S. Guy Endore Papers, 1925-1970
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Holiday on the Cape
Holiday On The Cape Masterpiece and CapePOPS! Series Title Sponsor November 30, December 1 & 2, 2018 Cape Symphony Jung-Ho Pak, Conductor Vintage Vocal Quartet Chatham Chorale Joseph Marchio, Music Director Conservatory Youth Ballet Jane Caputo, Director West Bend Music’s Celtic Roots Clayton March, Artistic Director Dancers from Kanaley School of Irish Dance Colleen Kanaley Dow, Director Sarah Ford Marchio, Celtic Bagpiper James O’Neill, Vocals Anna McEntee, Vocals “And it was always said of Scrooge, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us!’’ — Charles Dickens, A Christmas Carol 18 O Christmas Time! . Matt Correia The Christmas Song . Mel Tormé I’ll Be Home For Christmas . .Kim Gannon, Walter Kent, and Buck Ram White Christmas from Holiday Inn . Irving Berlin Silver Bells . Jay Livingston and Ray Evans Christmas Eve on Cape Cod . .Susan Linton Snow from White Christmas . Irving Berlin Soon it’s Gonna Snow . David Scott Let it Snow/Winter Wonderland Medley . Jule Styne and Sammy Cahn A Christmas Fantasy . Dan Goeller Intermission Joy to the World . Isaac Watts A Canadian Brass Christmas . .Arranged by Luther Henderson Festive Sounds of Hanukkah . Bill Holcombe Do You Hear What I Hear? . .Gloria Shayne The First Nowell . Traditional Go Tell it on The Mountain . Traditional Sing-a-Long: Hark the Herald Angels Sing . Traditional Wassail Song . Traditional A Celtic Christmas . .Arranged by Bill Wolaver We Wish You a Merry Christmas . Traditional “The holiday season is a time for storytelling, and whether you are hearing the story of a candelabra staying lit for more than a week or a baby born in a barn without proper medical supervision, these stories often feature miracles.” — Lemony Snicket, A Lump of Coal 19 Celebrating Traditions The chill in the air. -
Foreword Chapter 1 the Commitments of Ecocriticism
Notes Foreword 1. “Destroying the world in order to save it,” CNN, May 31, 2004, Ͻhttp://www.cnn.com/2004/SHOWBIZ/Movies/05/31/film.day.after. tomorrow.ap/Ͼ (Accessed June 25, 2004). Sources for the epigraphs are as follows: William Rueckert, “Literature and Ecology: An Experiment in Ecocriticism,” Iowa Review, 9 no. 1 (Winter 1978): 121; and Raymond Williams, What I Came to Say (London: Radius, 1989), 76, 81. 2. “Global warming is real and underway,” Union of Concerned Scientists, n. d., Ͻhttp://www.ucsusa.org/global_environment/global_warming/index.cfmϾ (Accessed June 25, 2004). “Larsen B Ice Shelf Collapses in Antarctica,” National Snow and Ice Data Center, n. d., Ͻhttp://nsidc.org/iceshelves/ larsenb2002/Ͼ (Accessed June 25, 2004). Vandana Shiva, Water Wars (Cambridge, MA: South End Press, 2002), 98–99. 3. UN Intergovernmental Panel on Climate Change, “Projections of Future Climate Change,” in Climate Change 2001: The Scientific Basis, Ͻhttp://www.grida.no/climate/ipcc_tar/wg1/339.htmϾ (Accessed June 25, 2004). Shiva, Water Wars, 1. 4. Greg Palast, “Bush Energy Plan: Policy or Payback?” BBC News, May 18, 2001, Ͻhttp://news.bbc.co.uk/1/hi/world/americas/1336960.stmϾ (Accessed June 25, 2004). Mark Townsend and Paul Harris, “Now the Pentagon tells Bush: Climate Change will Destroy Us,” The Observer, February 22, 2004, Ͻhttp://observer.guardian.co.uk/international/story/0,6903,1153513,00. htmlϾ (Accessed June 25, 2004). 5. Paul Brown, “Uranium Hazard Prompts Cancer Check on Troops,” The Guardian, April 25, 2003, Ͻhttp://www.guardian.co.uk/uranium/story/ 0,7369,943340,00.htmlϾ (Accessed June 25, 2004). -
Read Ebook {PDF EPUB} Taming Anna by Elle Vaughn from Love to Art: Anna Hyatt Huntington, an American Sculptor
Read Ebook {PDF EPUB} Taming Anna by Elle Vaughn From Love to Art: Anna Hyatt Huntington, an American Sculptor. Anna Hyatt Huntington (1876-1973) was born Anna Vaughn Hyatt near Boston. Her grandmothers, mother Audella, and older sister Harriet helped her fall in love with art. In fact, she initially took up sculpture in order to follow Harriet, with whom she sometimes collaborated. While her female relatives inspired her career, her father influenced her subject matter. Alpheus Hyatt was a zoologist and paleontologist, so it is little wonder that Anna chose to specialize in animal sculpture. She seems to have enjoyed a close connection to and understanding of animals, both of which shine through in her art. Huntington started her career by making small-scale animal figurines. She was successful in this popular genre, selling hundreds of copies of some creations. She received between $25 and $335 for even the more modest versions. This was especially true once she moved to New York in 1902 or 1903. Although Anna Hyatt Huntington made her reputation through small works, she didn’t stop there. She soon graduated to large- scale public sculpture projects. Joan of Arc. In 1915, Huntington received a monumental commission for Riverside Park in New York City – an equestrian statue of the medieval French heroine Joan of Arc (ca. 1412-1431). Huntington had first planned Joan of Arc while in Paris in 1910. While the huge horse kept with her specialty of animal sculpture, the work overall represented a significant departure in scale and subject matter. Horses, in general, and equestrian statues particularly would thereafter feature prominently in her career. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc. -
The Imaginative Tension in Henry David Thoreau's Political Thought
THE CATHOLIC UNIVERSITY OF AMERICA Arcadian Exile: The Imaginative Tension in Henry David Thoreau’s Political Thought A DISSERTATION Submitted to the Faculty of the Department of Politics School of Arts and Sciences of the Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Joshua James Bowman Washington, D.C. 2016 Arcadian Exile: The Imaginative Tension in Henry David Thoreau’s Political Thought Joshua James Bowman, Ph.D. Director: Claes G. Ryn, Ph.D. Henry David Thoreau‘s writings have achieved a unique status in the history of American literature. His ideas influenced the likes of Gandhi and Martin Luther King Jr., and play a significant role in American environmentalism. Despite this influence his larger political vision is often used for purposes he knew nothing about or could not have anticipated. The purpose of this dissertation is to analyze Thoreau’s work and legacy by elucidating a key tension within Thoreau's imagination. Instead of placing Thoreau in a pre-conceived category or worldview, the focus on imagination allows a more incisive reflection on moral and spiritual questions and makes possible a deeper investigation of Thoreau’s sense of reality. Drawing primarily on the work of Claes Ryn, imagination is here conceived as a form of consciousness that is creative and constitutive of our most basic sense of reality. The imagination both shapes and is shaped by will/desire and is capable of a broad and qualitatively diverse range of intuition which varies depending on one’s orientation of will. -
You Never Can Tell
You Never Can Tell October 12-November 11, 1995 By George Bernard Shaw Directed by Nagle Jackson Study Guide Catch Us In The Act. Denver Center Theatre Company A Division of The Denver Center for the Performing Arts / Donovan Marley, Artistic Director 1995-96 Season Sponsor n order to find more information about Shaw’s life and works, take a trip to your school or local library. There is a wealth of material on these subjects for both adults and children. Ask your librarian for help in finding the books, videos, records, tapes, and magazines you need. IBecome familiar with your library and you will find that a world of infor- mation will be at your fingertips. Most libraries are not restricted by their own collections but can borrow from other libraries to satisfy your infor- mational needs. Become a skillful library consumer. Never hesitate to ask questions. Planning is important however, and the farther you plan ahead, the more time you give your librarian and yourself to find the best resources. Each show the Denver Center Theatre Company produces has its own unique informational needs. We, here at the theatre, use the resources of our own and other libraries continually. Without access to information, it would not be possible to do what we do whether it is searching for the costumes of a particular period; defining the language of a specific time; discovering the customs and culture of when and where the play takes place; or finding technical information to produce the special effects on stage. Our people have to be well informed. -
Bayphil 283A
The Bay Phil A publication of Friends of the Western Philatelic Library, Inc., an organization of philatelists assisting in the growth and maintenance of the Western Philatelic Library, 1500 Partridge Ave., Bldg 6/ Room 6, Sunnyvale, CA Mailing Address: FWPL, P.O. Box 2219, Sunnyvale, CA 94087-2219 September/October, 2010 Volume 40, Number 5, Whole number 283 ISSN 8756-5153 A new philatelic journal is available at the library, if you wish to communicate with the Editorial Board get in touch with Ernesto Cuesta ([email protected]). We welcome this new philatelic addition. Book Returns NEW MEMBERS The WPL exists as a resource for everyone. The Luca Lavagnino # 1630 in Italy lending policy is very lenient for anyone borrowing books or other items. Most members appreciate this service and use it well, including returning the In This Issue … items in a timely manner. However, a few page overextend their borrowing time and stretch it to Donations to the Library 1 the limit. It makes more work and problems for the New Journal 1 few volunteers that we have who need to chase Editor’s Corner 2 Lost and Found 3 down delinquent borrowers and call them for Book Reviews 5-10 returns that are sometimes years old. Please check Tear Sheets 11-14 any of your borrowed books and return them so Membership Application 15 others might benefit from them. The alternative is one we don’t like, the limiting of borrowers who are chronic extenders, by denying their borrowing privilege. The Bay Phil September / October 2010 Friends of the Western Philatelic Library, Inc. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
ASCAP Has Been There... SOME ENCHANTED EVENING Oscar Hammerstein II, Richard Rodgers
UNFORGETTABLE SONGS Continued from page A -16 SUMMERTIME George Gershwin, Ira Gershwin, DuBose Heyward THANKS FOR THE MEMORY Ralph Rainger, Leo Robin WHAT A DIFF'RENCE A DAY MADE Stanley Adams, Maria Grever AC-CENT-TCHU-ATE THE POSITIVE Harold Arlen, Johnny Mercer BLUEBERRY HILL 11 Lewis, Vincent Rose, Larry Stock BLUES IN THE NIGHT Harold Arlen, Johnny Mercer HOW ARE THINGS IN GLOCCA MORRA E.Y. Harburg, Burton Lane HOW HIGH THE MOON Nancy Hamilton, Morgan Lewis LAURA Johnny Mercer, David Raksin MONA LISA Since I9I4, Ray Evans, Jay Livingston RUDOLF THE RED -NOSED REINDEER Johnny Marks SAN ANTONIO ROSE Bob Wills ASCAP has been there... SOME ENCHANTED EVENING Oscar Hammerstein II, Richard Rodgers Not for just an hour, Not for just a day, Not for just a year, but always. Nat King Cole STRAIGHTEN UP AND FLY RIGHT Nat King Cole, Irving Mills SWINGING ON A STAR Johnny Burke, James Van Heusen TENDERLY Walter Gross, Jack Lawrence THE TROLLEY SONG Ralph Blane, Hugh Martin THERE'S NO BUSINESS LIKE SHOW BUSINESS Irving Berlin WHITE CHRISTMAS Irving Berlin WHEN YOU WISH UPON A STAR Leigh Harline, Ned Washington TM YOU MAKE ME FEEL SO YOUNG Irving Berlin Music Company® Mack Gordon, Josef Myrow YOU'LL NEVER WALK ALONE Oscar Hammerstein II, Richard Rodgers ZIP -A -DEE DOO -DAH WÎLLIAMSON MUSIC Ray Gilbert, Allie Wrubel A EpDGERS AND HAMMERSTEIN COMPANY ALL THE WAY Sammy Cahn, James Van Heusen AROUND THE WORLD Harold Adamson, Victor Young, Stella Unger Continued on page A -20 A-18 BILLBOARD SALUTE BILLBOARD FEBRUARY 13, 1999 www.americanradiohistory.com. -
Download Booklet
120836bk BobHope 3/10/06 5:09 PM Page 2 1. Put It There Pal 2:23 6. My Favorite Brunette 3:06 12. Blind Date 3:12 16. Nobody 2:06 (Johnny Burke–Jimmy van Heusen) (Jay Livingston–Ray Evans) (Sid Robin) (Bert Williams–Alex Rogers From Road to Utopia From My Favorite Brunette With Margaret Whiting,The Starlighters & From The Seven Little Foys With Bing Crosby;Vic Schoen’s Orchestra With Dorothy Lamour; Billy May’s Orchestra With Veola Vonn; Orchestra conducted by Decca 40000, mx DLA 3686-A Paul Weston’s Orchestra Capitol 1042, mx 6018-1 Joe Lilley Recorded 8 December 1944, Los Angeles Capitol 381, mx 1691-3 Recorded 11 May 1950, Hollywood RCA Victor LPM 3275, mx F2PL 1443 2. Road to Morocco 2:33 Recorded 13 February 1947, Hollywood 13. Home Cookin’ 2:48 Recorded 1955, Hollywood (Johnny Burke–Jimmy van Heusen) 7. Sonny Boy 1:31 (Jay Livingston–Ray Evans) 17. I’m Tired 2:20 From Road to Morocco (Al Jolson–Buddy DeSylva–Lew Brown– From Fancy Pants (William Jerome–Jean Schwartz) With Bing Crosby;Vic Schoen’s Orchestra Ray Henderson) With Margaret Whiting,The Starlighters & From The Seven Little Foys Decca 40000, mx DLA 3687-A With The Andrews Sisters Billy May’s Orchestra Orchestra conducted by Joe Lilley Recorded 8 December 1944, Los Angeles From Radio’s Biggest Show broadcast, Capitol 1042, mx 6011-4 RCA Victor LPM 3275, mx F2PL 1443 3. The Big Broadcast of 1938: Radio 18 June 1946 Recorded 11 May 1950, Hollywood Recorded 1955, Hollywood Preview (Excerpts) introducing 8. -
Peter Kropotkin and People's Uprisings
Peter Kropotkin and People’s Uprisings: From the Paris Commune to Gwangju by George Katsiaficas1 Were we to gather here in 2002 to discuss the contributions of Peter Kropotkin, we would be remiss if we did not attempt to extrapolate his thinking into our own time. With regard to the fate of the Bolshevik revolution, such a task is straightforward. Kropotkin himself was able to analyze its development and regression. It is quite a bit more difficult, however, to apply Kropotkin’s thinking to the development of revolutionary movements in the latter half of the 20th century. While he is of vital importance to contemporary anarchist thinking, Kropotkin is still little known outside the circles of the initiated. On the other side of Asia, Gwangju is central to modern Korean democracy, yet the uprising of 1980 in which as many 2000 people lost their lives, remains at (or outside) the borders of many people’s understanding. In both cases, it seems to me that Eurocentrism plays a role in the marginalization process. I feel safe asserting that if Kropotkin had never left Russia and yet still written the same books and articles, outside Russia we would know little or nothing of him today! We may forgive Kropotkin for many things. At the top of that list is his support for the Entente during World War 1. Somewhere else in this list is his Eurocentric bias. Today one encounters this category of analysis in Mutual Aid with consternation. His use of “savages” and “barbarians” is curiously antiquated. Moreover in his Memoirs, we find oblique references to “Asiatic schemes”, mentions of “…an Oriental fashion, in an abominable way” and “oriental amusements were looked upon with disgust…”2 I assume that Kropotkin would have outgrown these prejudices. -
Peter Kropotkin and Colin Ward Two Ideas of Ecological Urbanism
Peter Kropotkin and Colin Ward Two ideas of ecological urbanism Jere Kuzmanić prof. José Luis Oyon The thesis is dedicated to David Graeber, who died on the 2nd of September, 2020. To his greatness in proving that anarchism is worth intellectual endeavour in the 21st century, as both, academically relevant and widely respected. Goodspeed David! Thank you for the Debt. Máster Universitario en Intervención Sostenible en el Medio Construido MISMEC Escola Tècnica Superior d’Arquitectura del Vallès Universitat Politècnica de Catalunya 2019/2020 TFM - Trabajo Final de Máster (defended-September 2020) Alumni: Jere Kuzmanić [email protected] Mentor: prof. José Luis Oyon [email protected] The photo on the cover is made during the eviction of XM squat Bologna, Italy Photo by: Michele Lapini, http://www.michelelapini.net/ The thesis is written and defended in English Peter Kropotkin and Colin Ward; two ideas of ecological urbanism The thesis recapitulates the works of two anarchists, Peter Kropotkin and Colin Ward seeking the continuous thread of development of ecological urbanism as a political and spatial concept. As geographer and architect both imagined, wrote and inspired practices of production of space deeply rooted in ecology and spirit of self-organization. The literature review of primary and secondary resources will entangle the relationship between Kropotkin’s (proto)ecological geography with Colin Ward’s post-war self-management in urbanism. Both conceptions emerging from direct action, mutual aid and cooperation they will be presented through a comparison of their writings and the correlating the examples they inspired (Spanish anti- authoritarianist planning councils, 50s squatters movement, self-help housing communities etc.