Batman: Bruce Wayne: the Road Home Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Batman: Bruce Wayne: the Road Home Free Download BATMAN: BRUCE WAYNE: THE ROAD HOME FREE DOWNLOAD Cliff Richards,Fabian Nicieza | 200 pages | 22 May 2012 | DC Comics | 9781401233471 | English | United States Bruce Wayne: The Road Home: Batman and Robin Vol 1 1 Bruce Wayne is back from the dead, and has taken a new persona as the "Insider" as he "tests" the members of his family to see how they have fared without him. Bruce meets up with Alfred and Bruce sees that Alfred really believes in Stephanie. Rows: Columns:. Steph slaps him in the face, and departs, remarking "I'm glad you aren't dead". There are some art styles I definitely prefer over others in this volume but none that I hated. Bruce Wayne may have returned, but when an aging but wealthy technology developer comes to Gotham with his beautiful daughter, it turns out he's in search of a joint project with WayneTech. Help Learn to edit Community portal Recent changes Upload file. Emily Briggs as Looker returns, which makes Geo-Force is happy. How will Gotham react to the return of The Dark Knight? Retrieved March 19, Disable this feature for this session. Furthermore, The contents are masterpiece. Swithin's Day Zoids. Bruce told her she cannot give up and with those words she never did give up. Nice post. Most of the issues were pretty strong. Art by Shane Davis. Blackbeard's other captive, a boy named Jack Loggins, confides in Wayne that he is the grandson of the Black Pirate. Elseworlds Armageddon DC vs. Red Robin was fine, I'm not really a Tim fan so eh. Enter the URL for the tweet you want to embed. IGN Comics. Manufacturers, suppliers and others provide what you see here, Batman: Bruce Wayne: The Road Home we have not verified it. DC was trying to pack in too much. Open Preview See a Problem? But that storyline always felt superfluous. Thanks for your Batman: Bruce Wayne: The Road Home marvelous posting! Other editions. Get to Know Us. However, Vicki is eventually rescued by Bruce, and gives the immortal her word that she will never reveals his secrets. Watching Dick Grayson and Damian Wayne throughout this mission is the Insider, who comments both on Dick's acceptance of being Batman, Grayson's success on keeping Damian Wayne in line, as well as the dynamic both brothers share as Batman and Robin. Report incorrect product information. She finds the Insider and she says that he must be very clever or very sloppy. In This Article. I have loved these characters and the relationships between them for years so this story was unmissable for me. After dinner, Bruce leaves the table and tells Vicki that they could probably meet again sometime in Wayne Manor. She was going to get the regular Birds of Prey but they are overseas. I was impressed with the emotional strings connecting in this tale. When Bruce observed that Dick isn't "hard enough on himself," my eye started to twitch. Here, Bruce's memories return, and the entire truth comes out: Darkseid never intended to kill him with the Omega Sanction, but instead relied on him to survive, building up more and more destructive "Omega Energy" within his body every time he jumped through history, which would eventually destroy reality upon his return to the 21st century. Batman: Legacy Vol. Locations Batbunker Gotham City. The previous one with Commissioner Batman: Bruce Wayne: The Road Home shines in comparison. Other Editions 6. Batman and R Truth to tell, I'm not sure anyone has missed me at all It's a bad representation of what Bruce knows about Dick. Featuring Batman's greatest allies and enemies, friends, foes and loved ones, this series of eight interconnected one-shots connects Bruce Wayne's past to Batman's exciting future! Mike Marts Janelle Siegel. Thank you so much and I'm taking a look forward to contact you. She herself was at the GCPD having rough talks with Gordon when the two supervillains attack with the aid of corrupt cops. Publications are listed alphabetically by published titles. And since this is mostly Bruce spying on his allies, there's not a lot of interesting interaction. Was this article informative? More than one year after the supposed death of Batman during Final Crisis[1] Bruce Wayne returns, armed with a new technologically advanced suit, as well as a new identity, The Insider. Despite the machinations of Insider, Batman and Robin eventually capture the escaping final member. The Outsiders go out into the riot and try to stop it without hurting anyone. Manhunters, alien races, rings of power--it's a lot for the people of Earth to absorb. It was an enjoyable read that fleshes out the idea behind the future Batman Inc. She herself was Batman: Bruce Wayne: The Road Home the GCPD having rough talks Batman: Bruce Wayne: The Road Home Gordon when the two supervillains attack with the aid of corrupt cops. From the hit series DCeased comes a villain's story about survival during the zombie apocalypse! Could it be that Bruce Wayne is Batman: Bruce Wayne: The Road Home sentimental? Thank you! Oracle and Ra's al Ghul were fine too. .
