THE Kula Ritual
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Yoga Makaranda Yoga Saram Sri T. Krishnamacharya
Yoga Makaranda or Yoga Saram (The Essence of Yoga) First Part Sri T. Krishnamacharya Mysore Samasthan Acharya (Written in Kannada) Tamil Translation by Sri C.M.V. Krishnamacharya (with the assistance of Sri S. Ranganathadesikacharya) Kannada Edition 1934 Madurai C.M.V. Press Tamil Edition 1938 Translators’ Note This is a translation of the Tamil Edition of Sri T. Krishnamacharya’s Yoga Makaranda. Every attempt has been made to correctly render the content and style of the original. Any errors detected should be attributed to the translators. A few formatting changes have been made in order to facilitate the ease of reading. A list of asanas and a partial glossary of terms left untranslated has been included at the end. We would like to thank our teacher Sri T. K. V. Desikachar who has had an inestimable influence upon our study of yoga. We are especially grateful to Roopa Hari and T.M. Mukundan for their assistance in the translation, their careful editing, and valuable suggestions. We would like to thank Saravanakumar (of ECOTONE) for his work reproducing and restoring the original pictures. Several other people contributed to this project and we are grateful for their efforts. There are no words sufficient to describe the greatness of Sri T. Krishna- macharya. We began this endeavour in order to better understand his teachings and feel blessed to have had this opportunity to study his words. We hope that whoever happens upon this book can find the same inspiration that we have drawn from it. Lakshmi Ranganathan Nandini Ranganathan October 15, 2006 iii Contents Preface and Bibliography vii 1 Introduction 1 1.1 Why should Yogabhyasa be done . -
A) Karma – Phala – Prepsu : (Ragi) • One Who Has Predominate Desire for Result of Action for Veidica Or Laukika Karma
BHAGAVAD GITA Chapter 18 Moksa Sannyasa Yoga (Final Revelations of the Ultimate Truth) 1 Chapter 18 Moksa Sannyasa Yoga (Means of Liberation) Summary Verse 1 - 12 Verse 18 - 40 Verse 50 - 55 Verse 63 - 66 - Difference Jnana Yoga - Final Summary 3 Types of : between (Meditation) - Be my devotee 1) Jnanam – Knowledge Sannyasa + Tyaga. be my worshipper 2) Karma – Action surrender to me 3) Karta – Doer - Being established and do your duty. Verse 13 - 17 4) Buddhi – Intellect in Brahman’s 5) Drithi – will Nature he becomes 6) Sukham – Happiness free from Desire. Verse 67 - 73 Jnana Yoga Verse 56 - 62 Verse 41 - 49 - Lords concluding - 5 factors in all remarks. actions. Karma Yoga - Body, Prana, Karma Yoga (Svadharma) (Devotion) Mind, Sense Verse 74 - 78 organs, Ego + - Purified seeker who Presiding dieties. - Constantly is detached and self - Sanjayas remember Lord. controlled attains Conclusion. Moksa 2 Introduction : 1) Mahavakya – Asi Padartham 3rd Shatkam Chapter 13, 14, 15 Chapter 16, 17 Chapter 18 - Self knowledge. - Values to make mind fit - Difference between for knowledge. Sannyasa and Tyaga. 2) Subject matter of Gita Brahma Vidya Yoga Sastra - Means of preparing for - Tat Tvam Asi Brahma Vidya. - Identity of Jiva the - Karma in keeping with individual and Isvara the dharma done with Lord. proper attitude. - It includes a life of renunciation. 3 3) 2 Lifestyles for Moksa Sannyasa Karma Renunciation Activity 4) Question of Arjuna : • What is difference between Sannyasa (Renunciation) and Tyaga (Abandonment). Questions of Arjuna : Arjuna said : If it be thought by you that ‘knowledge’ is superior to ‘action’, O Janardana, why then, do you, O Kesava, engage me in this terrible action? [Chapter 3 – Verse 1] With this apparently perplexing speech you confuse, as it were, my understanding; therefore, tell me that ‘one’ way by which, I, for certain, may attain the Highest. -
Indian Philosophy Encyclopædia Britannica Article
Indian philosophy Encyclopædia Britannica Article Indian philosophy the systems of thought and reflection that were developed by the civilizations of the Indian subcontinent. They include both orthodox (astika) systems, namely, the Nyaya, Vaisesika, Samkhya, Yoga, Purva-mimamsa, and Vedanta schools of philosophy, and unorthodox (nastika) systems, such as Buddhism and Jainism. Indian thought has been concerned with various philosophical problems, significant among them the nature of the world (cosmology), the nature of reality (metaphysics), logic, the nature of knowledge (epistemology), ethics, and religion. General considerations Significance of Indian philosophies in the history of philosophy In relation to Western philosophical thought, Indian philosophy offers both surprising points of affinity and illuminating differences. The differences highlight certain fundamentally new questions that the Indian philosophers asked. The similarities reveal that, even when philosophers in India and the West were grappling with the same problems and sometimes even suggesting similar theories, Indian thinkers were advancing novel formulations and argumentations. Problems that the Indian philosophers raised for consideration, but that their Western counterparts never did, include such matters as the origin (utpatti) and apprehension (jñapti) of truth (pramanya). Problems that the Indian philosophers for the most part ignored but that helped shape Western philosophy include the question of whether knowledge arises from experience or from reason and distinctions such as that between analytic and synthetic judgments or between contingent and necessary truths. Indian thought, therefore, provides the historian of Western philosophy with a point of view that may supplement that gained from Western thought. A study of Indian thought, then, reveals certain inadequacies of Western philosophical thought and makes clear that some concepts and distinctions may not be as inevitable as they may otherwise seem. -
Aesthetic Philosophy of Abhina V Agupt A
AESTHETIC PHILOSOPHY OF ABHINA V AGUPT A Dr. Kailash Pati Mishra Department o f Philosophy & Religion Bañaras Hindu University Varanasi-5 2006 Kala Prakashan Varanasi All Rights Reserved By the Author First Edition 2006 ISBN: 81-87566-91-1 Price : Rs. 400.00 Published by Kala Prakashan B. 33/33-A, New Saket Colony, B.H.U., Varanasi-221005 Composing by M/s. Sarita Computers, D. 56/48-A, Aurangabad, Varanasi. To my teacher Prof. Kamalakar Mishra Preface It can not be said categorically that Abhinavagupta propounded his aesthetic theories to support or to prove his Tantric philosophy but it can be said definitely that he expounded his aesthetic philoso phy in light of his Tantric philosophy. Tantrism is non-dualistic as it holds the existence of one Reality, the Consciousness. This one Reality, the consciousness, is manifesting itself in the various forms of knower and known. According to Tantrism the whole world of manifestation is manifesting out of itself (consciousness) and is mainfesting in itself. The whole process of creation and dissolution occurs within the nature of consciousness. In the same way he has propounded Rasadvaita Darsana, the Non-dualistic Philosophy of Aesthetics. The Rasa, the aesthetic experience, lies in the conscious ness, is experienced by the consciousness and in a way it itself is experiencing state of consciousness: As in Tantric metaphysics, one Tattva, Siva, manifests itself in the forms of other tattvas, so the one Rasa, the Santa rasa, assumes the forms of other rasas and finally dissolves in itself. Tantrism is Absolute idealism in its world-view and epistemology. -
Tantraloka Notes
Tantraloka Notes 1. ONE Tantraloka by george barselaar Of all the philosophical systems emanating from the east, Kashmir Shaivism stands alone in its subtle elucidation of the theory and practice of spirituality. Aptly labeled ‘the mystical geography of awareness’, the agamas(1) of Shaivism describe in microscopic detail the development of human consciousness from the grosses state of ignorance to the subtlest state of universal God consciousness. Drawing from these ancient scriptures–many of which are now lost–the great Shaiva master Abhinavagupta (10 CE), fashioned the monistic tradition known as Trika Rahasyam(2). After attaining God realization, Abhinavagupta states that out of curiosity he sat at the feet of many masters and like an industrious bee collected the nectar of the prominent philosophical traditions of his time. Completing this venture he returned to his own disciples and spontaneously sang thirty-seven philosophical hymns in the same number of days. This encyclopedic text became Abhinavagupta’s greatest philosophical work entitled Tantraloka. In thirty-seven chapters he unfolded the petals of his heart lotus of knowledge explaining the process of creation and evolution of the universe in term of the expansion of Shiva’s consciousness. He laid bare the secrets of the monistic system know today as Kashmir Shaivism. In his first chapter Abhinavagupta states clearly that he was impelled by Lord Shiva, his masters, and his closest disciples, to compose Tantraloka. In verse 284 of that same chapter he states: “That person who has read, achieved and understood the depth of these thirty-seven chapters becomes one with Bhairava-Lord Shiva.” ~Swami Lakshmanjoo In composing Tantraloka, Abhinavagupta drew inspiration from the Malinivijaya tantra(3), a text so cryptic in places that scholars of that time were at a loss to understanding it. -
Abhinavagupta's Theory of Relection a Study, Critical Edition And
Abhinavagupta’s Theory of Relection A Study, Critical Edition and Translation of the Pratibimbavāda (verses 1-65) in Chapter III of the Tantrāloka with the commentary of Jayaratha Mrinal Kaul A Thesis In the Department of Religion Presented in Partial Fulilment of the Requirements For the Degree of Doctor of Philosophy (Religion) at Concordia University Montréal, Québec, Canada August 2016 © Mrinal Kaul, 2016 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Mrinal Kaul Entitled: Abhinavagupta’s Theory of Relection: A Study, Critical Edition and Translation of the Pratibimbavāda (verses 1-65) in Chapter III of the Tantrāloka with the commentary of Jayaratha and submitted in partial fulillment of the requirements for the degree of Doctor of Philosophy (Religion) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the inal Examining Committee: _____________________________Chair Dr Christine Jourdan _____________________________External Examiner Dr Richard Mann _____________________________External to Programme Dr Stephen Yeager _____________________________Examiner Dr Francesco Sferra _____________________________Examiner Dr Leslie Orr _____________________________Supervisor Dr Shaman Hatley Approved by ____________________________________________________________ Dr Carly Daniel-Hughes, Graduate Program Director September 16, 2016 ____________________________________________ Dr André Roy, Dean Faculty of Arts and Science ABSTRACT Abhinavagupta’s Theory of Relection: A Study, Critical Edition and Translation of the Pratibimbavāda (verses 1-65) in the Chapter III of the Tantrāloka along with the commentary of Jayaratha Mrinal Kaul, Ph.D. Religion Concordia University, 2016 The present thesis studies the theory of relection (pratibimbavāda) as discussed by Abhinavagupta (l.c. 975-1025 CE), the non-dualist Trika Śaiva thinker of Kashmir, primarily focusing on what is often referred to as his magnum opus: the Tantrāloka. -
Zhangzhung Dictionary 35
**KA** KA YA Stein 242. (lus) body. LZ 3. KA YA BAG (bkrag mdangs rgyas) *KA See ti ka, ti ka rmad du, ti ka wide and full brightness, hi, ram lo ka ta. ZZH. lustre. ZZH. Zhu. Spelled ka ya KA (yul) country, realm. Sgra 135. ba in ZB. This meaning not found in KA YA A SHO TRI TRI SUM (lus Zhu. ngag yid gsum) body, speech KA KU (’gyur med) unchanged. and mind, these three. ZZH. Sgra 124. Could not find this in Zhu. There is some Sanskri- Mdzod. See the following. tization at work here. KA KYU [1] (’gyur med) unchan- KA YAB (bkrag mdangs) brilliance, ged, universal. ZZH. Zhu, once splendor. ZB. Of course, this only. ZB. [2] (mi ’gyur) im- can be read as: ka ya ba. mutable, unchanging. Mdzod. KA RI GYIN In Mdzod, ch. 7, it LZ 3. seems to corresp. to Tib. bstan KA TA (shes rab) insight. Sgra 124. pa, ‘teaching.’ This is likely to be a mistake. KA RU Stein 243. Tib. shes rab is always for ZZ ti *KA LA See su ri ka la [-yi]. ZZH. shan or tri shen in Mdzod. ZB gives also alternative spelling KA LA (ma g.yos) unbudged, im- ka te. mobile. ZB. LZ 3. KA TI (kun ’dud) ‘all bow,’ KA LA SHA (bdud rtsi) nectar. LZ apparently one of the seven 3. mountain chains in the cosmo- KA LAN TA KA (byi’ u mchil pa) logy. Mdzod, ch. 5. (kun ’dud sparrow the little bird. LZ 3. pa) to whom all bow. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Joy of Transitions Cover Page.Pages
The Joy of Transitions Debbi Murphy, !PhD, ERYT 500 THE WAVE! David Whyte You arrived as a ripple of change emanating from an original, unstoppable, memory, a then made now, entirely yourself, found now in the world, now as creator of that world. You were a signature written in sand taken by the ocean and scattered to another wave form, your disappearance only made more beautiful by the everyday arrival of a tide where my voice can still join yours, hungering for the fall of water, so that walking the reflected sand, I set myself to learn by your going, knowing across death’s wide