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Comienza El Espectáculo Valladolid Castilla Y León Lo Mires Desde Donde Lo Mires: Espectáculo

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Comienza El Espectáculo Valladolid Castilla Y León Lo Mires Desde Donde Lo Mires: Espectáculo Comienza el espectáculo Valladolid Castilla y León Lo mires desde donde lo mires: espectáculo Desde el momento en el que pones un pie dentro música y el espectáculo tienen un nuevo espacio del Centro Cultural Miguel Delibes todo a tu a su disposición, el Centro Cultural Miguel Delibes, alrededor ya es espectáculo. Un centro cultural un edificio proyectado por Ricardo Bofill que ya único para Castilla y León y para Valladolid. La es un referente internacional. La espectacularidad del exterior ilumina todo lo que La SALA DE TEATRO EXPERIMENTAL está concebida podemos encontrar dentro. Un gran AUDITORIO con especialmente para ofrecer una versatilidad casi ilimitada, capacidad para 1.700 personas y la SALA DE MÚSICA lo que la convierte en una de las pocas que existen en DE CÁMARA con un aforo de más de 500 butacas. España de estas características. El Centro Cultural Miguel Estos dos auditorios además de contar con una Delibes también es un espacio dedicado a las Artes excelente acústica natural, disponen de sistemas y Escénicas en toda su amplitud albergando la Escuela equipos que utilizan las más avanzadas tecnologías, Profesional de Danza y la Escuela Superior de Arte Dramático, y que han contado con Albert Xu e Higini Arau, ambos además del Conservatorio Profesional de Música. técnicos con gran experiencia reconocida a nivel mundial, para la ejecución y control de calidad en El Centro Cultural Miguel Delibes es la Sede este apartado. de la Orquesta Sinfónica de Castilla y León. El Centro Cultural Miguel Delibes constituye un Escuela Profesional de Danza punto de encuentro para las más de 1.000 personas y Escuela Superior de Arte Dramático que día a día desarrollan allí su actividad. Sala de Teatro Experimental Además de las tres grandes salas de espectáculos, y el Auditorio y Sede de la Orquesta espacio dedicado a la docencia, el Centro Cultural Miguel Sinfónica de Castilla y León Delibes cuenta con zonas dedicadas a exposiciones, Conservatorio Profesional de Música biblioteca con videoteca y fonoteca y espacios para la y Sala de Música de Cámara actividad congresual. El Centro Cultural Miguel Delibes en cifras: • 5.500 m2 de superficie para el Auditorio. • 1.700 butacas en el Auditorio. • 2.550 m2 de superficie para el Teatro Experimental. • 400/600 butacas en el Teatro Experimental dependiendo de la configuración del escenario. • 2.000 m2 de superficie para la Sala de Música de Cámara. • 513 butacas en la Sala de Música de Cámara. • 4.000 m2 dedicados al Conservatorio Profesional de Música. • 4.950 m2 de superficie para la Escuela Superior de Arte Dramático y la Escuela Profesional de Danza. • 1.160 m2 de zona de exposiciones y biblioteca. AUDITORIO SALA DE TEATRO EXPERIMENTAL En el Centro Cultural Miguel Delibes está todo preparado para que comience el espectáculo. Ocupen sus butacas En la cuidada y seleccionada programación encontrará espectáculos de máximo interés. Hemos convocado a los mejores músicos y artistas que participarán en los ciclos de Jazz, Flamenco, Música de Cámara y Música Sinfónica. Además, podrá disfrutar de los conciertos de la Orquesta Sinfónica de Castilla y León a lo largo del año, y de las mejores Orquestas de España y del Mundo también incluidas en la programación. Programa mayo 2007 En mayo recibimos varias visitas importantes: el Flamenco de Eva Yerbabuena, el Concerto Italiano con Rinaldo Alessandrini y la soprano Monica Piccinini, Jazz y a la Orchestre National de France. miércoles 2 mayo Concerto Italiano miércoles 9 de mayo Orquesta Sinfónica de Castilla y León Rinaldo Alessandrini, director. jueves 10 de mayo Alejandro Posada, director. Manuel Barrueco, guitarra. Monica Piccinini, soprano. Anna Simboli, soprano. Sara Mingardo, mezzosoprano. A. Fernández. Fuego. R. Sierra. Danzas concertantes para guitarra y orquesta (obra encargo OSCyL). Raffaele Giordani, tenor. Luca Dordolo, tenor. Gianluca Ferrarini, tenor. O. Respighi. Pinos de Roma. Furio Zanasi, barítono. Marco Scavazza, barítono. M. Ravel. Daphnis et Chloé (suite nº 2). Sergio Foresti, bajo. Antonio Abete, bajo. ABONO OSCYL Nº 4 Miércoles 9 mayo. 20 h. Sala Sinfónica (Abono Turno 1). Jueves 10 mayo. 20 h. Sala Sinfónica (Abono Turno 2). ENTRADAS: 9/13/18/22 ¤. Orfeo de Monteverdi, la magia de la ópera en la Sala Sinfónica del Centro Cultural Miguel Delibes, de la mano de Rinaldo Alessandrini. Una partitura viernes 11 mayo Academy of St. Martin in the Fields que ya ha sonado durante 400 años y en la que los intérpretes desarrollan su Murray Perahia, director. imaginación e interpretación de la obra original. Cuando hablamos de Haydn, Mozart y Beethoven, siempre C. Monteverdi. Orfeo (versión de concierto). pensamos en Viena, pero con pocas excepciones la vida de ABONO SALA SINFÓNICA Nº 2 un músico es francamente variada. La Sinfonía nº 31 fue Miércoles 2 mayo. 20 h. Sala Sinfónica. ENTRADAS: 15/25/30/35 ¤. compuesta en París por un Mozart de 22 años que buscaba allí su futuro. El Concierto para piano nº 2 fue estrenado en Praga por Beethoven y La Sinfonía nº 104 es la última sinfonía viernes 4 mayo de un afortunado Haydn que residía por segunda vez en Jean-Yves Thibaudet, piano Londres, donde recibía honores e importantes emolumentos. C. Debussy. Preludes. Libro 2. W. A. Mozart. Sinfonía nº 31 en Re mayor, K 297 “París”. R. Schumann. Arabesque, op 18. L. Van Beethoven. Concierto para piano y orquesta nº 2 en Si mayor, op 19. R. Schumann. Estudios sinfónicos (1852). F. J. Haydn. Sinfonía nº 104 en Re mayor “Salomon” (1795). ABONO SALA SINFÓNICA Nº 3 ABONO SALA SINFÓNICA Nº 4 Viernes 4 mayo. 20 h. Sala Sinfónica. ENTRADAS: 9/12/15/18 ¤. Viernes 11 mayo. 20 h. Sala Sinfónica. ENTRADAS: 15/25/30/35 ¤. sábado 12 mayo Eva Yerbabuena sábado 19 mayo Grigorij Sokolov, piano Baile: Eva Yerbabuena, Mercedes de Córdoba, Sonia Poveda, Asunción ¿Qué le falta a Sokolov para ser el pianista perfecto? Tiene técnica Pérez “Choni”, María Moreno, Luis Miguel González, Eduardo Guerrero, y musicalidad, pero sobre todo tiene algo que decir y lo hace. Sus Juan Manuel Zurano y Alejandro Rodríguez. interpretaciones siempre son tremendamente serias, meditadas, Guitarra: Paco Jarana y Manuel de la Luz. generosas, sinceras, personales. Incluso su mayor defecto, su timidez, Cante: Enrique Soto, Rafael de Utrera, Jeromo Segura y Pepe de Pura. es más aparente que