Feeling Numbers the Emotional Impact of Proximity Techniques in Visualization
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Rhetoric and Informal Logic
UNIVERSITY OF WINDSOR Department of Philosophy Philosophy 561 Rhetoric and Informal Logic Chris Tindale Fall 2015 Chrysler Hall North 2183 M : 7:00-9:50 [email protected] CHN 2193 Office Hours: Wednesday Afternoon. Course description: The relationship between rhetoric and logic is fraught with tension, in spite of their once companionable places (along with grammar) in the trivium of the mediaeval university. Rhetoric is often dismissed as mere adornment to the substance of logic. In the early stages of the revolution in logic that gave birth to informal logic a similar disregard of rhetoric persisted. But that attitude has more recently been revised as informal logicians have entered into fruitful dialogues with contemporary rhetoricians. Still, there is a sense that rhetorical concerns can remain an afterthought for the logician, and the serious question needs still to be asked about the role that rhetoric can and should play in the development of informal modes of reasoning. In this course, we will ask that question, exploring the nature of ancient and contemporary rhetoric, the emergence of informal logic, and the ways in which the interests of the two can be seen to converge. Course Structure: The course will be conducted as a seminar/discussion. Members of the class will be expected to have read the material each week and be prepared to engage in discussion. Required Texts: All readings are listed week by week in the syllabus, and will be made available in the department, online, or through the reserve desk at the library. Requirements: 1. Two short papers responding to specific questions that arise in the first half of the term, worth 20% in each case, for a total of 40%. -
A Companion to Rhetoric and Rhetorical Criticism
A COMPANION TO RHETORIC AND RHETORICAL CRITICISM Walter Jost Wendy Olmsted, Editors Blackwell Publishing Jost/A Companion to Rhetoric and Rhetorical Criticism Final Proof 21.11.2003 5:55pm page iii ACOMPANIONTO RHETORIC AND RHETORICAL CRITICISM Edited by Walter Jost and Wendy Olmsted Jost/A Companion to Rhetoric and Rhetorical Criticism Final Proof 21.11.2003 5:55pm page iv ß 2004 by Blackwell Publishing Ltd except for editorial material and organization ß 2004 by Walter Jost and Wendy Olmsted 350 Main Street, Malden, MA 02148-5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Walter Jost and Wendy Olmsted to be identified as the Authors of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data A companion to rhetoric and rhetorical criticism / edited by Walter Jost and Wendy Olmsted. p. cm. – (Blackwell companions to literature and culture) Includes bibliographical references and index. ISBN 1-4051-0112-1 (alk. paper) 1. Rhetoric. 2. Criticism. 3. Rhetorical criticism. I. Jost, Walter, 1951–II. Olmsted, Wendy, 1943–III. Series. PN187.C65 2004 808’.042–dc21 2003012194 A catalogue record for this title is available from the British Library. -
Full Abstract Book of the Conference
FULL ABSTRACT BOOK 9th MIDTERM CONFERENCE ON EMOTIONS RN 11 “Sociology of Emotions” of the European Sociological Association (ESA) 25th–27th November 2020, online Website of the Conference: https://www.ub.edu/emotions20/ * Please, notice all times are CET. KEYNOTE LECTURES Friday, November 27th, 19-20 pm: Arlie Russell Hochschild University of California Berkeley Battle of Deep Stories and the American Election In any political struggle, one theatre of struggle is that of a legitimating “righteous story.” Focusing on the American Republican right, in this talk, Hochschild will discuss three things, a) the basic right wing deep story of blacks, women, public officials “cutting ahead” in line ahead of rule-abiding, hard-working but stuck line-waiters. She also analyzes the additional “chapters” to this story drawn from current events (eg our chosen leader will liberate us, he is under assault, etc), b) the powerful appeal of the presidential story-teller and c) the steps taken in the presidential reach for power – (incrementalism, adding a lightness to serious norms regarding violence, focus on personal loyalty, etc). She will conclude with ideas for best next steps. Thursday, November 26th, 16.30-18 pm: Amparo Lasén Universidad Complutense de Madrid, Spain Digital Mediations and Inscriptions of Ordinary Affects: Shame and Shaming Our ordinary lives, bodies, memories, relationships, fantasies, desires, affects and fears flow and inhabit different spaces, media and digital platforms, giving rise to narratives, self-(re)presentations and interactions shaped by a networked shared agency of heterogeneous participants. A networked collective of people, devices, corporations, and institutions take part in the production and archiving of digital inscriptions, which materialise our emotions and contribute to the configuration and inscription of our bodies, habits, and abilities. -
Rhetorically Speaking
Rhetorically Speaking In his acceptance speech for the German Booksellers‘ Peace Prize, awarded a few weeks before he was elected President of Czechoslovakia, Vaclav Havel talked about the power of language, warning that ―the power of words is neither unambiguous nor clear cut…Words that electrify society with their freedom and truthfulness are matched by words that mesmerize, deceive, inflame, madden, beguile….‖ He asked, ―What is the true vocation of the intellectual? …to listen careful to words—to the words of the powerful—to be watchful of them…to proclaim their implications.‖ Although primarily addressing the need to be alert to the rhetoric of those in positions of power, Havel‘s word also point to the task before teachers and students of English. What the AP English Language and Composition Examination asks for students to evaluate words—words they are to read carefully, interpret, and then ―proclaim their implications.‖ Preparing for this examination is preparing to be continually attuned to what words say and how they say it, and to be able to respond to them with an informed, critical intelligence. AP English Language and Composition Free Response Scoring Guide with Multiple-Choice Section, 1996 Whatever you say. Or whatever you write. Or whatever you do to get your point across. That is rhetoric. And, as the 15-or-so freshmen in English Professor Richard Enos‘ Freshmen Seminar discover, that‘s the art between thought and expression. Was Bill Clinton‘s A Man From Hope a folksy documentary or propaganda pushing small-town values just in time for the 1990 election? And how on earth did Orson Welles‘ 1939 radio adaptation of War of the Worlds cause people to jump from buildings and the government to prohibit similar broadcasts? By semester‘s end, Enos‘ students will be disarming such arguments like a S.W.A.T. -
Staging Poetic Justice
臺大文史哲學報 第六十五期 2006年11月 頁223~250 臺灣大學文學院 Staging Poetic Justice: Public Spectacle of Private Grief in the Musical Parade Wang, Pao-hsiang∗ Abstract This paper makes inquiries into the 1998 musical Parade by playwright Alfred Uhry and composer Jason Robert Brown, based on the historic case of Leo Frank, a Jewish industrialist from New York running a pencil factory in Atlanta and accused of murdering the 13-year-old girl Mary Phagan in 1913. How can the thorny case be represented with any fidelity on stage when all the facts have not come to light? What can a theatre researcher contribute to or comment on a controversial production of a reproduction of a historical incident that has never ceased to produce great furors over the past 90 years? In the absence of irrefutable legal evidence that could close the case and in the face of contending camps that claim justice on each side, the author will stay above the litigation fray and distance himself from any attempt to pass judgment on the innocence or guilt of people involved in the historic case. Rather, the paper first probes the context surrounding the case, including war, class, race, and to a lesser extent, sexuality by examining it from the perspective of historical legacy, such as the post-bellum South reeling from the repercussions of the Civil War defeat, the regional animosity between the highly industrialized North and New Industrial South, the class antagonism of management and labor in the pencil factory, the ethnic strife between blacks, whites, and Jews, and the conventional bias against the perceived sexual perversion of Jews and blacks. -
Emotions As Objects of Argumentative Constructions
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library Argumentation (2010) 24:1–17 DOI 10.1007/s10503-008-9120-0 Emotions as Objects of Argumentative Constructions Raphae¨l Micheli Published online: 18 October 2008 Ó Springer Science+Business Media B.V. 2008 Abstract This paper takes part in the ongoing debate on how emotions can be dealt with by argumentation theory. Its main goal is to formulate a relationship between emotion and argumentation which differs from that usually found in most of the literature on the subject. In the ‘‘standard’’ conception, emotions are seen as the objects of appeals which function as adjuvants to argumentation: speakers appeal to pity, fear, shame and the like in order to enhance the cogency of an argument which bears on something else—whether it be the validity of a disputable opinion or the opportunity of a course of action. According to the ‘‘alternative’’ conception which I propose to consider, emotions themselves may be viewed, in some cases, as the very objects of argumentation. This conception lays emphasis on the arguability of emotions. Drawing on insights from current psychological and philosophical theories, it involves a reassessment of the Aristotelian concept of pathos, as well as an in-depth critical discussion of normative and descriptive approaches to emotional appeals. Keywords Argumentation Á Cognition Á Emotion Á Pathos Á Rationality While it has long been adequate to label emotion as the ‘‘poor relation’’ of argumentation studies, an overall view of the current state of the field suggests that the situation is undergoing rapid change. -
The Rhetoric of Influence: Models for User-Centered Collaboration
The Rhetoric of Influence: Models for User-Centered Collaboration Uday Gajendar UI Design Group, Oracle Corp. 500 Oracle Parkway Redwood Shores, CA 94065 USA +1 650 506 3643 [email protected] ABSTRACT UCD experts leverage their high-level view of a problem in The goal of this paper is to suggest rhetorical strategies for discussions with others from differing (yet complementary) influencing stakeholders in a user-centered collaborative disciplines? Perhaps we should consider a step beyond process. I propose rhetoric as a guide to framing UCD, towards the art of rhetoric. interdisciplinary dialogue, thus empowering designers as RHETORICAL MODELS agents for positive change. Two ideas from scholars of Rhetoric is commonly seen as sly doubletalk by politicians rhetoric are offered: the rhetorical stance and rhetorical and scheming salespeople. Beyond this negative meaning, situation. What emerges is the theme of communication rhetoric is in fact a Classical art originating 2,500 years informing successful design practice. ago, formalized by Aristotle in a treatise to become a Keywords practical discipline devoted to studying and performing Rhetoric, user-centered design, influence, persuasion persuasive public speech [4]. As a situated “art of communication”, rhetoric offers strategies to shape INTRODUCTION people’s actions and thoughts with language [4]. Two A colleague likes to tell me that design is the easy part, but scholars offer particular models that bear upon product the hard part is convincing the right people to implement development process— Wayne Booth with his “rhetorical the recommendations. I’d like to suggest that persuading stance” and Lloyd Bitzer with his “rhetorical situation”. -
Ethos: a Survey from Classical Rhetoric
ETHOS: A SURVEY FROM CLASSICAL RHETORIC THROUGH DECONSTRUCTION BY MICHAEL A. CRONIN Bachelor of Science Northeast Missouri State University Kirksville, Missouri 1978 Master of Arts Northeast Missouri State University Kirksville, Missouri 1979 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY July,1995 OKLAHOMA STATE UNIVERSITY ETHOS: A SURVEY FROM CLASSICAL RHETORIC THROUGH DECONSTRUCTION Thesis Approved: ii ACKNOWLEDGMENTS This dissertation would not exist without the encouragement and guidance of Dr. William H. Pixton. If any of us are lucky enough to complete our education having one good teacher, we are truly fortunate. I found in August of 1979 one such teacher--Dr. Pixton--and I hope to follow in his footsteps, stumbling no doubt in the effort, but better off for having tried it. To him I dedicate this work. I am also indebted to the ceaseless efforts of Professors Batteiger, Rollins, and Bass--fine men all--who each in his own way gave me help. Dr. Batteiger introduced me to the scholarship of rhetoric; Dr. Rollins taught me how to tough it out, to stand tall under fire; and Dr. Bass showed me the expertise of a distinguished educator. Also, I would like to thank Northern Oklahoma College, which supported me beyond the call of duty in this endeavor. Without Doris, Ron, and Joe, I would have had neither the time nor the money to iii pursue this task. Without Debbie--my coach and colleague--the hum of technology would remain forever silent. -
Emotionally Appealing Ads May Not Always Help Consumer Memory 7 January 2021, by Phil Ciciora
Emotionally appealing ads may not always help consumer memory 7 January 2021, by Phil Ciciora appeals on consumers' memory has always been a bit unclear," Noel said. "So we examined the impact of different aspects of emotionally arousing ads on memory. Why did we focus on emotion? Well, in the majority of business-to-consumer ads that are crafted to drive sales, eliciting emotional activation, or arousal, plays a critical role." In three experiments using print and video ads from different English-speaking countries, Noel and co- author Hila Riemer of Ben Gurion University of the Negev tested the moderating roles of retention time and the fit between the emotional arousal communicated in the ad and the ad claim. All experiments used combinations of low- and high- Emotional appeals in advertisements may not always emotionally arousing ads. help improve consumers’ immediate recall of a product, says a new paper co-written by Hayden Noel, a clinical The researchers found that when the level of associate professor of business administration at the emotional activation elicited by the ad doesn't fit the Gies College of Business at Illinois. Credit: Gies College ad's claim, then the message conveyed ultimately of Business doesn't stick in the consumer's mind. "It's an examination of boundary conditions under which you can maximize the use of emotional In almost all successful advertising campaigns, an appeals," Noel said. "And the role of retention time appeal to emotion sparks a call-to-action that shows that low-arousal stimuli are better motivates viewers to become consumers. -
Logos Ethos and Pathos
Logos, Ethos, and Pathos Whenever you read an argument, you must ask yourself, “Is this persuasive? And if so, to whom?” There are several ways to appeal to an audience. Among them are appealing to logos, ethos, and pathos. These appeals are prevalent in almost all argument. Definitions Logos The Greek word “logos” is the basis for the English word “logic.” Logos is a broader idea than formal logic—the highly symbolic and mathematical logic that you might study in a philosophy course. Logos refers to any attempt to appeal to the intellect, the general meaning of “logical argument.” Everyday arguments rely heavily on ethos and pathos, but academic arguments rely more on logos. Yes, these arguments will call upon the writers’ credibility and try to touch the audiences’ emotions, but there will more often that not be logical chains of reasoning supporting all claims. Ethos Ethos is related to the English word “ethics” and refers to the trustworthiness of the speaker/writer. Ethos is an effective, persuasive strategy because when we believe that the speaker does not intend to do us harm, we are more willing to listen to what he/she has to say. For example, when a trusted doctor gives you advice, you may not understand all of the medical reasoning behind the advice, but you nonetheless follow the directions because you believe that the doctor knows what he/she is talking about. Likewise, when a judge comments on legal precedent, audiences tend to listen because it is the job of a judge to know the nature of past legal cases. -
Shaming Into Argumentation
ISSA Proceedings 2006 – Shaming Into Argumentation 1. Introduction I submit that appeals to shame, here defined as a concern for reputation, may be not only relevant to but make possible argumentation with reluctant addressees. Traditionally emotional appeals including shame appeals have been classified as fallacies because they are failures of relevance (Govier 2005, p. 198; van Eemeren and Grootendorst 1992, p. 134); we ought to believe or act based on the merits of a case rather than because we feel shame or some other emotion. However, Walton (1992, 2000) among others has argued that emotional appeals are not inherently fallacious, that they may also be strong or weak arguments, and that critics ought to evaluate them based on the inferential structure of the practical reasoning they involve as well as on the type of dialogue in which they occur. In what follows I aim to build on Walton’s insights that critics ought to attend to the practical reasoning involved in and the context of emotional appeals. Specifically, I argue, first, that to analyze and evaluate emotional appeals critics ought to attend to the discourse strategies that arguers actually use rather than relying on reconstructions alone. Second, I argue that to analyze and evaluate emotional appeals critics ought to consider context more broadly than the type of dialogue. Doing so enables critics to assess proportion in emotional appeals as well as the practical reasons they create, and to better understand complex argumentation such as political discourse. 2. Attending to actual discourse strategies When analyzing and evaluating emotional appeals, critics ought to attend to the discourse strategies arguers actually use rather than relying on reconstructions only for two main reasons. -
Change My Mind Teacher Guide
Teacher Guide http://www.pbs4549.org/changemymind Table of Contents Credits...................................................................................4 Using Persuasive Techniques ........... 39 Change.My.Mind:.Overview..............................................5 The.Hidden.Power.of.Connotations..................................41 Connotations............................................................... 45 Three.Considerations.When.Trying.to.Persuade...............6 Persuasive.Writing.Strategies.and.Techniques...................7 Slogans.and.Symbols.in.Commercials............................ 46 Slogans.and.Symbols:.Transfer................................. 48 Persuasion.Terminology.....................................................11 The.Power.of.Transfer................................................. 49 Celebrity.Power................................................................. 50 Learning Persuasive Techniques .......15 P..Diddy....................................................................... 52 Introduction.to.Rhetorical.Strategies.and.. Product.Comparison................................................... 53 Persuasive.Techniques........................................................17 Appeal.to.Authority.....................................................19 Rhetorical.Strategies.—.Appeals.to.Authority,.Emotions,. Appeal.to.Emotion...................................................... 20 Ethics.and.Logic................................................................. 54 Controversial.Topics..................................................