Kibatsumejitsu (The Art of Fighting with Fang and Claw)
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Martial Arts from Wikipedia, the Free Encyclopedia for Other Uses, See Martial Arts (Disambiguation)
Martial arts From Wikipedia, the free encyclopedia For other uses, see Martial arts (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Martial arts are extensive systems of codified practices and traditions of combat, practiced for a variety of reasons, including self-defense, competition, physical health and fitness, as well as mental and spiritual development. The term martial art has become heavily associated with the fighting arts of eastern Asia, but was originally used in regard to the combat systems of Europe as early as the 1550s. An English fencing manual of 1639 used the term in reference specifically to the "Science and Art" of swordplay. The term is ultimately derived from Latin, martial arts being the "Arts of Mars," the Roman god of war.[1] Some martial arts are considered 'traditional' and tied to an ethnic, cultural or religious background, while others are modern systems developed either by a founder or an association. Contents [hide] • 1 Variation and scope ○ 1.1 By technical focus ○ 1.2 By application or intent • 2 History ○ 2.1 Historical martial arts ○ 2.2 Folk styles ○ 2.3 Modern history • 3 Testing and competition ○ 3.1 Light- and medium-contact ○ 3.2 Full-contact ○ 3.3 Martial Sport • 4 Health and fitness benefits • 5 Self-defense, military and law enforcement applications • 6 Martial arts industry • 7 See also ○ 7.1 Equipment • 8 References • 9 External links [edit] Variation and scope Martial arts may be categorized along a variety of criteria, including: • Traditional or historical arts and contemporary styles of folk wrestling vs. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Youth Participation and Injury Risk in Martial Arts Rebecca A
CLINICAL REPORT Guidance for the Clinician in Rendering Pediatric Care Youth Participation and Injury Risk in Martial Arts Rebecca A. Demorest, MD, FAAP, Chris Koutures, MD, FAAP, COUNCIL ON SPORTS MEDICINE AND FITNESS The martial arts can provide children and adolescents with vigorous levels abstract of physical exercise that can improve overall physical fi tness. The various types of martial arts encompass noncontact basic forms and techniques that may have a lower relative risk of injury. Contact-based sparring with competitive training and bouts have a higher risk of injury. This clinical report describes important techniques and movement patterns in several types of martial arts and reviews frequently reported injuries encountered in each discipline, with focused discussions of higher risk activities. Some This document is copyrighted and is property of the American Academy of Pediatrics and its Board of Directors. All authors have of these higher risk activities include blows to the head and choking or fi led confl ict of interest statements with the American Academy of Pediatrics. Any confl icts have been resolved through a process submission movements that may cause concussions or signifi cant head approved by the Board of Directors. The American Academy of injuries. The roles of rule changes, documented benefi ts of protective Pediatrics has neither solicited nor accepted any commercial involvement in the development of the content of this publication. equipment, and changes in training recommendations in attempts to reduce Clinical reports from the American Academy of Pediatrics benefi t from injury are critically assessed. This information is intended to help pediatric expertise and resources of liaisons and internal (AAP) and external health care providers counsel patients and families in encouraging safe reviewers. -
Principles of Joint Locking
Principles of Joint Locking Most of the time, when we've done joint locks in class, we've focused on technique. It's very good to learn techniques, because the study of joint locks necessarily involves basic techniques and variations on those techniques. However, in order to use joint locks effectively in a combat situation when you and an attacker are both adrenalized, it's just as important to understand the principles behind the techniques. Sgt. Rory Miller is a corrections officer with a fighting systems background in Judo, Karate, fencing, Tae Kwon Do, and Sosuishitsu-Ryu Jujitsu. He has tested his dojo experience in the violent context of the prison yard, and as a result is probably one of the better authors on the subject of facing violence realistically. He is the author of multiple books and videos. His video, Joint Locks, approaches joint locking from a principle base rather than a technique base. His contention, which makes perfect sense, is that understanding the fundamental principles behind the locks enables one to better see and exploit opportunities to use them in a violent situation. We looked at some of these concepts in class on July 29th. For those who are interested, here is a summary of Sgt. Miller's foundational principles in understanding how to lock up a particular joint: For the purposes of joint locking, there are three kinds of joints: i) Hinge—Elbows, knees, last two joints of fingers. Simply put pressure on the extremities to bend the them the wrong way. An example would be an arm bar, where opposing pressure is exerted on the elbow joint by pulling back on the arm and pushing down just above the elbow. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
Taekwon-Do Red Manual Available
Mike Louie’s TaeKwon-Do School This Book Belongs to:______________ Updated January 2017 TaeKwon-Do Definition TAE – Jumping, flying, and kicking with the foot. KWON – Denotes fist, to punch or destroy with the hand. DO – An art or the way. The constant effort of a martial artist to improve in every facet of life. TAEKWON-DO: “The Way of the Hand and Foot.” Style of TaeKwon-Do We practice the Chan Hun style of TaeKwon-Do. It is based on 24 patterns, which represent one hour of each day of our lives that we dedicate to training, the tenets, and a better society through TaeKwon-Do. In 1955, General Choi Hong Hi named the art he founded as TaeKwon-Do. General Choi was born in North Korea and his lifelong dream is to see Korea once again unified. General Choi's pen name is Chan Hun, which means "small cottage". Tenets of TaeKwon-Do (TaeKwon-do jungshin) A tenet is an opinion, principle or doctrine, which a person holds as truth. EXPLANATION OF TENETS Needless to say, the success or failure of Taekwon-Do training depends largely on how one observes and implements the tenets of Taekwon-Do which should serve as a guide for all serious students of the art. COURTESY (Ye Ui) It can be said that courtesy is an unwritten regulation prescribed by ancient teachers of philosophy as a means to enlighten human beings while maintaining a harmonious society. It can be further be as an ultimate criterion required of a mortal. Taekwon-Do students should attempt to practice the following elements of courtesy to build up their noble character and to conduct the training in an orderly manner as well. -
Tournament Rules
International Taekwon-Do Federation TOURNAMENT RULES ITF HQ Nov. 2018 INTERNATIONAL TAEKWON-DO FEDERATION2 – TOURNAMENT RULES 1 0 1 INDEX SECTION 1. GENERAL 5 Article 1. Definition 5 Article 2. Purpose 5 Article 3. Applications 5 Article 4. Modifications and Changes 5 SECTION 2. TOURNAMENT ORGANIZING COMMITTEE (T.O.C.) 5 Article 5. Formation of T.O.C. 5 Article 6. Numbers of T.O.C. Members 5 Article 7. Authority and Duties of T.O.C. 5 SECTION 3. APPLICATION 6 Article 8. Application for participation in the Championships 6 Article 9. Confirmation of Application 6 Article 10. Acceptance of Participation in Championships 7 SECTION 4. QUALIFICATIONS 7 Article 11. Principle of Qualifications for Participation in Championships 7 Article 12. Principle of Qualifications for Participation in Junior Categories 7 Article 13. Principle of Qualifications for Participation in Adult Categories 8 Article 14. Principle of Qualifications for Participation in Veteran Categories 8 Article 15. Confirmation of Qualifications for Participation in Championships 8 Article 16. Penalty for Doping 8 SECTION 5. DRESS CODE & EQUIPMENT 8 Article 17. Dress Code 8 Article 18. Safety and Protective Equipment 9 SECTION 6. INSURANCE & MEDICAL ASSISTANCE 10 Article 19. Insurance 10 Article 20. Medical Assistance 11 SECTION 7. COMPETITION VENUE & FACILITIES 11 Article 21. Lighting of Competition Area 11 Article 22. Ring 11 Article 23. Place of T.O.C. Members 12 Article 24. Place of Tournament and Umpire Committees 12 Article 25. Seats of Reserve Umpires 12 Article 26. Seats of Medical Team 12 Article 27. Seats of Jury 12 INTERNATIONAL TAEKWON-DO FEDERATION – TOURNAMENT RULES 2 Article 28. -
The Practice of Pencak Silat in West Java
The Politics of Inner Power: The Practice of Pencak Silat in West Java By Ian Douglas Wilson Ph.D. Thesis School of Asian Studies Murdoch University Western Australia 2002 Declaration This is my own account of the research and contains as its main content, work which has not been submitted for a degree at any university Signed, Ian Douglas Wilson Abstract Pencak silat is a form of martial arts indigenous to the Malay derived ethnic groups that populate mainland and island Southeast Asia. Far from being merely a form of self- defense, pencak silat is a pedagogic method that seeks to embody particular cultural and social ideals within the body of the practitioner. The history, culture and practice of pencak in West Java is the subject of this study. As a form of traditional education, a performance art, a component of ritual and community celebrations, a practical form of self-defense, a path to spiritual enlightenment, and more recently as a national and international sport, pencak silat is in many respects unique. It is both an integrative and diverse cultural practice that articulates a holistic perspective on the world centering upon the importance of the body as a psychosomatic whole. Changing socio-cultural conditions in Indonesia have produced new forms of pencak silat. Increasing government intervention in pencak silat throughout the New Order period has led to the development of nationalized versions that seek to inculcate state-approved values within the body of the practitioner. Pencak silat groups have also been mobilized for the purpose of pursuing political aims. Some practitioners have responded by looking inwards, outlining a path to self-realization framed by the powers, flows and desires found within the body itself. -
Hokutoryu Ju-Jutsu
HOKUTORYU JU-JUTSU rd GREEN BELT, 3 KYU attending to a green belt test/graduation should be approved by the instructor ju-jutsu passport is needed at least 12 months training as a orange belt (4th kyu) at least 110 lessons as a orange belt noted to trainee’s training card at least 3 nationwide seminars/camp noted to trainee’s ju-jutsu pass ETIQUETTE proper behaviour and good knowledge of ju-jutsu manners loyalty to the Hokutoryu system, good Hokutoryu spirit, character and courage BASIC TECHNIQUES 1. STRIKING AND KICKING TECHNIQUES punches (tsuki) previous ones (yellow and orange belt) hook (mawashi-tsuki) back fist (uraken) ridge hand (haito) kicks (geri) previous ones (yellow and orange belt) back kick (ushiro-geri) spinning hook/round (house) kick (ushiro-mawashi-geri) side kick, cross behind (surikomi sokuto-geri) 2. KOMBINATION TECHNIQUES jab–front kick–round (house) kick–cross (oi-tsuki – mae-geri – mawashi-geri – gyaku-tsuki) back fist–side kick–round kick (uraken – sokuto-geri – mawashi-geri) hook–round kick–spinnig hook/round kick (mawashi-tsuki – mawashi-geri – ushiro masashi-geri) side kick–back kick–cross (sokuto-geri – ushiro-geri - gyaku-tsuki) 3. THROWING TECHNIQUES previous ones (orange belt) neck throw (kubi-nage) body drop (tai-otoshi) hip throw (o-goshi) sweeping loin/hip (harai-goshi) outside sweep (o-soto-gari) entering throw (irimi-nage) 4. CHOKEHOLD TECHNIQUES air choke 1 air choke 2 blood choke 1 blood choke 2 HOKUTORYU JU-JUTSU 3rd KYU JU-JUTSU TECHNIQUES 1. ESCAPE FROM A WRIST GRAB/HOLD front/facing: front kick (mae-geri), wrist lock (kote-gaeshi) + lock 4 from behind: third joint lock (sankyu) + holding/transportation two opponents: back kick (ushiro-geri), front kick (mae-geri), hip throw (o-goshi) + lock 1 2. -
Pencak Silat Rules & Regulations
Pencak Silat Rules & Regulations International Pencak Silat Competitions are performed in principles of brotherhood and knightly soul by using elements of self defense, arts and Pencak Silat sports and by highly honoring the PESILAT PLEDGE. The competitions are carried out in accordance with the category rules regulated in the competition regulations and conducted by certified legal and valid technical official of competitions. Pencak Silat competition categories consist of: 1. TANDING (Sparring Match) category 2. TUNGGAL (Solo Performance) category 3. GANDA (Choreographed Pair Performance) category 4. REGU (Synchronized Team Performance) category In order to conduct Pencak Silat competition at the highest standards possible and in compliance with their intended purposes and objectives, the Pencak Silat Rules and Regulation is established as detailed in this technical manual. i A Pesilat is a person of noble character. Pesilat adalah pribadi yang berbudi pekerti luhur. A Pesilat is a person who respects his neighbor and Pesilat adalah insan yang menghormati sesamanya loves friendship and peace. serta mencintai persaha-batan dan perdamaian. A Pesilat is a person who always thinks and acts posi- Pesilat adalah insan yang selalu berpikir dan bertindak tively, creatively and dynamically. positif, kreatif dan dinamis. A Pesilat is a knight who upholds truth, honesty and Pesilat adalah kesatria yang menegakkan kebenaran, justice and always perseveres in facing temptations and kejujuran dan keadilan serta senantiasa tahan uji dalam trials. mengha-dapi godaan dan cobaan. A Pesilat is a knight who always takes responsibility for Pesilat adalah kesatria yang senantiasa mempertang- his words and actions. gungjawabkan kata-kata dan perbuatannya. –PERSILAT Pledge PERSILAT The governing body for international pencak silat is the International Pencak Silat Association or PERSILAT (Persekutuan Pencak Silat Antara Bangsa). -
Variation and Scope Martial Arts May Be Categorized Along a Variety of Criteria, Including
Variation and scope Martial arts may be categorized along a variety of criteria, including: •• Traditional or historical arts and contemporary styles of folk wrestling vs. modern hybrid martial arts. •• Regional origin, especially Eastern Martial Arts vs. Western Martial Arts •• TTechniques taught: Armed vs. unarmed,, and within these groups by type of weapon ((swordsmanship,, stick fighting etc.) and by type of combat (grappling vs. striking;; stand-up fighting vs. ground fighting)) •• By application or intent: self-defense,, combat sport,, choreography or demonstration of forms, physical fitness,, meditation, etc. •• Within Chinese tradition:: "external" vs. "internal" styles By technical focus Unarmed Unarmed martial arts can be broadly grouped into focusing on strikes, those focusing on grappling and those that cover both fields, often described as hybrid martial arts.. Strikes •• Punching:: Boxing (Western),, Wing Chun •• Kicking:: Capoeira,, Kickboxing,, Taekwondo,, Savate •• Others using strikes: Karate,, Muay Thai,, Sanshou Grappling •• Throwing:: Jujutsu,, Aikido,, Hapkido,, Judo,, Sambo •• Joint lock //Chokeholds//Submission holds:: Judo,, Jujutsu,, Aikido,, Brazilian Jiu-Jitsu,, Hapkido •• Pinning Techniques:: Jujutsu,, Judo,, Wrestling,, Sambo Another key delineation of unarmed martial arts is the use of power and strength-based techniques (as found in boxing, kickboxing, karate, taekwondo and so on) vs. techniques that almost exclusively use the opponent's own energy/balance against them (as in T'ai chi ch'uan, aikido, hapkido and aiki jiu jitsu and similar). Another way to view this division is to consider the differences between arts where Power and Speed are the main keys to success vs. arts that rely to a much greater extent on correct body- mechanics and the balance of the practitioners energy with that of the opponent. -
Hand to Hand: Martial Arts ) Aikido ( Revised
( Hand to Hand: Martial Arts ) Aikido ( revised ) Skill Cost: Four "other" skills, or as noted under O.C.C. Skills section. Techniques Known at First Level: Body Block/Tackle (1D6 damage), Body Flip/Throw (2D6 damage), automatic flip/throw, critical flip/throw, breakfall, disarm, roll with punch/fall/impact, pull punch, multiple dodge, automatic parry, kick attack (2D4 damage), and the basic strike, parry and dodge. Locks/Holds: Arm hold, leg hold, body hold, neck hold, wrist lock, arm lock Special Attacks: Knife hand knock-out (Special! The opponent must first be in some sort of joint lock or bound. It does no damage but renders the victim unconscious for 2D4 melees. Requires a normal strike roll), combination automatic parry/strike, combination automatic parry/throw (automatic flip/throw). Modifiers to Attacks: Pull punch, knock-out/stun, automatic flip/throw, critical flip throw, critical strike. Additional Skills (Choose Two): W.P. Knife, W.P. Forked (Sai), W.P. Blunt (Tonfa), W.P. Paired Weapons. Also choose any two domestic or domestic:cultural skills, or Holistic Medicine (any) or Identify Plants & Friuts. Selected skills recieve a +15% skill bonus. Character Bonuses: Add +2D4 to P.P.E. and I.S.P. (if applicable), +2D6 to S.D.C., +1D4 to M.E., +1 to P.P., and +1 to P.E. Level Advancement Bonuses: Level 1: Add two additional attacks per melee, +2 to parry and dodge, +3 to breakfall, +2 to roll with punch/fall/impact, +2 to body flip/throw, critical flip/throw on natural 20 (double damage; 4d6 damage), critical strike on natural 20.