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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease. -
HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off. -
Preschool Television Viewing and Adolescent Test Scores: Historical Evidence from the Coleman Study
PRESCHOOL TELEVISION VIEWING AND ADOLESCENT TEST SCORES: HISTORICAL EVIDENCE FROM THE COLEMAN STUDY MATTHEW GENTZKOW AND JESSE M. SHAPIRO We use heterogeneity in the timing of television’s introduction to different local markets to identify the effect of preschool television exposure on standardized test scores during adolescence. Our preferred point estimate indicates that an additional year of preschool television exposure raises average adolescent test scores by about 0.02 standard deviations. We are able to reject negative effects larger than about 0.03 standard deviations per year of television exposure. For reading and general knowledge scores, the positive effects we find are marginally statistically significant, and these effects are largest for children from households where English is not the primary language, for children whose mothers have less than a high school education, and for nonwhite children. I. INTRODUCTION Television has attracted young viewers since broadcasting be- gan in the 1940s. Concerns about its effects on the cognitive devel- opment of young children emerged almost immediately and have been fueled by academic research showing a negative association between early-childhood television viewing and later academic achievement.1 These findings have contributed to a belief among the vast majority of pediatricians that television has “negative effects on brain development” of children below age five (Gentile et al. 2004). They have also provided partial motivation for re- cent recommendations that preschool children’s television view- ing time be severely restricted (American Academy of Pediatrics 2001). According to a widely cited report on media use by young * We are grateful to Dominic Brewer, John Collins, Ronald Ehrenberg, Eric Hanushek, and Mary Morris (at ICPSR) for assistance with Coleman study data, and to Christopher Berry for supplying data on school quality. -
Welcome to the Wonderful World of Hopper® Congratulations on Purchasing the Most Awarded and Technologically Advanced Whole-Home HD DVR on the Market
FEATURES GUIDE Welcome to the Wonderful World of Hopper® Congratulations on purchasing the most awarded and technologically advanced whole-home HD DVR on the market. The Hopper is your portal to smarter, more convenient entertainment. Now, let’s make sure you understand how to use it. 4) 14 Tips You’ll Love 14) PrimeTime Anytime 22) Settings 6) Home 15) TV Activity 24) Parental Controls 8) Guide 16) Movies 25) Internet Connection 10) Menu 18) Video On Demand 26) Refer a Friend 11) Search 19) DISH Anywhere 27) Remote Overview 12) DVR 20) Apps Back) Help Info This icon can be seen on certain pages throughout this guide. Press and hold INFO/HELP to access additional assistance on your TV. 14 TIPS YOU’LL LOVE Become a Hopper pro. Here are 14 quick tips and features that will have you surfing through your Hopper with stylish ease. Lose Your Remote? Press the LOCATE REMOTE button on the front panel of your Hopper receiver, and in a few seconds the remote will begin to beep to help you locate it. Binge-Watching is Awesome! It’s so easy to spend a day, night, or weekend just camped on your couch bingeing on a great show. The Hopper organizes DVR record- NEXT ings and On Demand programs by season and episode. When you finish an episode, EPISODE a pop-up will appear showing the next available episode to watch. It’s like you barely even have to move (OK, not sure that’s a good thing, but you get the idea.)! Watch in One Room, Finish in Another. -
NASCAR for Dummies (ISBN
spine=.672” Sports/Motor Sports ™ Making Everything Easier! 3rd Edition Now updated! Your authoritative guide to NASCAR — 3rd Edition on and off the track Open the book and find: ® Want to have the supreme NASCAR experience? Whether • Top driver Mark Martin’s personal NASCAR you’re new to this exciting sport or a longtime fan, this insights into the sport insider’s guide covers everything you want to know in • The lowdown on each NASCAR detail — from the anatomy of a stock car to the strategies track used by top drivers in the NASCAR Sprint Cup Series. • Why drivers are true athletes NASCAR • What’s new with NASCAR? — get the latest on the new racing rules, teams, drivers, car designs, and safety requirements • Explanations of NASCAR lingo • A crash course in stock-car racing — meet the teams and • How to win a race (it’s more than sponsors, understand the different NASCAR series, and find out just driving fast!) how drivers get started in the racing business • What happens during a pit stop • Take a test drive — explore a stock car inside and out, learn the • How to fit in with a NASCAR crowd rules of the track, and work with the race team • Understand the driver’s world — get inside a driver’s head and • Ten can’t-miss races of the year ® see what happens before, during, and after a race • NASCAR statistics, race car • Keep track of NASCAR events — from the stands or the comfort numbers, and milestones of home, follow the sport and get the most out of each race Go to dummies.com® for more! Learn to: • Identify the teams, drivers, and cars • Follow all the latest rules and regulations • Understand the top driver skills and racing strategies • Have the ultimate fan experience, at home or at the track Mark Martin burst onto the NASCAR scene in 1981 $21.99 US / $25.99 CN / £14.99 UK after earning four American Speed Association championships, and has been winning races and ISBN 978-0-470-43068-2 setting records ever since. -
TSC Resume-Current for Website-Sheet1
FEATURE FILMS (CONDENSED LIST): OFFICE CHRISTMAS PAETY DreamWorks Pictures GUARDIANS of the GALAXY Vol. 2 Marvel Studios SULLY Warner Bros. GIFTED Fox Searchlight Pictures MIRACLES FROM HEAVEN SONY Pictures Entertainment CAPTAIN AMERICA: CIVIL WAR Marvel Studios IN DUBIOUS BATTLE Rabbit Bandini Productions THE 5th WAVE SONY Pictures Entertainment THE NICE GUYS Warner Bros. VACATION New Line Cinema TAKEN 3 20th Century Fox GET ON UP Universal Pictures BARELY LETHAL RKO Pictures BLENDED Universal Pictures ENDLESS LOVE Universal Pictures THE HOMESMAN Briggs & Cuddy Inc. NEED FOR SPEED DreamWorks Pictures PRISONERS Alcon Entertainment THE LAST OF ROBIN HOOD Killer Films IDENTITY THIEF Universal Pictures * THE DARK KNIGHT RISES Warner Bros * A BETTER LIFE Summit Entertainment !1 * I LOVE YOU, MAN DreamWorks * GOOD NIGHT AND GOOD LUCK Warner Independent Pictures * DREAMGIRLS DreamWorks Pictures * EVAN ALMIGHTY Universal Pictures * 17 AGAIN New Line Cinema * G-FORCE Walt Disney Pictures * RAY Universal Pictures * ROLE MODELS Universal Pictures * SUPERHERO MOVIE MGM * I COULD NEVER BE YOUR WOMAN Scott Rudin Productions * THE HEARTBREAK KID DreamWorks Pictures * SMOKIN' ACES Universal Pictures * FOR YOUR CONSIDERATION Warner Bros. * SCHOOL FOR SCOUNDRELS MGM * FUN WITH DICK AND JANE Columbia Pictures * MEET THE FOCKERS Universal Pictures * BRUCE ALMIGHTY Universal Pictures * KICKING AND SCREAMING Universal Pictures * ART SCHOOL CONFIDENTIAL SONY Pictures Classics * BE COOL MGM * ALONG CAME POLLY Universal Pictures * DRAGONFLY Universal Pictures * CHRISTMAS WITH THE KRANKS Columbia Pictures * Co-OWNER and Casting Director - SMITH & WEBSTER-DAVIS CASTING - 2/1999 thru 2/2012 !2 * FAT ALBERT 20TH Century Fox * BIKER BOYZ DreamWorks Pictures * BRINGING DOWN THE HOUSE Disney (Touchstone) * SURVIVING CHRISTMAS DreamWorks Pictures * SIDEWAYS Fox Searchlight Pictures * COYOTE UGLY Disney(Touchstone) * THIRTEEN DAYS New Line Cinema * THE WHOLE 10 YARDS Warner Bros. -
DAVID ROBIDOUX • Film Composer • Bio ([email protected])
DAVID ROBIDOUX • Film Composer • Bio ([email protected]) In the 20 years that David Robidoux has been a composer for NFL Films, he has amassed an impressive list of composition credits including Hard Knocks (HBO), Road To The Super Bowl (FOX), LeMans - Truth In 24 (Intersport), Championship Chase (CBS), America’s Game-The Super Bowl Champions (CBS), Blood From A Stone (History Channel), Six Days to Sunday, Big Game America-The Super Bowl at 30, NFL Films Presents (ESPN) and Football America (TNT), featuring the documentary short score “Gallaudet” released theatrically in New York and Los Angeles. He is a nine-time Emmy award winner, three-time International Monitor award winner and multiple Telly and Aurora award winner. Most recently, he composed “Echoes Of Eternity”, the theme to brand the Pro Football Hall of Fame, for use during it’s enshrinement ceremony and television broadcast on ESPN and the NFL Network. He also composed the score to the ESPN film The Brady 6. In 2011, Robidoux composed opening themes and scores for NFL Draft shows Game Changers and QB Quandry along with the show theme to Top 10 (NFL Network) series. In 2010, he composed the score to Lombardi (HBO) which was nominated for an Emmy for Best Original Music. His music was also included in the Broadway play Lombardi, currently in production nationally. During the year he also composed the opening theme to Showtime Sports Inside NASCAR weekly series, The score to the Emmy-award winning series America’s Game: The Super Bowl Champion New Orleans Saints. The thematic score to the Nickelodeon animated series Rush Zone: Guardians Of The Core (Nick), the opening theme to NFL Films Presents (ESPN). -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected]
Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2012 Public Service Entertainment: HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Recommended Citation Pepper, Shayne, "Public Service Entertainment: HBO's Interventions in Popular Culture" (2012). Communication, Media and Theatre Faculty Publications. 2. https://neiudc.neiu.edu/cmt-pub/2 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. CHAP TER 6 } Public Service Entertainment HBO’s Interventions in Politics and Culture Shayne Pepper When one thinks of “public service,” HBO is not typically the media entity that comes to mind. However, in examining HBO’s forty-year history, one notices an extensive list of socially conscious, politically engaged, and even outright public service programs. Over the years, HBO has brought a great deal of thoughtful (and sometimes controversial) cultural programming into American households. This group of films explores topics such as poverty, AIDS, women’s rights, and global injustice, often fiercely critiquing systems of inequality and oppression. Sometimes these programs even provide potential solutions and avenues of hope for some of today’s most important social problems. For example, the documen- tary Pandemic: Facing AIDS () and the romantic comedy The Girl in the Café () come in two very different forms but are clearly meant to be direct inter- ventions in efforts to fight AIDS and global poverty. -
Game of Thrones Direct Tv Schedule
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Shanequa Gay
SHANEQUA GAY EDUCATION Georgia State University. Master of Fine Art. Savannah College of Art and Design. Bachelor of Fine Arts. HONORS + AWARDS 2019 Do Good Fellow, Do Good Fund and The Southern Food Alliance 2019 Best of Atlanta, Banner Year Artist, Atlanta Magazine 2019 Selected Artist for OFF THE WALL a city-wide Mural initiative led by WonderRoot and the Atlanta Super Bowl Host Committee 2018 Selected Artist for Special Projects Aqua Art Miami 2018 Supplemental Funding Grant for Research, Georgia State University 2018 Andrew M. West Memorial Scholarship, Georgia State University 2017 Artist in Residence, Baldwin’s Room, Johannesburg, South Africa 2017 Supplemental Funding Grant for Research, Georgia State University 2016 Welch School of Art & Design Graduate Scholarship, Georgia State University 2015 Artist in Residence, The Creatives Project 2015 WonderRoot Community Supported Arts Program (2015) 2014 SCAD: Gene Arthur Allcott Scholarship / Glenda Knight Keyes Prize for Outstanding Talent (Wish Foundation) / Artistic Honors Scholarship 2014 Independent Study Fellowship, Iwakuni, Japan, 2014 2013 Selected Illustrator for First Lady Michelle Obama Luncheon Hostess Gift, Congressional Club 2011 Education Award, Americorps, Serving Atlanta Public Schools and Peachtree-Pine Homeless Shelter SOLO EXHIBITIONS 2019 Devout Griot, Emotional Keeper, Anne O Art Gallery, Atlanta, GA ini-she-ation, Chastain Arts Center, Atlanta, GA Lit Without Sherman, Hammonds House Museum, Atlanta, GA 2018 i come as us, Converse College, Sumter, SC i come as -
Films' New Prosperity — Via TV HIGHER HOPES
. O.C. TELEPHONE MICHIGAN • I JBLISHEO WEEKLY BY RADIO NEWS BUREAU, 1519 CONNECTICUT AVE. N.W., WASHINGTON 6. 2020 VOL. 7, NO. 27 July 7, 1951 /Film Trend to TV Dominates Trade News, page 1. Output Way Down But Factory Stocks Up, page 7. Higher Hopes for Faster Freeze Thaw, page 1. After Korean Cease-Fire, What? page 7. ) ' Mssue:\ This gQcial and Economic Effects of TV, page 2. Electronics—Fastest Growing Industry, page 8. (.All Eyes Focus on RCA Color Pictures, page 3. Trade, Financial, Mobilization Notes, pages 9-11. FILM TREND TO TV DOMINATES TRADE NEWS: Pointing up TV's ever-increasing affinity with motion picture industry was announcement this week that The March of Time is dropping its theatrical motion picture series, popular in movie houses since 1935, in favor of concentrating on producing TV and special theatrical films. Only 5 more issues of March of Time are in works, plus certain documentaries — also " Crusade in the Pacific " now being put together as sequel to "Crusade in Europe" for TV release . Said Time Inc. president Roy E. Larsen ; "Our company has been increasingly active in recent years in developing and producing programs for TV and our facilities are admirably suited for the new medium." Theatrical trade press is so replete with TV items these days that news of stage and movies is often overshadowed. Getting big play are subscription- TV proj- ects, notably Skiatron and Paramount's Telemeter . These will doubtless be subject of FCC hearings, as yet unscheduled, along with Zenith's Phonevision . Meanwhile, they're riding high tide of free publicity , despite the fact FCC must yet rule on pay-as-you-look principle — and approval is by no means assured .