Taking Rhetoric to Work: a Dramatistic Analysis Of
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Anthropoetics V, 1
Anthropoetics V, 1 Anthropoetics V, no. 1 Spring / Summer 1999 ISSN 1083-7264 Table of Contents 1. Erik Eisel - "In the Beginning was the Word...": The Question of the Origin of Language in Goethe's Faust 2. William Mishler - The Question of the Origin of Language in René Girard, Eric Gans, and Kenneth Burke 3. Herbert Plutschow - An Anthropological Perspective on the Japanese Tea Ceremony 4. Eric Gans - The Little Bang: The Early Origin of Language 5. Benchmarks Eric Gans / [email protected] Last updated 7/23/99 http://steadr/anthropoetics/0501/ [5/10/2000 10:29:48 AM] Eisel Anthropoetics 5, no. 1 (Spring/Summer 1999) "In the Beginning was the Word...": The Question of the Origin of Language in Goethe's Faust Erik M. Eisel Department of Germanic Languages University of California, Los Angeles Los Angeles CA 90095-1539 [email protected] Beginning with the Age of Goethe, the history of the question of the origin of language follows from the general questions, "What is man?" "What is culture?" and "What is language?"(1) The Berlin Academy of Sciences conjectured in its Preisfrage of 1769 whether human beings, "abandoned to their natural faculties," are capable of inventing language. In response, the first sentence of Johann Gottfried Herder's winning "Essay on the Origin of Language" gives the starting point for new anthropological thinking in the eighteenth century, changing the history of this question: "Already as an animal the human being has language."(2) As Helmut Mueller-Sievers, the author of Self-Generation: Biology, Philosophy, and Literature Around 1800, points out, Herder's rhetorical procedure is an attempt to deny both empirical and divine origins of language while unifying his philosophical project within the domain of language: The quest for a satisfactory explanation for the origin and status of language at the end of the eighteenth century is, historically and structurally, related to the debate about the origin of living beings. -
Jeannie Epper
Jeannie Epper Service: Teddy’s E-mail: [email protected] Website: www.usastunts.com/members/epper_credits.htm Affiliations: SAG/AFTRA/WIF Stats Height: 5’ 8” Weight: 125 lbs. Eyes: Blue Hair: Blonde Abilities Car Work Horse Work Fights Motorcycles Fire Work High Falls Trampoline Tumbling Film True Lies The Package The Quick and the Dead Our Man Flint Die Hard 3 Used Cars Mother Article 99 Blown Away Romancing The Stone Beverly Hills Cop III Day of the Locus I Love Trouble Hallelujah Trail Last Action Hero Elvira The Fugitive Terms of Endearment Your Money or Your Wife Twinkle Twinkle Robo Cop Killer Kane Naked Gun 2 1/2 Roadhouse The Rookies Legal Eagles The Boyfriend School Avalanche Express Foxie Brown Another 48 Hours Switch Black Sunday Outrageous Fortune Earthquake Smokey & The Bandit II McKenna’s Gold Little Big Man Christmas Vacation 1941 Delirious Dead Again Logan’s Run Bound For Glory Cannonball Run The Jerk Peggy Sue Got Married Soylent Green The Jezebels Blazing Saddles Auntie Mame Total Recall Charlie Chan & the Dragon Queen The Naked Gun Million Dollar Mystery Movie Nameless Television Harts of the West Hill Street Blues They Came From Outer Space Cassie & Co. Alien Nation Barnaby Jones Wonder Woman VEGA$ Emergency Max Headroom Rockford Files Mike Hammer Mannix Cagney & Lacey Jake & The Fatman Fantasy Island Simon & Simon Police Woman Gunsmoke Quincy Rip Tide Midnight Caller Stir Crazy Falcon Crest Get A Life Code Name Fox Fire Remington Steele Hunter Bionic Woman Insiders Charlie’s Angels Airwolf Scruples Wild Women Marcus Welby M.D. Escape From Bogan County Hardball Ritual Of Evil Private Benjamin Cabot Connection McClains Law Overboard 240 Robert ADA Me & Mom Man In Cement Moonlighting Tales From The Crypt (HBO) Hardcastle & McCormick Days of Our Lives Stunt Coordinator Murder She Wrote Dynasty Stunt Coordinator Hart To Hart Cassie & Co. -
Rhetoric and Informal Logic
UNIVERSITY OF WINDSOR Department of Philosophy Philosophy 561 Rhetoric and Informal Logic Chris Tindale Fall 2015 Chrysler Hall North 2183 M : 7:00-9:50 [email protected] CHN 2193 Office Hours: Wednesday Afternoon. Course description: The relationship between rhetoric and logic is fraught with tension, in spite of their once companionable places (along with grammar) in the trivium of the mediaeval university. Rhetoric is often dismissed as mere adornment to the substance of logic. In the early stages of the revolution in logic that gave birth to informal logic a similar disregard of rhetoric persisted. But that attitude has more recently been revised as informal logicians have entered into fruitful dialogues with contemporary rhetoricians. Still, there is a sense that rhetorical concerns can remain an afterthought for the logician, and the serious question needs still to be asked about the role that rhetoric can and should play in the development of informal modes of reasoning. In this course, we will ask that question, exploring the nature of ancient and contemporary rhetoric, the emergence of informal logic, and the ways in which the interests of the two can be seen to converge. Course Structure: The course will be conducted as a seminar/discussion. Members of the class will be expected to have read the material each week and be prepared to engage in discussion. Required Texts: All readings are listed week by week in the syllabus, and will be made available in the department, online, or through the reserve desk at the library. Requirements: 1. Two short papers responding to specific questions that arise in the first half of the term, worth 20% in each case, for a total of 40%. -
TOTE Criticism: Speech Communication: Unions
DOCUMENT RESUME ED 199 609 CS 205 688 TITLE Rhetoric and Public Address: Abstracts of Doctoral Dissertations Pliblished in "Dissertation Abstracts International," January through June 1980 (Vol. (10 Nos. 7 through 12). INSTITUTION ERIC Clearinghouse.on Reading and Communication Skills, Urbana, Ill. 0_ PUB DATE 80 TOTE 13p.: Pages may be marginally legible. EDRS PRICE MF01/PC01 Plus Postage). DESCRIPTORS Annotated Bibliographies,: Churches; *Communication Research: Connected Discourse; Content Analysis; *Discourse Analysis: *Doctoral Dissertations: Organizational Communication: *Persuasive Discourse: Political Science; Politics; *Public Speaking: Religibus Organizations: *Rhetoric; *Rhetorical Criticism: Speech Communication: Unions; Womens Studies ABSTRACT This collection of abstracts is-part of a continuing . 'series'providing information on recent doctorgl dissertations.The'20 titles deal with-A variety oftopics, including the following: (1) the campaign communication during the Carter-Pordtelevision debates: (2) apprehensiveness and performance inpublic speaking; (3)a history and criticism 9f-the Vietnam antivar;movement:((4). a case study of institutional rhetoric and radical :Change (thecontemporary Roman Catholic Church in America):(5) synthesizing methodologies' used,:in the study of political communication during the 1976United States presidential election campaign:(6) the audience effects of (7) rhetorical vision and black social reality: 4 apoliogetic discourse: (8),a case study of organizational apologia. (theAmerican Federation of Labor, 1945-1956): and rhetorical analysesof the speeches/discourses of (9) Dorothy bay for the Catholic Worker movement, (10) British Conservative Party leader MargaretThatcher., (11) Charles Betts Galloway,(12) Carl Schurz,(13) Cleveland mayoral Candidate Arnold Pinkney,(14) Richard Nixon on Vietnam, (15) United States Senator Wayne Morse on Vietnam, (16) Supreme Court Justice Wilgam 0. Douglas on the First Amendment, (17)'U. -
The Five Key Terms of Dramatism
INTRODUCTION: THE FIVE KEY TERMS OF DRAMATISM WHAT is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of thought which, in ac- cordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of thought can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated metaphysical structures, in legal judgments, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random. We shall use five terms as generating principle of our investigation. They are: Act, Scene, Agent, Agency, Purpose. In a rounded state- ment about motives, you must have some word that names the act (names what took place, in thought or deed), and another that names the scene (the background of the act, the situation in which it oc- curred) ; also, you must indicate what person or kind of person {agent) performed the act, what means or instruments he used {agency), and the purpose. Men may violently disagree about the purposes behind a given act, or about the character of the person who did it, or how he did it, or in what kind of situation he acted; or they may even insist upon totally different words to name the act itself. But be that as it may, any complete statement about motives will offer some kind of an- swers to these five questions: what was done (act), when or where it was done (scene), who did it (agent), how he did it (agency), and why (purpose). -
Rancho Mastatal Updates January 2005
Rancho Mastatal Updates January 2005 The Ranch is bustling at the moment with a group of amazing, motivated and fascinating volunteers. Their skills range from carpentry, natural healing, writing, massage therapy, painting and even cake eating. With such a great work force at our disposal, we are continuing to move forward on many fronts. We are making great headway on the new composting toilet and shower structure highlighted by our first foray into waddle and daub. We’ve mixed up our first batch of lime putty, the base for future plasters and natural Toucan Portrait, an oil pastel piece by Delfino Cornali photo by Delfino Cornali paints and renders. Robin has a beautifully improved window and a new shelving unit and baseboards in her soon-to-be studio. The workbench is soon to follow and will pave the way for some beautiful stone and silver pieces made by the skilled hands of our matriarch. We have a new back door over at Jeanne’s house and even the solar cooker has been getting some much-needed attention. Everything is more or less status quo in the community, although Marcelo is currently in the hospital with a yet to be defined sickness. Please send him and his family some good energy and love. We’re looking forward to the upcoming renewable energy workshop and our first university group visit of the year. The weather’s been gorgeous. We’ve even been getting some unexpected but much welcome rains, helping keep everything green. As always, we’re looking forward to see many of you down here in the coming months. -
Copyright by Arthur Alvin Vanderveen, Jr. 2002
Copyright by Arthur Alvin VanderVeen, Jr. 2002 The Dissertation Committee for Arthur Alvin VanderVeen, Jr. certifies that this is the approved version of the following dissertation: Other Minds, Other Worlds: Pragmatism, Hermeneutics, and Constructive Modernism, 1890-1942 Committee: _________________________________ Warwick Wadlington, Co-Supervisor _________________________________ Phillip Barrish, Co-Supervisor _________________________________ Katherine Arens _________________________________ Evan Carton _________________________________ Brian Bremen Other Minds, Other Worlds: Pragmatism, Hermeneutics, and Constructive Modernism, 1890-1942 by Arthur Alvin VanderVeen Jr., B.A., M.Div., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2002 “The more we see, the more we think; while the more we think, the more we see in our immediate experience, and the greater grows the detail, and the more significant the articulateness of our perception.” William James Acknowledgments For their support, I would like to acknowledge the University of Texas at Austin Graduate School for a University Fellowship, the John F. Kennedy Library Foundation for an Ernest Hemingway Research Grant, and the Mellon Foundation for a Summer Seminar Grant. I cannot claim that this support speeded the completion of this project, but it did allow me to pursue my research interests more broadly and deeply than I would otherwise have been able. I extend my sincerest thanks to Warwick Wadlington, whose appreciation for the particularity and fullness of the world has taught me to avoid simple binaries and remain open to the disturbing details that lead to new insights. -
Occult Invention: the Rebirth of Rhetorical Heuresis
OCCULT INVENTION: THE REBIRTH OF RHETORICAL HEURESIS IN EARLY MODERN BRITISH LITERATURE FROM CHAPMAN TO SWIFT by MICHAEL CHARLES MCCANN A DISSERTATION Presented to the Comparative Literature Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2011 DISSERTATION APPROVAL PAGE Student: Michael Charles McCann Title: Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Comparative Literature Program by: Dianne Dugaw Co-Chairperson John T. Gage Co-Chairperson Kenneth Calhoon Member Steven Shankman Member Jeffrey Librett Outside Member and Kimberly Andrews Espy Vice President for Research and Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2011. ii © 2011 Michael Charles McCann iii DISSERTATION ABSTRACT Michael C. McCann Doctor of Philosophy Comparative Literature Program September 2011 Title: Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift Approved: _______________________________________________ Dianne Dugaw Approved: _______________________________________________ John T. Gage The twentieth-century project of American rhetorician Kenneth Burke, grounded in a magic-based theory of language, reveals a path to the origins of what I am going to call occult invention. The occult, which I define as a symbol set of natural terms derived from supernatural terms, employs a method of heuresis based on a metaphor-like process I call analogic extension. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
A Companion to Rhetoric and Rhetorical Criticism
A COMPANION TO RHETORIC AND RHETORICAL CRITICISM Walter Jost Wendy Olmsted, Editors Blackwell Publishing Jost/A Companion to Rhetoric and Rhetorical Criticism Final Proof 21.11.2003 5:55pm page iii ACOMPANIONTO RHETORIC AND RHETORICAL CRITICISM Edited by Walter Jost and Wendy Olmsted Jost/A Companion to Rhetoric and Rhetorical Criticism Final Proof 21.11.2003 5:55pm page iv ß 2004 by Blackwell Publishing Ltd except for editorial material and organization ß 2004 by Walter Jost and Wendy Olmsted 350 Main Street, Malden, MA 02148-5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Walter Jost and Wendy Olmsted to be identified as the Authors of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data A companion to rhetoric and rhetorical criticism / edited by Walter Jost and Wendy Olmsted. p. cm. – (Blackwell companions to literature and culture) Includes bibliographical references and index. ISBN 1-4051-0112-1 (alk. paper) 1. Rhetoric. 2. Criticism. 3. Rhetorical criticism. I. Jost, Walter, 1951–II. Olmsted, Wendy, 1943–III. Series. PN187.C65 2004 808’.042–dc21 2003012194 A catalogue record for this title is available from the British Library. -
October 23 - November 10, 2019 Delaware Theatre Company Press Kit
written & directed by Joshua Ravetch October 23 - November 10, 2019 Delaware Theatre Company Press Kit Bud Martin, Executive and Artistic Director Press Releases Articles: Delaware Online — Betsy Price — 02/11/2019 Harry Hamlin, Stefanie Powers to star in Delaware play about plane crash survivors https://www.delawareonline.com/story/life/2019/02/11/harry-hamlin-stefanie-powers-star-delaware-theatre-company- play/2836708002/?fbclid=IwAR1tes2rjDS97kI-TjvarwSUOKxyhHllIzTT4PH89IG819ZRyYsQwTKDa1E Broadway World - BWW News Desk – 10/03/2019 Hollywood Stars Harry Hamlin and Stefanie Powers Land On Stage https://www.broadwayworld.com/delaware/article/Hollywood-Stars-Harry-Hamlin-and-Stefanie-Powers-Land-On-Stag e-20191003?fbclid=IwAR3nvOUuEvygxMbr-u7QtAIS5G3ZeVp-VT0gY_DRfOPvOcHNNRxcnnpexW8 Delco Times — Neal Zoren — 10/7/2019 Television: Big-time TV stars taking the stages around the region https://www.delcotimes.com/arts_and_entertainment/television-big-time-tv-stars-taking-the-stages-around-the/article_ a2e28fdc-e82b-11e9-a753-836ae019e6d4.html?fbclid=IwAR0uafpkUDvnfoweV5nEMD6DPrtmNg34haD_IiwuQPKw UzPx4lPy11-0pL4 Delaware Online — Betsy Price — 10/17/2019 Harry Hamlin, Stefanie Powers play sets of siblings in Delaware Theatre Company show https://www.delawareonline.com/story/life/2019/10/17/harry-hamlin-stefanie-powers-delaware-theatre-company-show /3946733002/?fbclid=IwAR11CQaJoAogKYQxdoXATu_JCZ8H4tcs5bkQfCsu8PBPacRAz6ujMxhJRUo Delaware Online — Marina Affo — 10/25/2019 Lights out in Wilmington, but the show must go on https://www.delawareonline.com/story/life/2019/10/25/the-show-must-go-on-even-when-lights-go-out-wilmington/245