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Charles Howard HODGES Neil Jeffares, Dictionary of pastellists before 1800 Online edition HODGES, Charles Howard Baron van der Feltz’s monograph lists over c.1805 (PC 1982). Lit.: Feltz 1982, no. 11/12 London 23.VII.1764 – Amsterdam 24.VII.1837 700 works, many in pastel, but mostly repr. ϕ The son of a miniaturist, Hodges entered the nineteenth century. J.397.1012 Mevr. Cornelis BACKER (∞ 1789), née Royal Academy Schools on 8.III.1782 as an Agnes Maria Dedel (1767–1827), pstl, 29x23 Bibliography engraver, “aged 17 23d last July”, which appears ov., c.1800 (Amsterdams Historisch Museum, Amsterdam 2000, no. 13; Amsterdam 2018; inv. B 2584. Eigentdom Backer Stichting, no. to be the only evidence of his birth: no Bénézit; Bergvelt 1984; Feltz 1982; A. C. A. W. baptismal record has been located, and Feltz’s B53). Lit.: Feltz 1982, no. 164 repr. ϕ Baron van der Feltz, in Breuille 1991; Thomas J.397.1013 Joachim Ferdinand de BEAUFORT authority for a date of 23.VII.1764 in London, W. Gaehtgens, “Making an illustrated catalogue rather than the Portsmouth formerly reported, (1719–1807), pstl, 27x22 ov., c.1797 (PC 1982). in the Enlightenment”, in Gaehtgens & Louis Lit.: Feltz 1982, no. 16 repr. ϕ is a letter from the archives of the Royal Marchesano, The Düsseldorf Gallery and its Academy. Hodges was probably a student of catalogue, Los Angeles, 2011, p. 15; Grove 1996; John Raphael Smith (q.v.). He exhibited a C. H. Hodges, Geheime memorien opens den portrait (medium unspecified, presumably in oil) tegenwoordigen staat der Kunsten in dit Rijk, 1829, at the Society of Artists in 1783 from 15 MS Koninklijk Huisarchief, Den Haag; J. de Goodge Street; the following year (St George, Loos-Haaxman, De Landsverzameling schilderijen in Hanover Square, 12.VIII.1784) he married Batavia. Landvoogdportretten en compagnieschilders, Margaret Harmar and moved to Park Street. In Leiden, 1941, pp. 122, 127, 128; G. H. Marius, 1784 he was awarded a silver medal by the De Hollandsche schilderkunst in de negentiende eeuw, Royal Academy. In 1788, with the dealer ’s-Gravenhage, 1920, pp. 5–7, 20; Oxford DNB; William Humphrey, he visited Amsterdam, J. Reynaerts, “Het karakter onzer Hollandsche where it had become fashionable to be school”, De Koninklijke Akademie van Beeldende portrayed by English artists. In 1789 he made a Kunsten te Amsterdam 1817–1870, Leiden, 2001, remarkable pastel copy of a painting by Rubens p. 29 & passim; Scheen 1981; The Hague 1986, from the Düsseldorf collection formed by no. 16, p. 100; Thieme & Becker; Richard Johann Wilhelm von der Pfalz (now in Munich) Walker, review of van der Felz, Burlington which must have been made in connection with , CXXV/960, .III.1983, p. 168; Waller magazine J.397.1015 Willem Hendrik de BEAUFORT (1775– the programme of engraving the collection 1938, p. 142; Waterhouse 1981 entrusted to Boydell and Green (Boydell 1829), pstl/ppr, 26.7x20.3 ov., c.1797; & published Hodges’s engraving in 1789). He was Pastels pendant: J.397.1016 spouse, née Cornelia Anna in Dublin c.1790–92, where he engraved Jacob Carel ABBEMA (1749–1835); & pendant: van Westreenen (1777–1839), pstl/ppr, portraits by Charles Gilbert Stuart; he emigrated spouse, née Isabella Maria Smissart (1752–1824), 26.7x20.3 ov., c.1797 (PC 1998). Exh.: ’s- permanently to The Netherlands in 1792, v. s.n. Lange Hertogenbosch 1998, no. 64, repr. clr. Lit.: becoming a citizen of The Hague (and a J.397.1002 Jacob Carel ABBEMA, pstl, 31x25 ov., Feltz 