A New Look ... the Same Old Bird
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NACUSA CONCERT Solo but Not Alone by NACUSA SF Composers Broadcast from the Center for New Music 55 Taylor Street, San Francisco Saturday, June 19, 2021, 8:00 Pm
NACUSA CONCERT Solo but not Alone By NACUSA SF Composers Broadcast from the Center for New Music 55 Taylor Street, San Francisco Saturday, June 19, 2021, 8:00 pm P R O G R A M MAX SIMONCIC Happy Vibes Haruka Fujii, vibraphone DAVIDE VEROTTA Six Intertwined (Solo Multi-Percussion Etudes) Haruka Fujii, multi-percussion GREG A STEINKE Tomorrow on Yesterday Jennifer R. Ellis, harp BRIAN FIELD Fire Keisuke Nakagoshi, piano SHELI NAN 9th Life Keisuke Nakagoshi, piano JACOB E GOODMAN Ten Variations on Fragments of a Mussorgsky Theme Keisuke Nakagoshi, piano ADRIENNE ALBERT Gershwin-itis Lucia Kobza, viola ALLEN SHEARER Soliloquy Lucia Kobza, viola L PETER DEUTSCH The Road Continues Rachel Condry, clarinet CORLISS KIMMEL Carnival of the Cats Rachel Condry, clarinet KARL SCHMIDT Big Foot Rachel Condry, bass clarinet, and electronics Presented by the National Association of Composers USA, San Francisco Bay Area Chapter (NACUSA SF). PLAYERS Multi-percussionist Haruka Fujii has won international acclaim for her interpretation of contemporary music, having commissioned and performed numerous premiere works from luminary living composers. She has appeared as a soloist with major orchestras including the San Fransisco Symphony, Munich Philharmonic, Sydney Symphony Orchestra, Orchestra Nationale de Lyon, and the NHK Symphony Orchestra. Haruka is an artist of the Grammy Award-winning Silk Road Ensemble founded by Yo-Yo Ma, also a member of the historical new music group San Francisco Contemporary Players, and a founder and member of Utari Percussion Duo with her sisiter Rika Fujii. Her solo recording Ingredients is available at New Focus Recordings. Please visit www.harukafujii.com for more information. -
Journal of Dispute Resolution
Journal of Dispute Resolution Volume 2012 Issue 2 Article 2 2012 From Noise to Music: The Potential of the Multi-Door Courthouse (Casas de Justicia) Model to Advance Systemic Inclusion and Participation as a Foundation for Sustainable Rule of Law in Latin America Mariana Hernandez-Crespo Follow this and additional works at: https://scholarship.law.missouri.edu/jdr Part of the Dispute Resolution and Arbitration Commons Recommended Citation Mariana Hernandez-Crespo, From Noise to Music: The Potential of the Multi-Door Courthouse (Casas de Justicia) Model to Advance Systemic Inclusion and Participation as a Foundation for Sustainable Rule of Law in Latin America , 2012 J. Disp. Resol. (2012) Available at: https://scholarship.law.missouri.edu/jdr/vol2012/iss2/2 This Article is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Journal of Dispute Resolution by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. File: Crespo FINAL (061113) Hernandez-Crespo: CreatedHernandez-Crespo: on: 6/12/2013 6:17:00 PM From Noise to MusicLast Printed: 6/12/2013 6:21:00 PM JOURNAL OF DISPUTE RESOLUTION VOLUME 2012 NUMBER 2 From Noise to Music: The Potential of the Multi-Door Courthouse (Casas de Justicia) Model to Advance Systemic Inclusion and Participation as a Foundation for Sustainable Rule of Law in Latin America Mariana Hernandez Crespo G.∗ “Let us be dissatisfied until integration is not seen as a problem but as an opportunity to participate in the beauty of diversity.” Martin Luther King, Jr.** “Que el futuro no me sea indiferente (May I not be indifferent to the future).” Mercedes Sosa*** ___________________________ * Associate Professor of Law, Executive Director of the University of St. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
Id40 2020 Kw 25
ID40 REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 25 [email protected] · www.trendcharts.de 11.06.2020 Approved for publication on Tuesday, 16.06.2020 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 02 05 Fontaines D.C. A Hero's Death Partisan/[PIAS]/Rough Trade 01 02 01 06 The Psychedelic Furs No-One Cooking Vinyl/The Orchard 01 03 10 04 Razorlight Burn, Camden, Burn Atlantic Culture/Believe 03 04 06 03 The Kooks Something To Say Virgin/UMI/Universal 04 05 07 08 Gorillaz Ft. Peter Hook & Georgia Aries Parlophone UK/WMI/Warner 03 06 15 09 The Strokes Brooklyn Bridge To Chorus RCA/Sony 03 07 08 04 Sports Team Going Soft Big Desert/Island/PIL/Universal 06 08 NEW Idles Mr. Motivator Partisan/[PIAS]/Rough Trade 08 09 03 09 Morrissey Bobby, Don't You Think They Know? BMG Rights/ADA 03 10 04 09 Then Comes Silence Ft. Karolina Engdahl Ritual Oblivion/SPV 04 11 12 03 Sparkling I Want To See Everything Recycled Earth/Believe 11 12 17 05 Sports Team Here's The Thing Big Desert/Island/PIL/Universal 12 13 11 05 Rolling Blackouts Coastal Fever Falling Thunder Sub Pop/375 Media 11 14 28 04 > Khruangbin Time (You And I) Dead Oceans/375 Media 13 15 14 04 Ist Ist You're Mine Kind Violence 14 16 22 02 Everything Everything Arch Enemy Infinity Industries/AWAL 16 17 25 07 DMA's The Glow Illusive Sounds/BMG Rights/ADA 10 18 NEW You Silence I Bird Hanging On RAR/Motor/Believe 18 19 19 02 FEWS Heaven Hello Dog 19 20 13 02 Inhaler Falling In Polydor/PIL/Universal 13 21 NEW BILK I Got Knocked Out The Same Night England Did BILK 21 22 31 06 The Strokes The Adults Are Talking RCA/Sony 19 23 26 10 Kakkmaddafakka Moonshine Bergen Mafia/INgrooves 10 24 20 03 Hinds Just Like Kids (Miau) Lucky Number/Rough Trade 10 25 23 07 Squid Sludge Warp/Rough Trade 18 26 09 08 Sparkling Alive Vitamin A/Believe 08 27 18 07 Beverly Kills A Scarlet Night Welfare Sounds 07 28 21 05 Odd Couple Dübelmann Geld/The Orchard 15 29 NEW Purple Disco Machine Ft. -
June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
Jeannie Epper
Jeannie Epper Service: Teddy’s E-mail: [email protected] Website: www.usastunts.com/members/epper_credits.htm Affiliations: SAG/AFTRA/WIF Stats Height: 5’ 8” Weight: 125 lbs. Eyes: Blue Hair: Blonde Abilities Car Work Horse Work Fights Motorcycles Fire Work High Falls Trampoline Tumbling Film True Lies The Package The Quick and the Dead Our Man Flint Die Hard 3 Used Cars Mother Article 99 Blown Away Romancing The Stone Beverly Hills Cop III Day of the Locus I Love Trouble Hallelujah Trail Last Action Hero Elvira The Fugitive Terms of Endearment Your Money or Your Wife Twinkle Twinkle Robo Cop Killer Kane Naked Gun 2 1/2 Roadhouse The Rookies Legal Eagles The Boyfriend School Avalanche Express Foxie Brown Another 48 Hours Switch Black Sunday Outrageous Fortune Earthquake Smokey & The Bandit II McKenna’s Gold Little Big Man Christmas Vacation 1941 Delirious Dead Again Logan’s Run Bound For Glory Cannonball Run The Jerk Peggy Sue Got Married Soylent Green The Jezebels Blazing Saddles Auntie Mame Total Recall Charlie Chan & the Dragon Queen The Naked Gun Million Dollar Mystery Movie Nameless Television Harts of the West Hill Street Blues They Came From Outer Space Cassie & Co. Alien Nation Barnaby Jones Wonder Woman VEGA$ Emergency Max Headroom Rockford Files Mike Hammer Mannix Cagney & Lacey Jake & The Fatman Fantasy Island Simon & Simon Police Woman Gunsmoke Quincy Rip Tide Midnight Caller Stir Crazy Falcon Crest Get A Life Code Name Fox Fire Remington Steele Hunter Bionic Woman Insiders Charlie’s Angels Airwolf Scruples Wild Women Marcus Welby M.D. Escape From Bogan County Hardball Ritual Of Evil Private Benjamin Cabot Connection McClains Law Overboard 240 Robert ADA Me & Mom Man In Cement Moonlighting Tales From The Crypt (HBO) Hardcastle & McCormick Days of Our Lives Stunt Coordinator Murder She Wrote Dynasty Stunt Coordinator Hart To Hart Cassie & Co. -
THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes
THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart technically-minded students have most important in the world. ments' details, even creating digi had the chance to flex their cre Now, through real-time computer tal images of the artwork and fur ative and technical muscles by animation developed by the niture in the rooms. Museum vis designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre apartments. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
The History of Delorean DMC-12
The History of The DeLorean DMC-12 Delorean Introduction The DeLorean DMC-12 is a two-seater sports car that was manufactured by the DeLorean Motor Company (DMC) for the US market from 1981 to 1982. It featured gull-wing doors with a fiberglass underbody to which non-structural brushed stainless steel panels were affixed. Manufactured in Northern Ireland it is most commonly known simply as the DeLorean, as it was the only model ever produced by the company. The first prototype appeared in March 1976, and production officially began in 1981 (with the first DMC-12 rolling off the production line on January 21) at the DMC factory in Dunmurry, Northern Ireland. Over nine thousand DMC-12s were made before production stopped in December 1982. Today, about 6,500 DeLorean Motor Cars are believed to still exist. It is perhaps best remembered when it shot to worldwide fame in the Back to the Future movie trilogy starring Michael J Fox and Christopher Lloyd. The car was transformed into a time machine by the eccentric scientist Doctor Emmett L. Brown - the company had ceased to exist before the first movie was ever made in 1985. DeLorean History In October 1976, the first prototype DeLorean DMC-12 was completed by William T. Collins chief engineer and designer (formerly chief engineer at Pontiac). Originally, the car's rear- mounted power plant was to be a Citroën Wankel rotary engine, but was replaced with a French-designed and produced PRV (Peugeot-Renault-Volvo) fuel injected V-6 because of the poor fuel economy from the rotary engine, an important issue at a time of world-wide fuel shortages. -
Scanned Image
Doas:irsPi INSIDE Singleschart,6-7;Album chart, 17; New Singles, 18; News Albums,13;Airplay guide,14-15;IndieLabels, MIDEM News, 5 & 8. J February 7, 1983 VOLUME FIVE Number 42 75p New code of conduct clause will stop retail promo abuses THE BPI is to change the anti -chart -cut-out and picture discs through 100copy of the Elvis Costello LP Get Happy He added that Gallup had been hyping code of conduct to prevent anynamed record stores. Most of themfor every 'From Head To Toe' boughtreassured that it had the full backing of further promotions which advertise spe-subsequently turned out to be on thethrough nominated stores. the BPI to take any record out of the cial offers through named chart shops.supposedly secret Gallup chart compila- After last Wednesday's BPI councilchart if foul play was suspected. Gallup The industry watchdog's action fol-tion list. meeting, chairman Chris Wright toldalso handicaps records that come in for lows a national newspaper advertising ConcernhadbeenbuildingupRB: "Within seven days we will haveheavy retail promotion, and record campaign carried out by CBS to pushthroughout the second part of 1982 aftertightened up the code of conduct. Wecompanies have a duty under the code of sales of Toto, Men At Work and theWEA had instituted a number of similarwant to stamp out these promotionsconduct to inform Gallup of any unusual Stranglers singles by offering cheapcampaigns, culminating in an offer of abecause we don'tlike them." retail promotion effort." Record Business WEA bans supply of publication to tracks for twofers cease next week WEA HAS called a halt to any further And RCA's special projects manager leasing of tracksto TV marketingBrian Atkinson commented: "I don't RECORD BUSINESS wishes to companies who want them for 'twofer'feel that I should be dictating to the tv inform its readers that next week's compilation albums. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each orignal is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 AMBIGUITY AND DECEPTION IN THE COVERT TEXTS OF SOUTH AFRICAN THEATRE: 1976-1996 DISSERTATION Presented in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Allan John Munro, M.A., H.D.E.