Religions. Mythology. Rationalism Bl
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Asahi Falls —Mendicant Shakuhachi Monks and the Izu Pennisula— Christopher Yohmei Blasdel
Asahi Falls —Mendicant Shakuhachi Monks and the Izu Pennisula— Christopher Yohmei Blasdel Asahi Falls, Ōdaira, Izu. Photograph by the author. 1 The anfractuous road from Shūzen-ji to the Amagi Pass winds through the middle of the mountainous Izu Peninsula. It cuts across small villages, traverses deep rivers filled with fresh, running waters and traces hairpin curves that straddle exquisitely terraced rice paddies. Every turn offers a stunning vista of towering mountains and verdant slopes. These views are juxtaposed with glimpses of local daily life as village residents make their way back and forth from school, shopping or their work in the fields and forests. One of the small communities the road passes along the way is Ōdaira. From the center of this settlement, a small lane leaves the road and makes its way up westward to the edge of the mountain, where is situated the remains of an old temple, a shrine and a magnificent waterfall that cascades from on high out of the forested hillside. This eastward-facing waterfall is named Asahi Daki (“Morning-sun waterfall”), and the name of temple—or the empty space where it once stood—is Rōgen-ji (literally, “origin of the waterfall”). A sign at the entrance to the area tells the visitor that Rōgen-ji was a ko- musō temple. Komusō, the sign informs us, were a band of itinerant monks who covered their heads with deep basket hats, called tengai, and wandered the Japanese countryside playing the shakuhachi bamboo flute and begging for alms. These monks belonged to the Fuke Sect, which was loosely connected to the Rinzai sect of Zen Buddhism, and Rōgen-ji was an affiliate temple of Rei- hō-ji Temple in Ōme, now a municipality of Tokyo in western mountainous re- gion. -
New Media in the Social Spaces. Strategies of Influence
KATARZYNA WALOTEK-ŚCIAŃSKA MICHAŁ SZYSZKA ARKADIUSZ WĄSIŃSKI DANUTA SMOŁUCHA New media in the social spaces. Strategies of influence PRAGUE 2014 Autoři: Katarzyna Walotek-Ściańska Michał Szyszka Arkadiusz Wąsiński Danuta Smołucha Recenzenti: doc. Mgr. Katarína Fichnová, PhD. (Univerzita Konštantína Filozofa v Nitre) prof. WSiZ dr hab. Krzysztof Gajdka (Wyższa Szkoła Informatyki i Zarządzania w Rzeszowie) Mgr. Lukasz P. Wojciechowski, PhD. (Univerzita Konštantína Filozofa v Nitre) Edični řada: Kultura – Literatura – Komunikace t. II. Redaktory edični řady: Katarzyna Walotek-Ściańska, Dariusz Rott Vědecka rada doc. Mgr. Katarína Fichnová, PhD. (Univerzita Konštantína Filozofa v Nitre); prof. WSiZ dr hab. Krzysztof Gajdka (Wyższa Szkoła Informatyki i Zarządzania w Rzeszowie); prof. WSH dr hab. Michał Kaczmarczyk (Wyższa Szkoła Humanitas w Sosnowcu); prof. PhDr. Libor Pavera (Vysoka škola hotelová, Praha); prof. PhDr. Dušan Pavlů (Univerzita sv. Cyrila a Metoda v Trnave); prof. Ivo Pospíšil (Masarykova univerzita w Brně), prof. dr hab. Dariusz Rott (Uniwersytet Śląski w Katowicach, Univerzita sv. Cyrila a Metoda v Trnave); prof. UEK dr hab. Zbigniew Widera (Uniwersytet Ekonomiczny w Katowicach) ISBN 978-80-87800-10-2 © Verbum, Praha 2014 Počítačová sazba, příprava do tisku: Piotr Gorzelańczyk, www.pitart.pl Obálka: Maja Barańska, www.szasza.pl Vydanie prvé. Introduction ............................................................ 5 1. NEW MEDIA IN THE COMMUNICATION SPACE ....................... 7 1.1 Transformations of communication in the future social formations ............. 7 1.2 Communication and social contexts for functioning of networks and virtual communities ............................................. 17 1.3 Intercultural communication from the new media perspective ................ 25 2. MEDIA, NEW MEDIA AND FUNCTIONING OF SOCIAL WORK AND SOCIAL ASSISTANCE INSTITUTIONS ........................... 35 2.1 Actions in social or media space? ..................................... -
The Straight Path: Islam Interpreted by Muslims by Kenneth W. Morgan