Recommended publications
  • East - West Laos Test of State Lottery Law ASBURY PARK — Nor Showdown Looms Man C
    Weatfier Distribution Today Cloudy, with rain today, to. 17,800 night and tomorrow. High today, BEDBANK Mi. Low tonight near 40. High tomorrow, near St. Sea weathei 1 Independent Daily f page I. I HOUBAttHMXKIHHaDt.V-tSt.Ult J REGISTER SH 1-0010 Xnuad daily, Monday through Fridty. Second dm Puttgi • 7c PER COPY 35c PER WEEK VOL. 83, NO. 186 Paid lit R4d Buk and at Additional Malting Otticei. RED BANK, N. J., THURSDAY, MARCH 23,1961 BY CARRIER PAGE ONE Candidate Arrested on 'Request' Seeks Court East - West Laos Test of State Lottery Law ASBURY PARK — Nor Showdown Looms man C. Hansen, who seeks a Democratic nomination for the state Assembly on Joint Action ~a—platform advocating a U.S. Aid state lottery, had himself Is Mulled arrested here yesterday to fur- ther his cause. By SEATO The 42-year-old railroad station •gent from .Monmouth Beach, BANGKOK, Thailand after tipping off newspapers, walked into police headquarters, (AP)—Military advisers of presented the stub of a {3 Irish the Southeast Asia Treaty On Way Sweepstakes ticket to Desk Sgt, Organization kept hard at Thomas Flanagan, and said: "This belongs to me. It's a lot- work today on recommen- WASHINGTON (AP) — tery ticket. What do you propose dations for possible joint President Kennedy is ex- to do? actions to meet the Com- Flanagan, who had been tipped pected to make a major by newsmen to expect Hansen, munist threat in Laos. U.S. policy statement on was ready, "I'll have to book you The military leaders from the 1 the Laotian crisis today.
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • Two-Color Technicolor, the Black Pirate, and Blackened Dyes in 1923
    Two-Color Technicolor, The Black Pirate, and Blackened Dyes In 1923 Cecil B. DeMille had complained that “color movies diverted interest from narrative and action, offended the color sensitivities of many, and cost too much.”1 For DeMille, color—even “natural” color processes like Technicolor—was a veil that concealed the all-important expressions on an actor’s face. Yet DeMille was attracted to color and repeatedly employed it in his films of the 1920s, combining tinting and toning with footage either in Technicolor or in the Handshiegl process. Douglas Fairbanks voiced a similar objection to color, likening its use to putting “rouge on the lips of Venus de Milo.”2 Fairbanks argued that color took “the mind of the spectator away from the picture itself, making him conscious of the mechanics—the artificiality—of the whole thing, so that he no longer lived in the story with the characters.”3 At the same time, color motion pictures were said, by their critics, to cause retinal fatigue.4 Fairbanks had once written that color “would tire and distract the eye,” serving more as a distraction than an attraction.5 Indeed, a few years later, before deciding to make The Black Pirate (1926) in two-color Technicolor, Fairbanks hired two USC professors, Drs. A. Ray Irvine and M. F. Weyman, to conduct a series of tests to ascertain the relative amount of eye fatigue (as well as nausea and headaches) generated by viewing black and white vs. color films. Fatigue was calculated in terms of the decline in the viewer’s visual acuity as a result of these screenings.
    [Show full text]
  • BERNARD BAILY Vol
    Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” .
    [Show full text]
  • Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
    YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular.
    [Show full text]
  • The Masked Avengers: How Anonymous Incited Online
    A REPORTER AT LARGE | SEPTEMBER 8, 2014 ISSUE The Masked Avengers How Anonymous incited online vigilantism from Tunisia to Ferguson. BY DAVID KUSHNER Anyone can join Anonymous simply by claiming affiliation. An anthropologist says that participants “remain subordinate to a focus on the epic win—and, especially, the lulz.” n the mid-nineteen-seventies, when Christopher Doyon was a child in rural Maine, he spent Ihours chatting with strangers on CB radio. His handle was Big Red, for his hair. Transmitters lined the walls of his bedroom, and he persuaded his father to attach two directional antennas to the roof of their house. CB radio was associated primarily with truck drivers, but Doyon and others used it to form the sort of virtual community that later appeared on the Internet, with self- selected nicknames, inside jokes, and an earnest desire to effect change. Doyon’s mother died when he was a child, and he and his younger sister were reared by their father, who they both say was physically abusive. Doyon found solace, and a sense of purpose, in the CB-radio community. He and his friends took turns monitoring the local emergency channel. One friend’s father bought a bubble light and affixed it to the roof of his car; when the boys heard a distress call from a stranded motorist, he’d drive them to the side of the highway. There wasn’t much they could do beyond offering to call 911, but the adventure made them feel heroic. Small and wiry, with a thick New England accent, Doyon was fascinated by “Star Trek” and Isaac Asimov novels.
    [Show full text]
  • Same Image, Different Lens: Revisiting the Critical Reception of Two Different Generations of Cinematic Superheroism Kaitlyn A
    Same Image, Different Lens: Revisiting the Critical Reception of Two Different Generations of Cinematic Superheroism Kaitlyn A. Cummings Abstract What does a superhero film have to be in order to be celebrated as a ‘feminist’ text? This essay aims to answer that question by surveying the critical reception surrounding four superhero films: Catwoman (2004), Elektra (2005), Wonder Woman (2017) and Incredibles 2 (2018). Each led by female characters, these films received grossly different appraisals of their feminist messages. Close analysis of each film sheds new light on what cultural changes may be responsible for the disparity in reception; bridging the gap through interrogation of the contemporary sociopolitical climate. Keywords: female superhero, feminism, postfeminism, film criticism, genre studies Introduction Hollywood has not been kind to the female superhero. History shows the superheroine has rarely been given a cinematic stage of her own, instead often relegated to an auxiliary role as sidekick (Storm, X-Men; Black Widow, Iron Man; Wonder Woman, Justice League), positioned to serve as a romantic foil to male protagonists (Jean Grey, X-Men; Elektra, Daredevil; Sue Storm, Fantastic Four) or cast as a hyper-sexualized villainess (Mystique, X-Men; Poison Ivy, Batman & Robin; Harley Quinn, Suicide Squad). However, among this extensive catalogue of underserved women with superpowers appearing on the silver screen, a narrow few have had the opportunity to star in their own pictures. Since the arrival of the new millennium, a period Jason Dittmer refers to as a “post-9/11 cinematic superhero boom,”1 up until last year, there have been only four female-led superhero films: Catwoman (2004), Elektra (2005), Wonder Woman (2017) and Incredibles 2 (2018).
    [Show full text]
  • Index All Names Are Arranged Last Name, First Name, Or Last Name
    Index All names are arranged last name, first name, or last name, nickname/title, so Old Sleuth is indexed as “Sleuth, Old.” All pseudonyms and story and novel titles are indexed according to their most famous and well-known arrangement, so Les Miserables is put in the L section—it would be an act of mulish perversity and unfriendliness to the reader to put Les Miserables in the Ms—but The Adrets Inn is put in the A section. Generally, I’ve indexed names and titles where readers are most likely to look for them. Abällino the Great Bandit, The Abbess: A Romance, Abbott, Edwin Abbott, Flatland, The Abbott of Montserrat, or, The Pool of Blood, Abdallah or the Horrible Sacrifice, About, Edmond, Abrams, M.H., Across the Zodiac (1880), Across the Zodiac (1896), “The Actress Detective,” Adams, H.C., Schoolboy Honour, Adams, Sir John, Adee, Alvey, “The Life Magnet,” Adler, Irene, Admiral Tom, King of the Boy Buccaneers, The Adrets Inn, adventure fiction, “The Adventure of a Scandal in Bohemia,” “The Adventure of the Final Problem,” The Adventures of a Micro-Man, The Adventures of a Mounted Trooper in the Australian Constabulary, The Adventures of Hajji Baba, of Ispahan, The Adventures of Hajji Baba of Ispahan in England, “The Adventures of John Bell—Ghost-Exposer,” The Adventures of Pinocchio, Adventures of Susan Hopley, adventuress, aerial bombardment, Aesop’s Fables, “Affairs of a State Detective,” Afghanistan, Anglo-Afghanistan wars, An African Millionaire: Episodes in the Life of the Illustrious Colonel Clay, – African-Americans, The Age of Storytellers, “Ahez the Pale,” Aiken, Albert W., Aimard, Gustav, see Oliver Gloux.
    [Show full text]
  • The Eternal Green Lantern
    Roy Tho mas ’ Mean & Green Comics Fan zine GREEN GROW THE LANTTEERRNNSS $7.95 NODELL, KANE, In the USA & THE CREATION OF A No.102 LEGEND— TIMES TWO! June 2011 06 1 82658 27763 5 Green Lantern art TM & ©2011 DC Comics Vol. 3, No. 102 / June 2011 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor TH Michael T. Gilbert NOW WI Editorial Honor Roll 16 PAGES Jerry G. Bails (founder) R! Ronn Foss, Biljo White OF COLO Mike Friedrich Proofreader Rob Smentek Cover Artists Mart Nodell, Gil Kane, & Terry Austin Contents Cover Colorists Writer/Editorial – “Caught In The Creative Act” . 2 Mart Nodell & Tom Ziuko The Eternal Green Lantern . 3 With Special Thanks to: Will Murray’s overview of the Emerald Gladiators of two comic book Ages. Heidi Amash Bob Hughes Henry Andrews Sean Howe “Marty Created ‘The Green Lantern’!” . 15 Finn Andreen Betty Tokar Jankovich Ger Apeldoorn Robert Kennedy Mart & Carrie Nodell interviewed about GL and other wonders by Shel Dorf. Terry Austin David Anthony Kraft Bob Bailey R. Gary Land “Life’s Not Over Yet!” . 31 Mike W. Barr Jim Ludwig Jim Beard Monroe Mayer Jack Mendelsohn on his comics and animation work (part 2), with Jim Amash. John Benson Jack Mendelsohn Jared Bond Raymond Miller Bob & Betty—& Archie & Betty . 44 Dominic Bongo Ken Moldoff An interview with the woman who probably inspired Betty Cooper—conducted by Shaun Clancy. Wendy Gaines Bucci Shelly Moldoff Mike Burkey Lynn Montana Glen Cadigan Brian K.
    [Show full text]
  • Surveillance, Social Order, and Gendered Subversions
    SURVEILLANCE, SOCIAL ORDER, AND GENDERED SUBVERSIONS IN BATMAN COMICS, 1986-2011 by © Aidan Diamond (Thesis) submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Master’s of Arts Department of English Memorial University of Newfoundland October 2017 St. John’s Newfoundland and Labrador !ii ABSTRACT Batman is “the world’s most popular superhero.”1 An icon of American excep- tionalism, Batman has been featured in radio programmes, television shows, musicals, and more films than any other superhero since his 1939 comic book inception. While Batman has also been the subject of more scholarship than any other superhero, sustained scholarly inquiry of his vigilante infrastructures and their effects upon those Batman deems criminal is scarce; instead, critical readers prefer to interrogate his fascist under- tones. This thesis aims to ameliorate this lack of scholarship by interrogating Batman’s regulatory surveillance assemblage, particularly how it is negotiated and subverted by Barbara Gordon/Oracle and Selina Kyle/Catwoman. Using Foucault’s theories of crimi- nality, Lyon’s articulation of surveillance, Haraway’s cyborg hybridizations, Mulvey’s deconstruction of the gaze, and Butler’s and Tasker’s respective conceptualizations of gender, I argue that female characters problematize and complicate the otherwise unques- tioned authority of Batman’s surveillance assemblage in the 1986-2011 DC continuity. 1 “Batman Day Returns!” DC Comics. 14 June 2016, www.dccomics.com/blog/2016/06/14/batman-day- returns. Accessed 16 July 2017. !iii Acknowledgements This project owes its existence to a great many people who supported and encour- aged me throughout the process, asked insightful and necessary questions, took the time to read early chapter drafts, let me take the time to pet dogs and read non-Bat-comics, and were just generally the best friends a thesis-writer could hope for.
    [Show full text]
  • Successful Pirates and Capitalist Fantasies: Charting Fictional Representations of Eighteenth- and Early Nineteenth -Century English Fortune Hunters
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 Successful Pirates and Capitalist Fantasies: Charting Fictional Representations of Eighteenth- And Early Nineteenth -Century English Fortune Hunters. Robert Gordon Dryden Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Dryden, Robert Gordon, "Successful Pirates and Capitalist Fantasies: Charting Fictional Representations of Eighteenth- And Early Nineteenth -Century English Fortune Hunters." (2000). LSU Historical Dissertations and Theses. 7191. https://digitalcommons.lsu.edu/gradschool_disstheses/7191 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Appendix: Chronology of Pirate Plays in Britain
    Appendix: Chronology of Pirate Plays in Britain Heywood, Thomas.Fortune by Land at Sea (ca. 1607–1609). Daborne, Robert. A Christian Turn’d Turk (Most likely Whitefriars Hall, ca. 1609–1612). Fletcher, John, and Philip Massinger. The Double Marriage (King’s Men, ca. 1621). Fletcher, John and Philip Massinger. The Sea Voyage (King’s Men, 22 June 1622). Massinger, Philip. The Renegado; or, The Gentleman of Venice (Cockpit Theatre, 17 April 1624). Massinger, Philip. The Unnatural Combat (Globe Theatre, ca. 1625). Heywood, Thomas.The Fair Maid of the West; or, A Girl Worth Gold, Parts I and II (first performance of part 1 unrecorded; revived with part 2, Cockpit Theatre, 1630). Davenant, John. The History of Sir Francis Drake (Cockpit Theatre, 1658–59). [Music: Matthew Locke.] Behn, Aphra. The Rover; or, The Banish’d Cavaliers (Duke’s Theatre, 24 March 1677). Behn, Aphra. The Rover, Part II (Dorset Gardens, January 1681). Johnson, Charles. The Successful Pyrate (Drury Lane, 7 November 1712). Gay, John. The Beggar’s Opera (Lincoln Inn Fields, 29 January 1728). Anon. Love with Honour; or, The Privateer (Ipswich, 1753). Brown John. Barbarossa, a Tragedy (Drury Lane, 17 December 1754). Gay, John. Polly (Haymarket, 9 June 1777). Cobb, James. The Pirates (Haymarket, 21 November 1792). Cross, John Cartwright. Blackbeard; or, The Captive Princess (Royal Circus, April 1798). Cross, John Cartwright. The Genoese Pirate; or, Black Beard (Covent Garden, 15 Octo- ber 1798; 15 October 1809). Cross, John Cartwright. Sir Francis Drake, and Iron Arm (Royal Circus, 4 April 1800). [Music: Sanderson.] Astley, Philip, Jr. The Pirate; or, Harlequin Victor (Royal Amphitheatre, 25 August 1800; Royalty, 19 October 1801).
    [Show full text]