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												  The Regional Cosmopolitanism of George WoodcockTransoceanic Canada: The Regional Cosmopolitanism of George Woodcock by Matthew Hiebert B.A., The University of Winnipeg, 1997 M.A., The University of Amsterdam, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE FACULTY OF GRADUATE STUDIES (English) The University Of British Columbia (Vancouver) August 2013 c Matthew Hiebert, 2013 ABSTRACT Through a critical examination of his oeuvre in relation to his transoceanic geographical and intellectual mobility, this dissertation argues that George Woodcock (1912-1995) articulates and applies a normative and methodological approach I term “regional cosmopolitanism.” I trace the development of this philosophy from its germination in London’s thirties and forties, when Woodcock drifted from the poetics of the “Auden generation” towards the anti-imperialism of Mahatma Gandhi and the anarchist aesthetic modernism of Sir Herbert Read. I show how these connected influences—and those also of Mulk Raj Anand, Marie-Louise Berneri, Prince Peter Kropotkin, George Orwell, and French Surrealism—affected Woodcock’s critical engagements via print and radio with the Canadian cultural landscape of the Cold War and its concurrent countercultural long sixties. Woodcock’s dynamic and dialectical understanding of the relationship between literature and society produced a key intervention in the development of Canadian literature and its critical study leading up to the establishment of the Canada Council and the groundbreaking journal Canadian Literature. Through his research and travels in India—where he established relations with the exiled Dalai Lama and major figures of an independent English Indian literature—Woodcock relinquished the universalism of his modernist heritage in practising, as I show, a postcolonial and postmodern situated critical cosmopolitanism that advocates globally relevant regional culture as the interplay of various traditions shaped by specific geographies.
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												  Peter Kropotkin and the Social Ecology of Science in Russia, Europe, and England, 1859-1922THE STRUGGLE FOR COEXISTENCE: PETER KROPOTKIN AND THE SOCIAL ECOLOGY OF SCIENCE IN RUSSIA, EUROPE, AND ENGLAND, 1859-1922 by ERIC M. JOHNSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May 2019 © Eric M. Johnson, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: The Struggle for Coexistence: Peter Kropotkin and the Social Ecology of Science in Russia, Europe, and England, 1859-1922 Submitted by Eric M. Johnson in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Examining Committee: Alexei Kojevnikov, History Research Supervisor John Beatty, Philosophy Supervisory Committee Member Mark Leier, History Supervisory Committee Member Piers Hale, History External Examiner Joy Dixon, History University Examiner Lisa Sundstrom, Political Science University Examiner Jaleh Mansoor, Art History Exam Chair ii Abstract This dissertation critically examines the transnational history of evolutionary sociology during the late-nineteenth and early-twentieth centuries. Tracing the efforts of natural philosophers and political theorists, this dissertation explores competing frameworks at the intersection between the natural and human sciences – Social Darwinism at one pole and Socialist Darwinism at the other, the latter best articulated by Peter Alexeyevich Kropotkin’s Darwinian theory of mutual aid. These frameworks were conceptualized within different scientific cultures during a contentious period both in the life sciences as well as the sociopolitical environments of Russia, Europe, and England. This cross- pollination of scientific and sociopolitical discourse contributed to competing frameworks of knowledge construction in both the natural and human sciences.
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												  The Rise of Ethical Anarchism in Britain, 1885-19001 e[/]pater 2 sie[\]cle THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 By Mark Bevir Department of Politics Newcastle University Newcastle upon Tyne NE1 7RU U.K. ABSTRACT In the nineteenth century, anarchists were strict individualists favouring clandestine organisation and violent revolution: in the twentieth century, they have been romantic communalists favouring moral experiments and sexual liberation. This essay examines the growth of this ethical anarchism in Britain in the late nineteenth century, as exemplified by the Freedom Group and the Tolstoyans. These anarchists adopted the moral and even religious concerns of groups such as the Fellowship of the New Life. Their anarchist theory resembled the beliefs of counter-cultural groups such as the aesthetes more closely than it did earlier forms of anarchism. And this theory led them into the movements for sex reform and communal living. 1 THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 Art for art's sake had come to its logical conclusion in decadence . More recent devotees have adopted the expressive phase: art for life's sake. It is probable that the decadents meant much the same thing, but they saw life as intensive and individual, whereas the later view is universal in scope. It roams extensively over humanity, realising the collective soul. [Holbrook Jackson, The Eighteen Nineties (London: G. Richards, 1913), p. 196] To the Victorians, anarchism was an individualist doctrine found in clandestine organisations of violent revolutionaries. By the outbreak of the First World War, another very different type of anarchism was becoming equally well recognised. The new anarchists still opposed the very idea of the state, but they were communalists not individualists, and they sought to realise their ideal peacefully through personal example and moral education, not violently through acts of terror and a general uprising.
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												  Periods of Poetic Silence in Modern Canadian Creative Careers“A Strange Gestation”: Periods of Poetic Silence in Modern Canadian Creative Careers Laura Cameron Department of English McGill University, Montreal July 2015 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Laura Cameron 2015 “The sun climbs to the middle of the sky and stops. It’s noon. It’s the first bell of noon ringing loud from the cathedral tower. … Great shovelfuls of sound dumped in the grave of our activity. The sound fills up every space and every thought. … The future is blocked. The past is plugged up. Layer after layer of the present seizes us, buries us in one vast amber paperweight. Sealed under twelve skyfuls of the only moment.” — Leonard Cohen, Death of a Lady’s Man (1978) “Sit in a chair and keep still. Let the dancer’s shoulders emerge from your shoulders, the dancer’s chest from your chest, the dancer’s loins from your loins, the dancer’s hips and thighs from yours; and from your silence the throat that makes a sound, and from your bafflement a clear song to which the dancer moves, and let him serve God in beauty. When he fails, send him again from your chair.” — Leonard Cohen, Book of Mercy (1984) Table of Contents Abstract ii Résumé iv Acknowledgements vi Abbreviations viii Introduction 1 PART I: Conceptions of Silence Chapter One: “From the Performance Point of View”: Critical Conceptions of Creative Silence 30 Chapter Two: “Why did you stop writing?”: Poets Accounting for Poetic Silence 76 PART II: The Experience of Silence Chapter Three: “The Whole Breathless Predicament”: The Experience of Creative Crisis 121 Chapter Four: “Then let us start again”: Writing Out of Silence 189 Conclusion 288 Works Cited 301 Cameron ii Abstract This dissertation unites a diverse group of Canadian poets who all fell silent for a prolonged period in the middle of otherwise productive and successful poetic careers: P.K.
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												  IntroductionNotes Introduction 1. Herbert Read to T.S. Eliot: 1 October 1949: Herbert Read Archive, University of Victoria (hereafter HRAUV), HR/TSE-170. 2. Herbert Read, The Contrary Experience: Autobiographies (London, 1963), 353, 350. 3. Isaiah Berlin, The Roots of Romanticism (London, [1965] 2000), 97. 4. For a useful discussion, see: Peter Ryley, Making Another World Possible: Anar- chism, Anti-capitalism and Ecology in Late 19th and Early 20th Century Britain (New York, 2013); Mark Bevir, The Making of British Socialism (Princeton, 2011), 256–277. 5. Martin A. Miller, Kropotkin (Chicago, 1976), 166–167; Rodney Barker, Political Ideas in Modern Britain (London, 1978), 42 passim. 6. H. Oliver, The International Anarchist Movement in Late Victorian London (London, 1983), 136; see also: 92, 132–137. For a discussion of the signifi- cance of the Congress, see: Davide Turcato, Making Sense of Anarchism: Errico Malatesta’s Experiments with Revolution (Basingstoke, 2012), 136–139. 7. W. Tcherkesoff, Let Us Be Just: (An Open Letter to Liebknecht) (London, 1896), 7. 8. The report offered short biographies of Francesco Merlino, Gustav Landauer, Louise Michel, Amilcare Cipriani, Augustin Hamon, Élisée Reclus, Ferdinand Domela Nieuwenhuis, Bernard Lazare, and Peter Kropotkin. N.A., Full Report of the Proceedings of the International Workers’ Congress, London, July and August, 1896 (London, 1896), 67–72. 9. N.A., Full Report of the Proceedings, 21, 17. 10. Matthew S. Adams, ‘Herbert Read and the fluid memory of the First World War: Poetry, Prose, and Polemic’, Historical Research (2014), 1–22; Janet S.K. Watson, Fighting Different Wars: Experience, Memory, and the First World War in Britain (Cambridge, 2004), 226.
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												  Publishing Anarchism: Pyotr Kropotkin and British Print Cultures, 1876-1917Article Publishing anarchism: Pyotr Kropotkin and British print cultures, 1876-1917 FERRETTI, Federico Reference FERRETTI, Federico. Publishing anarchism: Pyotr Kropotkin and British print cultures, 1876-1917. Journal of Historical Geography, 2017, vol. 57, p. 17-27 DOI : 10.1016/j.jhg.2017.04.006 Available at: http://archive-ouverte.unige.ch/unige:96266 Disclaimer: layout of this document may differ from the published version. 1 / 1 Publishing anarchism: Pyotr Kropotkin and British print cultures, 1876-1917 Abstract: This paper addresses the relationship between the famous anarchist geographer Pyotr Kropotkin and his most important British editors, John Scott Keltie and James Knowles. It analyses their unpublished correspondence, which has survived, for the most part, in the state archive of the Russian Federation. Drawing on recent literature on anarchist geographies, transnational anarchism and historical geographies of science, it examines the material construction of Kropotkin’s works on mutual aid, decentralisation and ‘scientific anarchism’, which were originally published as articles for British periodicals. The paper argues that Kropotkin’s acquaintance with liberal editors was not only a matter of necessity but a conscious strategy on his part to circulate political concepts outside activist milieus , thereby taking advantage of the public venues then available for geographers. In this way, Kropotkin succeeded in getting paid for working almost full-time as an anarchist propagandist. The paper also contributes to the wider field of critical, radical and anarchist geographies by providing early examples of knowledge struggles against Creationism, Malthusianism and environmental determinisms which have lessons for the present. Keywords : Kropotkin; public geographies; periodical press; anarchist geographies; print cultures Federico Ferretti, “Publishing anarchist geographies: Pyotr Kropotkin and British print cultures (1877-1917)”, Journal of Historical Geography vol.
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												  Ukraine, L9l8-21 and Spain, 1936-39: a Comparison of Armed Anarchist Struggles in EuropeBucknell University Bucknell Digital Commons Honors Theses Student Theses Fall 2020 Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe Daniel A. Collins Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the European History Commons Recommended Citation Collins, Daniel A., "Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe" (2020). Honors Theses. 553. https://digitalcommons.bucknell.edu/honors_theses/553 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Ukraine, 1918-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe by Daniel A. Collins An Honors Thesis Submitted to the Honors Council For Honors in History 12/7/2020 Approved by: Adviser:_____________________________ David Del Testa Second Evaluator: _____________________ Mehmet Dosemeci iii Acknowledgements Above all others I want to thank Professor David Del Testa. From my first oddly specific question about the Austro-Hungarians on the Italian front in my first week of undergraduate, to here, three and a half years later, Professor Del Testa has been involved in all of the work I am proud of. From lectures in Coleman Hall to the Somme battlefield, Professor Del Testa has guided me on my journey to explore World War I and the Interwar Period, which rapidly became my topics of choice.
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												  Kropotkin: Reviewing the Classical Anarchist TraditionKropotkin Reviewing the Classical Anarchist Tradition Ruth Kinna © Ruth Kinna, 2016 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 4229 8 (hardback) ISBN 978 1 4744 1041 0 (webready PDF) ISBN 978 1 4744 0501 0 (epub) The right of Ruth Kinna to be identifi ed as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements iv Introduction 1 Part 1 Portrait of the Anarchist as an Old Man 1. Out with the Old, in with the New 9 2. From New Anarchism to Post-anarchism 25 Conclusion to Part 1 45 Part 2 Coming Out of Russia Introduction to Part 2: (A Beautiful White Christ) Coming Out of Russia 49 3. Nihilism 55 4. Mapping the State 79 Conclusion to Part 2 105 Part 3 Revolution and Evolution Introduction to Part 3: The General Idea of Anarchy 119 5. Anarchism: Utopian and Scientifi c 127 6. The Revolution Will Not Be Historicised 155 Conclusion to Part 3 185 Reviewing the Classical Anarchist Tradition 197 Notes 205 Bibliography 237 Index 259 iii Acknowledgements I would like to thank Edinburgh University Press (EUP) for supporting this project, particularly James Dale who fi rst talked to me about the book and Nicola Ramsey and Michelle Houston who took the project over.
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												  Kropotkin and the Rise of Anarchist Communism." Making Another World Possible: Anarchism, Anti-Capitalism and Ecology in Late 19Th and Early 20Th Century BritainRyley, Peter. "Kropotkin and the rise of anarchist communism." Making Another World Possible: Anarchism, Anti-Capitalism and Ecology in Late 19th and Early 20th Century Britain. New York: Bloomsbury Academic, 2013. 27–50. Contemporary Anarchist Studies. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781501306754.ch-002>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 20:00 UTC. Copyright © Peter Ryley 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 Kropotkin and the rise of anarchist communism The development of anarchism in Britain was hugely influenced by the presence of large numbers of European exiles, as the country became an oasis of uneasy tolerance in a continent dominated by repression. For a time London was the centre of the international anarchist movement; freedom of expression had trumped the weather. The central figure in all this was Peter Kropotkin. Not only was he an international revolutionary celebrity, but he also integrated himself within the British movement and became a focal point for native anarchist ideas and organization. As Carissa Honeywell points out, ‘unlike other anarchist writers within this community (of political exiles) he wrote in English and directed his arguments to British readers’. If not a British writer, he was integral to the British milieu and found support amongst a growing communist sentiment, which had, in part, been nurtured by the most radical elements of Chartism. Honeywell is right to say that he ‘was part of British politics’.1 Kropotkin first arrived in the UK in 1876 following his dramatic escape from the Peter and Paul fortress in St Petersburg.
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												  Kropotkin: Reviewing the Classical Anarchist Tradition by Ruth KinnaKropotkin: Reviewing The Classical Anarchist Tradition by Ruth Kinna. Edinburgh University Press, 2016, hbk £70, ISBN: 9780748642298, 272pp by Elliot Rose Peter Kropotkin presents an interesting figure in the history of both radical political thought and science. A Russian prince who became an anarchist, he made his name both as a geographer and scientific populariser, and an agitator for social reinvention. To anarchists he is either a canonical hero or an outdated antecedent of their own thought. To ethologists, psychologists, and ecologists he is an inspiration – somewhat behind current research but a pioneer of a beneficial perspective nevertheless. Ruth Kinna’s new book on Kropotkin’s work reveals the nuances that shatter these simplistic accounts. For someone (such as myself) who might be drawn to Kropotkin because of his naturalistic viewpoint and his ethological approach, this book provides an enlightening and engaging account of the wider context and content of his philosophical and political approach. In particular Kinna illustrates how Kropotkin’s various pursuits actually form a cohesive, syncretic and synthetic whole: his social theory is intimately tied to his scientific study and naturalistic perspective. She connects his admirable political honesty directly to his other scholarly pursuits, to show how a concern for justice suffused his intellectual life. In the first two chapters Kinna explores the existing interpretations of Kropotkin’s work. The first is predominantly concerned with how Kropotkin’s ideas have been interpreted, used, and, at times, deployed to try and understand some of the tensions within anarchist thought, particularly the “classical” tradition with which he is associated.
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												  Kropotkin's Revolutionary PamphletsHropotkin's Revolutionarv Pamphlets A Collection of Writings by Peter Kropotkin Edited by Roger N. Baldwin Prince Peter Kropolkin (1842·1921), 011(; of Lhe few 1l1cmbCI's or the Czarist nobility to go over to the rcvolulioll, was the ablest and most influential theoretic.1I .ul3.rChist of his lime. For 12 years he lived in exile (mainly in England), Inaking a scanty Jiving, before he was allowed to return La Russia in 1917 at the {Ig<.: of 75. Du dn g this lime he wrote a great number of popular hook� and pa mphlets in which he advocated complete social l'col'ganizalion based on 11luU,wl :dd, sympathy. individual liberty through {ree coop'ralion, and solidarity. KroPOlkil1 saw anarchi:;m 3S simply the fOl'llIulation of .11l aflcie nt and universal desire of mankind. As a principle of fr eedom , it carried him far outside the economic ttlld rolhical struggle (he was biuerly opposed to Marxist socialism) into �\II social rchlliOriS marriage, cduc�\tion, lhe It'eatment oC crime, 1J1C funciion of law and the basis of morality. The pamphlets reprinted hel'e include the brief but moving "Spirit of Revolt"; "Anarchist Communism," a brief surnmary of the leading prindplcs: of Kl'opotkin's anar'chism; "Modern Sc ience and An;ITchisltl," an. investigation of LlH.: scientifi p"inciplcs of rcvolutionary anarchism; "L:.lW and Allthot'ilY." all argument (or social control through custOm and education alone; an unpanrllcled description of the evils of the prison system, "Prisons and Lhcil" Moral Influence on Prisoners"; a note on Ihe 1917 revolution ,md thc SovieL government; and Cour others.
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												  Anarchism : a History of Libertarian Ideas and MovementsAnarchism : A History Of Libertarian Ideas And Movements GEORGE WOODCOCK Meridian Books The World Publishing Company Cleveland and New York -3- AN ORIGINAL MERIDIAN BOOK Published by The World Publishing Company 2231 West 110th Street, Cleveland 2, Ohio First printing March 1962 CP362 Copyright © 1962 by The World Publishing Company All rights reserved Library of Congress Catalog Card Number: 62-12355 Printed in the United States of America -4- AN ORIGINAL MERIDIAN BOOK Published by The World Publishing Company 2231 West 110th Street, Cleveland 2, Ohio First printing March 1962 CP362 Copyright © 1962 by The World Publishing Company All rights reserved Library of Congress Catalog Card Number: 62-12355 Printed in the United States of America -4- Contents 1. PROLOGUE 9 I. The Idea 2. THE FAMILY TREE 37 3. THE MAN OF REASON 60 4. THE EGOIST 94 5. THE MAN OF PARADOX 106 6. THE DESTRUCTIVE URGE 145 7. THE EXPLORER 184 8. THE PROPHET 222 II. The Movement 9. INTERNATIONAL ENDEAVORS 239 10. ANARCHISM IN FRANCE 275 11. ANARCHISM IN ITALY 327 12. ANARCHISM IN SPAIN 356 -5- 13. ANARCHISM IN RUSSIA 399 14. VARIOUS TRADITIONS: ANARCHISM IN LATIN AMERICA, NORTHERN EUROPE, BRITAIN, AND THE UNITED STATES 425 15. EPILOGUE 468 SELECTED BIBLIOGRAPHY 479 INDEX 491 -6- Anarchism A HISTORY OF LIBERTARIAN IDEAS AND MOVEMENTS -7- [This page intentionally left blank.] -8- I. Prologue "Whoever denies authority and fights against it is an anarchist," said Sébastien Faure. The definition is tempting in its simplicity, but simplicity is the first thing to guard against in writing a history of anarchism.