Islam -- The Straight Path: Islam Interpreted by Muslims return to religion-online 47 Islam -- The Straight Path: Islam Interpreted by Muslims by Kenneth W. Morgan Kenneth W. Morgan is Professor of history and comparative religions at Colgate University. Published by The Ronald Press Company, New York 1958. This material was prepared for Religion Online by Ted and Winnie Brock. (ENTIRE BOOK) A collection of essays written by Islamic leaders for Western readers. Chapters describe Islam's origin, ideas, movements and beliefs, and its different manifestations in Africa, Turkey, Pakistan, India, China and Indonesia. Preface The faith of Islam, and the consequences of that faith, are described in this book by devout Muslim scholars. This is not a comparative study, nor an attempt to defend Islam against what Muslims consider to be Western misunderstandings of their religion. It is simply a concise presentation of the history and spread of Islam and of the beliefs and obligations of Muslims as interpreted by outstanding Muslim scholars of our time. Chapter 1: The Origin of Islam by Mohammad Abd Allah Draz The straight path of Islam requires submission to the will of God as revealed in the Qur’an, and recognition of Muhammad as the Messenger of God who in his daily life interpreted and exemplified that divine revelation which was given through him. The believer who follows that straight path is a Muslim. Chapter 2: Ideas and Movements in Islamic History, by Shafik Ghorbal The author describes the history and problems of the Islamic society from the time of the prophet Mohammad as it matures to modern times. -
00-Title JIABU (V.11 No.1)
The Journal of the International Association of Buddhist Universities (JIABU) Vol. 11 No.1 (January – June 2018) Aims and Scope The Journal of the International Association of Buddhist Universities is an academic journal published twice a year (1st issue January-June, 2nd issue July-December). It aims to promote research and disseminate academic and research articles for researchers, academicians, lecturers and graduate students. The Journal focuses on Buddhism, Sociology, Liberal Arts and Multidisciplinary of Humanities and Social Sciences. All the articles published are peer-reviewed by at least two experts. The articles, submitted for The Journal of the International Association of Buddhist Universities, should not be previously published or under consideration of any other journals. The author should carefully follow the submission instructions of The Journal of the International Association of Buddhist Universities including the reference style and format. Views and opinions expressed in the articles published by The Journal of the International Association of Buddhist Universities, are of responsibility by such authors but not the editors and do not necessarily refl ect those of the editors. Advisors The Most Venerable Prof. Dr. Phra Brahmapundit Rector, Mahachulalongkornrajavidyalaya University, Thailand The Most Venerable Xue Chen Vice President, Buddhist Association of China & Buddhist Academy of China The Most Venerable Dr. Ashin Nyanissara Chancellor, Sitagu International Buddhist Academy, Myanmar Executive Editor Ven. Prof. Dr. Phra Rajapariyatkavi Mahachulalongkornrajavidyalaya University, Thailand ii JIABU | Vol. 11 No.1 (January – June 2018) Chief Editor Ven. Phra Weerasak Jayadhammo (Suwannawong) International Buddhist Studies College (IBSC), Mahachulalongkornrajavidyalaya University, Thailand Editorial Team Ven. Assoc. Prof. Dr. Phramaha Hansa Dhammahaso Mahachulalongkornrajavidyalaya University, Thailand Prof. -
Buddhist Music Review, 1998
Buddhism's twentyfive hundred year history has found this tradition living in the heart of many Eastern cultures in how these cultures express wisdom and compassion through chant and instrumental interpretations. With the increasing interest in the philosophy and practice of Buddhism in the West, this important collection of Buddhist chants and music opens a whole new horizon for practitioners and students of this tradition. In this collection, we can hear the humid sounds of Vietnam in the chanting of teacher Thich Nhat Hanh. And we also touch the robust strength of Korea's rugged mountains in the chanting of Zen Master Seung Sahn. The Tendai chants remind us of the Gregorian tradition where there is an absence of harmony and a presence of the community in unison. The haunting sound of the shakuhachi reminds us of the stark and beautiful simplicity of Japanese Zen practice. Included also are chants and instrumentals by Buddhist practitioners from Sri Lanka, Tibet, and China. In this way, we have here a wealth of Buddhist chant and music that reflects the profoundly rich cultural interpretations of a vision and practice that arose in India over two millenia ago. Interestingly enough, music is an integral part of Buddhist practice. I know of no school of Buddhism that does not include music as an integral element of the tradition. However, this is not music as we know it. Buddhist chant and percussion practice in particular is created for the purpose of inducing meditative states of consciousness. Obviously from this collection, we see that we are talking about differing states of meditation, from the rich visualization-based practices of meditation of the Tibetans who use overtone chanting and resounding symbols, horns, and drums, to the gentle and rather sweetish tones of Vietnamese Buddhism where lovingkindness is emphasized. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Transmission and Preservation of Musical Intangible Cultural Heritage in Chinese Buddhism Zhai Fengjian (Trans
1 Transmission and Preservation of Musical Intangible Cultural Heritage in Chinese Buddhism Zhai Fengjian (Trans. Mingmei Yip) Following its introduction into China, Buddhism became sinicized over the years. Buddhist music developed in two directions – ritual music and folk music. The intended audience for the former is metaphysical beings such as Buddha, Bodhisattva and spirits, while the latter is for living beings. The former maintains a solemn and reverent tone due to its sanctity. In contrast, Buddhist folk music has absorbed music from different regions and thus possesses different local flavors. Before the founding of PRC, there was little research on Buddhist music in China with the exception of musicologist Liu Tianhua’s recording of Buddhist music in the thirties. More extensive research on the subject had begun in the 1950s, notably with Yang Yinliu’s publications entitled “Zhihua Temple Music” and “Hunan Music Census Report Appendix · Religion Music”. These have become the models for field work on China’s folk music. Another influential work “Temple Music” published by the China Musicians Association, Chengdu Branch in 1955. This was the largest collection of Buddhist music during that time. Since the 1980s, to preserve the heritage of folk culture, the Ministry of culture together with and other units launched the Compilation Project of China’s Top Ten Literature and Art Collection Recordings. The first three publications were: “Collection of Chinese Folk Songs”, “Collection of Chinese Folk Instrumental Music”, and “Collection of Chinese Opera Music”. Since then, collection and research on Buddhist music has resulted in many additional publications. One notably Buddhist music scholar is Yang Yinliu’s student Tian Qing who visited about 200 temples in several provinces and was the first to record much Buddhist music. -
Shintō and Buddhism: the Japanese Homogeneous Blend
SHINTŌ AND BUDDHISM: THE JAPANESE HOMOGENEOUS BLEND BIB 590 Guided Research Project Stephen Oliver Canter Dr. Clayton Lindstam Adam Christmas Course Instructors A course paper presented to the Master of Ministry Program In partial fulfillment of the requirements for the Degree of Master of Ministry Trinity Baptist College February 2011 Copyright © 2011 by Stephen O. Canter All rights reserved Now therefore fear the LORD, and serve him in sincerity and in truth: and put away the gods which your fathers served −Joshua TABLE OF CONTENTS Acknowledgements........................................................................................................... vii Introduction..........................................................................................................................1 Chapter One: The History of Japanese Religion..................................................................3 The History of Shintō...............................................................................................5 The Mythical Background of Shintō The Early History of Shintō The History of Buddhism.......................................................................................21 The Founder −− Siddhartha Gautama Buddhism in China Buddhism in Korea and Japan The History of the Blending ..................................................................................32 The Sects That Were Founded after the Blend ......................................................36 Pre-War History (WWII) .......................................................................................39 -
Full Volume 22
Ethnomusicology Review 22(1) From the Editors Samuel Lamontagne and Tyler Yamin Welcome to Volume 22, issue 1 of Ethnomusicology Review! This issue features an invited essay along with three peer-reviewed articles that cover a wide range of topics, geographical areas, methodological and theoretical approaches. As it seems to be a characteristic of ethnomusicology at large, this variety, even if it has become an object of critical inquiry itself (Rice, 1987, 2007; Laborde, 1997), has allowed the discipline, by grounding itself in reference to the context of study, to not take “music” for granted. It is in this perspective that we’d like to present this volume, and the variety of its contributions. In his invited essay, Jim Sykes asks what ramifications of the Anthropocece, understood as a socio-ecological crisis, hold for the field of music studies and the politics of its internal disciplinary divisions. Drawing upon scholars who assert that the Anthropocene demands not only concern about our planet’s future but also critical attention towards the particular, historically situated ontological commitments that engendered this crisis, Sykes argues that music studies both depends on and reproduces a normative model of the world in which music itself occupies an unproblematized metaphysical status—one that, furthermore, occludes the possibility of “reframe[ing] music history as a tale about the maintenance of the Earth system” (14, this issue) urgently necessary as anthropogenic climate change threatens the continuation of life as usual. By taking seriously the material and discursive aspects of musical practice often encountered ethnographically, yet either explained away by “the worldview embedded in our disciplinary divisions or . -
Communion with the Goddess Series
Fellowship of Isis Homepage Archive http://www.fellowshipofisis.com Communion with the Goddess Idols, Images and Symbols of the Goddesses: China and Japan By: Lawrence Durdin-Robertson Lawrence Durdin-Robertson 1979 First published: 1979 2nd Impression: 1991 (Note: Formatting has been retained from the original. For personal use only and not to be reprinted or sold online or in any other format. Copyright is held by the heirs of Lawrence-Durdin Robertson and all rights are reserved.) ____________________________________________________________________________________ COMMUNION WITH THE GODDESS THE MANUAL OF THE FELLOWSHIP OF ISIS IDOLS, IMAGES AND SYMBOLS OF THE GODDESSES: CHINA AND JAPAN by Rev. Lawrence Durdin-Robertson, M.A. (Dublin), Baron Strathloch Priest of Isis Cesara Publications Huntington Castle, Clonegal, Enniscorthy, Eire. Printed by DOFAS, 58 Haddington Road, Dublin 4. Anno Deae Cesarae, Hiberniae Dominae, MMMMCCCXXXVIII ` CONTENTS SECTION: PAGE: I. China 1 II. Japan and Korea 22 ` SECTION I - CHINA THE APSARASES. (Watson) in “The Genius of China: An Exhibition of archaeological finds of the People’s Republic of China, London, 1974” : “243. Stele of white marble representing the Buddha Sakya-muni seated under sala tree…excavated 1959 at Lin-chang, Hopei... Heavenly goddesses, apsarases, hold a garland of flowers over the Blessed One…” Eight apsarases are shown, each in the form of a flying nymph with a pair of wings and her wing-like legs bent behind her. Each is naked except for a dhoti and holds with both hands a length of the garland which stretches like an arch over Buddha Sakyamuni’s head. AUNT PIETY. (Gdss. Ind.) “The form of Aunt Piety is said to be normally that of a vixen.. -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam