Summer in Barcelona
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Festival De Barcelona
_PRO From 10 to 14 de July Festival de Barcelona ORGANICED BY: WITH THE SUPPORT OF: _PRO INDEX WELCOME TO GREC_PRO 2019 Pàg. 2 ARTISTIC HEMISPHERES Pàg. 3 BARCELONA NEIGHBORHOODS Pàg. 4 ACTIVITIES (PER DAYS) Pàg. 5 WEDNESDAY, 10TH JULY Pàg. 5 THURSDAY, 11TH JULY Pàg. 7 FRIDAY, 12TH JULY Pàg. 9 SATURDAY, 13TH JULY Pàg. 11 SUNDAY, 14TH JULY Pàg. 13 SHOWS (PER DAYS) WEDNESDAY, 10TH JULY Pàg. 16 THURSDAY, 11TH JULY Pàg. 21 FRIDAY, 12TH JULY Pàg. 28 SATURDAY, 13TH JULY Pàg. 32 SUNDAY, 14TH JULY Pàg. 36 DIRECTORY OF VENUES AND MEETING PLACES (IN ALPHABETICAL ORDER) Pàg. 40 GREC_PRO 2018 SCHEDULE Pàg. 47 1 _PRO WELCOME TO GREC_PRO 2019 As director of the Grec Festival of Barcelona, I am pleased to welcome you to the Grec_PRO, the international meeting for professionals of the Grec Festival of Barcelona. A festival is part of a landscape, a system, a fabric. It is an exceptional moment that is connected with the artistic life of the City, which links with what happens the rest of the year, which serves as a window to show everything that has been cooking and that dialogues with its talent, with its citi- zens and with your questions. We are committed to creating a model that is attractive not only for its -necessary- rooster of invited figures, but also for the artistic value, for a set of national and international alliances and for its rigor and coherence. For us it will be a priority to weave relationships with all those artists, festivals or artistic events that are offering a possible response of interest to those relevant topics that we are all concerned about. -
Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven***
170 Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven*** Abstract Geographically, Spain consists of a complex mosaic of cultural identities and regional aspirations for varying degrees of autonomy and independence. Following the end of violent conflict in the Basque country, Catalonia has emerged as the most vocal region pursuing independence from the central Spanish state. Within the Catalan separatist movement, cultural heritage sites and objects have been appropriated to play an intrinsic role in supporting political aims, with a variety of cultural institutions and state-sponsored monumentality playing an active part in the formation and dissemination of particular identity-based narratives. These are centred around the themes of a separate and culturally distinct Catalan nation which has been subject to extended periods of oppression by the varying manifestations of the Spanish state. This study addresses the increasing use of museums and heritage institutions to support the concept of a separate and distinctive Catalan nation over the past decade. At various levels, from the subtle to the blatant, heritage institutions are propagating a message of cultural difference and past injustice against the Catalan people, and perform a more consciously active, overt and supportive role in the independence movement. Key words: Catalonia, museums, heritage, identity, nationhood Across contemporary Europe a range of nationalist and separatist movements are again gaining momentum (Borgen 2010). From calls for independence in Scotland and the divisive politics of the Flemish and Walloon communities in Belgium, to the continually complicated political mosaic of the Balkan states, there are now a myriad of movements striving for either greater or full autonomy for their region or peoples. -
Rooms May Still Be Available at the Following Hotels for the Bigsurv18 Conference
Rooms may still be available at the following hotels for the BigSurv18 conference. The hotels are listed in order of their distance to the Universitat Pompeu Fabra (UPF). Hotel H10 Marina - 4 star Av. del Bogatell, 64-68 08005-Villa Olímpica, Barcelona 600m from UPF Reservations and rates based on availability – please contact the hotel for more information. With a privileged location in the Olympic Village and very close to the beaches, the H10 Marina Barcelona is a hotel with a wide range of services, including the Skyline terrace with swimming pool and magnificent views of the city, the Dionissos restaurant with an exquisite cuisine and its Spa Center. In addition, the spacious and bright guest rooms have all the amenities to make your stay as pleasant as possible. Pullman Barcelona Skipper - 5 star Av. Del Litoral, 10 08005 Barcelona 800m from UPF Reservations and rates based on availability – please contact the hotel for more information.. Just 50 meters from the Barceloneta beach is this unique, cosmopolitan, impeccably designed hotel. Ideally situated less than 10 minutes from the city center and just 12 km from the airport, it is the perfect base for exploring the city of Barcelona. It has 241 comfortable rooms, two pools, a gym and a spa. Their service and commitment thrive on meeting your needs so that you can make the most of your stay in Barcelona ibis Styles Barcelona City Hotel - 2 star Carrer de Llull, 71 08005 Barcelona 850m from UPF Reservations and rates based on availability – please contact the hotel for more information. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Spotted Barcelona: Summer 2013
CONTENTS INTRODUCTION 1 MEET THE TEAM 3 EDITORS’ PICKS 5 TRAVEL TIPS 10 SIGHTSEEING 26 PARKS & BEACHES 54 ARTS & CULTURE 66 SHOPPING 78 SPORTS & ACTIVITIES 94 FOOD 100 EVENTS 110 BARS & CLUBS 116 FEATURE: Barcel OH! Na Oddities 7 FEATURE: Catalunya and Independence 23 FEATURE: España y Sudamerica 24 FEATURE: Spotted: Dogs 49 FEATURE: Barcelona: On Location 63 ¡Hola Amigos! We are here to provide you with a budget version of Barcelona, without compromising on quality and fun! Whether you’re a student who has just left school, enjoying some time away from education, or simply a young person who fancies a city break, this guide is for you. Look out for our writers’ picks, where you can find a variety of activities to suit any budget and personality, ensuring you make the most of your trip in the vibrant city of Barcelona. So you’ve landed in Barcelona and successfully navigated passport control – now what? We’ve got tips on cheap accommodation, how to get around the city’s metro system and how to stay safe: how to avoid pickpockets, what to do if you lose your phone and how to get medical treatment. Find this in our Travel Tips section. Looking to live the student life with a Catalan twist? At night, Barcelona really comes alive. Cocktails for just 2.50€? We have it all in here. We can tell you which club is the best to visit depending on the night of the week, whether you’re looking for a chill night, or a memorable one (or not, depending on your alcohol intake!) We represent the eclectic bar and club scene, from salsa and jazz bars to the heaviest club nights. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
Eduard Maria Balcells Buïgas (1905-1959)
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en EDUARD MARIA BALCELLS I BUIGAS UN ARQUITECTE DE DARRERA GENERACIÓ MODERNISTA AL VALLÈS OCCIDENTAL VOLUM I JOSÉ MARÍA ROMERO MARTÍNEZ JOAN MARIA MINGUET I BATLLORI PROGRAMA D’ART DEPARTAMENT D’ART DE LA UNIVERSITAT AUTÒNOMA DE BARCELONA 2015 Eduard Maria Balcells Buïgas (1905-1959) A la meva mare Isabel, la “madrina” Mari i l’àvia Maria José, per sembrar a la meva vida la llavor de l’art, i a la meva neboda Aina en la qual ja hi comença a germinar. Txema Romero Martínez Cerdanyola del Vallès desembre de 2015 C 2 Eduard Maria Balcells Buïgas (1905-1959) ÍNDEX 1.INTRODUCCIÓ (p. 5) 2.PERFIL BIOGRÀFIC (p. 10) BIOGRAFIA (p. 10) LA FAMÍLIA BALCELLS BUÏGAS. UNA NISSAGA D’ARTISTES A CERDANYOLA (p. 24) FORMACIÓ ACADÈMICA (p. 34) L’Escola d’Arquitectura (p. 34) L‘Expedient Acadèmic (p. 36) Professorat (p. 41) Exercicis de carrera (p. 45) Projectes de carrera (p. 76) Companys de promoció (p. 82) 3.MARC ARQUITECTÒNIC: DEL MODERNISME A L’ACADEMICISME ECLÈCTIC DE POSTGUERRA (p. -
Modernist Movement
THE MODERNIST MOVEMENT MODERNIST ARCHITECTURE MODERNISMIN ARCHITECTURE AND THE INDUSTRIAL ARTS AND, CONSEQUENTLY, IN DESIGN, CAN BE CONSIDERED THE MOST IMPORTANT ARTISTIC MOVEMENT IN MODERN CATALAN CULTURE. THE MODERNIST MOVEMENT are not only important as architects but also for their extensive humanistic training. Although Gaudí had the same training, his circumstances were very dif- ferent from those of the others. Our study of this architectural movement must be seen as a debate with the central idea of Gaudí, of whom we spoke in the odernism in architecture and the first issue of this magazine, as a count- sought with faith and courage and industrial arts and, consequently, erpoint to the other two architects, without renouncing the past. Oin design, can be considered the without taking this to mean that he was With this purely theoretical outlook, most important artistic movement in situated between Domknech and Puig i Domenech started his professional ca- modem Catalan culture. The movement Cadafalch. reer. He finished his training in 1873 gained such importance and strength that The controversy between Lluís Dome- and 8 years later work started on his first it cannot really be studied in the same nech i Montaner and Gaudí centred on project, the Editorial Montaner i Simón, light as its contemporary European the aspect of space, that between Puig i 255, Aragó street, Barcelona, completed movements such as Art Nouveau, Cadafalch and Gaudí on ornamentation. in 1884. Jugendstil, Sezession, Liberty o Floreale, In 1878, the same year Gaudí finished his This building, along with Gaudí's Casa to name just the best-known. -
Pdf 1 20/04/12 14:21
Discover Barcelona. A cosmopolitan, dynamic, Mediterranean city. Get to know it from the sea, by bus, on public transport, on foot or from high up, while you enjoy taking a close look at its architecture and soaking up the atmosphere of its streets and squares. There are countless ways to discover the city and Turisme de Barcelona will help you; don’t forget to drop by our tourist information offices or visit our website. CARD NA O ARTCO L TIC K E E C T R A B R TU ÍS T S I U C B M S IR K AD L O A R W D O E R C T O E L M O M BAR CEL ONA A A R INSPIRES C T I I T C S A K Í R E R T Q U U T E O Ó T I ICK T C E R A M A I N FOR M A BA N W RCE LO A L K I NG TOU R S Buy all these products and find out the best way to visit our city. Catalunya Cabina Plaça Espanya Cabina Estació Nord Information and sales Pl. de Catalunya, 17 S Pl. d’Espanya Estació Nord +34 932 853 832 Sant Jaume Cabina Sants (andén autobuses) [email protected] Ciutat, 2 Pl. Joan Peiró, s/n Ali-bei, 80 bcnshop.barcelonaturisme.cat Estación de Sants Mirador de Colom Cabina Plaça Catalunya Nord Pl. dels Països Catalans, s/n Pl. del Portal de la Pau, s/n Pl. -
ITEMS 2014Ang
BARCELONA Items 2014 Turisme de Barcelona Passatge de la Concepció, 7-9 08008 Barcelona Tel. 93 368 97 00 Fax 93 368 97 01 www.barcelonaturisme.cat [email protected] Twitter: BarcelonaInfoEN 1 Index The Capital of the Mediterranean p. 3 An entire city for shopping p. 5 Barcelona, beaches and sea p. 8 A highly accessible city p. 12 Sustainable tourism destination p. 14 BCNShop, Barcelona in a click p. 16 The City’s Main Museums with the Barcelona Card p. 16 Barcelona opens the ‘Cathedral of Iron’ the Catalan Spirit p. 17 The Epic City of 1714 p. 17 Gaudi’s Bellesguard Tower p. 18 2 The Capital of the Mediterranean For tourists, Barcelona is a secret known to everyone. Over the last decade the capital of Catalonia has been the star of European urban tourism, as visitor figures have doubled. With the impetus from the 1992 Olympic Games it entered the world club of cities and became a global reference for international urban tourism. With sixteen million overnight stays per year and around seven million tourists a year, Barcelona has been the great ‘discovery’ for holiday tourism in recent years. This is an acknowledgement that now complements the traditional activity of business tourism in the city, which itself continues to grow in size and prestige. The Catalan capital has emerged as a major tourism destination. People from around the world choose it for their holidays and weekend breaks, due to its unique characteristics, as it brings together an intense and varied number of enticements and attractions in a city of human dimensions. -
Casa Batlló I Casa Amatller
Generalitat de Catalunya Departament de Cultura Direcció General del Patrimoni Cultural Àrea de Planificació i Acció Territorial EXPEDIENT DE DELIMITACIÓ D'ENTORN DE PROTECCIÓ ••• CASA BATLLÓ ••• CASA AMATLLER BARCELONA (Barcelonès) Generalitat de Catalunya Departament de Cultura Direcció General del Patrimoni Cultural Àrea de Planificació i Acció Territorial SUMARI 1. Preàmbul i objectius 2. Memòria 2.a. Memòria històrica i arquitectònica 2.a.1. Casa Batlló 2.a.2. Casa Amatller 2.b. Bibliografia 2.b.1. Casa Batlló 2.b.2. Casa Amatller 3. Règim de protecció 3.a. Els monuments. Definició i delimitació 3.a.1. Casa Batlló 3.a.2. Casa Amatller 3.b. L'entorn de protecció 3.b.1. Delimitació 3.b.2. Justificació 3.b.3. Criteris d'intervenció 3.c. Normativa 3.c.1. Marc legal 3.c.2. Règim d'autoritzacions del Departament de Cultura 4. Annex 4.a. Documentació planimètrica 4.b. Documentació fotogràfica 5. Crèdits Exp. de delimitació d'entorn de protecció de la Casa Batlló i la Casa Amatller, a Barcelona Generalitat de Catalunya Departament de Cultura Direcció General del Patrimoni Cultural Àrea de Planificació i Acció Territorial 1. Preàmbul i objectius Els monuments objecte d’aquest expedient de delimitació d'entorn de protecció són la Casa Batlló -situada al passeig de Gràcia, 43- i la Casa Amatller -situada al passeig de Gràcia, 41- a Barcelona (Barcelonès). Ambdós elements estan considerats bé cultural d’interès nacional en la categoria de monument històric d'acord amb el que disposa la Llei 9/1993, de 30 de setembre, del patrimoni cultural català. -
Universitat, Cultura I Teatre a La Dècada Dels Cinquanta: L'agrupació De Teatre Experimental I El Teatre Viu
Universitat, cultura i teatre a la dècada dels cinquanta: L'Agrupació de Teatre Experimental i el Teatre Viu Enric Ciurans Peralta ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos.