Alone Against the Flames
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UA 12 Steps 04072020
UA QUESTIONS Read step one out of the AA 12 and 12 then answer the questions. 1. What symptoms of underearning have you experienced or are you currently experiencing? (Hint: look at the symptoms list) 2. How have you tried to control or overcome underearning on your own efforts? 3. In what ways has your under earning defeated you...what did you do in response to this feeling of defeat? (Hint: Quit jobs, use credit cards, fight with co-workers) 4. How is underearning making your life unmanageable (Having no money, job or clients, debting, eviction) 5. How have you tried to make under earning work? (Hint: working 3 jobs, working overtime, cheating on the job) 6. What do you consider to be an underearning job or client? 7. How did you react to other people's prosperity around you and why? (Hint: Undercut them, criticize them, gossip about them, conspire against them, etc) 8. In what instances have you had a bad attitude about being an employee or a subordinate? How did you express this bad attitude? 9. In what instances have you slacked off on the job, disappointing supervisors, co-workers, family members or spouses? 10. How have you tried to top or outshine your co-workers in order to get a raise or promotion as a solution to your under earning? 11. In what instances did you manipulate others to do your work for you because you felt the work was beneath you. Read step two out of the AA 12 and 12 then answer the questions. -
Satan's Sibling - Poems
Poetry Series Satan's Sibling - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive Satan's Sibling(15/03/1990) I am a poetry enthusiast with a variety of poetry styles. Some are love poems, some are hate poems. But I guess that love and hate are the basis of life, Aren't they? (My motto for life is 'There is no God, he is a figment of our imagination. There is no Karma, we punish ourselves. No destiny, we choose our own path. No freedom. We are bound by our own laws. For now.) www.PoemHunter.com - The World's Poetry Archive 1 1 Million Years Bc (Lyrics) They're calling me, the creatures of the nigh, Beautiful music, Animal instincts survived, the serpent tongue, so ancient before the dawn of time, Spread throughout the ages, On the blood of mankind. I've seen it all. From grace man falls, Babylon, curse of all creation, Winged serpent of the pit, Monstrosity. Ten thousand centuries ago, Cast down from heaven, To pillage below, The serpents eye, Still watching for it's easy prey, Feed upon the hopeless, the weak and afraid. I've seen it all. From grace men fall, Babylon, curse of all creation. Winged serpent of the pit, Monstrosity. 1 million yeasr bc x3 Satan's Sibling www.PoemHunter.com - The World's Poetry Archive 2 8 Line Poem (Lyrics) The tactful cactus by your window Surveys the prairie of your room The mobile spins to its collision Clara puts her head between her paws They've opened shops down West side Will all the cacti find a home But the key to the city Is in the sun that pins the branches to the sky Satan's Sibling www.PoemHunter.com - The World's Poetry Archive 3 A Desirable Complication I sit here in anguish, Silently suffering. -
The Dragon Magazine #5
March ’77 DRAGON RUMBLES The eastern portion of the US is not the only area of the country to have suffered a blizzard this winter, though mine has been of a dif- ferent nature. A month or two ago, I placed a listing in WRITER‘S DIGEST, as a market for science fiction, fantasy and swords & sorcery. Within two weeks of that appearance, I have been inundated with a barrage of inquiries and unsolicited manuscripts, most of which aren’t right for these pages. But I’m reading, or having them read by Gary Jaquet , who has become my voluntary associate (meaning unpaid), every single one. What this means to all of the writers that have sent me submissions is that you should expect a response, but not soon. I have extended invitations to a number of authors of fantasy and science fiction games, other than D&D and EPT, to write on their creations for these pages. While we recognize that D&D started the fan- tasy gaming genre, there are now a number of science fiction and fan- tasy games available that we feel should be treated in this magazine. I extend this invitation to non-authors (of games) to do this also. I’m looking for articles on STELLAR CONQUEST, THE YTHRI, WBRM, GODSFIRE, STARSHIP TROOPERS, OUTREACH, Contents SORCERER, STARSOLDIER, GREEN PLANET TRILOGY, Witchcraft Supplement for D&D. ............................ 4 OGRE, MONSTERS-MONSTERS, VENERABLE DESTRUCTION More on METAMORPHOSIS ALPHA ....................... 10 and others. It’s time for THE DRAGON to expand its subject matter. I Featured Creature ....................................... 12 want to get into fantasy miniatures as well. -
Young Writers Workshop History from Home
Young Writers Workshop History from Home June 15 – 19, 2020 Table of Contents Introduction by Stephanie Hemphill 2 Brynn Almond 3 Dameon Borders 7 Dashiell Coyier 13 Ellis Coyier 16 Mila Grothus 20 Hollin Hansen 23 Keelin Hansen 28 Margo Keller 32 Wesley McDowell 38 Bryn Mineck 42 Anika Shetye 47 Yatharth Sirohi 50 Keaton Steger 54 Sydney Thompson 58 Zoe Zhang 60 Each student’s object of inspiration precedes their historical fiction story. An introduction for each object is provided by the student. 1 There’s a common adage that “a picture is worth a thousand words,” and this year the young authors proved the theory true as they were tasked with writing about an historical photograph in a thousand words or less. We all have taken photographs which we could easily relay the story behind—the who, what, where, when and why of what’s happening in the picture. But in order to create a story around a photograph of a subject or person from a time period far removed from your own requires examination followed by research. You have to know how to read the photograph, how to employ visual literacy, and then dig into research to learn about what you observe. The young writers then created a fictional story by imagining life outside and beyond that singular historical moment captured on film. Their pictures inspired a thousand words. In previous years the Young Writer’s Workshop has been held at the museum where we have access to the museum vault, exhibits, additional museum staff, and the museum’s research library. -
Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities
--- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book. -
170404 Whos in Charge Here
Who’s in Charge Here? April 4, 2017 Ajaan Suwat often talked about Ajaan Mun’s favorite themes for a Dhamma talk. One was the customs of the noble ones and the other was practicing the Dhamma in accordance with the Dhamma. The customs of the noble ones are customs that go against the customs of practicall! every nation on earth" because the! put the training of the mind first. The! put the Dhamma first. $t’s for this reason that the customs of the noble ones are closel! connected to the principle of practicing the Dhamma in accordance with the Dhamma, because that’s one of the two meanings of practicing the Dhamma in accordance with the Dhamma: $nstead of trying to change the Dhamma to fit !ou" !ou try to change !ourself to fit the Dhamma. The other meaning, as it’s defined in the &anon, is practicing for the sake of dispassion. This" too, goes against every custom" every culture in the world" all of which are aimed at passion. There’s the stor! in the &anon where some monks are going to a foreign country. After paying their respects to the Buddha, the! go to sa! goodb!e to Sariputta. And he asks them" ()hen someone in that countr! asks !ou" *)hat does !our teacher teach+’ what are !ou going to tell them+, And the monks sa!" ()e’d like to hear what !ou’d say., So Sariputta says that his first answer would be that his teacher teaches dispassion. Then he goes on to say intelligent people then ask" (Dispassion for what?, Most people in the world nowadays" however, wouldn’t even bother to ask. -
Cthulhu Lives!: a Descriptive Study of the H.P. Lovecraft Historical Society
CTHULHU LIVES!: A DESCRIPTIVE STUDY OF THE H.P. LOVECRAFT HISTORICAL SOCIETY J. Michael Bestul A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Jane Barnette, Advisor Prof. Bradford Clark Dr. Marilyn Motz ii ABSTRACT Dr. Jane Barnette, Advisor Outside of the boom in video game studies, the realm of gaming has barely been scratched by academics and rarely been explored in a scholarly fashion. Despite the rich vein of possibilities for study that tabletop and live-action role-playing games present, few scholars have dug deeply. The goal of this study is to start digging. Operating at the crossroads of art and entertainment, theatre and gaming, work and play, it seeks to add the live-action role-playing game, CTHULHU LIVES, to the discussion of performance studies. As an introduction, this study seeks to describe exactly what CTHULHU LIVES was and has become, and how its existence brought about the H.P. Lovecraft Historical Society. Simply as a gaming group which grew into a creative organization that produces artifacts in multiple mediums, the Society is worthy of scholarship. Add its humble beginnings, casual style and non-corporate affiliation, and its recent turn to self- sustainability, and the Society becomes even more interesting. In interviews with the artists behind CTHULHU LIVES, and poring through the archives of their gaming experiences, the picture develops of the journey from a small group of friends to an organization with influences and products on an international scale. -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
Serial Number ______
RIGID OWNERS MANUAL RIGID OWNERS MANUAL SERIAL NUMBER ______________________ OM_FOLDING_0907RevB I WARNING - READ THIS MANUAL DO NOT OPERATE THIS WHEELCHAIR WITHOUT FIRST READING AND UNDERSTANDING THIS OWNERS MANUAL. IF YOU ARE UNABLE TO UNDERSTAND THE WARNINGS, CAUTIONS AND INSTRUCTIONS, CONTACT YOUR TiLITE DEALER OR TiLITE CUSTOMER SUPPORT AT (800) 545-2266 BEFORE ATTEMPTING TO USE THIS WHEELCHAIR. IF YOU IGNORE THIS WARNING, YOU MAY FALL, TIP OVER OR LOSE CONTROL OF THE WHEELCHAIR AND SERIOUSLY INJURE YOURSELF OR OTHERS OR DAMAGE THE WHEELCHAIR. I WARNING - WHEELCHAIR SELECTION TILITE MANUFACTURES A WIDE VARIETY OF WHEELCHAIRS TO MEET THE VARIED NEEDS OF WHEELCHAIR USERS. HOWEVER, TILITE IS NOT YOUR HEALTH CARE ADVISOR, AND WE KNOW NOTHING ABOUT YOUR INDIVIDUAL CONDITION OR NEEDS. THEREFORE, THE FINAL SELECTION OF THE PARTICULAR MODEL, AND HOW IT IS ADJUSTED, AND THE TYPE OF OPTIONS AND ACCESSORIES NECESSARY REST SOLELY WITH YOU, THE WHEELCHAIR USER, AND THE HEALTH CARE PROFESSIONAL THAT IS ADVISING YOU. CHOOSING THE BEST CHAIR AND SETUP FOR YOUR SAFETY DEPENDS ON SUCH THINGS AS: 1. YOUR DISABILITY, STRENGTH, BALANCE AND COORDINATION; 2. THE TYPES OF HAZARDS YOU MUST OVERCOME IN DAILY USE (WHERE YOU LIVE AND WORK AND OTHER PLACES YOU ARE LIKELY TO USE YOUR CHAIR); AND 3. YOUR NEED FOR OPTIONS FOR YOUR SAFETY AND COMFORT (SUCH AS ANTI-TIPPERS, POSITIONING BELTS OR SPECIAL SEATING SYSTEMS). IF YOU IGNORE THIS WARNING, YOU MAY ENDANGER YOUR HEALTH. I WARNING - TIE-DOWN RESTRAINTS TILITE RECOMMENDS that WHEELCHAIR USERS NOT BE transported IN VEHICLES OF ANY KIND WHILE IN WHEELCHAIRS. AS OF THIS date, THE UNITED States Department OF Transportation HAS NOT APPROVED ANY TIE-DOWN SYSTEM FOR transportation OF A USER WHILE IN A WHEELCHAIR IN A MOVING VEHICLE OF ANY TYPE. -
Pandemic – Reign of Cthulhu Is a Cooperative Game
Beings of ancient and bizarre intelligence, known as Old Ones, are stirring within their vast cosmic prisons. If they awake into the world, it will unleash an age of madness, chaos, and destruction upon the very fabric of reality. Everything you know and love will be destroyed! You are cursed with knowledge that the “sleeping masses” cannot bear: that this Evil exists, and that it must be stopped at all costs. Shadows danced all around the gas street light above you as the pilot flame sputtered a weak yellow light. Even a small pool of light is better than total darkness, you think to yourself. You check your watch again for the third time in the last few minutes. Where was she? Had something happened? The sound of heels clicking on pavement draws your eyes across the street. Slowly, as if the darkness were a cloak around her, a woman comes into view. Her brown hair rests in a neat bun on her head and glasses frame a nervous face. Her hands hold a large manila folder with the words INNSMOUTH stamped on the outside in blocky type lettering. “You’re late,” you say with a note of worry in your voice, taking the folder she is handing you. “I… I tried to get here as soon as I could.” Her voice is tight with fear, high pitched and fast, her eyes moving nervously without pause. “You know how to fix this?” The question in her voice cuts you like a knife. “You can… make IT go away?!” You wince inwardly as her voice raises too loudly at that last bit, a nervous edge of hysteria creeping into her tone. -
Errata for H. P. Lovecraft: the Fiction
Errata for H. P. Lovecraft: The Fiction The layout of the stories – specifically, the fact that the first line is printed in all capitals – has some drawbacks. In most cases, it doesn’t matter, but in “A Reminiscence of Dr. Samuel Johnson”, there is no way of telling that “Privilege” and “Reminiscence” are spelled with capitals. THE BEAST IN THE CAVE A REMINISCENCE OF DR. SAMUEL JOHNSON 2.39-3.1: advanced, and the animal] advanced, 28.10: THE PRIVILEGE OF REMINISCENCE, the animal HOWEVER] THE PRIVILEGE OF 5.12: wondered if the unnatural quality] REMINISCENCE, HOWEVER wondered if this unnatural quality 28.12: occurrences of History and the] occurrences of History, and the THE ALCHEMIST 28.20: whose famous personages I was] whose 6.5: Comtes de C——“), and] Comtes de C— famous Personages I was —”), and 28.22: of August 1690 (or] of August, 1690 (or 6.14: stronghold for he proud] stronghold for 28.32: appear in print.”), and] appear in the proud Print.”), and 6.24: stones of he walls,] stones of the walls, 28.34: Juvenal, intituled “London,” by] 7.1: died at birth,] died at my birth, Juvenal, intitul’d “London,” by 7.1-2: servitor, and old and trusted] servitor, an 29.29: Poems, Mr. Johnson said:] Poems, Mr. old and trusted Johnson said: 7.33: which he had said had for] which he said 30.24: speaking for Davy when others] had for speaking for Davy when others 8.28: the Comte, the pronounced in] the 30.25-26: no Doubt but that he] no Doubt that Comte, he pronounced in he 8.29: haunted the House of] haunted the house 30.35-36: to the Greater -
Herbert West — Reanimator
DARK ADVENTURE RADIO THEATRE: HERBERT WEST — REANIMATOR Written by Sean Branney and Andrew Leman Based on "Herbert West — Reanimator" by H. P. Lovecraft Read-along Script June 18, 2013 ©2013 by HPLHS Inc. All Rights Reserved. NOTICE: This script is provided as a convenience only to DART listeners to follow along with the recorded show. It is not licensed for professional or amateur performance of any kind. Inquiries regarding performance rights should be sent to [email protected] 1 INTRO 1 SFX: static, radio tuning, snippet of ‘30s song, more tuning, static dissolves to: Dark Adventure Radio THEME MUSIC. ANNOUNCER Tales of intrigue, adventure, and the mysterious occult that will stir your imagination and make your very blood run cold. MUSIC CRESCENDO. ANNOUNCER (CONT’D) This is Dark Adventure Radio Theatre, with your host Erskine Blackwell. Today’s episode: H.P. Lovecraft’s “Herbert West -- Reanimator!” THEME MUSIC DIMINISHES. The sound of MOANING, BUBBLING CHEMICALS, and FUNEREAL MUSIC underneath. ERSKINE BLACKWELL A brilliant medical student dreams of bringing life to the dying, and to the dead. How far will he go to achieve his dream? Will his genius unlock the secrets of life and death, or will boundless ambition twist his noble purpose into something monstrous? A few piano notes from the FORHAN’S TOOTHPASTE JINGLE. ERSKINE BLACKWELL (CONT’D) You know, folks, nothing says success quite like a bright radiant smile. And for truly gleaming teeth, there’s no better toothpaste than Forhan’s, now with new Radiol! It’s the very latest thing: a safe extract of radium, scientifically developed in the finest medical laboratories of Europe.