Kropotkin's Revolutionary Pamphlets
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Foreword Chapter 1 the Commitments of Ecocriticism
Notes Foreword 1. “Destroying the world in order to save it,” CNN, May 31, 2004, Ͻhttp://www.cnn.com/2004/SHOWBIZ/Movies/05/31/film.day.after. tomorrow.ap/Ͼ (Accessed June 25, 2004). Sources for the epigraphs are as follows: William Rueckert, “Literature and Ecology: An Experiment in Ecocriticism,” Iowa Review, 9 no. 1 (Winter 1978): 121; and Raymond Williams, What I Came to Say (London: Radius, 1989), 76, 81. 2. “Global warming is real and underway,” Union of Concerned Scientists, n. d., Ͻhttp://www.ucsusa.org/global_environment/global_warming/index.cfmϾ (Accessed June 25, 2004). “Larsen B Ice Shelf Collapses in Antarctica,” National Snow and Ice Data Center, n. d., Ͻhttp://nsidc.org/iceshelves/ larsenb2002/Ͼ (Accessed June 25, 2004). Vandana Shiva, Water Wars (Cambridge, MA: South End Press, 2002), 98–99. 3. UN Intergovernmental Panel on Climate Change, “Projections of Future Climate Change,” in Climate Change 2001: The Scientific Basis, Ͻhttp://www.grida.no/climate/ipcc_tar/wg1/339.htmϾ (Accessed June 25, 2004). Shiva, Water Wars, 1. 4. Greg Palast, “Bush Energy Plan: Policy or Payback?” BBC News, May 18, 2001, Ͻhttp://news.bbc.co.uk/1/hi/world/americas/1336960.stmϾ (Accessed June 25, 2004). Mark Townsend and Paul Harris, “Now the Pentagon tells Bush: Climate Change will Destroy Us,” The Observer, February 22, 2004, Ͻhttp://observer.guardian.co.uk/international/story/0,6903,1153513,00. htmlϾ (Accessed June 25, 2004). 5. Paul Brown, “Uranium Hazard Prompts Cancer Check on Troops,” The Guardian, April 25, 2003, Ͻhttp://www.guardian.co.uk/uranium/story/ 0,7369,943340,00.htmlϾ (Accessed June 25, 2004). -
The Rise of Ethical Anarchism in Britain, 1885-1900
1 e[/]pater 2 sie[\]cle THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 By Mark Bevir Department of Politics Newcastle University Newcastle upon Tyne NE1 7RU U.K. ABSTRACT In the nineteenth century, anarchists were strict individualists favouring clandestine organisation and violent revolution: in the twentieth century, they have been romantic communalists favouring moral experiments and sexual liberation. This essay examines the growth of this ethical anarchism in Britain in the late nineteenth century, as exemplified by the Freedom Group and the Tolstoyans. These anarchists adopted the moral and even religious concerns of groups such as the Fellowship of the New Life. Their anarchist theory resembled the beliefs of counter-cultural groups such as the aesthetes more closely than it did earlier forms of anarchism. And this theory led them into the movements for sex reform and communal living. 1 THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 Art for art's sake had come to its logical conclusion in decadence . More recent devotees have adopted the expressive phase: art for life's sake. It is probable that the decadents meant much the same thing, but they saw life as intensive and individual, whereas the later view is universal in scope. It roams extensively over humanity, realising the collective soul. [Holbrook Jackson, The Eighteen Nineties (London: G. Richards, 1913), p. 196] To the Victorians, anarchism was an individualist doctrine found in clandestine organisations of violent revolutionaries. By the outbreak of the First World War, another very different type of anarchism was becoming equally well recognised. The new anarchists still opposed the very idea of the state, but they were communalists not individualists, and they sought to realise their ideal peacefully through personal example and moral education, not violently through acts of terror and a general uprising. -
The Imaginative Tension in Henry David Thoreau's Political Thought
THE CATHOLIC UNIVERSITY OF AMERICA Arcadian Exile: The Imaginative Tension in Henry David Thoreau’s Political Thought A DISSERTATION Submitted to the Faculty of the Department of Politics School of Arts and Sciences of the Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Joshua James Bowman Washington, D.C. 2016 Arcadian Exile: The Imaginative Tension in Henry David Thoreau’s Political Thought Joshua James Bowman, Ph.D. Director: Claes G. Ryn, Ph.D. Henry David Thoreau‘s writings have achieved a unique status in the history of American literature. His ideas influenced the likes of Gandhi and Martin Luther King Jr., and play a significant role in American environmentalism. Despite this influence his larger political vision is often used for purposes he knew nothing about or could not have anticipated. The purpose of this dissertation is to analyze Thoreau’s work and legacy by elucidating a key tension within Thoreau's imagination. Instead of placing Thoreau in a pre-conceived category or worldview, the focus on imagination allows a more incisive reflection on moral and spiritual questions and makes possible a deeper investigation of Thoreau’s sense of reality. Drawing primarily on the work of Claes Ryn, imagination is here conceived as a form of consciousness that is creative and constitutive of our most basic sense of reality. The imagination both shapes and is shaped by will/desire and is capable of a broad and qualitatively diverse range of intuition which varies depending on one’s orientation of will. -
You Never Can Tell
You Never Can Tell October 12-November 11, 1995 By George Bernard Shaw Directed by Nagle Jackson Study Guide Catch Us In The Act. Denver Center Theatre Company A Division of The Denver Center for the Performing Arts / Donovan Marley, Artistic Director 1995-96 Season Sponsor n order to find more information about Shaw’s life and works, take a trip to your school or local library. There is a wealth of material on these subjects for both adults and children. Ask your librarian for help in finding the books, videos, records, tapes, and magazines you need. IBecome familiar with your library and you will find that a world of infor- mation will be at your fingertips. Most libraries are not restricted by their own collections but can borrow from other libraries to satisfy your infor- mational needs. Become a skillful library consumer. Never hesitate to ask questions. Planning is important however, and the farther you plan ahead, the more time you give your librarian and yourself to find the best resources. Each show the Denver Center Theatre Company produces has its own unique informational needs. We, here at the theatre, use the resources of our own and other libraries continually. Without access to information, it would not be possible to do what we do whether it is searching for the costumes of a particular period; defining the language of a specific time; discovering the customs and culture of when and where the play takes place; or finding technical information to produce the special effects on stage. Our people have to be well informed. -
Peter Kropotkin and People's Uprisings
Peter Kropotkin and People’s Uprisings: From the Paris Commune to Gwangju by George Katsiaficas1 Were we to gather here in 2002 to discuss the contributions of Peter Kropotkin, we would be remiss if we did not attempt to extrapolate his thinking into our own time. With regard to the fate of the Bolshevik revolution, such a task is straightforward. Kropotkin himself was able to analyze its development and regression. It is quite a bit more difficult, however, to apply Kropotkin’s thinking to the development of revolutionary movements in the latter half of the 20th century. While he is of vital importance to contemporary anarchist thinking, Kropotkin is still little known outside the circles of the initiated. On the other side of Asia, Gwangju is central to modern Korean democracy, yet the uprising of 1980 in which as many 2000 people lost their lives, remains at (or outside) the borders of many people’s understanding. In both cases, it seems to me that Eurocentrism plays a role in the marginalization process. I feel safe asserting that if Kropotkin had never left Russia and yet still written the same books and articles, outside Russia we would know little or nothing of him today! We may forgive Kropotkin for many things. At the top of that list is his support for the Entente during World War 1. Somewhere else in this list is his Eurocentric bias. Today one encounters this category of analysis in Mutual Aid with consternation. His use of “savages” and “barbarians” is curiously antiquated. Moreover in his Memoirs, we find oblique references to “Asiatic schemes”, mentions of “…an Oriental fashion, in an abominable way” and “oriental amusements were looked upon with disgust…”2 I assume that Kropotkin would have outgrown these prejudices. -
Publishing Anarchism: Pyotr Kropotkin and British Print Cultures, 1876-1917
Article Publishing anarchism: Pyotr Kropotkin and British print cultures, 1876-1917 FERRETTI, Federico Reference FERRETTI, Federico. Publishing anarchism: Pyotr Kropotkin and British print cultures, 1876-1917. Journal of Historical Geography, 2017, vol. 57, p. 17-27 DOI : 10.1016/j.jhg.2017.04.006 Available at: http://archive-ouverte.unige.ch/unige:96266 Disclaimer: layout of this document may differ from the published version. 1 / 1 Publishing anarchism: Pyotr Kropotkin and British print cultures, 1876-1917 Abstract: This paper addresses the relationship between the famous anarchist geographer Pyotr Kropotkin and his most important British editors, John Scott Keltie and James Knowles. It analyses their unpublished correspondence, which has survived, for the most part, in the state archive of the Russian Federation. Drawing on recent literature on anarchist geographies, transnational anarchism and historical geographies of science, it examines the material construction of Kropotkin’s works on mutual aid, decentralisation and ‘scientific anarchism’, which were originally published as articles for British periodicals. The paper argues that Kropotkin’s acquaintance with liberal editors was not only a matter of necessity but a conscious strategy on his part to circulate political concepts outside activist milieus , thereby taking advantage of the public venues then available for geographers. In this way, Kropotkin succeeded in getting paid for working almost full-time as an anarchist propagandist. The paper also contributes to the wider field of critical, radical and anarchist geographies by providing early examples of knowledge struggles against Creationism, Malthusianism and environmental determinisms which have lessons for the present. Keywords : Kropotkin; public geographies; periodical press; anarchist geographies; print cultures Federico Ferretti, “Publishing anarchist geographies: Pyotr Kropotkin and British print cultures (1877-1917)”, Journal of Historical Geography vol. -
Peter Kropotkin and Colin Ward Two Ideas of Ecological Urbanism
Peter Kropotkin and Colin Ward Two ideas of ecological urbanism Jere Kuzmanić prof. José Luis Oyon The thesis is dedicated to David Graeber, who died on the 2nd of September, 2020. To his greatness in proving that anarchism is worth intellectual endeavour in the 21st century, as both, academically relevant and widely respected. Goodspeed David! Thank you for the Debt. Máster Universitario en Intervención Sostenible en el Medio Construido MISMEC Escola Tècnica Superior d’Arquitectura del Vallès Universitat Politècnica de Catalunya 2019/2020 TFM - Trabajo Final de Máster (defended-September 2020) Alumni: Jere Kuzmanić [email protected] Mentor: prof. José Luis Oyon [email protected] The photo on the cover is made during the eviction of XM squat Bologna, Italy Photo by: Michele Lapini, http://www.michelelapini.net/ The thesis is written and defended in English Peter Kropotkin and Colin Ward; two ideas of ecological urbanism The thesis recapitulates the works of two anarchists, Peter Kropotkin and Colin Ward seeking the continuous thread of development of ecological urbanism as a political and spatial concept. As geographer and architect both imagined, wrote and inspired practices of production of space deeply rooted in ecology and spirit of self-organization. The literature review of primary and secondary resources will entangle the relationship between Kropotkin’s (proto)ecological geography with Colin Ward’s post-war self-management in urbanism. Both conceptions emerging from direct action, mutual aid and cooperation they will be presented through a comparison of their writings and the correlating the examples they inspired (Spanish anti- authoritarianist planning councils, 50s squatters movement, self-help housing communities etc. -
Ukraine, L9l8-21 and Spain, 1936-39: a Comparison of Armed Anarchist Struggles in Europe
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Fall 2020 Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe Daniel A. Collins Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the European History Commons Recommended Citation Collins, Daniel A., "Ukraine, l9l8-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe" (2020). Honors Theses. 553. https://digitalcommons.bucknell.edu/honors_theses/553 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Ukraine, 1918-21 and Spain, 1936-39: A Comparison of Armed Anarchist Struggles in Europe by Daniel A. Collins An Honors Thesis Submitted to the Honors Council For Honors in History 12/7/2020 Approved by: Adviser:_____________________________ David Del Testa Second Evaluator: _____________________ Mehmet Dosemeci iii Acknowledgements Above all others I want to thank Professor David Del Testa. From my first oddly specific question about the Austro-Hungarians on the Italian front in my first week of undergraduate, to here, three and a half years later, Professor Del Testa has been involved in all of the work I am proud of. From lectures in Coleman Hall to the Somme battlefield, Professor Del Testa has guided me on my journey to explore World War I and the Interwar Period, which rapidly became my topics of choice. -
Charles Erskine Scott Wood Died in January 1944
o . Boise State University Western Writers Series Number 94 By Edwin R. Bingham University of Oregon Editors; Wayne Chatterton James H. Maguire Business Manager: Ja mes Hadden Cover Design and Illustration by Amy Skov, Copyright 1990 Boise State University, Boise, Idaho Copyright 1990 by the Boise State University Western Writers Series ALL RIGHTS RESERVED Library of Congress Card No. 90-80259 International Standard Book No. 1Nl843o-093·5 Pri nted in the United States of America by Boise State University Printing and Graphics Services Boise, Idaho Chtt/'/eJ ~/"Jkihe ~cett Weed Like a number of Western ....riters.-Bret Harte. Mary Austin, Joaquin Miller, and Mary Hallock Foote, to name four-Charles Er skine Scott Wood came to the American West in his youth. He spent the rest of his life on the Pacific Slope-in Oregon. for more than thirty years, and then in California, where he died at Los Gatos, a month short of his ninety-second birt hday. That long caree r has nearly as many facets as a fly's eye. West Pointer, Indian fighter. attorney, poet, artist, anar chist, satirist, land agent, lec turer, columnist , reformer. Wood was all of these and more . Indeed. he spread diverse talents and remarkable energy in such a sweep ing art that he resembles a renaissance figure out of place and out of time. According to his good friend William Rose Benet: " Something of the largeness of the early West was in Erskine Scott Wood." True enough, but the rugged, informal. Western dimension in him was tempered by the influence of his youthful reading in classical literature that imparts an urbane and Old World flavor even to his Western verse, Moreover. -
Kropotkin and the Rise of Anarchist Communism." Making Another World Possible: Anarchism, Anti-Capitalism and Ecology in Late 19Th and Early 20Th Century Britain
Ryley, Peter. "Kropotkin and the rise of anarchist communism." Making Another World Possible: Anarchism, Anti-Capitalism and Ecology in Late 19th and Early 20th Century Britain. New York: Bloomsbury Academic, 2013. 27–50. Contemporary Anarchist Studies. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781501306754.ch-002>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 20:00 UTC. Copyright © Peter Ryley 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 Kropotkin and the rise of anarchist communism The development of anarchism in Britain was hugely influenced by the presence of large numbers of European exiles, as the country became an oasis of uneasy tolerance in a continent dominated by repression. For a time London was the centre of the international anarchist movement; freedom of expression had trumped the weather. The central figure in all this was Peter Kropotkin. Not only was he an international revolutionary celebrity, but he also integrated himself within the British movement and became a focal point for native anarchist ideas and organization. As Carissa Honeywell points out, ‘unlike other anarchist writers within this community (of political exiles) he wrote in English and directed his arguments to British readers’. If not a British writer, he was integral to the British milieu and found support amongst a growing communist sentiment, which had, in part, been nurtured by the most radical elements of Chartism. Honeywell is right to say that he ‘was part of British politics’.1 Kropotkin first arrived in the UK in 1876 following his dramatic escape from the Peter and Paul fortress in St Petersburg. -
S. Guy Endore Papers, 1925-1970
http://oac.cdlib.org/findaid/ark:/13030/kt2p30043h Online items available S. Guy Endore papers, 1925-1970 Processed by YS, BW, and LH; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. S. Guy Endore papers, 1925-1970 279 1 Descriptive Summary Title: S. Guy Endore papers, Date (inclusive): 1925-1970 Collection number: 279 Creator: Endore, S. Guy, 1901-1970 Extent: 93 boxes (46.5 linear ft.) Abstract: S. Guy Endore (1901-70) was a prolific author of books as well as television and movie scripts. His script, G.I. Joe, was nominated for an Oscar in 1945. He was reputedly blacklisted by the Hollywood studios for his political views in the late 1940s. Endore devoted much of his time to the Synanon Foundation after being blacklisted. The collection consists of Endore's manuscripts and typescripts for plays, novels, and television shows. Other materials include clippings and printed materials, many of which address and review Endore's writings. The collection also contains materials related to the House Un-American Activities Committee and the Hollywood Blacklist, the Sleepy Lagoon Defense Committee, the assassination of President Kennedy, and the Warren Commission Report. Books from Endore's library and correspondence (including fan mail) are also included. The finding aid contains an extensive name index. Repository: University of California, Los Angeles. -
Kropotkin in America
PAULAVRICH KROPOTKIN IN AMERICA It is a well-established fact that foreign immigrants and visitors played a major role in the emergence of American anarchism. During the nineteenth and twentieth centuries, European-born artisans and peasants — Germans and Czechs, Italians and Spaniards, Russians and Jews — constituted the mass base of the movement, while its intellectual leadership included well-known speakers and writers from diverse countries, who came either as permanent settlers or on extended lecture tours. Among the Russians, Michael Bakunin spent nearly two months in the United States after his flight from Siberia in 1861.1 Stepniak (S. M. Kravchinsky) went there to lecture in 1891, N. V. Chaikovsky to join a Utopian community and again to raise funds for the Russian revolutionary movement. The flood of Russian immigrants before and during the First World War included V. M. Eikhenbaum ("Volin"), Efim Yarchuk, Aaron and Fanny Baron, Boris Yelensky and William Shatoff, not to mention Emma Goldman and Alexander Berkman, who had arrived in the 188O's. After the Bolshevik consolidation of power came such figures as Gregory Maximoff, Abba Gordin and Mark Mratchny, who recently died in New York, the last of the Russian anarchists with an international reputation. (Maximoff died in Chicago in 1950 and Alexander Schapiro in New York in 1946, a refugee from Hitler's invasion of France.) Of all the Russian visitors, however, it was Peter Kropotkin who made the greatest impression. The leading figure in the international anarchist movement since Bakunin's death in 1876, Kropotkin was a founder of both the British and Russian anarchist movements, and exerted a strong in- fluence on anarchists throughout the world.