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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease. -
Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
The Atlanta Preservation Center's
THE ATLANTA PRESERVATION CENTER’S Phoenix2017 Flies A CELEBRATION OF ATLANTA’S HISTORIC SITES FREE CITY-WIDE EVENTS PRESERVEATLANTA.COM Welcome to Phoenix Flies ust as the Grant Mansion, the home of the Atlanta Preservation Center, was being constructed in the mid-1850s, the idea of historic preservation in America was being formulated. It was the invention of women, specifically, the ladies who came J together to preserve George Washington’s Mount Vernon. The motives behind their efforts were rich and complicated and they sought nothing less than to exemplify American character and to illustrate a national identity. In the ensuing decades examples of historic preservation emerged along with the expanding roles for women in American life: The Ladies Hermitage Association in Nashville, Stratford in Virginia, the D.A.R., and the Colonial Dames all promoted preservation as a mission and as vehicles for teaching contributive citizenship. The 1895 Cotton States and International Exposition held in Piedmont Park here in Atlanta featured not only the first Pavilion in an international fair to be designed by a woman architect, but also a Colonial Kitchen and exhibits of historic artifacts as well as the promotion of education and the arts. Women were leaders in the nurture of the arts to enrich American culture. Here in Atlanta they were a force in the establishment of the Opera, Ballet, and Visual arts. Early efforts to preserve old Atlanta, such as the Leyden Columns and the Wren’s Nest were the initiatives of women. The Atlanta Preservation Center, founded in 1979, was championed by the Junior League and headed by Eileen Rhea Brown. -
HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off. -
TSC Resume-Current for Website-Sheet1
FEATURE FILMS (CONDENSED LIST): OFFICE CHRISTMAS PAETY DreamWorks Pictures GUARDIANS of the GALAXY Vol. 2 Marvel Studios SULLY Warner Bros. GIFTED Fox Searchlight Pictures MIRACLES FROM HEAVEN SONY Pictures Entertainment CAPTAIN AMERICA: CIVIL WAR Marvel Studios IN DUBIOUS BATTLE Rabbit Bandini Productions THE 5th WAVE SONY Pictures Entertainment THE NICE GUYS Warner Bros. VACATION New Line Cinema TAKEN 3 20th Century Fox GET ON UP Universal Pictures BARELY LETHAL RKO Pictures BLENDED Universal Pictures ENDLESS LOVE Universal Pictures THE HOMESMAN Briggs & Cuddy Inc. NEED FOR SPEED DreamWorks Pictures PRISONERS Alcon Entertainment THE LAST OF ROBIN HOOD Killer Films IDENTITY THIEF Universal Pictures * THE DARK KNIGHT RISES Warner Bros * A BETTER LIFE Summit Entertainment !1 * I LOVE YOU, MAN DreamWorks * GOOD NIGHT AND GOOD LUCK Warner Independent Pictures * DREAMGIRLS DreamWorks Pictures * EVAN ALMIGHTY Universal Pictures * 17 AGAIN New Line Cinema * G-FORCE Walt Disney Pictures * RAY Universal Pictures * ROLE MODELS Universal Pictures * SUPERHERO MOVIE MGM * I COULD NEVER BE YOUR WOMAN Scott Rudin Productions * THE HEARTBREAK KID DreamWorks Pictures * SMOKIN' ACES Universal Pictures * FOR YOUR CONSIDERATION Warner Bros. * SCHOOL FOR SCOUNDRELS MGM * FUN WITH DICK AND JANE Columbia Pictures * MEET THE FOCKERS Universal Pictures * BRUCE ALMIGHTY Universal Pictures * KICKING AND SCREAMING Universal Pictures * ART SCHOOL CONFIDENTIAL SONY Pictures Classics * BE COOL MGM * ALONG CAME POLLY Universal Pictures * DRAGONFLY Universal Pictures * CHRISTMAS WITH THE KRANKS Columbia Pictures * Co-OWNER and Casting Director - SMITH & WEBSTER-DAVIS CASTING - 2/1999 thru 2/2012 !2 * FAT ALBERT 20TH Century Fox * BIKER BOYZ DreamWorks Pictures * BRINGING DOWN THE HOUSE Disney (Touchstone) * SURVIVING CHRISTMAS DreamWorks Pictures * SIDEWAYS Fox Searchlight Pictures * COYOTE UGLY Disney(Touchstone) * THIRTEEN DAYS New Line Cinema * THE WHOLE 10 YARDS Warner Bros. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Fulton County Cultural Summary
Fulton County cultural summary Regional Arts and Culture Forums Research Initiative The development of ARC’s Fifty Forward Plan and Plan 2040 places emphasis on the value of arts & culture to the region. It includes a call for “systematic annual data collection and analysis regarding the development of the creative economy in Georgia” and the development of a The Creative Industries in 2011 regional cultural master plan. Fulton County, GA Fulton County Summary This Creative Industries report offers a research-based approach to understanding the scope and economic importance of the arts in Fulton County, GA. The creative industries are composed of arts Few precedents exist of comprehensivebusinesses regional that range cooperationfrom non-profit museums, to symphonies,foster arts and theaters and to culture. for-profit film, Toarchitecture, that and advertising companies. Arts businesses and the creative people they employ stimulate innovation in end, the Atlanta Regional Commissiontodays contracted global marketplace. with the Metro Atlanta Arts & Culture Coalition from July to December of 2011 to conductNationally, the there areresearch 756,007 businesses contained in the U.S. in involved this in thedocument. creation or distribution The of following the arts. They employ 2.99 million people, representing 4.14 percent of all businesses and 2.17 percent of all information is a summary of the data employees,collected respectively. on Fulton The source County. for these data is Dun & Bradstreet, the most comprehensive and trusted source for business information in the U.S. For additional information on Fulton AsCounty of January and 2011, Fultonthe restCounty, of GA the is home 10 to Metro 4,965 arts-related Atlanta businesses counties that employ see the 29,817 people. -
HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected]
Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2012 Public Service Entertainment: HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Recommended Citation Pepper, Shayne, "Public Service Entertainment: HBO's Interventions in Popular Culture" (2012). Communication, Media and Theatre Faculty Publications. 2. https://neiudc.neiu.edu/cmt-pub/2 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. CHAP TER 6 } Public Service Entertainment HBO’s Interventions in Politics and Culture Shayne Pepper When one thinks of “public service,” HBO is not typically the media entity that comes to mind. However, in examining HBO’s forty-year history, one notices an extensive list of socially conscious, politically engaged, and even outright public service programs. Over the years, HBO has brought a great deal of thoughtful (and sometimes controversial) cultural programming into American households. This group of films explores topics such as poverty, AIDS, women’s rights, and global injustice, often fiercely critiquing systems of inequality and oppression. Sometimes these programs even provide potential solutions and avenues of hope for some of today’s most important social problems. For example, the documen- tary Pandemic: Facing AIDS () and the romantic comedy The Girl in the Café () come in two very different forms but are clearly meant to be direct inter- ventions in efforts to fight AIDS and global poverty. -
Jack Shainman Gallery
513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY RADCLIFFE BAILEY Born in 1968, Bridgeton, New Jersey Lives and works in Atlanta, Georgia EDUCATION 1991 BFA, Atlanta College of Art, Atlanta, Georgia SELECTED ONE-ARTIST EXHIBITIONS 2019 – 2020 Vessel III, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, May 10, 2019 – March 15, 2020. 2019 The Ocean Between, Maruani Mercier Gallery, Brussels, Belgium, September 5 – October 31, 2019. 2018 Travelogue, Jack Shainman Gallery, The School, Kinderhook, New York, May 20 – October 6, 2018. Radcliffe Bailey: Pensive, The Gibbes Museum of Art, Charleston, South Carolina, April 27 – September 16, 2018. 2017 Radcliffe Bailey, Moss Art Center, Virginia Tech, Blacksburg, Virginia, September 14 – December 9, 2017. Curated by Margo Crutchfield. Radcliffe Bailey: The Great Dismal Swamp, The Greater Reston Arts Center, Reston, Virginia, April 21 – August 18, 2017. 2016 – 2017 Radcliffe Bailey: Pensive, SCAD Museum of Art, Walter O. Evans Gallery, Savannah, Georgia, November 10, 2016 – February 5, 2017. WWW.JACKSHAINMAN.COM [email protected] RadCliFFe BAiley: SeleCted BiogrAphy PAge 2 2016 Radcliffe Bailey: QUEST, Jack Shainman Gallery, 513 West 20th Street, New York, New York, April 28 – June 23, 2016. Radcliffe Bailey, Samson Projects, Boston, Massachusetts, April 1 – May 28, 2016. 2015 Radcliffe Bailey: Notes, Big Pond Artworks, Munich, Germany, November 11 – December 23, 2015. Radcliffe Bailey: Recent Works, Contemporary Arts Center, New Orleans, Louisiana, March 7 – June 7, 2015. Radcliffe Bailey: Storm at Sea, Fine Arts Center Gallery, University of Arkansas, Fayetteville, Arkansas, January 26 – February 20, 2015. 2014 Radcliffe Bailey: Maroons, Jack Shainman Gallery, 524 West 24th Street, New York, New York, January 16 – February 15, 2014. -
Game of Thrones Direct Tv Schedule
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Hbo Go New Releases
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Stand Up, Fight Back!
admin.iatse-intl.org/BulletinRegister.aspx Stand Up, Fight Back! The Stand Up, Fight Back campaign is a way for Help Support Candidates Who Stand With Us! the IATSE to stand up to attacks on our members from For our collective voice to be heard, IATSE’s members anti-worker politicians. The mission of the Stand Up, must become more involved in shaping the federal legisla- Fight Back campaign is to increase IATSE-PAC con- tive and administrative agenda. Our concerns and inter- tributions so that the IATSE can support those politi- ests must be heard and considered by federal lawmakers. cians who fight for working people and stand behind But labor unions (like corporations) cannot contribute the policies important to our membership, while to the campaigns of candidates for federal office. Most fighting politicians and policies that do not benefit our prominent labor organizations have established PAC’s members. which may make voluntary campaign contributions to The IATSE, along with every other union and guild federal candidates and seek contributions to the PAC from across the country, has come under attack. Everywhere from Wisconsin to Washington, DC, anti-worker poli- union members. To give you a voice in Washington, the ticians are trying to silence the voices of American IATSE has its own PAC, the IATSE Political Action Com- workers by taking away their collective bargaining mittee (“IATSE-PAC”), a federal political action commit- rights, stripping their healthcare coverage, and doing tee designed to support candidates for federal office who away with defined pension plans. promote the interests of working men and women.