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Nora La Bella
Gian-Carla Tisera: Nora la Bella September 30, 2014 7:00 PM Americas Society 680 Park Avenue New York, NY Dear friends, As Music of the Americas regulars know, Bolivia was very rich in Catholic religious music during the baroque. My first contact with Gian-Carla Tisera’s voice came years ago, in her previous musical life as a classically-trained singer in a beautiful CD of music from the missions of the east of the country. Over the past few years, Gian-Carla took an unexpected (for me) musical turn and started combining her multiple musics, literate and traditional, new and old, Bolivian and foreign, to forge a typically New York style with her own compositions and novel interpretations of songs that she loves. We are delighted to welcome her and her band of musicians and dancers to Music of the Americas and to welcome you to our hall for the 14-15 season. Thank you for joining us. Sebastian Zubieta, Music Director The MetLife Foundation Music of the Americas concert series is made possible by the generous support of Presenting Sponsor MetLife Foundation. This program is also supported, in part, by an award from the National Endowment for the Arts. In-kind support for this performance is provided by the Bolivian-American Chamber of Commerce. The Fall 2014 Music program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by The Amphion Foundation, Inc. Additional support for the Instituto Superior de Arte del Teatro Colón performance is provided by Alejandro Cordero. -
On the Ball! One of the Most Recognizable Stars on the U.S
TVhome The Daily Home June 7 - 13, 2015 On the Ball! One of the most recognizable stars on the U.S. Women’s World Cup roster, Hope Solo tends the goal as the U.S. 000208858R1 Women’s National Team takes on Sweden in the “2015 FIFA Women’s World Cup,” airing Friday at 7 p.m. on FOX. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., June 7, 2015 — Sat., June 13, 2015 DISH AT&T CABLE DIRECTV CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA SPORTS BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA WBRC 6 6 7 7 6 6 6 6 AUTO RACING 5 p.m. ESPN2 2015 NCAA Baseball WBIQ 10 4 10 10 10 10 Championship Super Regionals: Drag Racing Site 7, Game 2 (Live) WCIQ 7 10 4 WVTM 13 13 5 5 13 13 13 13 Sunday Monday WTTO 21 8 9 9 8 21 21 21 8 p.m. ESPN2 Toyota NHRA Sum- 12 p.m. ESPN2 2015 NCAA Baseball WUOA 23 14 6 6 23 23 23 mernationals from Old Bridge Championship Super Regionals Township Race. -
Artistic Fabrics, Unique Portraits (I)
33 OPEN SOURCE LANGUAGE VERSION > CATALÀ Artistic fabrics, unique portraits (I) by Sílvia Carbonell Basté Textil Museum and Documentation Centre PH.D. student Art History, Universitat Autònoma de Barcelona Photographs: ©CDMT, Quico Ortega Conserved in museums and private homes across Catalonia are a series of artistic fabrics – or woven artworks – that share many similarities with engravings and photographs but reflect a unique production technique popularised in a specific period in the history of the textile industry. These limited edition decorative fabrics generally feature portraits of illustrious figures (monarchs, politicians, military leaders, captains of industry), historical, religious or commemorative scenes, or reproductions of famous paintings, created in black and white silk on a Jacquard loom. In Catalonia, the majority of these fabrics were produced over the period between 1862 and 1974. These Jacquard pieces, originally referred to as artistic, or “singular”, fabrics, came to the museums from private owners who recognised their value in marking a crucial period in the transformation of the textile industry. The private collectors who donated the pieces all had a direct link of some sort to textile production, whether as teachers, theorists, merchants or artists. The fact that many of the fabrics bore the company name, the artist’s signature, the production date, or the name of the director and even the school at which they were plotted and weaved makes them, if nothing else, unique pieces, distinct from any other textile produced until that time and freely available on the market. These singular pieces also serve to illustrate the successful marriage of technology with the skill of the artist. -
MICROCONTOS E OUTRAS MICROFORMAS Alguns Ensaios
CORE Metadata, citation and similar papers at core.ac.uk Provided by Universidade do Minho: RepositoriUM MICROCONTOS E OUTRAS MICROFORMAS Alguns ensaios MMicrocontos.indbicrocontos.indb 1 226-09-20126-09-2012 119:33:529:33:52 MMicrocontos.indbicrocontos.indb 2 226-09-20126-09-2012 119:33:539:33:53 MICROCONTOS E OUTRAS MICROFORMAS Alguns ensaios ORGANIZADORES Cristina Álvares e Maria Eduarda Keating MMicrocontos.indbicrocontos.indb 3 226-09-20126-09-2012 119:33:539:33:53 MMicrocontos.indbicrocontos.indb 4 226-09-20126-09-2012 119:33:539:33:53 ÍNDICE 7 Introdução 11 “La coz de la mula”. Fronteras genéricas en Historias mínimas de Javier Tomeo Anna Sawicka 23 El título en la minifi cción de José María Merino. Ensayo de una tipología Begoña Díez Sanz 45 Nouveaux genres littéraires urbains. Les nouvelles en trois lignes contemporaines au sein des micronouvelles Cristina Álvares 59 Representaciones del Proceso en la microfi cción argentina contemporánea Émilie Delafosse 73 A ascensão do microconto brasileiro no início do século XXI Fabrina Martinez de Souza e Rauer Ribeiro Rodrigues MMicrocontos.indbicrocontos.indb 5 226-09-20126-09-2012 119:33:539:33:53 81 Macrocities/Microstories: A Brave New Digital World Gilles Bonnet 95 “A minha gata morreu. Agora já me posso suicidar”: microformas de Adília Lopes Gonçalo Duarte 109 Forme brève et nostalgie du récit dans L’autofi ctif d’Éric Chevillard Guillaume Bellon 131 Microcuento – Speed Dating literario Paulina Nalewajko 139 “Uma macieira que dá laranjas”: a microfi cção de Rui Manuel Amaral Rita Patrício -
Jeudi 8 Juin 2017 Hôtel Ambassador
ALDE Hôtel Ambassador jeudi 8 juin 2017 Expert Thierry Bodin Syndicat Français des Experts Professionnels en Œuvres d’Art Les Autographes 45, rue de l’Abbé Grégoire 75006 Paris Tél. 01 45 48 25 31 - Facs 01 45 48 92 67 [email protected] Arts et Littérature nos 1 à 261 Histoire et Sciences nos 262 à 423 Exposition privée chez l’expert Uniquement sur rendez-vous préalable Exposition publique à l’ Hôtel Ambassador le jeudi 8 juin de 10 heures à midi Conditions générales de vente consultables sur www.alde.fr Frais de vente : 22 %T.T.C. Abréviations : L.A.S. ou P.A.S. : lettre ou pièce autographe signée L.S. ou P.S. : lettre ou pièce signée (texte d’une autre main ou dactylographié) L.A. ou P.A. : lettre ou pièce autographe non signée En 1re de couverture no 96 : [André DUNOYER DE SEGONZAC]. Ensemble d’environ 50 documents imprimés ou dactylographiés. En 4e de couverture no 193 : Georges PEREC. 35 L.A.S. (dont 6 avec dessins) et 24 L.S. 1959-1968, à son ami Roger Kleman. ALDE Maison de ventes spécialisée Livres-Autographes-Monnaies Lettres & Manuscrits autographes Vente aux enchères publiques Jeudi 8 juin 2017 à 14 h 00 Hôtel Ambassador Salon Mogador 16, boulevard Haussmann 75009 Paris Tél. : 01 44 83 40 40 Commissaire-priseur Jérôme Delcamp EALDE Maison de ventes aux enchères 1, rue de Fleurus 75006 Paris Tél. 01 45 49 09 24 - Facs. 01 45 49 09 30 - www.alde.fr Agrément n°-2006-583 1 1 3 3 Arts et Littérature 1. -
Performance, Aesthetics, and the Unfinished Haitian Revolution Jeremy Matthew Glick
The Black Radical Tragic America and the Long 19th Century General Editors David Kazanjian, Elizabeth McHenry, and Priscilla Wald Black Frankenstein: The Making of an American Metaphor Elizabeth Young Neither Fugitive nor Free: Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel Edlie L. Wong Shadowing the White Man’s Burden: U.S. Imperialism and the Problem of the Color Line Gretchen Murphy Bodies of Reform: The Rhetoric of Character in Gilded- Age America James B. Salazar Empire’s Proxy: American Literature and U.S. Imperialism in the Philippines Meg Wesling Sites Unseen: Architecture, Race, and American Literature William A. Gleason Racial Innocence: Performing American Childhood from Slavery to Civil Rights Robin Bernstein American Arabesque: Arabs and Islam in the Nineteenth Century Imaginary Jacob Rama Berman Racial Indigestion: Eating Bodies in the Nineteenth Century Kyla Wazana Tompkins Idle Threats: Men and the Limits of Productivity in Nineteenth- Century America Andrew Lyndon Knighton The Traumatic Colonel: The Founding Fathers, Slavery, and the Phantasmatic Aaron Burr Michael J. Drexler and Ed White Unsettled States: Nineteenth- Century American Literary Studies Edited by Dana Luciano and Ivy G. Wilson Sitting in Darkness: Mark Twain, Asia, and Comparative Racialization Hsuan L. Hsu Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century Jasmine Nichole Cobb Stella Émeric Bergeaud Translated by Lesley Curtis and Christen Mucher Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the -
Album Milanés : Colección De Producciones Literarias En Verso I Prosa, Dedicado Á La Erección De Un Mausoleo Á La Memoria Del Esclarecido Poeta D
Album Milanés : colección de producciones literarias en verso i prosa, dedicado á la erección de un mausoleo á la memoria del esclarecido poeta D. José Jacinto Milanés / editor S. Alfredo de Morales ; con la cooperación de los Srs. G. Schweyer y F. Valdés Rodríguez. Matanzas : La Nacional, 1881. https://hdl.handle.net/2027/hvd.32044048084636 Public Domain in the United States, Google-digitized http://www.hathitrust.org/access_use#pd-us-google We have determined this work to be in the public domain in the United States of America. It may not be in the public domain in other countries. Copies are provided as a preservation service. Particularly outside of the United States, persons receiving copies should make appropriate efforts to determine the copyright status of the work in their country and use the work accordingly. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes. JAL 373 , 7,82 HARVARD COLLEGE LIBRARY CUBAN COLLECTION E HARIAN ANAE ACADES RISTO N CHRIS CLESIS VOT11 WAON BOUGHT FROM THE FUND FOR A PROFESSORSHIP OF LATIN AMERICAN HISTORY AND ECONOMICS FROM THE LIBRARY OF JOSÉ AUGUSTO ESCOTO OF MATANZAS , CUBA SAL 3- 3. -
La Bête Humaine
Émile Zola La bête humaine BeQ Émile Zola 1840-1902 Les Rougon-Macquart La bête humaine roman La Bibliothèque électronique du Québec Collection À tous les vents Volume 90 : version 2.1 2 Les Rougon-Macquart Histoire naturelle et sociale d’une famille sous le Second Empire 1. La fortune des Rougon. 2. La curée. 3. Le ventre de Paris. 4. La conquête de Plassans. 5. La faute de l’abbé Mouret. 6. Son Excellence Eugène Rougon. 7. L’assommoir. 8. Une page d’amour. 9. Nana. 10. Pot-Bouille. 11. Au Bonheur des Dames. 12. La joie de vivre. 13. Germinal. 14. L’œuvre. 15. La terre. 16. Le rêve. 17. La bête humaine. 18. L’argent. 19. La débâcle. 20. Le docteur Pascal. 3 La bête humaine 4 I En entrant dans la chambre, Roubaud posa sur la table le pain d’une livre, le pâté et la bouteille de vin blanc. Mais, le matin, avant de descendre à son poste, la mère Victoire avait dû couvrir le feu de son poêle, d’un tel poussier, que la chaleur était suffocante. Et le sous-chef de gare, ayant ouvert une fenêtre, s’y accouda. C’était impasse d’Amsterdam, dans la dernière maison de droite, une haute maison où la Compagnie de l’Ouest logeait certains de ses employés. La fenêtre, au cinquième, à l’angle du toit mansardé qui faisait retour, donnait sur la gare, cette tranchée large trouant le quartier de l’Europe, tout un déroulement brusque de l’horizon, que semblait agrandir encore, cet après-midi-là, un ciel gris du milieu de février, d’un gris humide et tiède, traversé de soleil. -
Downloadable Version
EDITORIAL BOARD Francisco Sóñora Luna. Director Magazine Raquel Troitiño Barros. Scholar Science Advisor Mercedes Mariño Paz. Translator and English Translation Advisor Gloria Rivas Rodríguez. Social English Communication Advisor Felipe Roget Salgado. Computer Advisor Aitor Alonso Méndez. Webmaster & Social Media - English Scientific Communication Advisor COVER DESIGN: Javier Sande Iglesias. E D IT ED B Y ISBN: 978-84-697-9954-3 * The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible INDEX STUDY, EDUCATION AND DIDACTICS FROM THE EXCELLENCE TO COMBAT CLIMATE CHANGE ................................................................................................................................... 1 SCIENCE AND SCHOOL I N THE FACE OF GLOBAL C H A N G E I N T H E O C E A N S ....................................................................................................................... 3 THEATRE AS AN EDUCAT I O N A L T O O L ............................................................ 5 EUROPEAN PROJECT “EduCO2cean” AT ALVES MARTINS SECONDARY SCHOOL (ESAM) – A PROJECT MEANT FOR TWO YEARS THAT PROMISES TO CONTINUE IN A DIFFERENT FORMAT ............................................................................................................... 45 EUTROPHICATION IN TH E BALTIC SEA – STATE AND EFFECTS .................................................................................................................................................... -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Fashion in Paris; the Various Phases of Feminine Taste and Aesthetics from 1797 to 1897
EX LIBRIS Cooper Union Museum for the Arts of Decoration GIVEN BY The Hospital Book and News Socle IN 1900 FASHION IN PARIS THE VARIOUS PHASES OF FEMININE TASTE AND ESTHETICS FROM 1797 TO 1897=^ By OCTAVE UZANNE ^ from the French by LADY MARY LOYD ^ WITH ONE HUNDRED HAND- COLOURED PLATES fc? TWO HUNDRED AND FIFTY TEXT ILLUSTRATIONS BY FRANCOIS COURBOIN LONDON : WILLIAM HEINEMANN NEW YORK: CHARLES SCRIBNER'S SONS MDCCCXCVIII (pr V All rights reserved CHAP. PAGE I. The Close of the Eighteenth Century ... i Licentiousness of Dress and Habits under the Directory of the Nineteenth II. The Dawn Century . 23 The Fair Sex in the Tear VIII First Empire III. Under the ...... +5 Feminine Splendour in Court and City IV. Dress, Drawing - rooms, and Society under the Restoration ....... 65 1815-1825 V. The Fair Parisian in 1830 ..... 85 Manners, Customs, and Refme?nent of the Belles of the Romantic Period VI. Fashion and Fashion's Votaries, from 1840 to 1850 103 VII. Fashion's Panorama in 1850 . 115 The Tapageuses and the Myst'erieuses in under VIII. Life Paris the Second Empire . .127 Leaders of the Gay World, and Cocodettes IX. The Fair Sex and Fashions in General from 1870 till 1880 ....... 147 X. The Parisian, as She is . .165 Her Psychology, Her Tastes, Her Dress MM. kmmi X<3 INTRODUCTION he compilation of a complete bibliography, even the most concise, of the works devoted to the subject of Costume, T and to the incessant changes of Fashion at every period, and in every country, in the world, would be a considerable undertaking—a work worthy of such learning as dwelt in the monasteries of the sixteenth century. -
Machen Sie Mit Beim Partyspaß Aus Japan! TIPPS Für Sänger/Innen Und Publikum
Würden Sie gern mal wieder singen, trauen sich aber nicht? Sie haben Angst, Ihre Stimme klingt etwas dünn und sie treffen vielleicht nicht immer ganz genau den Ton? Die DISCO 84 bietet ihnen heute die Chance in die Rolle von Frank Sinatra, Whitney Houston, den Backstreet Boys oder Marianne Rosenberg zu schlüpfen und der Star des KARAOKE-Abends zu werden. Karaoke kommt aus dem Japanischen und heißt übersetzt „leeres Orchester“. Der Karaokestar singt auf der Bühne zum Playback des Titels. Er wird von einem Monitor unterstützt, der den Text wiedergibt und im entscheidenden Moment die Textfarbe synchron zur Musik wechselt und so die fehlende Textsicherheit gibt. Beispiel: The Beatles – Yellow Submarine Machen Sie mit beim Partyspaß aus Japan! TIPPS für Sänger/Innen und Publikum Nicht singen zu können ist noch lange kein Grund nicht zu singen. Wer sprechen kann, der kann auch singen Wer sagt, "ich kann nicht singen" lügt. Es liegt nicht an der fehlenden Stimme, sondern am fehlenden Mut. Singen ist einfach. Es wird nur etwas verkompliziert durch das Publikum, die Soundanlage, die Bühne, die Lichter... Es ist nicht schlimm, Fehler beim Singen zu machen ... solange du sie als Teil deiner Show integrierst. Die meisten Fehler beim Auftritt werden kaum wahrgenommen, Der einzige, der sie bemerkt, ist meistens nur der Sänger selbst. Singen bedeutet nicht Kommunikation zwischen Mund und Ohr, sondern zwischen Herz und Herz. Es ist nicht die Qualität der Stimme, die einen Auftritt erfolgreich macht, sondern der Ausdruck. Man muss nicht unbedingt den höchsten Ton des Songs erreichen, nur die Herzen der Zuschauer Jeder Sänger sollte Applaus bekommen, wenn er super war, aber auch wenn er so schlecht war, dass ihr froh seid dass es vorbei ist.