The Breakers/Cornelius Vanderbilt II House National Historic Landmark

Total Page:16

File Type:pdf, Size:1020Kb

The Breakers/Cornelius Vanderbilt II House National Historic Landmark __________ ______________ __-_____________-________________ -. ‘"I. *II.fl.* *%tØ*** *.‘" **.‘.i --II * y*’ * - *t_ I 9 - * ‘I teul eeA ‘4 I A I I I UNITED STATES IEPASTMENI OF THE INTERIOP ;‘u is NATIONAL PARK SERVICE Rhode Island .5 1 - COUNTY NATIONAL REGISTER OF HISTORIC PLACES Newport INVENTORY - NOMINATION FORM FOR NPS USE ONLY ENTRY NUMBER I DATE Type ii!! entries - Complete applicable SeCtions NAME -- OMMON - ... The Breakers AN 0/On HISTORIC: * Vanderbilt Corneiius..II Hcnise ftcOCAT!ON .1 ., * ./1..... H :H5.j_ .. H .O H.H/.H::: :- 51 RECT AND NUMBER: Ochre Point Avenue CITY OR TOWN: flewpcrt STATE COUNTY: - *[7m . CODE Rhode I3land, O2flhO Newport 005 -- CATEGORY ACCESSIBLE tn OWNERSHIP STATUS C/reck One TO THE PUBLIC El District iEj Building LI PubIC Public Acc1ui Si’on: LI Occupied Yes: 0 Restricted El Si to LI Structure Private LI 0 P roess Unoccupied LI Unre.trtcsed Er Oblect LI Both [3 Being Considered j Preservation work I. in progress LI No U PRESENT USE Check One or More as Appropriate LI Agriu Iturol LI 0 overn-ten? LI Pork [3 Transportation [3 Comments DC El C OrIImerC i ol [3 Hdju al [3 Pri vote Residence [3 Other SpocI’ I LI Educational [3 Miii tory [3 Religious - Entertainment Museum Scientific ‘I, LI --__ flAkE; S UWNIrRs Alice FHdik, Gladys raljlqt Peterson, Sylvia S. 5zapary, Nanine -I tltz, Gladys P.. thoras, Cornelia Uarter Roberts; Euaene B. R&erts, Jr. -1 S w STREET ANd NLIMBER: Lu The Breakers, Ochre Point Avenue CITY ** STATE: tjfl OR TOWN: - --.*** CODE Newport Rhode Island, 028b0 lili iLocATIoNcrLEGALDEsRIpTwN 7COURTHOUSr, REGISTRY OF DEEDS. NrC: Citymall STREET AND NURSER: Broathrav CITY DR TOWN: STATE CODE Thode Island,028b0 6REPRESENTAUdNIMEXITINSURVEYS TITL.t: 0 NSUIfVE Y: ft z -I - 01 F Sn RV E/: Federal State County Local 0 [3 LI [3 LI N xi C:EFUSITONY IOfi SURVEY FfECORr:s: C z S -o e III C 5TH NE T AND NUMBER; S 01 0 z r CITY or. TOWN: 5101 E: CODE U -I S -j _-- __-_- ___________ .*r.r * :1: -- - - - ! bEClPTRJN I I C/IackOnc I ?&I Excellent I_I Good [3 Fair El Dt,terioroted LI Ruins [3 Unexposed CONDITION ---------------- ---r- - One Cltnck One I C/u.k * I LI Altered [% Unaltered J LI Moved 1 Original Site DESCRIBE THE PRESENT AND ORIGINAL it knot’n’ PHYSICAL APPEARANCE The Breakers was designed by RIchard Morris Hunt for Cornelius - Vanderbilt, 1.1, and was constructed in the years 1893-1895. It is a large redtancular structure about 250 by 150 feet, steel-framed and faced with limestone, of three apparent storeys and a fourth masked hel the cornice beneath a high, decked hipped roof of tile. It rests on a lorr, halustraded, grassed podium in the middle of flat - lagns. and, to the east, overlooks the sea. To the west are the entrance drives and gateways. In general, the exterior style is that of the Italian High Renais sance--of the XVI-Centuny palaces of Genoa and Turin. There is much rich hut controlled academic adornment: columns, pilasters, rustication, arcades, an elaborate brackettéd cornice, heavily-capned chimneys etc. Entnnce is through a prondnent one-storet porte-cochêre on the west front; a slight projection of the south front has a two-st1orey semi- circular hay; two arts extend east from the main block to embrace ar- m caded loggias at first- and second-floor levels and a halustraded, un roofed gallery at third-floor level; a low kitchen wing forms a north ern extension. Immense and overpowering in scale and mass, the house - is nevertheless correct and handsome in style and o:mament, as one might expect in a work of Richard Hunt. - Containing over seventy rooms, the house was intended, and used, for entertaining on a grand scale. The first floor is given over en tirely to this purpose. Around a large, gafleried cortile which is two - C storeys in height--from which the main stair rises and seaward logdas fl open, are the several f’mal salons and the "statett dining-room, which is also of two-storey height. Ornamentation throuØiout all the recep- - - tion areas is extremely lavish.The -interiors reflect the joint efforts of a corps of -decorators; c-flflfly craftsmen -were brought. from Europe. Various marbles, caned stone, caned applied wooden trim, mcu lded and gilded Z plaster, ceiling paintings etc. are all employed, and there are great us chandeliers ar torchéres of bronze and of crystal. Furnishings of palace proportions and of iriod styles, escially designed for the house, are seen, as are draperies and upholstery of rich damasks. This opulence often out of control in other residences of tithe Gilded Age" as all carefully planned through the. taste and genius possessed by Richard Hunt, and therefore all of the elaborate de:orative detail falls into -its rightful place as an ordered and integral part of the over-all design of The EreaIrs. On the second and third floors are bedrothm suites for the owner’s family and for guests. These are treated formally hut simply, m nly in panelled and damask-hung adaptations of French XVIII-Century st3:les; they were decorated and furnished under the supenis ion of the quiet and sensitive architect-decorator, Ogden Codman. The fourth floor provides qunrte for the large number of domestics required for this, house and the way of life which it contained. See Continuation Sheet. Y1it v I - I 1 rL 4 P I2 In 10 SOOn U1411 ED STATES DPAkTMtNT or I NE t t RIOR TA1t- 2 italy 1769 IATIONAL PARK SERVICE - ghode Island - c;OL:Nrv - NATIONAL REGISTER OF NISTORC PLACES -. -I Newport INVENTORY - NOMINATION FORM - - -L FOR-NPS ONLY -- . j USE - ENTRY NUMBER DATE .-- eonnuatior Sheet - NrirnbI’r RU ,fl ZI n’çI - 7. Description. -- - Th.. site upon which The flreakers stands--about, thirteen acres--is not a large one few in !-Iwnort are; indeed, it is really not large enough for this palace. Therefore, exccpt.i.nr the grassed and paved platform upoh which the house stands, there ‘,:as wisely no attempt to introduce terraces, gardenc, parterres, ornamental plantings. There are, however, trees--now old and large--partially rorderin the property and flanking its entrance drives, and tercar.somolow shrubberies and trim-red ever,’.reens stratc-t gically but "infonially’ placed. The house has not; -oen used as a residence since 1911h, but it and its contents, the grounds, magnificent ii’onwork of fence and gates have all remained intact and brie en t’.moccahly giaintained ever since the Vander- hilt family first took occunancy in July, 1B95. 9. Major Tihliogranhicn.l References. ,‘ Smales, Holbert T.: ""be Breakers Newport, Rhode Island - Newport, Rhode Island, l975TflO pp. - - - . :7t c-pI cflI-’J82 GNiHCACEL: _______________________________________________________________ -. - !P - : ‘* -- *‘; ‘I -. - - ir.’-’- - - "‘ - "j - - I h in "j* -‘: -- - -- - rc . - PERIOD Check One or More as Appropriate El Pre-Co lumbian El lath Century EJ 18th Century fl 20th Century [1 15th Century El 17th Century 19th Century - -- SPEd FtC DATEISI If Appt;cablo"ncf KnoRzs 1893-1B95 - - AREAS OF SIGNIFICANCE Chec-c One OFMIre as Appropriate Aboriginal J Educritian El Political El Urban Planning - Prehistoric Other Specify - El TJ Engineering El P.1 ig ion/Phi - l Historic - El El Industry asaphy Social histonr Agriculture Invention El flJ Science - Architecture - TI Landtcope El Sculpture Art Archisecrure El El Social/Human - -__________ Commerce fl U teroture tarian - - - El Communications fl Military El Theater El Cansorvotian ] Music El Trans parta tia STAT EMENT OF SIGNIFICANCE - The Breakers is surely, and as intentionally, th grandest ef many grand summer houses erected for the extremely social summer cob- nists of Newport--for those Americans who had accumulated great for.- tunes in the XIX t Centiiw and who wished to emulate here the princely grandeurs of Europe in oreous centuries. o Always famous in Newport for its size, its luxury, the formality of its entertaining and the - fmidahle social dictatorship exercised by its builder’s widow when the house was lived in, it is now famous thnughout the United States o as a monument to its era and as a well-shot-rn tourist attraction. In American architectural ard social history this house is the palace and performing-platform excellence of the very rich. It is also a high point, £L an oustandin, nrouction, in the career of the brilliantly adap tive and eclectic, unusually tasteful:, architect, Richard Morris Hunt. z Since the late l9h0’5 this house has ‘-‘een leased by the Vander_ - hilt heirs to The Preservation Society of Newport County which, with the. greatest imaginable care for such a treasure, opens The Brsakers LU for several months each year as a house museum. During these months, w many thousands of the Public pass through the house in groups escorted by knowledgeable iides there is also a well-written guide to the hiildThg nublish6d by the society. Additionally, the house is made available for cultural purposes and for social functions similar to those for which it was originally designed: during the summer seasons the great rooms and cortile have frequently been a background for con certs, ballets, receptions, dinners and halls--especially memorable - occasions when the house has been fully illuminated at night. builderls The heirs are to he ccrrimended for entrusting The Breakers to the Preservation Society, and that society is to he car- mended for the manner in which it displays, interprets and utilises this landma mansion. __________ NATICINAL HISTORIC LANDMARK NOMINATION m Pt !9-P - Wfl NRI t’ a. 1-16 O No. I4-I; ThE BREAKERS Page 1 ____ se W PM Sat - Ngja.I bgt & Htie Pbca Reisnt p 1.
Recommended publications
  • February 1920
    ii^^ir^?!'**i r*sjv^c ^5^! J^^M?^J' 'ir ^M/*^j?r' ?'ij?^'''*vv'' *'"'**'''' '!'<' v!' '*' *w> r ''iw*i'' g;:g5:&s^ ' >i XA. -*" **' r7 i* " ^ , n it A*.., XE ETT XX " " tr ft ff. j 3ty -yj ri; ^JMilMMIIIIilllilllllMliii^llllll'rimECIIIimilffl^ ra THE lot ARC HIT EC FLE is iiiiiBiicraiiiEyiiKii! Vol. XLVII. No. 2 FEBRUARY, 1920 Serial No. 257 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: ]. A. OAKLEY COVER Design for Stained Glass Window FAGS By Burton Keeler ' NOTABLE DECORATIVE SCULPTURES OF NEW YOKK BUILDINGS _/*' 99 .fiy Frank Owen Payne WAK MEMORIALS. Part III. Monumental Memorials . 119 By Charles Over Cornelius SOME PRINCIPLES OF SMALL HOUSE DESIGN. Part IV. Planning (Continued) .... .133 By John Taylor Boyd, Jr. ENGLISH ARCHITECTURAL DECORATION. Part XIII. 155 By Albert E. Bullock PORTFOLIO OF CURRENT ARCHITECTURE . .169 ST. PHILIP'S CHURCH, Brunswick County, N. C. Text and Meas^ ured Drawings . .181 By N. C. Curtis NOTES AND COMMENTS . .188 Yearly Subscription United States $3.00 Foreign $4.00 Single copies 35 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL RECORD COMPANY 115-119 FOFvIlt I i I IStt I, NEWINCW YORKTUKN WEST FORTIETHM STREET, H v>^ E. S. M tlli . T. MILLER, Pres. W. D. HADSELL, Vice-Pres. J. W. FRANK, Sec'y-Treas. DODGE. Vice-Pre* ' "ri ti i~f n : ..YY '...:.. ri ..rr.. m. JT i:c..."fl ; TY tn _.puc_. ,;? ,v^ Trrr.^yjL...^ff. S**^ f rf < ; ?SIV5?'Mr ^7"jC^ te :';T:ii!5ft^'^"*TiS t ; J%WlSjl^*o'*<JWii*^'J"-i!*^-^^**-*''*''^^ *,iiMi.^i;*'*iA4> i.*-Mt^*i; \**2*?STO I ASTOR DOORS OF TRINITY CHURCH.
    [Show full text]
  • Newport Experience Table of Contents
    BTSQ Secluded Destinations Newport Experience Table of Contents Newport, Rhode Island Local Sightseeing (4 hours)..........................................................1 Newport, Rhode Island Local Sightseeing (6 hours)..........................................................3 Newport, RI Mansions, Landscape, Gardens Day Trip from Boston..................................5 Newport, RI Mansions, Landscape, Gardens Day Trip from Boston - Helicopter ..............8 Newport, RI Mansions, Landscape, Gardens Day Trip from Boston - Private Jet............11 Newport, RI Mansions, Landscape, Gardens Day Trip from NYC - Helicopter.................14 Newport, RI Mansions, Landscape, Gardens Day Trip from NYC - Private Jet................17 Newport Hotel Recommendations....................................................................................20 Newport, Rhode Island Sightseeing Program Duration: 4 hours with a Tour Guide Experience: . Newport, Rhode Island is an extraordinary destination! On this tour, you will see and hear about what Thornton Wilder referred to as, “the 9 lives of the city by the sea”! Filled with natural beauty, history, and spectacular architecture, this stop will not disappoint. Start with your day with a drive through the older part of town. For over 100 years, Newport thrived as a British Colony. It’s a great story, and you will see some interesting architecture from that era. From there, head out to experience Newport’s incredible views on the famous Ocean Drive. There is no shortage of things to see and talk about in Newport. Eventually Ocean Drive turns into Bellevue Avenue, where most of the gilded age mansions are located. With your tour guide, you will drive past and discuss many of them, then stop and tour the Breakers, which was once the summer home of Alice and Cornelius Vanderbilt II. The Breakers is the grandest of Newport’s “cottages” and a symbol of the Vanderbilt family’s wealth at the turn of century in America.
    [Show full text]
  • RETROSPECTIVE BOOK REVIEWS by Esley Hamilton, NAOP Board Trustee
    Field Notes - Spring 2016 Issue RETROSPECTIVE BOOK REVIEWS By Esley Hamilton, NAOP Board Trustee We have been reviewing new books about the Olmsteds and the art of landscape architecture for so long that the book section of our website is beginning to resemble a bibliography. To make this resource more useful for researchers and interested readers, we’re beginning a series of articles about older publications that remain useful and enjoyable. We hope to focus on the landmarks of the Olmsted literature that appeared before the creation of our website as well as shorter writings that were not intended to be scholarly works or best sellers but that add to our understanding of Olmsted projects and themes. THE OLMSTEDS AND THE VANDERBILTS The Vanderbilts and the Gilded Age: Architectural Aspirations 1879-1901. by John Foreman and Robbe Pierce Stimson, Introduction by Louis Auchincloss. New York: St. Martin’s Press, 1991, 341 pages. At his death, William Henry Vanderbilt (1821-1885) was the richest man in America. In the last eight years of his life, he had more than doubled the fortune he had inherited from his father, Commodore Cornelius Vanderbilt (1794-1877), who had created an empire from shipping and then done the same thing with the New York Central Railroad. William Henry left the bulk of his estate to his two eldest sons, but each of his two other sons and four daughters received five million dollars in cash and another five million in trust. This money supported a Vanderbilt building boom that remains unrivaled, including palaces along Fifth Avenue in New York, aristocratic complexes in the surrounding countryside, and palatial “cottages” at the fashionable country resorts.
    [Show full text]
  • Servants' Passage
    SERVANTS’ PASSAGE: Cultural identity in the architecture of service in British and American country houses 1740-1890 2 Volumes Volume 1 of 2 Aimée L Keithan PhD University of York Archaeology March 2020 Abstract Country house domestic service is a ubiquitous phenomenon in eighteenth and nineteenth century Britain and America. Whilst shared architectural and social traditions between the two countries are widely accepted, distinctive cultural identity in servant architecture remains unexplored. This thesis proposes that previously unacknowledged cultural differences between British and American domestic service can be used to rewrite narratives and re-evaluate the significance of servant spaces. It uses the service architecture itself as primary source material, relying on buildings archaeology methodologies to read the physical structures in order to determine phasing. Archival sources are mined for evidence of individuals and household structure, which is then mapped onto the architecture, putting people into their spaces over time. Spatial analysis techniques are employed to reveal a more complex service story, in both British and American houses and within Anglo-American relations. Diverse spatial relationships, building types and circulation channels highlight formerly unrecognised service system variances stemming from unique cultural experiences in areas like race, gender and class. Acknowledging the more nuanced relationship between British and American domestic service restores the cultural identity of country house servants whose lives were not only shaped by, but who themselves helped shape the architecture they inhabited. Additionally, challenging accepted narratives by re-evaluating domestic service stories provides a solid foundation for a more inclusive country house heritage in both nations. This provides new factors on which to value modern use of servant spaces in historic house museums, expanding understanding of their relevance to modern society.
    [Show full text]
  • The Breakers Palm Beach - More Than a Century of History
    FOR IMMEDIATE RELEASE CONTACT: Sara Flight (561) 659-8465 Bonnie Reuben (310) 248-3852 [email protected] [email protected] The Breakers Palm Beach - More than a Century of History PALM BEACH, FL – The Breakers’ celebrated history is a tribute to its founder, Henry Morrison Flagler, the man who transformed South Florida into a vacation destination for millions. Now into its second century, the resort not only enjoys national and international acclaim, but it continues to thrive under the ownership of Flagler’s heirs. Flagler’s Fortune and Florida’s East Coast When Henry Morrison Flagler first visited Florida in March 1878, he had accumulated a vast fortune with the Standard Oil Company (today Exxon Mobil) in Cleveland and New York as a longtime partner of John D. Rockefeller. In 1882, with the founding of the Standard Oil Trust, the then 52-year-old was earning and able to depend on an annual income of several millions from dividends. Impressed by Florida’s mild winter climate, Flagler decided to gradually withdraw from the company's day-to-day operations and turn his vision towards Florida and his new role of resort developer and railroad king. In 1885, Flagler acquired a site and began the construction of his first hotel in St. Augustine, Florida. Ever the entrepreneur, he continued to build south towards Palm Beach, buying and building Florida railroads and rapidly extending lines down the state's east coast. As the Florida East Coast Railroad opened the region to development and tourism, Flagler continued to acquire or construct resort hotels along the route.
    [Show full text]
  • Map of 359 Thames Street - Northeast & Downtown Newport, RI
    Map of 359 Thames Street - Northeast & Downtown Newport, RI Scenic DOWNTOWN NEWPORT POINTS OF INTEREST 1 Hunter1 House Perrotti Park / Newport Harbor Shuttle / Block Island Ferry / 2 Water Taxi Rose Island 3 The Museum of Newport History Light House Trinity Church / Queen Anne Square / 4 Installation: The Meeting Room by Maya Lin 5 Seamen’s Church Institute 6 Bannister’s and Bowen’s Wharf/Jamestown Ferry Newport Visitor 7 Samuel Whitehorne House Museum Information & Transportation Center 8 International Yacht Restoration School 9 King Park Goat Island Newport Light House Train Depot 10 Fort Adams State Park / Sail Newport Cardines Field Historic Fort Adams / Museum of Yachting / Sail Newport 11 Waterfront Center 12 Eisenhower House Newport 13 Newport Public Library Shipyard 14 St. Mary’s Church Easton’s Beach / Newport Exploration Center Newport 15 Yacht Club Perrotti Park 16 Newport Artillery Company 17 Washington Square / Old Colony House Newport Harbor Shuttle 18 Touro Synagogue / Loeb Visitor Center/ Newport Historical Society 19 Redwood Library / Old Stone Mill / Newport Art Museum y 20 International Tennis Hall of Fame and Museum / Casino Theater r r e y F r r 21 Kingscote d e n F a l s n I 22 Isaac Bell House w k o t c s o e Touro 23 The Elms l Park B m a 24 The Breakers Stable J 25 Chateau-sur-Mer 26 National Museum of American Illustration 27 28 Marble House Parking for 3 cars is included with your stay in the underground parking garage 29 Rough Point located at the intersection of Thames Street & Gidley Street 30 The Breakers (To access the parking garage you must 31 Salve Regina University, Ochre Court use Thames Street.
    [Show full text]
  • Circle of Scholars
    Circle of Scholars 2021 Spring Online Circle Courses of Scholars Salve Regina University’s Circle of Scholars is a lifelong learning program for adults of all inclinations Online Seminar Catalog and avocations. We enlighten, challenge, and entertain. The student-instructor relationship is one of mutual respect and offers vibrant discussion on even the most controversial of global and national issues. We learn from each other with thoughtful, receptive minds. 360 degrees. Welcome to Salve Regina and enjoy the 2020 selection of fall seminars. Online registration begins on Wednesday, February 3, 2021 at noon www.salve.edu/circleofscholars Seminars are filled on a first-come, first-served basis. Please register online using your six-digit Circle of Scholars identification number (COSID). As in the past, you will receive confirmation of your credit card payment when you complete the registration process. For each seminar you register for, you will receive a Zoom email invitation to join the seminar 1-3 days before the start date. If you need assistance or have questions, please contact our office at (401) 341-2120 or email [email protected]. Important Program Adjustments for Spring 2021 • Most online seminars will offer 1.5 hour sessions. • Online class fees begin at $15 for one session and range to $85 for 8 sessions. • The 2019-2020 annual membership was extended from July 2019 - December 2020 due to COVID- 19. Membership renewal is for • Zoom is our online platform. If you do not have a Zoom account already, please visit the Zoom website to establish a free account at https://zoom.us.
    [Show full text]
  • Salve Regina University Campus
    Presentations will be in O’Hare Academic Center, Lecture Hall 260, Number 7 on the campus map Banquet, June 4, 2013, is being held in Ochre Court, Number 1 on the campus map Dorm Rooms are in Founders Hall, 218 Ruggles Avenue, Number 42 on the campus map and Watts Sherman, 35 Shepard Avenue, Number 39 on the campus map Lunch will be provided at O’Hare Academic Center on June 3, 4, 5, 2013. The University’s Wakehurst Student Center, Number 15 on the campus map is available for meals. The hours are Breakfast 7:30am to 9:00am, Lunch 11:30am to 12:30pm, Dinner 5:30pm to 7:00pm. This is a cafeteria style facility. You will be responsible for payment of your meals at this facility. LEGEND 1. Ochre Court 2. Our Lady of Mercy Chapel & Spiritual Life Center 3. Marian Hall 4. Angelus Hall** 5. McAuley Hall** K AL LK W 6. Gatehouse WA FF FF LI CLI C 7. O’Hare Academic Center** 8. New Residence* 1 5 9. Miley Hall* The Breakers 4 10. 162 Webster Street* Ochre 11. Stonor Hall Court 3 12. Drexel Hall 13. Tobin Hall (Security Office) 14. Rodgers Recreation Center 15. Wakehurst** 6 • 16. McKillop Library** • 17. Munroe Center 7 2 18. Hunt/Reefe Halls* 11 9 19. Moore Hall* 8 20. McLean House 12 21. Ochre Lodge* Labyrinth 21 22. Nethercliffe* © 18 17 23. 87 Victoria Avenue 25 24. Graystone Cottages 13 16 25. Conley Hall 15 • • 26. Office of Facilities 19 27. Grounds Garage and Offices © • 28.
    [Show full text]
  • Copyright by CLP Research 1600 1700 1750 1800 1850 1950 1650
    1600 Copyright by CLP Research Jan Aertsen Vanderbilt (1627-1705) Main Political Affiliation: Partial Genealogy of the Vanderbilts, Part II (Emigrated from De Bilt, Utrecht, Netherlands to New Netherlands, 1650) (of New York) = Annetjt Hendricks 1763-83 Whig/Revoutionary (1629-55) 1789-1823 Republican 1824-33 National Republican 1834-53 Whig Aris Janse Vanderbilt Aert Janse Vanderbilt 2 Others 1650 (1651-1715) (1653-1711) 1854- Republican = Hillagonde Vanderbeek SEE VANDERBILT OF NY (1653-1742) GENEALOGY PART I & VANDERBILT OF NJ GENEALOGY 4 Others Jacob Vanderbilt I (1689-1760) 1700 = Neeltje DenyseTeunnison (1696-1770) 3 Others Jacob Vanderbilt II (1723-68) = Mary Spragg (1728-81) 1750 1 Daughter Cornelius Vanderbilt I (1764-1832) = Phebe Hand (1767-1854) "Commodore" Cornelius Vanderbilt II (1794-1877) (born Staten Island NY) (Shipping line owner; RR investor for properties that became the NY Central RR); ($105 million estate) 1800 = Sophia Johnson (1795-1868) (inn/tavern owner) 12 Others William Henry Vanderbilt I (1821-85) (Philanthropist; built NY Metropolitan Opera) ($200 million estate) = Maria Kissim (1821-96) 6 Others Cornelius Vanderbilt William Kissim Vanderbilt II George Washington Vanderbilt 1850 (1843-99) (1849-1920); ($65 million estate) (1862-1914) ($72 million estate) (owner, Western Union Telegraph Co.) (built Biltmore = Alice Claypool Gwynne Alvah Erskine Smith of AL = = Anne H. Harriman Estate in NC) (1850-1934) (1853-1933); (suffragette, 1903) (Sands) (Rutherford) (built $2 million Marble House in Newport RI) (1861-1940)
    [Show full text]
  • Medicean Aspirations in America: the Impact of William H
    Medicean Aspirations in America: The Impact of William H. Vanderbilt’s New York Drawing- room on American Palace Décor Edward James Heimiller Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2011 ©2011 Edward James Heimiller All Rights Reserved Contents Plate List i Introduction 1 1. William H. Vanderbilt’s Drawing-room at 640 Fifth Avenue 10 2. The Venetian Princess Across the Street 31 3. A Return to the Past & Further Publication: The Morgan Drawing-room 47 4. The Conspicuous Southern Rebels: The Garrett’s Social Rise 58 5. William H. Vanderbilt’s Maven ‘Medicean’ Part as American Royalty 75 Notes 83 Bibliography 106 Plates 112 Plate List 1 An interior view of the 1851 Crystal Palace Exhibition, London 2 View of Chatsworth in Derbyshire from the South Lawn in winter 3 Chatsworth‟s sculpture gallery 4 Alnwick Castle 5 Alnwick Castle, Saloon 6 Chateau-sur-Mer 7 Chateau-sur-Mer, Ballroom 8 Chateau-sur-Mer, Dining room 9 Chateau-sur-Mer, Library 10 Chateau-sur-Mer, Dining room (Artistic Houses) 11 Chateau-sur-Mer, Library (Artistic Houses) 12 William H. Vanderbilt Drawing-room at 640 Fifth Avenue (Artistic Houses) 13 William H. Vanderbilt 14 Cornelius Vanderbilt (The Commodore) 15 Marble Row 16 Rebecca Colford Jones townhouses 17 Cosimo de‟Medici (1389 -1464) 18 Palazzo de Medici, Florence 19 Alexander T. Stewart House 20 Maria Louisa Kissman (1821-1896) 21 William B.
    [Show full text]
  • Sherman Associates
    Final Report Analysis of Rehabilitation/ Redevelopment Options DRAFT Glendale Townhomes Prepared by: Sherman Associates June 2016 urban development: apartments commercial hospitality 1 Table of Contents • Introduction to Glendale Townhomes • Executive Summary • Development Services Agreement between MPHA and Sherman Associates • Development Team Experience • Current Site Plan • Considerations for MPHA • Rehabilitation/Redevelopment Recommendations • Sources of Funds • Development Phasing and Tenant Retention Plan • Recommendations and Conclusions • Underwriting Assumptions DRAFT urban development: apartments commercial hospitality 2 Introduction to Glendale Townhomes Glendale Family Townhomes is a housing community originally built in 1952 on a 12.5 acre site in the Prospect Park neighborhood of Southeast Minneapolis. The community consists of 184 residential units in 28 townhome style buildings, all currently owned and managed by the Minneapolis Public Housing Authority (MPHA). The development con- tains the following unit types: 26 one-bedroom, 70 two-bedrooms, 70 three-bedrooms, and 18 four-bedroom apartments. Although the grounds are well-maintained, some of the building components and systems have reached or exceeded their life expectancy and are in need of replacement in the near future. In an effort to assess the buildings’ current needs and longevity, the MPHA con- ducted a Physical Needs Assessment (PNA) in 2015 which indicated $15 million in current Americanphysical needs with forDisabilities Glendale, Act with of 1990the figure
    [Show full text]
  • 2425 Hermon Atkins Macneil, 1866
    #2425 Hermon Atkins MacNeil, 1866-1947. Papers, [1896-l947J-1966. These additional papers include a letter from William Henry Fox, Secretary General of the U.S. Commission to the International Exposition of Art and History at Rome, Italy, in 1911, informing MacNeil that the King of Italy, Victor Emmanuel III, is interested in buying his statuette "Ai 'Primitive Chant", letters notifying MacNeil that he has been made an honorary member of the American Institute of Architects (1928) and a fellow of the AmRrican Numismatic Society (1935) and the National Sculpture Society (1946); letters of congratulation upon his marriage to Mrs. Cecelia W. Muench in 1946; an autobiographical sketch (20 pp. typescript carbon, 1943), certificates and citations from the National Academy of Design, the National Institute of Arts and letters, the Architectural League of New York, and the Disabled American Veterans of the World War, forty-eight photographs (1896+) mainly of the artist and his sculpture, newspaper clippings on his career, and miscellaneous printed items. Also, messages of condolence and formal tri­ butes sent to his widow (1947-1948), obituaries, and press reports (1957, 1966) concerning a memorial established for the artist. Correspondents include A. J. Barnouw, Emile Brunet, Jo Davidson, Carl Paul Jennewein, Leon Kroll, and many associates, relatives, and friends. £. 290 items. Maim! entry: Cross references to main entry: MacNeil, Hermon Atkins, 1866-1947. Barnouw, Adrian Jacob, 1877- Papers, [1896-l947J-1966. Brunet, Emile, 1899- Davidson, Jo, 1883-1951 Fox, William Henry Jennewein, Carl Paul, 1890- Kroll, Leon, 1884- Muench, Cecelia W Victor Emmanuel III, 1869-1947 See also detailed checklists on file in this folder.
    [Show full text]