics) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Adventures of Little Archie Vol.1 (Archie Classics): 0 of 0 people found the following review helpful. Great stories from BollingBy KodacLoved these stories --- Bob Bolling was terrific.Item just as described and shipped promptly.Very satisfied.0 of 0 people found the following review helpful. Beautiful printingBy SteplanderA beautiful collection that is printed on crisp clean paper, vibrant ink and a thick cover. The printing I received was of better quality than the typical Archie printing. My kid loves the recent historical collections.1 of 4 people found the following review helpful. very disappointingBy mary_clyneMy 9 year old grand daughter like this comic, but I remember comics digest having more pages and more stories about Archie.It was too thin for the price. needs to revised their pricing on certain items! Little Archie artist Bob Bolling is considered by many comic book collectors to be Archie Comics' equivalent of "the duck man," Carl Barks. It's easy to see why: his classic tales are epic in scope, as Little Archie deals with Martian invaders, secret spies, pirates, freewheeling uncles, gorillas on the loose and more! Who knew a little boy could have so many adventures? Now, some of the best and earliest LITTLE ARCHIE stories are compiled in this special volume collecting vintage LITTLE ARCHIE stories from 1961 through 1965. -
The Scientist: Hero Or Villain?
Intertext Volume 25 Issue 1 Article 9 2017 The Scientist: Hero or Villain? Charlotte Oestrich Syracuse University Follow this and additional works at: https://surface.syr.edu/intertext Part of the Nonfiction Commons Recommended Citation Oestrich, Charlotte (2017) "The Scientist: Hero or Villain?," Intertext: Vol. 25 : Iss. 1 , Article 9. Available at: https://surface.syr.edu/intertext/vol25/iss1/9 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Intertext by an authorized editor of SURFACE. For more information, please contact [email protected]. Oestrich: The Scientist: Hero or Villain? Charlotte Oestrich s prevalent as the scientist is in modern cinema and culture, depictions of the character A have not changed much since its earliest introduction. Sometimes good, but usually por- trayed as “mad,” scientists work to uncover the unknown and are not afraid to accept the con- sequences of their theories. As Christopher Frayling writes, the scientist is usually depicted as a “very intelligent [person]–a genius or almost a genius… [They know their] subject… [They are] prepared to work for years without getting results and face the possibility of failure with- INTERTEXT 2017 | 17 Published by SURFACE, 2017 1 Intertext, Vol. 25 [2017], Iss. 1, Art. 9 out discouragement; [They] will try again” ies of knowledge and styles of knowl- (12). When we are asked to describe a sci- edge. The gap has usually been filled by entist, our minds often move to stereotypical stereotypical representations of one depictions gathered from films; rarely do we kind or another. -
The Effects of Sacred Value Networks Within an Evolutionary, Adversarial Game
J Stat Phys (2013) 151:673–688 DOI 10.1007/s10955-012-0678-4 The Effects of Sacred Value Networks Within an Evolutionary, Adversarial Game Scott G. McCalla · Martin B. Short · P. Jeffrey Brantingham Received: 24 August 2012 / Accepted: 14 December 2012 / Published online: 11 January 2013 © Springer Science+Business Media New York 2013 Abstract The effects of personal relationships and shared ideologies on levels of crime and the formation of criminal coalitions are studied within the context of an adversarial, evo- lutionary game first introduced in Short et al. (Phys. Rev. E 82:066114, 2010). Here, we interpret these relationships as connections on a graph of N players. These connections are then used in a variety of ways to define each player’s “sacred value network”—groups of individuals that are subject to special consideration or treatment by that player. We explore the effects on the dynamics of the system that these networks introduce, through various forms of protection from both victimization and punishment. Under local protection, these networks introduce a new fixed point within the game dynamics, which we find through a continuum approximation of the discrete game. Under more complicated, extended protec- tion, we numerically observe the emergence of criminal coalitions, or “gangs”. We also find that a high-crime steady state is much more frequent in the context of extended protection networks, in both the case of Erdos-Rényi˝ and small world random graphs. Keywords Crime dynamics · Sacred values · Evolutionary game theory 1 Introduction The members of gangs and insurgent networks—which we shall simply refer to as “criminals”—are usually well known within their local communities, and are often shel- tered from authorities by non-criminal community members. -
Paladin Rising Paladins Are Warriors Who Are Sworn to Uphold the Cause of Good
Paladin Rising Paladins are warriors who are sworn to uphold the cause of Good. It is the dream of every paladin to transcend this corrupt world and become a demigod. During this Journey to Ascension, a paladin will face many moral dilemmas, for things are never as they seem. This is a game about good people who do bad things.You are tightly bound by your oath to never do evil. The more good things you do, the higher you rise. The more evil things you do, the faster you fall. As a paladin, you will be thrown into morally obnoxious situations where you must avoid doing evil at all costs. Concoct a plan on the edge of logical absurdity. Get someone else’s hands dirty. Whatever it takes. As long as you didn’t technically do anything wrong, you’ll be in the clear. Character Creation Holy Points (HP): Each paladin begins play with four Holy Points. Holy Points are the core of this game. When a paladin performs a good deed, regardless of intention, he gains a number of Holy Points. When a paladin performs an evil deed, regardless of intention, he loses some Holy Points. When a paladin’s HP falls below zero, he falls from grace and loses his status as a paladin, along with all of his paladin powers. He can only be redeemed by going on an Apology Quest. If a paladin obtains twelve Holy Points, he becomes a demigod. Skills: Skills indicate what a paladin is good at. A paladin has 24 skill points to allocate to his skills as he sees fit. -
Jenette Kahn
Characters TM & © DC Comics. All rights reserved. 0 6 No.57 July 201 2 $ 8 . 9 5 1 82658 27762 8 THE RETRO COMICS EXPERIENCE! JENETTE KAHN president president and publisher with former DC Comics An in-depth interview imprint VERTIGO DC’s The birth of ALSO: Volume 1, Number 57 July 2012 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks EISNER AWARDS COVER DESIGNER 2012 NOMINEE Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS BEST COMICS-RELATEDJOURNALISM Karen Berger Andy Mangels Alex Boney Nightscream BACK SEAT DRIVER: Editorial by Michael Eury . .2 John Costanza Jerry Ordway INTERVIEW: The Path of Kahn . .3 DC Comics Max Romero Jim Engel Bob Rozakis A step-by-step survey of the storied career of Jenette Kahn, former DC Comics president and pub- Mike Gold Beau Smith lisher, with interviewer Bob Greenberger Grand Comic-Book Roy Thomas Database FLASHBACK: Dollar Comics . .39 Bob Wayne Robert Greenberger This four-quarter, four-color funfest produced many unforgettable late-’70s DCs Brett Weiss Jack C. Harris John Wells PRINCE STREET NEWS: Implosion Happy Hour . .42 Karl Heitmueller Marv Wolfman Ever wonder how the canceled characters reacted to the DC Implosion? Karl Heitmueller bellies Andy Helfer Eddy Zeno Heritage Comics up to the bar with them to find out Auctions AND VERY SPECIAL GREATEST STORIES NEVER TOLD: The Lost DC Kids Line . .45 Alec Holland THANKS TO Sugar & Spike, Thunder and Bludd, and the Oddballs were part of DC’s axed juvie imprint Nicole Hollander Jenette Kahn Paul Levitz BACKSTAGE PASS: A Heroine History of the Wonder Woman Foundation . -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Same Image, Different Lens: Revisiting the Critical Reception of Two Different Generations of Cinematic Superheroism Kaitlyn A
Same Image, Different Lens: Revisiting the Critical Reception of Two Different Generations of Cinematic Superheroism Kaitlyn A. Cummings Abstract What does a superhero film have to be in order to be celebrated as a ‘feminist’ text? This essay aims to answer that question by surveying the critical reception surrounding four superhero films: Catwoman (2004), Elektra (2005), Wonder Woman (2017) and Incredibles 2 (2018). Each led by female characters, these films received grossly different appraisals of their feminist messages. Close analysis of each film sheds new light on what cultural changes may be responsible for the disparity in reception; bridging the gap through interrogation of the contemporary sociopolitical climate. Keywords: female superhero, feminism, postfeminism, film criticism, genre studies Introduction Hollywood has not been kind to the female superhero. History shows the superheroine has rarely been given a cinematic stage of her own, instead often relegated to an auxiliary role as sidekick (Storm, X-Men; Black Widow, Iron Man; Wonder Woman, Justice League), positioned to serve as a romantic foil to male protagonists (Jean Grey, X-Men; Elektra, Daredevil; Sue Storm, Fantastic Four) or cast as a hyper-sexualized villainess (Mystique, X-Men; Poison Ivy, Batman & Robin; Harley Quinn, Suicide Squad). However, among this extensive catalogue of underserved women with superpowers appearing on the silver screen, a narrow few have had the opportunity to star in their own pictures. Since the arrival of the new millennium, a period Jason Dittmer refers to as a “post-9/11 cinematic superhero boom,”1 up until last year, there have been only four female-led superhero films: Catwoman (2004), Elektra (2005), Wonder Woman (2017) and Incredibles 2 (2018). -
2News Summer 05 Catalog
$ 8 . 9 5 Dr. Strange and Clea TM & © Marvel Characters, Inc. All Rights Reserved. No.71 Apri l 2014 0 3 1 82658 27762 8 Marvel Premiere Marvel • Premiere Marvel Spotlight • Showcase • 1st Issue Special Showcase • & New more! Talent TRYOUTS, ONE-SHOTS, & ONE-HIT WONDERS! Featuring BRUNNER • COLAN • ENGLEHART • PLOOG • TRIMPE COMICS’ BRONZE AGE AND COMICS’ BRONZE AGE BEYOND! Volume 1, Number 71 April 2014 Celebrating the Best Comics of the '70s, '80s, Comics’ Bronze Age and Beyond! '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Arthur Adams (art from the collection of David Mandel) COVER COLORIST ONE-HIT WONDERS: The Bat-Squad . .2 Glenn Whitmore Batman’s small band of British helpers were seen in a single Brave and Bold issue COVER DESIGNER ONE-HIT WONDERS: The Crusader . .4 Michael Kronenberg Hopefully you didn’t grow too attached to the guest hero in Aquaman #56 PROOFREADER Rob Smentek FLASHBACK: Ready for the Marvel Spotlight . .6 Creators galore look back at the series that launched several important concepts SPECIAL THANKS Jack Abramowitz David Kirkpatrick FLASHBACK: Marvel Feature . .14 Arthur Adams Todd Klein Mark Arnold David Anthony Kraft Home to the Defenders, Ant-Man, and Thing team-ups Michael Aushenker Paul Kupperberg Frank Balas Paul Levitz FLASHBACK: Marvel Premiere . .19 Chris Brennaman Steve Lightle A round-up of familiar, freaky, and failed features, with numerous creator anecdotes Norm Breyfogle Dave Lillard Eliot R. Brown David Mandel FLASHBACK: Strange Tales . .33 Cary Burkett Kelvin Mao Jarrod Buttery Marvel Comics The disposable heroes and throwaway characters of Marvel’s weirdest tryout book Nick Cardy David Michelinie Dewey Cassell Allen Milgrom BEYOND CAPES: 221B at DC: Sherlock Holmes at DC Comics . -
Batman: Bruce Wayne: the Road Home Free Download
BATMAN: BRUCE WAYNE: THE ROAD HOME FREE DOWNLOAD Cliff Richards,Fabian Nicieza | 200 pages | 22 May 2012 | DC Comics | 9781401233471 | English | United States Bruce Wayne: The Road Home: Batman and Robin Vol 1 1 Bruce Wayne is back from the dead, and has taken a new persona as the "Insider" as he "tests" the members of his family to see how they have fared without him. Bruce meets up with Alfred and Bruce sees that Alfred really believes in Stephanie. Rows: Columns:. Steph slaps him in the face, and departs, remarking "I'm glad you aren't dead". There are some art styles I definitely prefer over others in this volume but none that I hated. Bruce Wayne may have returned, but when an aging but wealthy technology developer comes to Gotham with his beautiful daughter, it turns out he's in search of a joint project with WayneTech. Help Learn to edit Community portal Recent changes Upload file. Emily Briggs as Looker returns, which makes Geo-Force is happy. How will Gotham react to the return of The Dark Knight? Retrieved March 19, Disable this feature for this session. Furthermore, The contents are masterpiece. Swithin's Day Zoids. Bruce told her she cannot give up and with those words she never did give up. Nice post. Most of the issues were pretty strong. Art by Shane Davis. Blackbeard's other captive, a boy named Jack Loggins, confides in Wayne that he is the grandson of the Black Pirate. Elseworlds Armageddon DC vs. Red Robin was fine, I'm not really a Tim fan so eh.