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Mozart on the Stage John A. Rice Index More Information Cambridge University Press 978-0-521-81634-2 - Mozart on the Stage John A. Rice Index More information index Adamberger, Valentin, 65, 98, 100, 216, 222 Beaumarchais, Caron de, Afferri, Giuseppe, 12 Le Mariage de Figaro, 66 Affligio, Giuseppe, 56–57, 59 Tarare, 19 Aguiari, Lucrezia, 114–115 Bedini, Domenico, 121, 155, 229 Albizzi, Luca Casimiro degli, 50 Benedetti, Pietro, 45, 95 Alessandri, Felice, Il vecchio geloso, 206 benefit performances, 5–6, 233 Anderson, Emily, 244 Benucci, Francesco, 85, 118, 148, Anfossi, Pasquale, 209–212 La finta giardiniera, 33, 218 Berlin, 230–231, 235 Zenobia in Palmira, 126 Bernasconi, Antonia, 117 applause, 5, 213–214, 220–221, 236–237 Bertati, Giovanni, Aprile, Giuseppe, 52, 239 Il convitato di pietra, 53, 121 Ascanio in Alba, 1, 19, 25, 30, 51, 75, 161 Il capriccio drammatico, 53, 122 composition, 99, 100 Bertolazzi, Lorenzo, 15 plot, 35, 36 Bertoni, Ferdinando, 243, 247 reception, 5, 143 Bettinelli, Saverio, 195 sets, 175 Binder, Baron, 69 Attwood, Thomas, 250 Bittner, Norbert, 187–190 audience, Boccherini, Giovanni Gastone, 60, 97, 98, in Milan, 198–199, 204 179 in Naples, 202–203 contract, 73 in Prague, 165 Le donne letterate, 60, 73, 75–76 at rehearsals, 146 Salieri’s relations with, 60, 75–76 in Rome, 201–202 Bondini, Caterina, 156 in Vienna, 165, 204–212 Bonno, Giuseppe, 58 Auersperg, Countess Maria Josepha, 207, Borghi, Giovanni Battista, 46 225 Borgini, Giuseppe, 245 autograph scores, 104–112 Brandenburg, Daniel, 249 Braun, Peter von, 40 Bach, Johann Christian, Bretzner, Christoph Friedrich, Belmont und Adriano in Siria, 6 Constanze, 65, 81, 85 “Non so d’onde viene,” 130 Burgtheater, 5, 56, 161, 162, 166, 168, backdrops, 174 178 Backhaus, Wilhelm, 233 auditorium, 164, 165 Baglioni, Antonio, 40, 119–128, 131 backstage area, 173 Nuovi esercizi per il canto, 123–126 boxes, 167 Baranius, Henriette, 231 destruction, 163 Barbieri, Giovan Domenico, 162, 164 division of parterre, 165 Barrington, Daines, 6–7 as “Nationaltheater,” 61 Barta, Joseph, Il mercato di Malmantile, orchestra, 142–143 219 scenery, 176 Bassi, Luigi, 156, 188, 190 stage, 174 Bastien und Bastienne, 19, 22, 161, 239 Burney, Charles, 7, 142, 197, 204 plot, 35, 36 Bussani, Francesco, 209, 211 270 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-81634-2 - Mozart on the Stage John A. Rice Index More information Index 271 cabals, 143–144, 213 rehearsals, 137 Calvesi, Vincenzo, 118, 209, 211 “S’altro che lagrime,” 181 Calzabigi, Ranieri de’, 60 “Se all’impero, amici dei,” 127–128, 181 Cannabich family, 102, 145 scenery, 180–183, 186 Carattoli, Francesco, 57 “Serbate o dei custodi,” 186 Carcani, Giuseppe, Tigrane, 28–29 simple recitative, 96 Caribaldi, Gioacchino, 57, 119 Clive, Margaret, 6 Carlotti, Marchese, 14 Coltellini, Celeste, 118, 211 Carl Theodor, elector of Bavaria, 146 Consoli, Tommaso, 52–53, 131 Carnival contracts for operatic composers, 40, 44, balls, 23–27 46–50 Italy, 11–13, 20 copyists, 104–107, 235–236 masks, 23, 29 Corneilson, Paul, 232 Milan, 29, 199 Cos`ı fan tutte, 19, 41, 89, 120, 161 Munich, 4, 27, 53, 54 “Ah guarda sorella,” 108, 111 and opera, 22–31 “Ah lo veggio,” 151 operatic season, 43, 199 “Al fato dan legge,” 106, 108 Venice, 23, 24 “Alla bella Despinetta,” 106–108 Vienna, 3 autograph, 94, 104–112 Carpaccio, Antonio, 120 as Carnival opera, 30 Caselli, Vincenzo, 15 composition, 101 Casetti, Salvatore, 15 cuts, 151 Castiglione, Federico, 146 “Di scrivermi ogni giorno,” 106 Cavalieri, Caterina, 65, 98, 176, 177, 210 finale of act 1, 151 Ceccarelli, Francesco, 116 finale of act 2, 93, 151 Charri`ere, Isabelle de, 39 “Fra gli amplessi in pochi istanti,” Cherubini, Luigi, 11 110–111 Chiesa, Melchior, 200 Mozart’s fee, 68 “Ch’io mi scordi di te”/“Non temer amato “Non siate ritrosi,” 151 bene,” K. 505, 130 overture, 151 Cicognani, Giuseppe, 15 performing score, 151 Cigna-Santi, Vittorio Amadeo, Mitridate, 51, “Per piet`a, ben mio, perdona,” 105, 52 155 Cimarosa, Domenico, 39, 46, 202 playbill, 158 Gianina e Bernardone, 207 plot, 35–37 Il matrimonio segreto, 68 reception, 219 Le trame deluse, 207 rehearsals, 101, 118, 140, 144 La vergine del sole, 126 scenery, 179–180 clavichord, 92, 98 “Secondate aurette amiche,” 105 Clavier, 92, 98, 138, 141, 145, 214 “Sento, o Dio, che questo piede,” 108 Clement XIII, pope, 51 . sketches, 93 La clemenza di Tito, 19, 24, 30, 44, 155, 161, “Soave sia il vento,” 108 214 “Tutti accusan le donne,” 105 “Ah perdona al primo affetto,” 229 “Un’ aura amorosa,” 106 “Che del ciel, che degli dei,” 237 Cremona, 14, 15 “Come ti piace imponi,” 82 Crescentini, Girolamo, 41 commission, 40, 42, 46 Cuvilli´es, François, 27, 162 composition, 92, 101, 207 Cuvilli´es Theater, Munich, 26, 53, 55, 161, “Deh per questo istante solo,” 155, 181 162, 165, 170 first performance, 218 auditorium, 28, 164, 165, 172 “Non piu` di fiori,” 181, 229, 236–237 boxes, 28, 167 overture, 103 orchestra, 143 “Parto, ma tu, ben mio,” 229 parterre, 165 plot, 35–37 reassembly, 163 reception, 228–229 stage, 27, 173, 174 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-81634-2 - Mozart on the Stage John A. Rice Index More information 272 Index Dal Prato, Vincenzo, 116, 119, 155 “Frisch zum Kampfe,” 231 Dal Re, Marc’Antonio, 25, 28–29 keyboard-vocal score, 233–234 Danzi Lebrun, Fransziska, 13 libretto, 81–85 Da Ponte, Lorenzo, 66–67, 73–74, 85–86, Mozart’s fee, 68 88–90, 148–150, 227 origins, 63–66 Il burbero di buon core, 66 “Marsch, marsch, marsch!” 216 Cos`ı fan tutte, 89 overture, 102–103 Don Giovanni, 89, 186–189 “O wie ¨angstlich, o wie feurig,” 100 Il finto cieco, 66, 219 plot, 35, 36 Le nozze di Figaro, 66–67, 89 reception, 213, 219, 221–222 Il ricco d’un giorno, 66, 88 scenery, 179–180, 232 as stage director, 137 “Solche hergelauf’ne Laffen,” 100 Dauer, Johann Ernst, 65, 216 “Wer ein Liebchen hat gefunden,” 82 De Amicis, Anna, 52, 95, 99, 115, 129, 130, Eszterh´aza, 91 213, 218, 236 Eybler, Joseph, 101 D’Ettore, Guglielmo, 44, 45, 52, 95 De Gamerra, Giovanni, Lucio Silla, 51, 78, 79, Fabris Afferri, Elena, 13 181–185 fees for operatic composers, 47–49, 57, Dell’Agata, Michele, 243 67–69, 233 De Rogati, Francesco Saverio, 52 Fel, Marie, 10 Diede, Louise von, 206–207 Ferdinand, archduke, 25, 47, 51, 197, 217 Don Giovanni, 19, 23, 30, 41, 53, 142, 147, 156, Ferrarese, Adriana, ii, 101, 155, 210 161, 214 Ferrari, Giacomo, 40, 202–203, 230 “Batti, batti bel Masetto,” 89 finale, 74, 98, 101, 105, 106 commission, 40, 234 La finta giardiniera, 19, 21, 30, 75, 161, 218 delayed production, 30, 153–154 commission, 40 finale of act 1, 92 delayed production, 152–153 finale of act 2, 147, 187 first performance, 220, 254 first performance, 156, 214, 216–217 introduzione, 34 “Il mio tesoro intanto,” 123 origins, 54–56 “L`a ci darem la mano,” 89 plot, 31, 33–36 Mozart’s fees, 68, 233, 234 reception, 76, 144, 220 “Non mi dir, bell’ idol mio,” 187 rehearsal, 152–153 overture, 103–104 La finta semplice, 19, 20, 56–59, 143 plot, 35–37 contract, 57 reception, 219, 227–228 fee promised, 57, 68 rehearsals, 137, 147, 156 origins, 114 scenery, 179, 186–190 rehearsal, 57, 144–145 sketches, 92 Firmian, Carl Joseph, 9, 46–48, 197 dramma per musica, 20 Firmian, Franz Lactantius, 46, 47 Durante, Sergio, 96, 180–181 Fischer, Ludwig, 65, 83, 100, 216, 222 Duschek, Josepha, 130, 143 Fischietti, Domenico, 21 Gli orti esperidi, 243 Edge, Dexter, 151 Florence, Teatro di Via della Pergola, 245 Elizabeth Wilhelmina, archduchess, 206, 211, forestage, 173 227 Frank, Joseph, 21 encores, 216, 220–221, 223, 237 Franz II (I), archduke, emperor, 137, 211 ensembles, 137–139 Frederick the Great, 196 Die Entf¨uhrung aus dem Serail, 19, 21, 30, 41, 142, Frye, Northrop, 34 161, 198, 216, 230–231, 235–236 Funck, Valerian, 27, 170 arrangements for wind instruments, 233–234 Gabrielli, Caterina, 44 autograph, 104 Galliari, Bernardino, 175 composition, 92, 98, 100 Galliari, Fabrizio, 175, 184–186, 256 cuts, 104 Galuppi, Baldassare, 94 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-81634-2 - Mozart on the Stage John A. Rice Index More information Index 273 Gasparini, Quirino, Mitridate, 52, 175 Holzbauer, Iganz, G¨unther von Schwarzburg, 13, Gassmann, Florian, 40, 56, 60 22 Gatti, Luigi, L’olimpiade, 82 Hunter, Mary, 34 Gayl (theatrical painter), 189 Gazzaniga, Giuseppe, Idomeneo, re di Creta, 14, 19, 22, 75, 143, 236 L’amore costante, 122–123 “Andro` ramingo e solo,” 138 Don Giovanni, ossia Il convitato di pietra, 53, as Carnival opera, 30 121–123 commission, 40 Il finto cieco, 62, 66, 219 composition, 116 Gellert, Christian Furchtegott,¨ 76 cuts, 76–77, 81, 150 Gerl, Barbara, 191, 192 libretto, 76–81 Gerl, Franz, 128, 154, 191, 192 overture, 102 Giardini, Felice, Il re pastore, 6 plot, 35, 36 Gluck, Christoph, 11, 22, 58, 60, 62 rehearsals, 117–118, 138–140, 145–147, Alceste, 208 155 Iphig´enie en Aulide, 69 “Se il padre perdei,” 83 Orfeo ed Euridice, 4 “Torna la pace al core,” 80, 150 Gnecco, Francesco, La prova di un’opera seria, illumination, theatrical, 30, 42 136 improvisation and embellishment, vocal, Goldoni, Carlo, 154–155, 231 La finta semplice, 57 introduzione, 34, 97 Le pescatrici, 40, 110 Jacquin, Gottfried von, 153 Il servitore di due padroni, 69 Jadot, Nicolas, 162 Goudar, Ange, 195 J´elyotte, Pierre, 10 Graun, Carl Heinrich, Rodelinda, 196 Jommelli, Niccolo,` 52, 91–92, 119, 235, 242 Greppi, Antonio, 48 Joseph II, emperor, 5, 41, 47, 57, 59, 61–62, Gr´etry, Andr´e, 22 139, 144–145, 197–198, 206, 235 Grimm, Melchior, 11 as commissioner of operas, 40, 62–64
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