The First Vaulted Churches in Cyprus
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The Sasanian Tradition in ʽabbāsid Art: Squinch Fragmentation As The
The Sasanian Tradition in ʽAbbāsid Art: squinch fragmentation as The structural origin of the muqarnas La tradición sasánida en el arte ʿabbāssí: la fragmentación de la trompa de esquina como origen estructural de la decoración de muqarnas A tradição sassânida na arte abássida: a fragmentação do arco de canto como origem estrutural da decoração das Muqarnas Alicia CARRILLO1 Abstract: Islamic architecture presents a three-dimensional decoration system known as muqarnas. An original system created in the Near East between the second/eighth and the fourth/tenth centuries due to the fragmentation of the squinche, but it was in the fourth/eleventh century when it turned into a basic element, not only all along the Islamic territory but also in the Islamic vocabulary. However, the origin and shape of muqarnas has not been thoroughly considered by Historiography. This research tries to prove the importance of Sasanian Art in the aesthetics creation of muqarnas. Keywords: Islamic architecture – Tripartite squinches – Muqarnas –Sasanian – Middle Ages – ʽAbbāsid Caliphate. Resumen: La arquitectura islámica presenta un mecanismo de decoración tridimensional conocido como decoración de muqarnas. Un sistema novedoso creado en el Próximo Oriente entre los siglos II/VIII y IV/X a partir de la fragmentación de la trompa de esquina, y que en el siglo XI se extendió por toda la geografía del Islam para formar parte del vocabulario del arte islámico. A pesar de su importancia y amplio desarrollo, la historiografía no se ha detenido especialmente en el origen formal de la decoración de muqarnas y por ello, este estudio pone de manifiesto la influencia del arte sasánida en su concepción estética durante el Califato ʿabbāssí. -
Gable Roof, Often Decorated Or Pierced in Victorian Houses
Part E Appendices Village of Maple Heritage Conservation District Plan 141 Appendix A: Glossary of Architectural Terms Italicised words are defined in other entries. ABA rhythm: a pattern of alternating bays. Other rhythms might be ABBA, or AABBAA, for example. Arcade: a running series of arches, supported on piers or columns. Arch: a curved structure over an opening, supported by mutual lateral pressure. Architrave: The lowest division of an entablature. Ashlar: Squared stone masonry laid in regular courses with fine joints. Balustrade: A parapet or guard consisting of balusters supporting a rail or coping. The stair rail on the open side of a household stair is a common example of a balustrade. Barge board: The board along the edge of a gable roof, often decorated or pierced in Victorian houses. Battlement: A notched parapet, like on a castle. Also called castellation. The notches are called embassures or crenelles, and the raised parts are called merlons. Bay: Divisions of a building marked by windows, pilasters, etc. An Ontario cottage with a centre door and windows on either side would be called a 3-bay house with an ABA rhythm. Bay window: A group of windows projecting beyond a main wall. Commonly with angled sides in the Victorian style, and rectangular in Edwardian. Bipartite: In two parts. Blind: An imitation opening on a solid wall is called blind. Thus a blind arch, a blind window, a blind arcade. Board-and-batten: Wood siding consisting of wide vertical boards, the joints of which are covered by narrow vertical strips, or battens. Bond: A pattern of bricklaying in a wall. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
History and Hybridity in the Trapeza Church Near Famagusta, Cyprus1
ALLAN LANGDALE Historian of Art and Architecture University of California at Santa Cruz History and Hybridity in the Trapeza Church near Famagusta, Cyprus1 I—Introduction The church at Trapeza has been largely neglected in the art historical literature on medieval and early modern Cyprus, garnering only occasional attention from scholars in the field.2 This is surprising because it is one of Cyprus's most intrigu- ing and challenging structures. Moreover, it contains a significant example of me- dieval Cypriot mural art that has gone largely unstudied: a fragmentary Pantocrator in the earlier of the two domes of the church, possibly dating from the fourteenth century. This extraordinary fresco, even if partially ruined, deserves to take its place among the masterworks of medieval Cypriot art. Perhaps one reason that the church's architectural features have been overlooked is that there has typically been greater consideration accorded those Cypriot churches that contain notewor- thy mural art, either in fresco or mosaic.3 If such pictorial remnants have justified ancillary discussions of architecture in earlier scholarship, then the revelation of the Trapeza Pantocrator supplies ample validation for a more comprehensive study of the church's architectural style and history. The Trapeza church is a fascinating conundrum and its somewhat ungainly hybridity may have dampened the enthusiasm of researchers of previous eras. Camille Enlart was so underwhelmed that he wrote only a cursory description of it.4 However, the syncretism that once affronted the aesthetic refinement of earlier 1. I would like to thank Benjamin Arbel and Annemarie Weyl Carr for their generosity and advice on this article. -
Bishop Porfyrios of Neapolis of the Church of Cyprus
Speech of His Grace Bishop Porfyrios of Neapolis “Religious Freedom in the Republic of Cyprus” at the event: “Human Rights within the European Union” (05-12-2018). In July 1974, as many of you will know, Turkey invaded Cyprus with a large military force, taking advantage of the coup d’état carried out by the military junta in Greece against Archbishop Makarios III, the elected President of the Republic of Cyprus. On August 16, the fighting stopped but 43 years on, the wounds to body of the island have still not healed. Some 37% of its territory remains occupied by the Turkish army, which maintains a force of 40,000 soldiers there. In so doing, it has made Cyprus one of the most heavily militarised places in the world. Some 180,000 Greek Cypriots were expelled from their homes and properties. Today, around 500 remain enclaved in the Karpas peninsula and the Maronite villages. In November 1983, the occupation regime declared the independence of the so-called “Turkish Republic of Northern Cyprus”, in a move that was condemned by the United Nations Security Council. No other country, apart from Turkey, has recognised the illegal entity. As a result of the invasion, Christian monuments and those of other faiths, sacred and archaeological sites were desecrated, looted and destroyed. Everything that adorned the 575 Orthodox churches in the occupied areas was stolen. Some 20,000 holy icons, wall paintings, mosaics, gospels, sacred vessels, manuscripts, old books, iconostases and, generally speaking, anything that could be stolen for material gain was looted and sold abroad. -
Lascarid Architecture
HANS BUCHWALD / STUTTGART LASCARID ARCHITECTURE With t,en plates After the Latin conquest of Constantinople in 1204 the Lascarid dynasty in Asia Minor, with its center initially in Nicaea, soon gained the political and military lead among the several Byzantine states which were formed on the territory of the former Byzantine empire. With only brief intervals it retained that lead throughout the period of the Latin control of Constantinople, and expanded its territorial possessions until eventually a number of Aegean islands and large parts of what is now northern Greece and Turkish Thrace were under its control. In 1261 Michael Paleologus, who had usurped the Lascarid throne only two years earlier and had become the de facto, if not the rightful heir to their empire, ended the Latin occupation of the capital, and initiated the revival and final high point of the Byzantine empire which is associated with the name of the dynasty he founded'. The artistic and cultural achievements of the Paleologue period are relatively well known, even though the qualities of Paleologue architecture. with its unusually rich repertoire of forms, have recently unjustifiably been down graded" If, as is so often the case, the political developments of the period are reflected in the arts, then the impetus of forms developed or conserved in Lascarid Asia Minor should be visible in the early monuments of Paleologue Constantinople. On the other hand, practically nothing was known until now concerning the architecture built under the Lascarids, and to my knowledge an attempt to determine its characteristics does not as yet exist. -
Security Council Distr.: General 4 June 2007
United Nations S/2007/328 Security Council Distr.: General 4 June 2007 Original: English Report of the Secretary-General on the United Nations Operation in Cyprus I. Introduction 1. The present report on the United Nations operation in Cyprus covers developments from 25 November 2006 to 25 May 2007, and brings up to date the record of activities carried out by the United Nations Peacekeeping Force in Cyprus (UNFICYP) pursuant to Security Council resolution 186 (1964) and subsequent Council resolutions, the most recent being resolution 1728 (2006). 2. As at 30 April 2007, the strength of the military component stood at 856 all ranks and the strength of the police component stood at 64 (see annex). II. Mission of good offices and other developments 3. On 15 December, the Security Council adopted resolution 1728 (2006), by which, inter alia, it expressed full support for the process agreed upon by the Greek Cypriot leader, Tassos Papadopoulos, and the Turkish Cypriot leader, Mehmet Ali Talat, on 8 July 2006, and encouraged active participation in bicommunal discussions as described in the letter dated 15 November 2006 from the then Under-Secretary-General Ibrahim Gambari, to which both leaders had responded positively, under the auspices of my Special Representative. The Security Council called for the early completion of the preparatory phase so that a fully fledged good offices process might resume as soon as possible. At the same time, the Council regretted the continued lack of trust between the parties, which had prevented the implementation of the 8 July agreement. 4. Over the past six months, my Special Representative has continued efforts aimed at facilitating the implementation of the 8 July agreement (see S/2006/572) through intensive discussions with the two leaders and their representatives. -
Congressional Record—Senate S11881
November 6, 1997 CONGRESSIONAL RECORD — SENATE S11881 SENATE CONCURRENT RESOLUTION 52 In section 3165— (e) ‘‘Restrictions on hand-carried mail and At the request of Mr. HOLLINGS, the (1) in subsection (b)(1), strike out ‘‘under newspapers should be lifted;’’ names of the Senator from Hawaii [Mr. the jurisdiction’’ and all that follows (f) ‘‘Secondary schooling for Greek-Cyp- through ‘‘Los Alamos National Laboratory’’ riots should be facilitated in the Karpas, and AKAKA], the Senator from Wisconsin and insert in lieu thereof ‘‘under the admin- teachers and school supplies for the Greek- [Mr. FEINGOLD], and the Senator from istrative jurisdiction of the Secretary at or Cypriots should be allowed to be provided Hawaii [Mr. INOUYE] were added as co- in the vicinity of Los Alamos National Lab- from the south without hindrances;’’ sponsors of Senate Concurrent Resolu- oratory’’; and (g) ‘‘All Karpas Greek-Cypriot students at- tion 52, a concurrent resolution relat- (2) in subsection (e), strike out ‘‘, the Sec- tending secondary schools or third-level in- ing to maintaining the current stand- retary of the Interior’’ and all that follows stitutions in the south should be allowed to ard behind the ‘‘Made in USA’’ label, in through the end and insert in lieu thereof return to their homes on weekends and holi- order to protect consumers and jobs in ‘‘but not later than 90 days after the sub- days;’’ the United States. mittal of the report under subsection (H) ‘‘Access to and religious sue of the (d)(1)(C), the County and the Pueblo shall monastery at Apostolos Andreas and the SENATE CONCURRENT RESOLUTION 55 submit to the Secretary an agreement be- church there by the Greek-Cypriots of the At the request of Mr. -
Appendix D: Glossary Appendix D: Glossary
APPENDIX D: GLOSSARY APPENDIX D: GLOSSARY ADAPTIVE USE. Recycling an old building for a use other than BAY. A part of a structure defined by vertical divisions such as that for which it was originally constructed. Adaptive re-use can adjacent columns or piers; a section of one or more stories that projects involve a sensitive rehabilitation that retains much of a building’s from the face of a building, usually defined by windows as in a bay original character, or it can involve extensive remodeling. window. ADDITION. A new part such as a wing, ell, or porch added to an BAY WINDOW. Fenestration projecting from an exterior wall existing building or structure. surface and often forming a recess in the interior space. ALTERATION. A visible change to the exterior of a building or BEAM. A structural member whose major function is to carry structure. transverse loads, as a joist, girder, rafter, or purlin. AMERICANS WITH DISABILITIES ACT (ADA). The BELTCOURSE. A flat, horizontal member that projects slightly and Americans with Disabilities Act, enacted in 1990, gives civil rights that defines divisions in a wall plane; also stringcourse. protections to individuals with disabilities. It guarantees equal opportunity for individuals with disabilities in public accommodations, BLIND ARCADE OF WINDOWS. A decorative row of arches employment, transportation, state and local government services, and or windows applied to a wall as an architectural design device to telecommunications. decorate an elevation; also referred to as blank windows or arches. APRON. The horizontal board or trim located below the window sill, BOARD AND BATTEN. Vertical siding composed of wide boards connecting the sill to the wall; the horizontal or angled board or trim that do not overlap and narrow strips, or battens, nailed over the member of a deck or stairway, respectively; the curved area between joints between the boards. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
The Ghosts of Famagusta
1 The Ghosts of Famagusta by Allan Langdale In the summer of 1974 Turkey invaded Cyprus, forcibly partitioning the Island into a northern, Turkish sector and a southern region known as Greek Cyprus. The international community interpreted the Turkish exploit as an illegal annexation rather than, as the Turks saw it, a justifiable intervention to prevent the ethnic cleansing of Turkish Cypriots. When the area declared itself the Turkish Republic of Northern Cyprus (TRNC) in 1983 the international community refused to recognize it. The occupation of the north meant that only the southern two-thirds of Cyprus continued to be recognized as the legitimate nation of Cyprus, while the north has persevered— propped up by subsidies and immigrants from Turkey—as a ‘military occupied zone’, a designation that has resulted in the region’s economic and cultural isolation for the past forty years. This has had innumerable political and social ramifications for Cyprus and Cypriots, both Greek and Turkish, but one of the more urgent issues is the preservation of archaeological and cultural sites in the north, many of which have been subject to neglect for four decades. The situation has become critical for many historical sites. The following is a report on some of the challenges faced by people trying to conserve the region’s incomparably rich archaeological and architectural past. We routinely hear about the U. S. economic embargos of Cuba and North Korea, but the embargo of northern Cyprus doesn’t get much press. Yet that four decade long prohibition, observed by the United States and by virtually all of the world’s nations, is one of the decisive factors impeding efforts to save the region’s numerous archaeological sites and historical works of architecture. -
A Biography of the Apostolos Andreas Monastery
CULTURAL HERITAGE AND THE CYPRUS CONFLICT: A BIOGRAPHY OF THE APOSTOLOS ANDREAS MONASTERY Maria Stefani CULTURAL HERITAGE AND THE CYPRUS CONFLICT: A BIOGRAPHY OF THE APOSTOLOS ANDREAS MONASTERY Author: Maria Stefani Student number: s1744569 Course and course code: 2021-HS Research Master Thesis Archaeology (1084VTH1Y_2021_HS) Supervisor: Prof. dr. J.C.A. (Jan) Kolen University of Leiden, Faculty of Archaeology Leiden, 30 October 2020 Final version 1 Contents 1. Introduction ........................................................................................................................... 4 1.1. Cultural heritage in armed conflict: an old relationship ........................................... 5 1.2. Cultural heritage: 20th century concepts ................................................................ 6 1.2.1. Cultural heritage as a process and the Authorized Heritage Discourse (AHD) ...... 6 1.2.2. Material agency ........................................................................................... 7 1.3. Recent theories of cultural heritage in the context of armed conflict and its aftermath . 8 1.4. Biography of place ............................................................................................. 9 1.5. Scope of the thesis ........................................................................................... 10 1.5.1. Armed conflict and cultural heritage: the case of Cyprus................................. 11 1.5.2. The Apostolos Andreas monastery ..............................................................