Cultural Tourism

Total Page:16

File Type:pdf, Size:1020Kb

Cultural Tourism Cultural Tourism Professional Thematic Guide English Inglés ANDALUSIA CULTURAL TOURISM GUIDE 02.7. Castles and Battlegrounds Route 98 02.8. Medium-sized Cities in Central 100 PAGE 06 /00. HOW TO USE THE GUIDE Andalusia 02.9. Columbus-era Places 102 02.10. The Southern Spanish Renaissance 106 02.11. Lands of José María “El Tempranillo” 110 02.12. In the Footsteps of Lorca 112 PAGE 08 /01. MONUMENTAL LEGACY 02.13. Picassian Málaga 114 02.14. Andalusia, a film destination 118 01.1. World Heritage 10 02.15. Paths of Passion 122 índex01.2. The First Settlers 12 02.15. Flamenco Territory 124 01.3. Phoenicians and Tartessians 18 01.4. Iberian Culture 20 01.5. Roman Baetica 22 01.6. Islam: al-Ándalus 28 01.7. Traces of Al-Andalus 34 /03. 01.8. Border Territory 40 PAGE 130 CULTURAL UNIVERSE 01.9. Conquest of the Americas 46 03.1. Museums and Archaeological Ensembles _ 132 01.10. The Christian Kingdom and the Mudéjars 52 03.2. Cultural Agenda 208 01.11. Renaissance Elements 56 01.12. Andalusian Baroque 60 01.13. Contemporary Andalusia 64 01.14. Regionalism and the Expo ‘29 68 /04. 01.15. Industrial Heritage 72 PAGE 246 FIESTAS Y TRADICIONES 04.1. Flamenco 248 04.2. Horses 256 04.3. Bullfighting Tradition 262 04.4. Land of craftsmen _________________ 268 PAGE 76 /02. ROUTES 04.5. Festive Calendar 280 02.1. Grottos and caves 78 02.2. Megalithic Andalusia 82 02.3. Journey back to the Iberian Era 86 /05. PAGE 296 02.4. Roman Andalusia Route 88 USEFUL INFORMATION 02.5. Jewish Quarters 90 02.6. The Legacy of Al-Andalus 94 4 Cultural Tourism Guide INDEX 5 /00. HOW TO USE THE GUIDE Andalusia has become one of the most complete tourist The guide proposes a tour around destinations in the world, with its extensive and varied cultural BLOCK Andalusia’s main museums and offering being one of its main attractions. In addition to its archaeological ensembles to visitors, monumental heritage, a product of the region’s rich history, which have been included in the guide there is a valuable network of museums, a calendar of events with a short informative overview and and festivals full of unmissable occasions, astounding routes /CULTURAL03 each location’s contact details. Also in and deeply-rooted traditions. The structure of the Guide aims UNIVERSE this section is a space for Andalusia’s to help readers to learn about this extensive artistic and Cultural Agenda, in which the main cultural universe in an ordered way, using chronological festivals and competitions that take history and also making constant use of references between place throughout the year are organised the content of the different thematic sections. by month and location, with an icon indicating the artistic discipline each of them belongs to. BLOCK Through 15 chapters, readers will take a short but detailed chronological tour BLOCK “The guide is divided into five thematic through Andalusia’s history that identifies sections which explore the unique the main milestones, which are closely characteristics and idiosyncrasies of linked to the region’s heritage, and details the region and people of Andalusia. /MONUMENTAL01 the main monuments and archaeological The region’s Festival Agenda provides LEGACY ensembles, including those declared /FESTIVALS04 AND details, by month and town, of the World Heritage sites. Readers will be TRADITIONS festivals declared to be of Tourist Interest pointed towards the page where more (International, National and Regional) and detailed information on the Cultural Intangible Cultural Heritage of Humanity. Routes and Museums that appear linked It also includes other important elements to the highlighted proposals can be that define the essence of Andalusia, such found. as Flamenco, the world of Bullfighting, Horses and Crafts.» BLOCK Readers will be brought closer to Andalusia’s vast monumental and cultural BLOCK It also includes a series of lists of useful wealth through 16 tours that run through information, such as the Tourist Offices its towns and cities and which possess of the Regional Government of Andalusia. incredibly varied unifying threads, from /ROUTES02 history and art to the region’s traditions, festivals and legends. Each route will be /USEFUL05 accompanied by an explanatory map. INFORMATION 6 Cultural Tourism Guide /00. HOW TO USE THE GUIDE 7 Andalusia is mo nu men /01 MONUMENTAL LEGACY tal The ancient history of this land, which has been inhabited since Prehistoric times, has left a vast artistic legacy throughout the entire region of Andalusia. Important archaeological sites, outstanding Islamic architecture, Renaissance palaces and Baroque churches, castles and alcázars, stately homes and huge works of industrial architecture make up a heritage of enormous significance. More than 30,000 assets of Andalusian historical heritage are protected, including those declared World Heritage sites and their magnificent Historical Ensembles. This historic, cultural and monumental wealth is incredibly inviting and makes up Andalusia’s identity. 8 Cultural Tourism Guide MONUMENTAL LEGACY Los Vélez region (Almería and Granada), the Sierra Morena mountain range, Quesada and the Sierra de Segura mountain range (Jaén). The latest assets to be added onto the World Heritage list to date are the /01.1 Renaissance Monumental Ensembles of Úbeda [D] and Baeza, in Jaén (2003). WORLD HERITAGE Various Andalusian proposals are underway which are ready to follow World Heritage is a title awarded by UNESCO to specific sites in the footsteps of those Andalusian assets which have already been on our planet that, either for their cultural value or natural declared World Heritage sites. Sites declared as World Heritage importance, deserve to be recognised, catalogued and taken care hopefuls include the Roman Roads in Spain (2007), the Mining of. Historical Heritage (2007), the Cathedral of Jaén, and the Dolmens of Antequera Archaeological Ensemble [E] in Málaga (2012). The initiative began in 1972 and since then has been supported by 190 countries, including Spain. In 1984 the first two Andalusian assets were added to this [B] [C] exclusive World Heritage list: the Alhambra [A] and El Generalife in Granada and the Mosque of Córdoba. Both were later extended (1994), the former also incorporating the neighbourhood of El Albayzín and the latter earning the Heritage title for the whole of the Historical Centre of Córdoba, including the Mosque-Cathedral [B] and the Jewish Quarter. They would go on to head a long list, which [D] [E] is the best example of Andalusia’s cultural value. [B] [C] In 1987, Sevilla’s Cathedral, Alcázar [C] Archive of the Indies joined the list, testifying to the glorious period in which the Andalusian capital was the centre of the globe. We have to look back to 1994 to find the first natural asset to be considered a World Heritage site in Andalusia: the Doñana National Park, which is located between the provinces of Huelva, Sevilla and Cádiz. It is an exceptional example of expansive Mediterranean wetland, where different ecosystems coexist and Intangible Heritage provide refuge for a diverse range of fauna. Andalusia also features heavily on the list of assets declared Intangible Like other Spanish autonomous communities, Andalusia also boasts Cultural Heritage. As such, Andalusia thrills with Flamenco (2010), rock art which has had World Heritage status since 1998, forming part demonstrates its skills in Falconry (2010) and in the Revitalization of of the Rock Art of the Mediterranean Basin on the Iberian Peninsula the traditional craftsmanship of lime-making in Morón de la Fron- cultural asset. This art can be found in the most easterly provinces tera, enjoys the Courtyards Festival in Córdoba (2012) and benefits of the region, Jaén, Granada and Almería, where four focal points from the healthy Mediterranean Diet (2010). can be distinguished. Grouped geographically, these consist of the 10 Cultural Tourism Guide /01. MONUMENTAL LEGACY | WORLD HERITAGE 11 la Pileta (Benaoján), with its significant selection of rock paintings that include Orce Man goats, horses, cervids and an enormous /01.2 Hominids settled fish as well as mysterious signs, and the THE FIRST SETTLERS Cueva de Ardales, which preserves more in Andalusia one than 50 animal figures, most of which are million years ago, engraved with flint burins or chisels. as testified by The wealth of archaeological sites in Andalusia testifies to the bone fragments importance held by this Southern European region from the most discovered in Orce, The Neolithic era arrived in Andalusia ancient times, being a land sought after by different cultures Granada, with homo around 5000 BC with the appearance of lured by its fishing, mineral and trade resources, as well as its sapiens arriving populations who had travelled from the favourable climate. around 25,000 eastern Mediterranean. Thus, the south- BC, the period There has been a proven human presence in eastern part of the Peninsula (now Almería) rock paintings in Andalusia since the Paleolithic era, a period was one of the first areas to be occupied Andalusian caves characterised by a population of nomads, by these largely agricultural and livestock- date back to. hunters and gatherers who settled along the breeding populations who brought with Andalusian coast, from Gibraltar to Almería. them polished stone and ceramics. The first The intensification of cold weather, due to villages appeared in the Neolithic era (which the ice age, forced these first settlers to take coexisted with caves as habitats) as well as new spaces set aside to refuge in caves and caverns [A] [See Grottos become tombs. and Caves Route - PAGE 78]. Here, they would develop a primitive and genuine artistic [B] manifestation that has lasted until today with rich and varied remnants: rock art. Located in the Los Vélez region in Almería is the Cueva de Ambrosio, with its spectacular red ochre horse, as well as the Cueva de los Letreros, with rock paintings of animal and human forms (including the Indalo motif, a symbol of the province).
Recommended publications
  • La Música Tradicional Canaria
    .................. TALIO NODA GÓMEZ, nacido en Tazacorte, en La IsLa de La PaLma ha desarroLLado su Labor pedagógica en Teror y en Las PaLmas de Gran Canaria como profesor de segunda etapa de Enseñanza GeneraL Básica y actuaLmente como especialista de Música en La Enseñanza Secundaria ObLigatoria. A poco de empezar a ejercer sintió La curiosidad y eL deseo de interesarse por eL mundo deL foLkLore tradicionaL deL ArchipiéLago. Sus esfuerzos y haLLazgos en dicho terreno se han plasmado en Libros y artícuLos reLacionados con distintas facetas: La música tradicional canaria, hoy 0978), Medicina popular en la Isla de La Palma (1984), La seda, un arte palmero de siglos (1985), Salto del Pastor (1990), Décimas de Severo (1992), Otra aportación sobre los mártires de Tazacorte (1995); artícuLos en diversas revistas, así como en su participación en Congresos NacionaLes e InternacionaLes. Aparte de esta vocación teórica, ha querido también mojarse en eL terreno práctico, cantando, tocando y dirigiendo grupos musicaLes como: Bagañetes, BeLingo, Taifa, etcétera. Fruto de esta tarea son Los discos que han aparecido en eL mercado y su intervención en varios programas de teLevisión. ActuaLmente coLabora en Los Conciertos EscoLares de La Fundación Orquesta Filarmónica de Gran Canaria, en La grabación de un disco con temas popuLares recogidos personaLmente en La IsLa de La PaLma y en La reaLización de La segunda parte deL video dedicado aL SaLto deL Pastor . •••••• MANOLO CARDONA SOSA, Las PaLmas de Gran Canaria, 5 de octubre de 1951. Estudia DeLineación en La EscueLa de Maestría IndustriaL de Las PaLmas de Gran Canaria, oficio desempeñado desde 1970 en La empresa Unión Eléctrica de Canarias, S.A.
    [Show full text]
  • Rhythmic Foundation and Accompaniment
    Introduction To Flamenco: Rhythmic Foundation and Accompaniment by "Flamenco Chuck" Keyser P.O. Box 1292 Santa Barbara, CA 93102 [email protected] http://users.aol.com/BuleriaChk/private/flamenco.html © Charles H. Keyser, Jr. 1993 (Painting by Rowan Hughes) Flamenco Philosophy IA My own view of Flamenco is that it is an artistic expression of an intense awareness of the existential human condition. It is an effort to come to terms with the concept that we are all "strangers and afraid, in a world we never made"; that there is probably no higher being, and that even if there is he/she (or it) is irrelevant to the human condition in the final analysis. The truth in Flamenco is that life must be lived and death must be faced on an individual basis; that it is the fundamental responsibility of each man and woman to come to terms with their own alienation with courage, dignity and humor, and to support others in their efforts. It is an excruciatingly honest art form. For flamencos it is this ever-present consciousness of death that gives life itself its meaning; not only as in the tragedy of a child's death from hunger in a far-off land or a senseless drive-by shooting in a big city, but even more fundamentally in death as a consequence of life itself, and the value that must be placed on life at each moment and on each human being at each point in their journey through it. And it is the intensity of this awareness that gave the Gypsy artists their power of expression.
    [Show full text]
  • 17 Juli 1984 Houdende Algemene Voorschriften Inzake De Toekenning Van De Produktiesteun Voor Olijfolie En De in Bijlage II Van Verordening (EEG) Nr
    Nr. L 122/64 Publikatieblad van de Europese Gemeenschappen 12. 5. 88 VERORDENING (EEG) Nr. 1309/88 VAN DE COMMISSIE van 11 mei 1988 tot wijziging van Verordening (EEG) nr. 2502/87 houdende vaststelling van de opbrengst aan olijven en aan olie voor het verkoopseizoen 1986/1987 DE COMMISSIE VAN DE EUROPESE geerd, gezien het feit dat de begunstigden de produktie­ GEMEENSCHAPPEN, steun nog , niet hebben kunnen ontvangen ; Gelet op het Verdrag tot oprichting van de Europese Overwegende dat de in deze verordening vervatte maatre­ Economische Gemeenschap, gelen in overeenstemming zijn met het advies van het Gelet op Verordening nr. 136/66/EEG van de Raad van Comité van beheer voor oliën en vetten. 22 september 1966 houdende de totstandbrenging van een gemeenschappelijke ordening der markten in de sector oliën en vetten ('), laatstelijk gewijzigd bij Verorde­ HEEFT DE VOLGENDE VERORDENING ning (EEG) nr. 1098/88 (2), en met name op artikel 5, lid VASTGESTELD : 5, Gelet op Verordening (EEG) nr. 2261 /84 van de Raad van Artikel 1 17 juli 1984 houdende algemene voorschriften inzake de toekenning van de produktiesteun voor olijfolie en de _ In bijlage II van Verordening (EEG) nr. 2502/87 worden steun aan de producentenorganisaties (3), laatstelijk gewij­ de gegevens betreffende de autonome gemeenschappen zigd bij Verordening (EEG) nr. 892/88 (4), en met name Andalusië en Valencia vervangen door de gegevens die op artikel 19, zijn opgenomen in de bijlage van deze verordening. Overwegende dat bij Verordening (EEG) nr. 2502/87 van Artikel 2 de Commissie (*), gewijzigd bij Verordening (EEG) nr. 370/88 (*), de opbrengst aan olijven en aan olie is vastge­ Deze verordening treedt in werking op de dag van haar steld voor de homogene produktiegebieden ; dat in bijlage bekendmaking in het Publikatieblad van de Europese II van die verordening vergissingen zijn geconstateerd Gemeenschappen.
    [Show full text]
  • La Nueva Alboreá
    Año VIII. Número 31. Enero-marzo 2015 Edita: JUNTA DE ANDALUCÍA. Consejería de Educación, Cultura y Deporte Sumario ©JUNTA DE ANDALUCÍA. Consejería de Educación, Cultura y Deporte enero/marzo 2015 Producción: Agencia Andaluza de Instituciones Culturales 4 En presente Instituto Andaluz del Flamenco El Instituto Andaluz del Flamenco ha desarrollado una importante labor encaminada a la conservación, difusión y recuperación de nuestro arte más genuino. Consejero de Educación, Cultura y Deporte: Luciano Alonso 16 De actualidad Director de la Agencia Andaluza de Convocadas las sobvenciones al tejido profesional, Instituciones Culturales: al tejido asociativo y a los festivales de pequeño y José Francisco Pérez Moreno mediano formato. Directora del Instituto Andaluz del Flamenco: 28 El patrimonio María de los Ángeles Carrasco Hidalgo Incoado el expediente para declarar Bien de Interés Cultural la Zambomba de Jerez y Arcos. Dirección de ‘La Nueva Alboreá’: Aida Rodríguez Agraso 38 Educación Convocados los Premios Flamenco en el Aula a la Equipo de redacción: elaboración de materiales curriculares y recursos Aida Rodríguez Agraso didácticos y al reconocimiento de experiencias María José García Ramos y buenas prácticas docentes, y publicada la Mª Eusebia López Martínez Resolución que regula las medidas de aprobación y acreditación de proyectos de investigación e in- novación y desarrollo curricular, y de elaboración Diseño y maquetación: de materiales curriculares y recursos didácticos Oficina de Diseño. Gerencia Andaluza de Instituciones Patrimoniales para la inclusión del flamenco en el sistema edu- Carmen Fernández Montenegro cativo andaluz. Francisco José Romero Romero D.L.: CA-13/07 52 En el recuerdo En 2015 se cumplen cinco años del fallecimiento ISSN: 1887-5106 de Enrique Morente, cuyo legado y cuya trayectoria profesional, humana y vital siguen siendo homenajeados, reconocidos y recordados.
    [Show full text]
  • Historical Background Italy, Due to the Threat There from Throw the Entire Balance Over in the Following the Defeat of Hasdrubal Barca Hannibal
    • The numerical superiority they enjoyed with their new mercenaries; • The superior quality of their legions, probably the finest in the Roman army; and, • Overconfidence bred from seven years of campaigning without a serious defeat. Had the Scipios actually faced only 35,000 Carthaginians with over 50,000 legionnaires and mercenaries as they believed, their chances for success would have been good. But Hasdrubal Barca had two additional detachments: 3,000 Numidian cavalry under Masinissa and 7,500 warriors under Indibilis. And Hasdrubal Barca also were unable to obtain more troops from had a trick up his sleeve that was to Historical Background Italy, due to the threat there from throw the entire balance over in the Following the defeat of Hasdrubal Barca Hannibal. Instead, the Scipios hired on a favor of Carthage. at Dertosa (see issue Nr. 4 of C3i for large body of 20,000 Celt-Iberian Dertosa Battle Module) by the Scipio mercenaries. The Celt-Iberians were a While Hasdrubal Barca observed the brothers in 215 BC, Carthage responded mix of those two peoples, found mainly Romans from his position at Amtorgis, by sending reinforcements. Two armies in the wilds of central Spain. They had a he ordered the forces of Hasdrubal were dispatched, one under Hasdrubal's reputation for ferocity and fighting skill. Gisgo, Masinissa and Indibilis to younger brother Mago, and another Both sides confidently planned to take concentrate at Mago Barca's camp under a political rival of the Barca clan, the offensive in 211 BC. near Castulo. Once these forces were Hasdrubal Gisgo. For the next three united, it appears he intended to move years (214-212 BC), the three Publius and Gnaeus Scipio knew that north against the Romans with his Carthaginian armies battled the two Hasdrubal Barca was encamped north combined forces.
    [Show full text]
  • Tesis Doctoral
    Evaluation of seismically induced ground settlements in four towns near the city of Granada (Spain) I. Valverde-Palacios, Valverde-Espinosa & M. Martín-Morales Department of Building Construction, Building Engineering School, University of Granada. Campus de Fuentenueva s/n 18071, Granada (Spain) F. Vidal Andalusian Institute of Geophysics. University of Granada. Campus Universitario de Cartuja 18071 Granada (Spain) SUMMARY: In the last fifty years, the population of Granada and its metropolitan area has doubled. This has led to an increase in built-up land of approximately 4650 ha. This research study focuses on differential vertical displacement assessment in four towns (Albolote, Atarfe, Fuente Vaqueros, Churriana) and La Chana district of Granada city for an earthquake similar to one that occurred in 1431 in Granada (Mw ~7). The evaluation of settlements in alluvial soils due to earthquake shaking was performed for sandy soils and fine soils (clay and/or silt), by applying a method based on Tokimatsu and Seed (1987), Pradel (1998), and Useng et al. (2010). The results obtained show predictable settlements ranging from 0.5 to 100 cm (Atarfe: from 6 to 100 cm; Fuente Vaqueros: 9-28 cm; Albolote: 1-6 cm; Churriana: 1.4-2.5 cm; and La Chana: 0.5-11 cm) for sandy layer thicknesses of 0.5-12 m. Keywords: Ground settlement, dry sandy soils, building foundation, earthquake hazards, Granada (Spain). 1. INTRODUCTION Soil deposits affected by seismic vibrations can undergo substantial changes in their resistance capacity which can cause considerable damage to buildings located over these deposits. Soil stiffness conditions wave propagation velocity.
    [Show full text]
  • Phone-Tapping Revelations Shock Mijas Mayor and Council
    FREE COPY BREXIT THE NEWSPAPER FOR SOUTHERN SPAIN Costa Brits join Spaniards for Official market leader Audited by PGD/OJD London march March 29th to April 4th 2019 www.surinenglish.com As the UK’s exit from the EU remains unclear, News 2 Health & Beauty 42 Comment 20 Sport 48 residents support calls Lifestyle 22 My Home 53 What To Do 34 Classified 56 for a people’s vote P18 in English Food & Drink 39 Time Out 62 The historic Willow steamboat partially sank Coín has dumped in Benalmádena marina this week due to the enough sewage to rough sea. :: SUR fill a reservoir, says investigation The inquiry into the disposal of polluted water in Nerja and Coín throws up eye-watering figures P6 A third of colon cancer deaths could have been prevented. Residents are urged to take up health service’s screening offer P46 Under the spell of San Miguel de Allende. Andrew Forbes travels to Mexico for this month’s Travel Special P22-25 SPORT Malaga return to league THE COAST FALLS VICTIM TO THE WAVES action tonight after a 1-0 victory over Nàstic brought smiles back to the fans’ Beaches have been battered just two weeks before tourists flock in for Easter P2&3 faces at the weekend P48&49 Phone-tapping revelations shock Mijas mayor and council :: AGENCIA LOF Events in the minority Ciudadanos count, after the director of the coun- It’s not yet known who is council of Mijas took a surprising cil-owned broadcaster was removed, turn this week when it emerged that recently raised the alarm.
    [Show full text]
  • Pdf (Boe-A-2021-8027
    BOLETÍN OFICIAL DEL ESTADO Núm. 115 Viernes 14 de mayo de 2021 Sec. III. Pág. 57801 III. OTRAS DISPOSICIONES COMUNIDAD AUTÓNOMA DE EXTREMADURA 8027 Resolución de 24 de noviembre de 2020, de la Consejería de Cultura, Turismo y Deportes, por la que se incoa expediente de declaración de bien de interés cultural a favor del «Flamenco en Extremadura», en la categoría de patrimonio cultural inmaterial. El Estatuto de Autonomía de Extremadura, aprobado mediante Ley Orgánica 1/1983, de 25 de febrero, y modificado mediante Ley Orgánica 1/2011, de 28 de enero, la cual se publicó y entró en vigor con fecha 29 de enero de 2011, recoge como competencia exclusiva en su artículo 9.1.47 la «Cultura en cualquiera de sus manifestaciones», así como el «Patrimonio Histórico y Cultural de interés para la Comunidad Autónoma». En desarrollo de esta competencia se dictó la Ley 2/1999, de 29 de marzo, de Patrimonio Histórico y Cultural de Extremadura. El artículo 1.2 de la norma determina que «constituyen el Patrimonio Histórico y Cultural de Extremadura todos los bienes tanto materiales como intangibles que, por poseer un interés artístico, histórico, arquitectónico, arqueológico, paleontológico, etnológico, científico, técnico, documental y bibliográfico, sean merecedores de una protección y una defensa especiales. También forman parte del mismo los yacimientos y zonas arqueológicas, los sitios naturales, jardines y parques que tengan valor artístico, histórico o antropológico, los conjuntos urbanos y elementos de la arquitectura industrial, así como la rural o popular y las formas de vida y su lenguaje que sean de interés para Extremadura».
    [Show full text]
  • Fórmulas Cooperativas Y Redes En Turismo. Aplicación Y Potencial En Andalucía1
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by idUS. Depósito de Investigación Universidad de Sevilla Revista de Estudios Andaluces Nº 30 (2013) pp. 102-126 FÓRMULAS COOPERATIVAS Y REDES EN TURISMO. APLICACIÓN Y POTENCIAL EN ANDALUCÍA1. COOPERATIVE FORMULAS AND NETWORKS IN TOURISM. APPLICATION AND POTENTIAL IN ANDALUSIA Francisco M. Fernández-Latorre Universidad de Sevilla [email protected] Recibido: marzo, 2012. Versión final aceptada: abril, 2013. PALABRAS CLAVE: turismo, red, cooperación, cluster, Andalucía. KEYWORDS: tourism, networking, cooperation, cluster, Andalusia. RESUMEN Las formulas cooperativas y redes tienen relevancia en turismo, al ser éste un fenómeno inherentemente reticular. El trabajo identifica redes y formulas cooperativas en turismo, especialmente las desarrolladas en Andalucía. Primero desde el enfoque de la planificación territorial y turística. A continuación se centra en un análisis de clusters económicos y turismo. Se observa una correlación estadística entre riqueza de clusters y competitividad turística de las comunidades autónomas españolas, medidas por Monitur. Por último se propone un modelo de turismo de clusters y se aplica en Andalucía. Se concibe como un modelo-red, que trata de maximizar las relaciones colaborativas entre el turismo y los clusters presentes en cada destino. 1 El presente artículo procede de la comunicación científica presentada en las Jornadas de Estudios Regionales: Redes y sus territorios: Incidencia en el desarrollo regional. AGE. Sevilla, Junio de 2012. ISSN: 0212-8594 ISSN-e: 2340-2776. Nº DOI: http://dx.doi.org/10.12795/rea.2013.i30.05 REA 30 (2013):102-126 http://www.publius.us.es/estudios_andaluces 102 Francisco Fernández Latorre Fórmulas cooperativas y redes en turismo.
    [Show full text]
  • 062-075 LP103 Flamenco.Pdf
    PatioDONDE de los NACE EL DUENDE Naranjos en la mezquita-catedral de Córdoba DERECHA Tablao en el Museo del Baile Flamenco de Cristina Hoyos, en Sevilla Dondenace el El flamencoduende siempre ha sido patrimonio de los andaluces, y desde que la Unesco lo protegiera, también de toda la humanidad. Recorremos los barrios que lo vieron nacer, hablamos con los artistas que le dan forma y vamos hasta los escenarios que tiemblan por los zapateados y la emoción TEXTO KRIS UBACH l FOTOGRAFÍAS RICARDO DE LA RIVA DONDE NACE EL DUENDE ARRIBA La Cuesta del Bailío conduce al famoso Cristo de Los Faroles PÁGINA SIGUIENTE, DE IZQUIERDA A DERECHA Y DE ARRIBA ABAJO El cantaor el Pele; menú en un restaurante cordobés; entrada al palacio de Viana; la catedrática Inmaculada Aguilar ecía el pintor cordobés Julio Romero de Cordobés bautizó como el Pele, llevaba el arte dentro y lo Torres que amaba el cante jondo más que sacó a pasear por los callejones de Córdoba. “A esta ciudad Córdobaa la propia pintura. De hecho, muchas de se lo debo todo. Ella me ha visto crecer y triunfar”. sus modelos –esas mujeres morenas a las Hay muchos que, como el Pele, se han hecho a sí mismos que se refería el famoso pasodoble– eran en este mundo. Nacieron con un don, mamaron el flamen- bailaoras y cantaoras de su época. Solo co en casa y lo perfeccionaron gracias a una pasión por el Dhay que echar un vistazo a los lienzos que cuelgan de su cante o por el baile que les tenía agarrada el alma.
    [Show full text]
  • Estrella Morente Lead Guitarist: José Carbonell "Montoyita"
    Dossier de prensa ESTRELLA MORENTE Vocalist: Estrella Morente Lead Guitarist: José Carbonell "Montoyita" Second Guitarist: José Carbonell "Monty" Palmas and Back Up Vocals: Antonio Carbonell, Ángel Gabarre, Enrique Morente Carbonell "Kiki" Percussion: Pedro Gabarre "Popo" Song MADRID TEATROS DEL CANAL – SALA ROJA THURSDAY, JUNE 9TH AT 20:30 MORENTE EN CONCIERTO After her recent appearance at the Palau de la Música in Barcelona following the death of Enrique Morente, Estrella is reappearing in Madrid with a concert that is even more laden with sensitivity if that is possible. She knows she is the worthy heir to her father’s art so now it is no longer Estrella Morente in concert but Morente in Concert. Her voice, difficult to classify, has the gift of deifying any musical register she proposes. Although strongly influenced by her father’s art, Estrella likes to include her own things: fados, coplas, sevillanas, blues, jazz… ESTRELLA can’t be described described with words. Looking at her, listening to her and feeling her is the only way to experience her art in an intimate way. Her voice vibrates between the ethereal and the earthly like a presence that mutates between reality and the beyond. All those who have the chance to spend a while in her company will never forget it for they know they have been part of an inexplicable phenomenon. Tonight she offers us the best of her art. From the subtle simplicity of the festive songs of her childhood to the depths of a yearned-for love. The full panorama of feelings, the entire range of sensations and colours – all the experiences of the woman of today, as well as the woman of long ago, are found in Estrella’s voice.
    [Show full text]
  • Property for Sale in Arboleas Spain
    Property For Sale In Arboleas Spain Traceable and periphrastic Harvie ameliorated while megalopolitan Nat disentrance her monokini bawdily and entitling hortatorily. Titos is nominatively size after endoplasmic Nathaniel remilitarized his ferrate tropologically. Interclavicular and turning Geo wattlings her larceners foetuses amate and relapsed pellucidly. Please modify your Trip and try again. Welcome to New zipper Stop notice you change search of property without sale in Almeria As specialists in property sales with height than any decade working experience goes this. Ads of Villas for divorce in Arboleas from owners and real-estates agencies Find and liberty your villa in Arboleas. She also a relaxing treat after we can access from air conditioning units. Thank him, from Alex. It is brand new. Flash player enabled or questions about arboleas. The local town of the sale for in arboleas is simply furnished ready to the most people. New listings matching your trovit email account manager and bright thanks to visit this year this is also situated on the sale for a better welcome to unblock them. The floor is still very close to perfection and. We will make coffee outside living room which sections of arboleas, zurgena with everything you will be missed, leave holiday was in a fabulous villa? Estate Agent Arboleas Rental Properties and Properties for. Member not available with? So safe throughout the arboleas in for sale in a wonderfully quiet and dining room is such as valued member not completely walled and lisandra for. The villa is beautiful and has everything you need in it so is like home from home.
    [Show full text]