Public Art Beautification
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February 1920
ii^^ir^?!'**i r*sjv^c ^5^! J^^M?^J' 'ir ^M/*^j?r' ?'ij?^'''*vv'' *'"'**'''' '!'<' v!' '*' *w> r ''iw*i'' g;:g5:&s^ ' >i XA. -*" **' r7 i* " ^ , n it A*.., XE ETT XX " " tr ft ff. j 3ty -yj ri; ^JMilMMIIIIilllilllllMliii^llllll'rimECIIIimilffl^ ra THE lot ARC HIT EC FLE is iiiiiBiicraiiiEyiiKii! Vol. XLVII. No. 2 FEBRUARY, 1920 Serial No. 257 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: ]. A. OAKLEY COVER Design for Stained Glass Window FAGS By Burton Keeler ' NOTABLE DECORATIVE SCULPTURES OF NEW YOKK BUILDINGS _/*' 99 .fiy Frank Owen Payne WAK MEMORIALS. Part III. Monumental Memorials . 119 By Charles Over Cornelius SOME PRINCIPLES OF SMALL HOUSE DESIGN. Part IV. Planning (Continued) .... .133 By John Taylor Boyd, Jr. ENGLISH ARCHITECTURAL DECORATION. Part XIII. 155 By Albert E. Bullock PORTFOLIO OF CURRENT ARCHITECTURE . .169 ST. PHILIP'S CHURCH, Brunswick County, N. C. Text and Meas^ ured Drawings . .181 By N. C. Curtis NOTES AND COMMENTS . .188 Yearly Subscription United States $3.00 Foreign $4.00 Single copies 35 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL RECORD COMPANY 115-119 FOFvIlt I i I IStt I, NEWINCW YORKTUKN WEST FORTIETHM STREET, H v>^ E. S. M tlli . T. MILLER, Pres. W. D. HADSELL, Vice-Pres. J. W. FRANK, Sec'y-Treas. DODGE. Vice-Pre* ' "ri ti i~f n : ..YY '...:.. ri ..rr.. m. JT i:c..."fl ; TY tn _.puc_. ,;? ,v^ Trrr.^yjL...^ff. S**^ f rf < ; ?SIV5?'Mr ^7"jC^ te :';T:ii!5ft^'^"*TiS t ; J%WlSjl^*o'*<JWii*^'J"-i!*^-^^**-*''*''^^ *,iiMi.^i;*'*iA4> i.*-Mt^*i; \**2*?STO I ASTOR DOORS OF TRINITY CHURCH. -
The Intermediate World: a Key Concept in Beautiful Thinking
Open Philosophy 2018; 1: 50–58 Dorthe Jørgensen* The Intermediate World: A Key Concept in Beautiful Thinking https://doi.org/10.1515/opphil-2018-0005 Received February 28, 2018; accepted April 25, 2018 Abstract: The term ‘the intermediate world’ is a key concept in Den skønne tænkning (Beautiful Thinking) and the metaphysics of experience presented by this book. The metaphysics of experience is about the experiences of transcendence and beautiful thinking that take place in the intermediate world. In the article “The Intermediate World,” this subject is introduced through a discussion of thoughts and concepts formulated by Paul Klee (Zwischenwelt), Alexander Gottlieb Baumgarten (beautiful thinking), Aristotle (phantasia), Immanuel Kant (expanded thinking), Mark C. Taylor (imagination), and Eugenio Trías (the limit). The text depicts the intermediate world as the level of experience at which the understanding does not yet distinguish between subject and object. The intermediate world is thus not a realm between human and world, nor is it something outside the world we know. The intermediate world is rather the present world in its most original state: the ‘place’ where we find the source of all experience and cognition, a source called ‘basic experience’ characterized by sensation, faith, and comprehension. In this realm, imagination is active and takes the form of an objective force rather than a subjective mental power. Imagination opens mind and world, thus allowing not-yet- actualized possibilities to become perceivable. Keywords: experience, metaphysics, Klee, aesthetics, imagination, Baumgarten, sensitivity, Trías, limit, thinking 1 Introduction The expression ‘beautiful thinking’ derives from §1 in Alexander Gottlieb Baumgarten’s Aesthetica. -
A Teacher's Introduction to Composition in the Rhetorical Tradition
DOCUMENT RESUME ED 373 330 CS 214 452 AUTHOR Winterowd, W. Ross; Blum, Jack TITLE A Teacher's Introduction to Composition in the Rhetorical Tradition. NCTE Teacher's Introduction Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-5024-1; ISSN-1059-0331 PUB DATE 94 NOTE _42p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 50241-3050: $8.95 members, $11.95 nonmembers). PUB TYPE Books (010) Historical Materials (060) Guides Non- Classroom Use (055) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Educational History; English Curriculum; English Instruction; Higher Education; *Intellectual History; *Rhetorical Theory; *Writing (Composition); *Writing Instruction IDENTIFIERS *Classical Rhetoric; *Composition Theory; Historical Background; Poststructuralism ABSTRACT Based on the idea that an individual cannot understand literature, philosophy, or rhetoric without knowing the field's historical content, this book traces the evolution of the growing and ever-changing field of composition/rhetoric through numerous schools of thought, including Platonism, Aristoteleanism, New Criticism, and the current poststructuralism. After a discussion of the main themes of classical rhetoric, the book offers a historical analysis of the rhetoric of 18th and 19th centuries, focusing briefly on the works of George Campbell, Hugh Blair, Samuel Taylor Coleridge, and Ralph Waldo Emerson. The book divides the current field of composition/rhetoric into five categories: current-traditio:. 1 rhetoric, romantic rhetoric, neo-classical rhetoric, new rhetoric, and new stylistics. An entire chapter in the book is devoted to the work of I. A. Richards and Kenneth Burke. The final chapter of the book offers an analysis of poststructuralism influence on composition--discussing New Criticism, deconstruction, feminist criticism, and postmodernism. -
Paths from the Philosophy of Art to Everyday Aesthetics
Paths from the Philosophy of Art to Everyday Aesthetics Edited by Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Paths from the Philosophy of Art to Everyday Aesthetics © 2019 Authors Cover and graphic design Kimmo Nurminen ISBN 978-952-94-1878-7 PATHS FROM THE PHILOSOPHY OF ART TO EVERYDAY AESTHETICS Eds. Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Published in Helsinki, Finland by the Finnish Society for Aesthetics, 2019 6 Contents 9 Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Introduction: From Baumgarten to Contemporary Aesthetics 19 Morten Kyndrup Were We Ever Modern? Art, Aesthetics, and the Everyday: Distinctions and Interdependences 41 Lars-Olof Åhlberg Everyday and Otherworldly Objects: Dantoesque Transfiguration 63 Markus Lammenranta How Art Teaches: A Lesson from Goodman 78 María José Alcaraz León Aesthetic Intimacy 101 Knut Ove Eliassen Quality Issues 112 Martta Heikkilä Work and Play – The Built Environments in Terry Gilliam’s Brazil 132 Kalle Puolakka Does Valery Gergiev Have an Everyday? 148 Francisca Pérez-Carreño The Aesthetic Value of the Unnoticed 167 Mateusz Salwa Everyday Green Aesthetics 180 Ossi Naukkarinen Feeling (With) Machines 201 Richard Shusterman Pleasure, Pain, and the Somaesthetics of Illness: A Question for Everyday Aesthetics 215 Epiloque: Jos de Mul These Boots Are Made for Talkin’. Some Reflections on Finnish Mobile Immobility 224 Index of Names 229 List of Contributors 7 OIVA KUISMA, SANNA LEHTINEN & HARRI MÄCKLIN INTRODUCTION: FROM BAUMGARTEN TO CONTEMPORARY AESTHETICS ontemporary philosopher-aestheticians -
The Breakers/Cornelius Vanderbilt II House National Historic Landmark
__________ ______________ __-_____________-________________ -. ‘"I. *II.fl.* *%tØ*** *.‘" **.‘.i --II * y*’ * - *t_ I 9 - * ‘I teul eeA ‘4 I A I I I UNITED STATES IEPASTMENI OF THE INTERIOP ;‘u is NATIONAL PARK SERVICE Rhode Island .5 1 - COUNTY NATIONAL REGISTER OF HISTORIC PLACES Newport INVENTORY - NOMINATION FORM FOR NPS USE ONLY ENTRY NUMBER I DATE Type ii!! entries - Complete applicable SeCtions NAME -- OMMON - ... The Breakers AN 0/On HISTORIC: * Vanderbilt Corneiius..II Hcnise ftcOCAT!ON .1 ., * ./1..... H :H5.j_ .. H .O H.H/.H::: :- 51 RECT AND NUMBER: Ochre Point Avenue CITY OR TOWN: flewpcrt STATE COUNTY: - *[7m . CODE Rhode I3land, O2flhO Newport 005 -- CATEGORY ACCESSIBLE tn OWNERSHIP STATUS C/reck One TO THE PUBLIC El District iEj Building LI PubIC Public Acc1ui Si’on: LI Occupied Yes: 0 Restricted El Si to LI Structure Private LI 0 P roess Unoccupied LI Unre.trtcsed Er Oblect LI Both [3 Being Considered j Preservation work I. in progress LI No U PRESENT USE Check One or More as Appropriate LI Agriu Iturol LI 0 overn-ten? LI Pork [3 Transportation [3 Comments DC El C OrIImerC i ol [3 Hdju al [3 Pri vote Residence [3 Other SpocI’ I LI Educational [3 Miii tory [3 Religious - Entertainment Museum Scientific ‘I, LI --__ flAkE; S UWNIrRs Alice FHdik, Gladys raljlqt Peterson, Sylvia S. 5zapary, Nanine -I tltz, Gladys P.. thoras, Cornelia Uarter Roberts; Euaene B. R&erts, Jr. -1 S w STREET ANd NLIMBER: Lu The Breakers, Ochre Point Avenue CITY ** STATE: tjfl OR TOWN: - --.*** CODE Newport Rhode Island, 028b0 lili iLocATIoNcrLEGALDEsRIpTwN 7COURTHOUSr, REGISTRY OF DEEDS. -
Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
Hiker Accounts of Living Among Wildlife on the Appalachian Trail
Wild Stories on the Internet: Hiker Accounts of Living Among Wildlife on the Appalachian Trail Submitted by Katherine Susan Marx to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Anthrozoology In July 2018 This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. I certify that all material in this thesis which is not my own work has been identified and that no material has been previously submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………. Abstract The Appalachian Trail is the world’s longest hiking-only trail, covering roughly 2,200 miles of forest, mountains, ridges and plains. Each year a few thousand people set out to hike the entire length of the trail, estimated to take between five and seven months to complete. Numerous species of autonomous animals – wildlife – dwell on and around the trail, and it is the encounters that happen between these human and nonhuman animals that are the focus of this thesis. The research presented here is based wholly around narratives posted online as blogs by 166 Appalachian Trail hikers during the years 2015 and 2016. These narratives provide an insight into how hikers related to the self-directed animals that they temporarily shared a home with. Several recurring themes emerged to form the basis of the thesis chapters: many hikers viewed their trek as akin to a pilgrimage, which informed their perception of the animals that they encountered; American Black Bears (Ursus americanus), viewed as emblematic of the trail wilderness, made dwelling on the trail satisfyingly risky; hikers experienced strong feelings about some animals as being cute, and about others as being disgusting; along a densely wooded trail, experience of animals was often primarily auditory; the longer that they spent on the trail, the more hikers themselves experienced a sense of becoming wild. -
Design Commission Meeting Agenda Monday, June 19, 2017
Design Commission Meeting Agenda Monday, June 19, 2017 The Committee Meeting is scheduled to begin at 10:15 a.m. Public Meeting 12:05 p.m. Consent Items 26180: Construction of a natural gas piping station and adjacent site work, Flushing Avenue between North Elliott Place and North Portland Avenue, Brooklyn Navy Yard Industrial Park, Brooklyn. (Preliminary) (CC 33, CB 2) BNYDC 26181: Installation of electrical equipment, fencing, security booth, and turnstile enclosure to accommodate citywide ferry service, Dock 72, Market Street between 6th Street and Assembly Road, Brooklyn Navy Yard Industrial Park, Brooklyn. (Preliminary) (CC 33, CB 2) BNYDC 26182: Installation of a prototypical newsstand, 160 Madison Avenue, northwest corner of Madison Avenue and East 32nd Street, Manhattan. (Preliminary and Final) (CC 4, CB 5) DCA/DOT 26183: Installation of windows, louvers, and exhaust vent, 345 Adams Street, Brooklyn. (Preliminary and Final) (CC 33, CB 2) DCAS WITHDRAWN 26184: Conservation of Alexander Hamilton (circa 1940) by Adolph Alexander Weinman, Museum of the City of New York, Manhattan. (Preliminary) (CC 8, CB 11) DCLA 26185: Conservation of DeWitt Clinton (circa 1940) by Adolph Alexander Weinman, Museum of the City of New York, Manhattan. (Preliminary) (CC 8, CB 11) DCLA 26186: Installation of Sunbather by Ohad Meromi, Jackson Avenue at 43rd Avenue, Long Island City, Queens. (Final) (CC 26, CB 2) DCLA%/EDC/DOT 26187: Reconstruction of a plaza and adjacent site work, Queens Borough Hall, 120-55 Queens Boulevard, Kew Gardens, Queens. (Preliminary) (CC 29, CB 9) DDC 26188: Reconstruction of the East Flatbush Library, 9612 Church Avenue, Brooklyn. (Final) (CC 42, CB 17) DDC/BPL 26189: Installation of a plaque, Sheldon Avenue Bluebelt, Sweet Brook watershed, Staten Island. -
Bridge Linking Engineering and Society
Winter 2004 The BRIDGE LINKING ENGINEERING AND SOCIETY Cool Robots: Scalable Mobile Robots for Deployment in Polar Climates Laura R. Ray, Alexander D. Price, Alexander Streeter, Daniel Denton, and James H. Lever The Challenges of Landing on Mars Tommaso Rivellini The Future of Engineering Materials: Multifunction for Performance-Tailored Structures Leslie A. Momoda Modeling the Stuff of the Material World: Do We Need All of the Atoms? Rob Phillips Capturing and Simulating Physically Accurate Illumination in Computer Graphics Paul Debevec Spatial Audio Reproduction: Toward Individualized Binaural Sound William G. Gardner Promoting the technological welfare of the nation by marshalling the knowledge and insights of eminent members of the engineering profession. The BRIDGE NATIONAL ACADEMY OF ENGINEERING Craig R. Barrett, Chair Wm. A. Wulf, President Sheila E. Widnall, Vice President W. Dale Compton, Home Secretary George Bugliarello, Foreign Secretary William L. Friend, Treasurer Editor in Chief (interim): George Bugliarello Managing Editor: Carol R. Arenberg Production Assistant: Penelope Gibbs The Bridge (USPS 551-240) is published quarterly by the National Academy of Engineering, 2101 Constitution Avenue, NW, Washington, DC 20418. Periodicals postage paid at Washington, DC. Vol. 34, No. 4, Winter 2004 Postmaster: Send address changes to The Bridge, 2101 Constitution Avenue, N.W., Washington, DC 20418. Papers are presented in The Bridge on the basis of general interest and time- liness. They reflect the views of the authors and not necessarily the position of the National Academy of Engineering. The Bridge is printed on recycled paper. © 2004 by the National Academy of Sciences. All rights reserved. A complete copy of each issue of The Bridge is available in PDF format at http://www.nae.edu/TheBridge. -
The Aesthetic Mind This Page Intentionally Left Blank the Aesthetic Mind Philosophy and Psychology
The Aesthetic Mind This page intentionally left blank The Aesthetic Mind Philosophy and Psychology EDITED BY Elisabeth Schellekens and Peter Goldie 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # the several contributors 2011 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–969151–7 13579108642 Contents List of Figures viii Notes on Contributors ix Introduction 1 Elisabeth Schellekens and Peter Goldie Part I. -
A Perceptual Aesthetics Measure for 3D Shapes
A Perceptual Aesthetics Measure for 3D Shapes Kapil Dev1 Manfred Lau1 Ligang Liu2 1Lancaster University 2USTC China Figure 1: 778 “club chair” 3D models downloaded online and ranked by our aesthetics measure (please zoom in to see shape details). The rankings are from the top to bottom rows and left to right in each row. The top and bottom 10 models are enlarged for easier visualization. Abstract 2011]. For 3D shapes, the study of aesthetics [Se´quin 2005; Bergen and Ross 2012; Vartanian et al. 2013; Miura and Gobithaasan 2014] While the problem of image aesthetics has been well explored, the has considered specific manually-crafted features such as curvature study of 3D shape aesthetics has focused on specific manually and symmetry and mathematical properties such as bending energy defined features. In this paper, we learn an aesthetics measure and minimum variation surface. However, these are pre-defined for 3D shapes autonomously from raw voxel data and without features in the sense that curvature, for example, is pre-selected manually-crafted features by leveraging the strength of deep learn- as a feature to be tested. In contrast, our approach works without ing. We collect data from humans on their aesthetics preferences manually-crafted features such that there is no bias or pre-defined for various 3D shape classes. We take a deep convolutional 3D conception of how to computationally define aesthetics. We lever- shape ranking approach to compute a measure that gives an aesthet- age one of the fundamental concepts of deep learning to do so. We ics score for a 3D shape. -
2425 Hermon Atkins Macneil, 1866
#2425 Hermon Atkins MacNeil, 1866-1947. Papers, [1896-l947J-1966. These additional papers include a letter from William Henry Fox, Secretary General of the U.S. Commission to the International Exposition of Art and History at Rome, Italy, in 1911, informing MacNeil that the King of Italy, Victor Emmanuel III, is interested in buying his statuette "Ai 'Primitive Chant", letters notifying MacNeil that he has been made an honorary member of the American Institute of Architects (1928) and a fellow of the AmRrican Numismatic Society (1935) and the National Sculpture Society (1946); letters of congratulation upon his marriage to Mrs. Cecelia W. Muench in 1946; an autobiographical sketch (20 pp. typescript carbon, 1943), certificates and citations from the National Academy of Design, the National Institute of Arts and letters, the Architectural League of New York, and the Disabled American Veterans of the World War, forty-eight photographs (1896+) mainly of the artist and his sculpture, newspaper clippings on his career, and miscellaneous printed items. Also, messages of condolence and formal tri butes sent to his widow (1947-1948), obituaries, and press reports (1957, 1966) concerning a memorial established for the artist. Correspondents include A. J. Barnouw, Emile Brunet, Jo Davidson, Carl Paul Jennewein, Leon Kroll, and many associates, relatives, and friends. £. 290 items. Maim! entry: Cross references to main entry: MacNeil, Hermon Atkins, 1866-1947. Barnouw, Adrian Jacob, 1877- Papers, [1896-l947J-1966. Brunet, Emile, 1899- Davidson, Jo, 1883-1951 Fox, William Henry Jennewein, Carl Paul, 1890- Kroll, Leon, 1884- Muench, Cecelia W Victor Emmanuel III, 1869-1947 See also detailed checklists on file in this folder.