DOCSLIB.ORG

FIRST SEMESTER -XII FASHION STUDIES-2016-17 ANSWER KEY TWO MARKS: 11. the Collar Is an Added Feature Onto the Neckline and It Fr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FIRST SEMESTER -XII FASHION STUDIES-2016-17 ANSWER KEY TWO MARKS: 11. the Collar Is an Added Feature Onto the Neckline and It Fr FIRST SEMESTER -XII FASHION STUDIES-2016-17 ANSWER KEY ONE MARK 1. Clothing is the general term referring to actual object related to the human body. 2. Slash and spread method, pivot method 3. Mail curtain 4. Neck circumference 5. Sir William Perkins TWO MARKS: 6. Long fabric coat originally worn by the Mughal over the chain mail which passed into the society as civilian clothes. 7. Coat strengthened with studs /nails on fabric reinforced with plate armour worn Rajput 8. Today different kinds of camouflage prints are used by the military across the world. Specific patterns in varying colour combinations like brown ,beige, green, blue, grey blend in the dense vegetation, mountainous regions or deserts 9. Ankle – length ,wrap around skirt tied at the waist with the excess waist band hanging loosely at the back worn by the Sumerians. Linen fabric wrapped around the hips worn by all classes in Egypt. 10. When ostentation and exaggerated dominate other factors, the resultant look may become distinctive but impractical .an example of this is the shoe called ‘poulaine’ worn in medieval times with exaggerated in lengths upto 24”that normal person cannot wear. 11. The collar is an added feature onto the neckline and it frames the face .it is one of the most important details of the garment as it draws maximum attention. 12. The hem of the front and back skirt after closing the darts would also be different .Measure the difference between the two at the hem .Subtract half of the difference from the larger side and add half of the difference to the smaller side to the match the hem lines. 13. In the pivot method ,the dart is pivoted on apex and dart is closed ,the pattern/sloper opens on new desired line ,the pattern itself spreads on the new position a new position ,to create the new design 14. Necklines should be larger enough to fit without pulling or chafing but not so large that it doesn’t lie flat against the body In front and back. The front of the basic necklines should always be lower than that if the back. 15. Pattern Designing is an extensive subject that covers principles of construction and techniques in a wider perspective rather than style details. THREE MARKS 16. Arm armour: bajubandh were worn for protecting the upper arm ,usually with the gauntlets Helmets: it had decorative elements like dome shaped fittings, a plume holder, movable nasal guard and a camail to protect the neck and the back sides. 17. It is mainly of draped and pleated. Basic garment was schenti, male royalty wore haik, Women’s wore sheath like kalasairies, queens were kalasaires Refer pg. no 15 18. They set up several institutes and organizations to energize the textile industry and to encourage the continuance of traditional handicrafted skills of artisans. Revival through recognition of natural cultural roots came from fabric, clothes and accessories designer. 19. Cuirasse: the infantry wore the chest armour called cuirasse made of riveted metal scales re-enforced on the shoulder and chest over the padded tunic. Kalasaires: Egyptian unisex sheath like tunic. 20. A general sizing system for clothing protection for a region or a country is based ideally on the body measurements taken on a cross section of the population. 21. Tools: 1. Grading Scale: to mark lines 2. Awl: make holes in paper 3. Notcher: to mark a paper 22. Test fit is done on the muslin at the time when the pattern is made. The second is after the garment has been stitched before the final finishing. 23. Finishing of Neckline: piping is a bias strip of fabric 1 ¼” wide and is attached on the neck line after stretching. The piping is finished either by hemming or machine stitch. Facing are two kinds- Bias facing & Sharped facing. Bias facing is a similar of strip of fabric like piping but is attached to the neckline without stretching. Sharped facing: A sharped facing is cut following the shape of the neckline and is attached on the right side and then is completely turned in. 24. The amy-scye must fit well for the garment to be comfortable and attractive. In a well-fitted arm-scye, the base of the (arm-scye) is cut close to the armpit, but not close that it bites into the armpit. It should be cut about an inch below the armpit. (Ref Page no: 79). 25. For a sleeveless bodice trace the basic bodies block is used, change the armhole as per diagram (for diagram ref page no 88). FIVE MARKS 26. a) It is central to all forms of traditional battle uniforms and its mention in historical references of different countries. The appearance of amour symbolizes strength, power and impregnability. Techniques of armour construction scale armour, lamellar armour, mail armour, plate armour, mail and plate armour, leather and fabric armour, brigandine armour. Ref page no 20 &21. b) Most of the textile spinning and weaving industry was carried out in people homes in 18th century. A chain of invention changed the situation completely results in unemployment. Eli Whitney invented automatic ginning machine. Joseph Jacquard invented Jacquard loom in 1804. Isaac Singer in 1851 invented first sewing machine. Sir Isaac Newton isolated the principle colours of the spectrum. Johan Tobias Mayor explain the principles of colour mixing. In 1856 Sir William Perkin invented the first synthetic Dye. 27. a) In India, evidence of armour of different materials from early period is found In Vedic period(1500BC)Varman made of metal wires along with the layered head gear Kushan period soldiers wore mauli, antariya, kachcha and Japanese armour Gupta kings-shorter antariya with a kayabandh, kanchuka, urastrana. Rajput kings wore the coat of mail, chilta hazaar masha(coat of thousand nails) Mughal armour-zirah bakhtar,angarkha,kavach,leather jootis Indopersian-char-aina meaning of four mirrors. b) To develop pattern in basic bodice for women wear use measurements from the given chart or measure a dress form or a body. Take a paper whose length is centre front length plus 3” and width is half of the bust with plus 4”. Ref page no 83-85 for construction. 28. a) Take one dart basic bodice block. Slash the new dart position, close the old dart trace the pattern on separate sheet. Ref page no 47 for the design manipulation of the dart diagrams. b) To develop pattern for the basic skirt for women wear use measurements from the given chart or measure a dress form or a body. Take a paper whose length is the desired length of the skirt plus 3” and width is half of the hip plus 4”. Ref page no 99 & 100 for the construction. .
Load more

Recommended publications
  • Arca Publisherspublishers
    arcapublishers.ruarcapublishers.ru arca publishersarca publishers #booksabouthermitage #booksforchildrenandadults #matisse #vangogh каталог#arcapublishers #visitingmuseumcatalogue #museumforeveryone #kidsinmuseum #deluxeditions #journeythroughart #a n i m a l wo r l d #butterflieschrysanthemum #rubens #howtotalktochildren #playtogether #formuseumsnotaboo #petersburginwatercolours #museumcomicstrip #collect4 2015 2018– 2019 DIRECTOR’S CHOICE Grand and Private Rooms Hermitage of the Winter Palace SOON Text by Tatyana Sonina SOON Text by Mikhail Piotrovsky Designed by Vladimir Yakovlev Designed by Vladimir Yakovlev Joint edition of ARCA Publishers and Scala Arts &Heritage Publishers Ltd. Director’s Choice series is an international project of Scala Arts &Heritage Publishers (UK) in which directors of major A stunning volume presents the thrilling history of the world museums make their own choice of exhibits that Winter Palace, connected with the life of Russia and Saint occupy, in their opinion, a special place in museum’s Petersburg for more than 250 years. collection, and tell about them. Externally the Palace has not changed much, however its Books based on the collections of the Albertina Gallery, the interior, as a living organism, has been constantly updated Alte Pinakothek and many others have already found their for the royal family members’ needs, status, and artistic readership. The choice of the Hermitage director is the tastes. These numerous changes are reflected in splendid first edition in Russia within the framework of this highly illustrations, mostly from the State Hermitage collection. successful international project. Sometimes paradoxical but Colourful album will let you both walk along the halls invariably interesting choice of Mikhail Piotrovsky, who has of bygone epochs and get acquainted with the Palace’s been the Hermitage’s director for 25 years, will take you to modern life, enjoying magnificent masterpieces of painting.
    [Show full text]
  • L'armement Entre Orient Et Occident Au Vie/Xiie Siècle
    MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE ANNALES ISLAMOLOGIQUES en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne AnIsl 41 (2007), p. 277-326 Abbès Zouache L’armement entre Orient et Occident au VIe/XIIe siècle : casques, masses d’armes et armures Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 Abbès ZouAche L’armement entre Orient et Occident au vie/xiie siècle Casques, masses d’armes et armures ans aucunement préjuger du rapport dialectique que la guerre entretient avec la tech- nique, on admet généralement que cette « institution sociale » peut être féconde en Sterme d’échanges et de progrès 1.
    [Show full text]
  • Protective Armor Engineering Design
    PROTECTIVE ARMOR ENGINEERING DESIGN PROTECTIVE ARMOR ENGINEERING DESIGN Magdi El Messiry Apple Academic Press Inc. Apple Academic Press Inc. 3333 Mistwell Crescent 1265 Goldenrod Circle NE Oakville, ON L6L 0A2 Palm Bay, Florida 32905 Canada USA USA © 2020 by Apple Academic Press, Inc. Exclusive worldwide distribution by CRC Press, a member of Taylor & Francis Group No claim to original U.S. Government works International Standard Book Number-13: 978-1-77188-787-8 (Hardcover) International Standard Book Number-13: 978-0-42905-723-6 (eBook) All rights reserved. No part of this work may be reprinted or reproduced or utilized in any form or by any electric, mechanical or other means, now known or hereafter invented, including photocopying and re- cording, or in any information storage or retrieval system, without permission in writing from the publish- er or its distributor, except in the case of brief excerpts or quotations for use in reviews or critical articles. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission and sources are indicated. Copyright for individual articles remains with the authors as indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the authors, editors, and the publisher cannot assume responsibility for the validity of all materials or the consequences of their use. The authors, editors, and the publisher have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained.
    [Show full text]
  • Low-Tech Armortm
    LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design ❚ STEVE JACKSON e23 Manager ❚ STEVEN MARSH GURPS Line Editor ❚ SEAN PUNCH Marketing Director ❚ LEONARD BALSERA Managing Editor ❚ PHILIP REED Director of Sales ❚ ROSS JEPSON Assistant GURPS Line Editor ❚ JASON “PK” LEVINE Prepress Checker ❚ NIKKI VRTIS Production Artist & Indexer ❚ NIKOLA VRTIS Page Design ❚ PHIL REED and JUSTIN DE WITT Art Direction ❚ MONICA STEPHENS GURPS FAQ Maintainer ❚ VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013, 2017 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. STEVE JACKSON GAMES Stock #37-1581 Version 1.0.1 – June 2017 ® CONTENTS INTRODUCTION . 3 Padded Jacks . 41 Recommended Books . 3 How a Man Shall Be Armed . 42 Additional Rules .
    [Show full text]
  • Fashion Text Book
    Fashion STUDIES Text Book CLASS-XII CENTRAL BOARD OF SECONDARY EDUCATION Preet Vihar, Delhi - 110301 FashionStudies Textbook CLASS XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110 301 India Text Book on Fashion Studies Class–XII Price: ` First Edition 2014, CBSE, India Copies: "This book or part thereof may not be reproduced by any person or agency in any manner." Published By : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 Design, Layout : Multi Graphics, 8A/101, W.E.A. Karol Bagh, New Delhi-110005 Phone: 011-25783846 Printed By : Hkkjr dk lafo/ku mísf'kdk ge] Hkkjr ds yksx] Hkkjr dks ,d lEiw.kZ 1¹izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kkRed x.kjkT;º cukus ds fy,] rFkk mlds leLr ukxfjdksa dks% lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /eZ vkSj mikluk dh Lora=krk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj 2¹jk"Vª dh ,drk vkSj v[kaMrkº lqfuf'pr djus okyh ca/qrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/ku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~ }kjk bl lafo/ku dks vaxhÑr] vf/fu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶izHkqRo&laiUu yksdra=kkRed x.kjkT;¸ ds LFkku ij izfrLFkkfirA 2- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶jk"Vª dh ,drk¸ ds LFkku ij izfrLFkkfirA Hkkx 4 d ewy dÙkZO; 51 d- ewy dÙkZO; & Hkkjr ds izR;sd ukxfjd dk ;g dÙkZO; gksxk fd og & (d) lafo/ku
    [Show full text]
  • Fashion Studies Revision Test Total Marks-25 CLASS-XII Answer the Following Questions in 20-30 Words: 2X2=4 1. Give Two
    Fashion studies Revision test Total marks-25 CLASS-XII Answer the following questions in 20-30 words: 2x2=4 1. Give two examples of draped and slip on costume? 2. Name the materials used by primitive men to cover the body? Answer the following questions in 30-50 words: 2x3=6 3. Explain the term uttariya.Briefly explain the manner of draping among the different classes of society? 4. Elaborate on the following terms: a) Kaunakes. b) Schenti. Answer the following questions in 80-120 words: 3x5=15 5. Explain the term armour? Discuss the different types of armour construction? 6. What were the broad categories of Indian garments? 7. Briefly explain the Greek costume for men and women? -------------------------------------------- Fashion studies Revision test Answer key Two marks: 1. Egyptian schenti, Greek himation and the Tahitian pareo. The Roman paenula, the medieval huque and the South American poncho. 2. Men required clothing in response to the need for protection and for shelter against extreme variations of temperature, rain, dust, thorns, wild animals and insects. For activities like warfare and hunting, extra protection was needed for the body. Eskimos wear closely fitted garments in several layers to effectively trap and retain body warmth. Wearing several layers of clothing. Three marks: 3. The Uttariya or upper garment was usually of cotton or silk with ornamented borders and fringes. The way it was worn depended on the profession of the wearer. In court, the uttariya could be draped on one or both shoulders, diagonally across the chest. It could also be loosely draped across the back with the free ends hanging down both the lower arms or wrapped around the wrist.
    [Show full text]
  • Low-Tech Armortm
    LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design T STEVE JACKSON e23 Manager T STEVEN MARSH GURPS Line Editor T SEAN PUNCH Marketing Director T LEONARD BALSERA Managing Editor T PHILIP REED Director of Sales T ROSS JEPSON Assistant GURPS Line Editor T JASON “PK” LEVINE Prepress Checker T NIKKI VRTIS Production Artist & Indexer T NIKOLA VRTIS Page Design T PHIL REED and JUSTIN DE WITT Art Direction T MONICA STEPHENS GURPS FAQ Maintainer T VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. An e23 Sourcebook for GURPS® STEVE JACKSON GAMES Stock #37-1581 Version 1.0 – December 2013 ® CONTENTS INTRODUCTION .
    [Show full text]
  • Codex Martialis: Weapons of the Ancient World
    Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis : Weapons of the A ncient World Par t II : Ar mo r an d Mi ss il e We ap on s 1 188.6.65.233 Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis: Weapons of the Ancient World Part 2 , Ar mor an d Missile Weapo ns Versi on 1 .6 4 Codex Ma rtia lis Copyr ig ht 2 00 8, 2 0 09 , 20 1 0, 2 01 1, 20 1 2,20 13 J ean He nri Cha nd ler 0Credits Codex Ma rtia lis W eapons of th e An ci ent Wo rld : Jean He nri Chandler Art ists: Jean He nri Cha nd ler , Reyna rd R ochon , Ram on Esteve z Proofr ead ers: Mi chael Cur l Special Thanks to: Fabri ce C og not of De Tail le et d 'Esto c for ad vice , suppor t and sporad ic fa ct-che cki ng Ian P lum b for h osting th e Co de x Martia lis we bsite an d co n tinu in g to prov id e a dvice an d suppo rt wit ho ut which I nev e r w oul d have publish ed anyt hi ng i ndepe nd ent ly.
    [Show full text]
  • Edwin Wood, David Edge, Alan Williams 2013, a Note on the Construction and Metallurgy of Mail Armour Exhibited in the Wallace Collection, AMM IX: 203-229
    STUDIA I MATERIAŁY – STUDIES AND MATERIALS Acta Militaria Mediaevalia IX Kraków – Rzeszów – Sanok 2013, s. 203-229 Edwin Wood David Edge Alan Williams A NOTE ON THE CONSTRUCTION AND METALLURGY OF MAIL ARMOUR EXHIBITED IN THE WALLACE COLLECTION Abstract: Edwin Wood, David Edge, Alan Williams 2013, A note on the construction and metallurgy of mail armour exhibited in The Wallace Collection, AMM IX: 203-229 An exhibition was mounted in 2009 at the Wallace Collection, London, displaying a number of mail shirts and other garments. The number of rings used in several of these mail shirts has been accurately determined for the first time. Mail can be “tailored” that is, its shape can be altered, by varying the number of links attached to each one from 4 to 3 or 5, thus contracting or expanding the weave. The “tailoring” of several shirts has been mapped, and the thickness of the links in different parts of the garments compared. Selected links have been studied by metallography, and deductions made about the heat-treatment of the completed shirt. Key words: Mail, hauberk, voider, coif, mailmakers’ names, wire thickness, mail tailoring, medieval iron and steel Introduction 1.8 mm thick and were between 8.5 and 9.2 mm The impetus for this paper came from an in diameter. There also were rows of butted links, exhibition of mail armour in 2009 at the Wallace which may have been a repair. Mail might have Collection, London, which drew upon items from developed from protective garments made up of this collection as well as many others from a private rings threaded onto cords, like netting; a fragment collection.
    [Show full text]
  • Medieval Europe 102 103
    OXFORD BIG IDEAS HISTORY 8: AUSTRALIAN CURRICULUM 3 MEDIEVAL EUROPE 102 103 Australian Curriculum focus HISTORICAL KNOWLEDGE AND UNDERSTANDING • The way of life in Medieval Europe (social, cultural, economic and political features) and the roles and relationships of different groups in society depth study option • Signifi cant developments and/or cultural achievements, such as changing relations between Islam and the West (including the Crusades), architecture, medieval Medieval Europe manuscripts and music (c.590– c.1500) • Continuity and change in society in ONE of the following areas: crime and punishment; military and defence systems; towns, cities and commerce • The dominance of the Catholic Church and the role of Europe’s medieval period (also called the Middle Ages) is commonly signifi cant individuals such as Charlemagne regarded as starting in the late 6th century CE. It lasted about 1000 years. A number of factors infl uenced the societies of medieval Europe. Th e most HISTORICAL SKILLS important were feudalism, manorialism, and the spread of Christianity. • Sequence historical events, developments and periods. Th ese factors helped to preserve social order and stability for many • Use historical terms and concepts. centuries. • Identify a range of questions about the past to inform By the start of the second millennium These trends would eventually help to end a historical inquiry. (1000 CE), the barbarian raids common in the medieval Europe’s longstanding systems of • Identify and locate relevant sources, using ICT and earlier part of the medieval period had largely feudalism and manorialism. They would also help ended. Things began to change. Towns sprang up to spread the Black Death pandemic, and, later, other methods.
    [Show full text]
  • Imperial Armies of the Thirty Years' War (2): Cavalry
    OSPREY Men-at-Arms PUBLISHING Imperial Armies of the Thirty Years' War (2) Cavalry ustrated by Darko Pavlovic CONTENTS VLADIMIR BRNARDIC was born in Zagreb in 1973. After graduating from the INTRODUCTION 3 University of Zagreb with a History degree, he trained • Troop types as a journalist in the Documentary Programme of RECRUITMENT 4 Croatian Television. He has a keen interest in the history of • Nobility, militias and mercenaries Central and Eastern European military organizations from the ORGANIZATION 6 15th to the 19th century, especially those of the • Regiments - companies and squadrons - Napoleonic period. He is ranks and responsibilities - discipline married and currently lives • Horses and works in Zagreb, Croatia. • Standards - musicians THE FIRST REGULAR REGIMENTS 11 DARKO PAVLOVIC was born in 1959 and currently lives • Dampierre/Florentine (1616) - Illow/D'Espaigne (1631) - and works in Zagreb, Croatia. Alt-Piccolomini (1629) A trained architect, he now works as a full-time illustrator and writer, specializing WARTIME CAVALRY STRENGTHS 13 in militaria. Darko has • Fluctuating strengths of the cavalry arm during the illustrated many books in the Thirty Years' War Men-at-Arms and Elite series, and has also both written and illustrated Men-At-Arms titles CUIRASSIERS 17 on the Austrian Army of the • Organization - armour - weapons - tactics 19th century. HARQUEBUSIERS 22 • Organization - armour and weapons - tactics DRAGOONS 24 • Origins and organization - clothing and weapons - tactics LIGHT CAVALRY 37 • Croats - hussars - Polish
    [Show full text]
  • Where Do Objects in the Pitt Rivers Come From? Where Do Objects in The
    JapaneseWhere do Arms objects and inArmour the Pitt Rivers come from? The Samurai - ‘those who serve’ From the 9th century, landowners with links to the Emperor rose to prominence and attracted armed supporters or ‘retainers’ who became the buke (the upper classes). From this social elite were drawn the samurai, a noble caste that included women, children and non-combatant men as well as warrior males. Over the next two centuries, two clans – Taira and Minamoto – clamoured for power, a struggle that culminated in the Genpei Wars. Taira and Minamoto samurai warriors wore red and white, the families’ respective colours, and carried fans displaying a rising-sun symbol. These became Japan’s national colours and emblem. They can be seen today on the country’s flag, which is a red sun disc on a white background. Victory for Minamoto no Yoritomo in 1185 saw him become the first shogun with nationwide authority. The feudal shogunate system supported the samurai as a martial aristocracy and the vehicle through which military power was exercised. The Emperor’s role was retained but he was reduced to a mere symbolic figure for nearly 700 years. Samurai favoured rigorous Zen Buddhism and followed Bushido (‘the way of the warrior’). This training included archery, horsemanship and swordsmanship. It also taught adherence to a strict moral code emphasising frugality, self-control, courage and loyalty until death. This often resulted in a samurai committing seppuku (ritual suicide by disembowelment) upon the death of his lord. During the medieval period many of the greatest samurai heroes appear. Minamoto no Yoshitsune (1159–89) and Kusunoki Masashige (1294–1336) both died heroes’ deaths and are still regarded in Japan as epitomes of the samurai ideal.
    [Show full text]