1 Atlantic Underclasses and Early American Theatre Culture
Notes 1 ATLANTIC UNDERCLASSES AND EARLY AMERICAN THEATRE CULTURE 1. London Morning Post, January 5, 1776. 2. Philip H. Highfill, Kalman A. Burnim, and Edward A. Langhans, eds., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660–1800 (Carbondale: Southern Illinois University Press, 1973), 3: 65. 3. London Morning Chronicle and London Advertiser, October 7, 1776. 4. Ibid. 5. Terry Castle, Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction (Stanford: Stanford University Press, 1986), 5. 6. See E. J. Hobsbawm, Bandits (New York: New Press, distributed by W.W. Norton, 2000); E. P. Thompson, Customs in Common: Studies in Traditional Popular Culture (New York: New Press, 1991); and Whigs and Hunters: The Origin of the Black Act (New York: Pantheon Books, 1975). 7. Joseph R. Roach, Cities of the Dead: Circum-Atlantic Performance (New York: Columbia University Press, 1996). 8. Richard Schechner, Between Theater and Anthropology (Philadelphia: University of Pennsylvania Press, 1985), 35–37. 9. Erving Goffman, The Presentation of Self in Everyday Life (Garden City, NY: Doubleday, 1959), 17–76; Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990). 10. Indeed, only The Gladiator appears in Jeffrey H. Richards, Early American Drama (New York: Penguin Books, 1997). 11. This is one of the recurring and valuable themes in Jeffrey H. Richards, Drama, Theatre, and Identity in the American New Republic (Cambridge: Cambridge University Press, 2005). 12. Mikhail M. Bakhtin, Rabelais and His World (Cambridge, MA: MIT Press, 1968) and Jean-Christophe Agnew, Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550–1750 (Cambridge: Cambridge University Press, 1986) explore the rela- tionships between markets and performance.
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