ocean, the ultimate parallel to friendship. The idea that we are ever not in movement is an illusion,! one of the veils of maya (illusion). In fact, the image we hold is a kind of snapshot in a never-ending progression of movement, extending infinitely forward & backward in time. As long as we are alive, we are never actually still. ! ~ Lesley Kaminoff, Yoga Anatomy! "1 “The Goddess Never-Not-Broken promises that the greatest magic is in the transformative moments: the heartbreak, the uncertainties, the pause before we hit the ground... and what we do with ourselves after we land. In our brokenness, we are unlimited” ~ JC Peters Truly, if you met this Goddess on the street, your heart would pound and you'd break into a cold sweat: "What's coming for me now?!” She’s not the goddess you’d want to take home to your mother.! It's! normal to fear and resist change, but Akhilandeshvari whispers to us also of freedom — liberation from the past, from habits and wounds, from stifling routines, from everything that once was good but has become a burden or a prison. -
Puja Rituals in Srimandir
Orissa Review June - 2009 Puja Rituals in Srimandir Padmanabha Mahapatra Shri Jagannath in Yantra, Tantra and Mantra mouth of Siva; that which has entered into the mouth of Uma; and that which is the opinion of The mode of worship of Sri Jagannath is Vishnu. - 'Agatam Sivamukhabjat gatam tu unique and different from that of the other Vishnu Girija mukhe, matam ch Basudevasya tasmat temples, situated in north and south India. Sri Agama uchyate'. So Agam or Tantra Sastra is Jagannath is Pranab; He has been identified with mainly based on three aspects, such as - Saivism; the mystic Vedic Bijamantra 'Om'. His puja has (Saivagam) Saktism (Saktagam) and Vaishnavism been developed and systematized in a well (Vaishnavagam). Agam or Tantra Sastra is a designed- process by coordinating the basics of means for over all development of human society Vedic, Tantric and Vaisnavite streams. - 'Dharmarth kamamokhyadi chaturbarga Dharmashastras prescribe three main streams for sadhan pathpradarshak.' the puja of Hindu Devatas, those are - Nigam, Agam and Lokacar. Nigam is the pure Vedic 'Tantra aims to transform every action in system, Agam is the tantric system and Lokacar life into a ritual, so that the individual performs is the combination of both or some other system, every action and thought with a feeling of worship which is followed with reference to the prevailing and awareness. The action of bathing, dressing, conditions of the locality, time and authorities. sitting for worship, offering various symbolic sacrifices, sexual relations, stages of development Nigam - (the Vedic system) - The guide from inception to womb, birth to marriage etc. -
Elements of Hindu Iconography
6 » 1 m ELEMENTS OF HINDU ICONOGRAPHY. ELEMENTS OF HINDU ICONOGRAPHY BY T. A. GOPINATHA RAO. M.A., SUPERINTENDENT OF ARCHiEOLOGY, TRAVANCORE STATE. Vol. II—Part II. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 Ail Rights Reserved. i'. f r / rC'-Co, HiSTor ir.iL medical PRINTED AT THE LAW PRINTING HOUSE MOUNT ROAD, MADRAS. MISCELLANEOUS ASPECTS OF SIVA Sadasivamurti and Mahasada- sivamurti, Panchabrahmas or Isanadayah, Mahesamurti, Eka- dasa Rudras, Vidyesvaras, Mur- tyashtaka and Local Legends and Images based upon Mahat- myas. : MISCELLANEOUS ASPECTS OF SIVA. (i) sadasTvamueti and mahasadasivamueti. he idea implied in the positing of the two T gods, the Sadasivamurti and the Maha- sadasivamurti contains within it the whole philo- sophy of the Suddha-Saiva school of Saivaism, with- out an adequate understanding of which it is not possible to appreciate why Sadasiva is held in the highest estimation by the Saivas. It is therefore unavoidable to give a very short summary of the philosophical aspect of these two deities as gathered from the Vatulasuddhagama. According to the Saiva-siddhantins there are three tatvas (realities) called Siva, Sadasiva and Mahesa and these are said to be respectively the nishJcald, the saJcald-nishJcald and the saJcaW^^ aspects of god the word kald is often used in philosophy to imply the idea of limbs, members or form ; we have to understand, for instance, the term nishkald to mean (1) Also iukshma, sthula-sukshma and sthula, and tatva, prabhdva and murti. 361 46 HINDU ICONOGEAPHY. has foroa that which do or Imbs ; in other words, an undifferentiated formless entity. -
ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography.