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Patrick T. Perkins WARNER BROS. Senior Vice President ENTERTAINMENT INC. Chief Intellectual Property Counsel Dated: December 14, 2020 TO WHOMSOEVER IT MAY CONCERN We, WarnerMedia LLC., a company duly organized and existing under the laws of the State of Delaware, United States of America, having its main offices at 30 Hudson Yards New York, NY 10001 and and/or our affiliated companies, including Warner Bros Entertainment Inc., WarnerMedia Direct LLC., The Cartoon Network, Inc., Cable News Network, Inc., Castle Rock Entertainment, Cinema Plus, L.P., Clover Productions LLC, CNN Productions, Inc., Courtroom Television Network LLC d/b/a truTV, DC Comics, Hanna-Barbera Productions, Inc., HBO, HBO Czech Republic, HBO Downtown Productions, HBO Enterprises, HBO Films, HBO Independent Productions, Inc., HBO Ole Partners, HBO Pacific Partners v.o.f., HBO Singapore Private Productions Ltd., Home Box Office, Inc., Latibaer ehf., New Line Productions, Inc., Silver Screen Partners, Superstation, Inc., TBS Productions, Inc., Time Life Films, TNT Originals, Inc., Turner Broadcasting System, Inc., Turner Broadcasting System Europe Limited, Turner Classic Movies, Inc., Turner Entertainment Co., Turner Entertainment Networks, Inc., Turner Films, Inc., Turner Home Entertainment, Inc., Turner Network Television, Inc., Turner Original Productions, Inc., Turner Program Services, Inc., Turner Publishing, Inc. (hereinafter, referred to as {"Company"}), do hereby declare that we are the Copyright owner or an agent authorized to act on behalf of an affiliate, worldwide, including India, in perpetuity of the titles listed in the attachment (hereinafter, referred as "Content'') in all languages. We further confirm that we have now authorized MarkScan, having their office at E-14 C, First Floor, Sector 8, Neida - 201301, India, to be an online antipiracy service provider for copyright infringements. MarkScan is authorized to take alI appropriate steps required to protect the copyright of the Content over digital platforms, provided however that Company's prior authorization is required for criminal referrals and civil action. This authorization will be valid until December\ 31, 2021. For WarnerMedia LLC., Patrick Perkins A WarnerMedia Company 4000 Warner Boulevard, Burbank, California 91522 (818) 954-2768 • [email protected] .

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The.Annenberg.Schoolfor.·
1 ~ELBVISION VIOLENCE PROPILE: ~HE ~URNING POI~ Prom Research to Action Dec8lllber 1993 George Gerbner .. The.Annenberg.Schoolfor.·. .cClmmunication University of pennsylvania Michael Morqan Department of Communication University of Massachusetts, Amherst ii'ancySiqnorie:l:l:i Department of Communication University of Delaware contents The Violence Profile The Violence Index Trends Flap over measurement The Dynamics of Violence Is violence avoidable? A calculus of risks Cultivation Analysis Patterns of response The "Mean World" Syndrome "Mainstreaming" The Structural Basis of Violence Concentration, conglomeration, globalization Public backlash From research to action 2 TELEVXSXON VXOLENCE PROFXLE NO. 16: THE TURNXNG POXNT From Research to Action December 1993 ·(!,Gns·erns a·bout television violence -- as about violence in other media -- have led to much research and controversy since the earliest days of the medium. Yet, despite political shifts and technological developments, the debate has remained at a virtual standstill. That is, until the 1992-93 television season. '"rhat'wasa' time of turning-point in the television violence debate. Agitation, legislation, high-level consultation, grass-roots organization and even implausible scapegoating ("television made me do it!") moved up high in public attention and the political agenda. By year's end, discussion about television violence saturated the media almost as much as its subject matter. The cultural climate was ripe for action. The only question was what kind. This Violence Profile (16th in the series) also goes beyond the usual research on trends. It attempts to change some terms of the debate and to suggest action alternatives. We note that, despite some muting of dramatic violence, the deeper problems of its burdens and dynamics still persist.
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In the Same Breath
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X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
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