real: Sokolov siempre graba sus discos en directo porque sólo con público se siente a gusto. Ven a la Sala Sinfónica y disfruta de ese clima único que sólo se vive en sus conciertos. Eva Yerbabuena, toda una artista del Flamenco que describe su arte: "lo que de F. Schubert. Sonata en Do menor, D. 958. verdad sé es que lo que siento se comprende cuando es bailado un cante por Soleá, A. Scriabin. Preludio y nocturno para la mano izquierda op 9. Sonata nº 3 en Fa sost. menor op 23. Seguiriya o Mirabrás. Sencillamente me dejaré llevar por las pequeñas cosas que A. Scriabin. Dos poemas op 69. Sonata nº 10 op 70. “Vers la flamme”. Poema op 72. con tanto amor protejo, haciendo partícipe a todo aquel que me conoce, no sólo ABONO SALA SINFÓNICA Nº 6 como artista y que, al fin y al cabo, han creado muchos de los valores que los Sábado 19 mayo. 20 h. Sala Sinfónica. ENTRADAS: 9/12/15/18 ¤. desconocidos reconocen en mí”. “Santo y Seña”. ABONO FLAMENCO Nº 3 miércoles 23 mayo Arcadi Volodos, piano Sábado 12 mayo. 21 h. Sala Sinfónica. ENTRADAS: 13/20/25/30 ¤. M. Clementi. Sonata en Fa sostenido menor, op 25, nº 5. J. Brahms. Dos piezas de Klavierstücke, op 76 (nº 4 y nº 5). J. Brahms. Variaciones sobre un tema original en Re mayor, op 21, nº 1. domingo 13 mayo Orchestre National de France R. Schumann. Waldszenen (Escenas del bosque), op 82. F. Liszt. La lúgubre góndola, nº 2. Kurt Masur, director. F. Liszt. Funérailles de Harmonias poéticas y religiosas. En el Centro Cultural Miguel Delibes tendremos el privilegio ABONO SALA SINFÓNICA Nº 7 de escuchar a La Orchestre National de France dirigida Miércoles 23 mayo. 20 h. Sala Sinfónica. ENTRADAS: 9/12/15/18 ¤. por Kurt Masur que interpretará una de las obras de Gustav Mahler, el último gran compositor de la tradición austro-germánica. jueves 24 mayo Orquesta Sinfónica de Castilla y León G. Mahler. Sinfonía nº 9 en Re mayor. viernes 25 mayo Josep Pons, director. Daniel Müller-Schott, violonchelo. ABONO SALA SINFÓNICA Nº 5 Domingo 13 mayo. 19 h. Sala Sinfónica. ENTRADAS: 18/30/35/40 ¤. D. Shostakovich. Concierto nº 2 para violonchelo y orquesta, op 126. J. Brahms. Sinfonía nº 3 en Fa mayor, op 90. ABONO OSCYL Nº 5 lunes 14 mayo Takács Quartet & Stephen Hough, piano Jueves 24 mayo. 20 h. Sala Sinfónica (Abono Turno 1). Viernes 25 mayo. 20 h. Sala Sinfónica (Abono Turno 2). ENTRADAS: 9/13/18/22 ¤. En esta programación de la Sala de Cámara del Auditorio protagonizada por la imaginación de los jóvenes cuartetos, el Takács -que acaba de cumplir sus bodas de plata- representa lunes 28 mayo a otra generación, aquella centrada en el respeto más Orchestre des Champs-Elysées The English Voices escrupuloso al texto musical, poniendo al autor por encima de René Jacobs, director. Tim Brown, director del coro. Bernarda Fink, mezzo. cualquier otra consideración. Este programa es un homenaje Rosemary Joshua, soprano. Lawrence Brownlee, tenor. Veronica Cangemi, a los grandes maestros del cuarteto romántico. soprano. Federico Sacchi, bajo. Romina Basso, contralto. D. Shostakovich. Cuarteto nº 11 en Fa menor, op 122. Rossini fue un compositor tan popular en la Europa decimonónica A. Dvorak. Cuarteto nº 12 en Fa mayor, op 96 “Americano”. que cuesta creer que el siglo XX lo haya dado de lado J.
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