1982, no. 17/18 repr. ϕ member of the Pictura drawing academy) in 1834 (PC 1982). Lit.: Feltz 1982, no. 4 repr. ϕ 1793. He moved to Amsterdam in 1797 where, J.397.1003 Mevr. Jacob Carel ABBEMA, née on 24.IV.1797, he was visited by the Irish rebel Isabella Maria Smissaert (1752–1824), pstl, Wolfe Tone (Diary), who chatted with him for 27x22 ov., c.1813 (Utrecht, Centraal Museum, half an hour before chosing a “choice inv. 1373. Legs M. G. Brondgeest 1945). Exh.: impression” of a mezzotint of Bonaparte to Utrecht 1964, no. 173. Lit.: Feltz 1982, no. which Tone had subscribed (presumably that 487 n.r. engraved by Hodges after J. T. Rusca). Hodges J.397.1004 Jan Frederik ABBEMA (1784–1853), remained in Amsterdam until his death, pstl, 30x24, 1834 (PC 1982). Lit.: Feltz 1982, although he seems to have kept a base in The no. 5 repr. ϕ Hague as well. The anglophilia of Amsterdam Alstorphius, v. Hemert society was a major element of his success, and J.397.1006 Robbert Hendrik ARNTZENIUS (1777– he became a member of the Felix Meritis 1823), advocaat-fiscaal, dichter, pstl, 30x23.5, society. c.1822 (desc. 1971). Lit.: Feltz 1982, no. 8 He worked in pastel, oil and mezzotint (his repr. ϕ prints are signed with anagrams H. G. Does or J.397.1007 Hans Willem, Baron van AYLVA (1751– H. S. Goed). The oil paintings all seem to 1827); & pendant: J.397.1008 spouse, née belong to the period after 1800, but he Cornelia van Brakel (1754–1823), pstl, continued to work in pastel throughout his 27x21.5 ov., c.1800 (PC 1990). Exh.: Paris career: an invoice of 26.VIII.1828 to a Heer 1990d, no. 36 repr./-. Lit.: Feltz 1982, no. Voombergh was for 65 guilders for a portrait in 9/10 repr. ϕ pastel, delivered with a gilt frame and glass. His work in pastel seems to have commenced under the influence of Tischbein (q.v.) in whose studio in the Keizersgracht Hodges worked on his first trip to Amsterdam in 1788. His copy of Tischbein’s painting of Johanna Sara Bicker demonstrates the English accent Hodges added to the German’s work. The velvety character of his pastels also reflects his training in mezzotint. Unjustly neglected, Hodges’s pastels are highly finished, in natural poses. Often viewed di sotto in sù, his simple bust length figures are shown against plain, usually dark backgrounds. J.397.1019 BEELS Hodges managed to combine the intensity of J.397.101 Eduard BAAK (1761–1841); & pendant: The children of Marten Adriaan the best work of Hamilton with a sophisticated J.397.1011 spouse, née Carolina Johanna Sophia and his wife Charlotte Christine Gildemeester: continental technique. Sanderson (1782–1818), pstl, 27x22 ov., Catharina Elisabeth Jacoba Beels (1815–1865) www.pastellists.com – all rights reserved 1 Updated 19 July 2020 Dictionary of pastellists before 1800 Leonard Marius Beels (1825–1867) Herman Hendrik Beels (1827–1916), pstl/ppr, 46.5x56, c.1833 (desc.: Mrs. L. H. A. Beels, Amsterdam; desc.: Amsterdam, AAG, 15.VI.2015, Lot 10 repr., est. €5–7000). Exh.: Amsterdam 2018, p. 33 repr. Lit.: Feltz 1982, no. 19 repr. ϕ J.397.1031 Jan Pieter Teding van BERKHOUT J.397.1043 Jan Frederik van BEUNINGER VAN (1786–1856); & pendant: J.397.1032 spouse (∞ NIEL (1773–1844); & pendant: J.397.1044 J.397.1021 Willem Jacob Jan van BERESTEYN 1827), née Anne-Madeleine-Henriette Bosset (1778–1808); & pendant: J.397.1022 spouse, née spouse, née Johanna Charlotte Kneppelhout (1783–1869), pstl, 29x23 ov., c.1810 (PC 1982). Agneta Wendela Bicker (1782–1842), pstl, (1779–1842), pstl, 27x21.5, c.1800 (Slot Lit.: Feltz 1982, no. 31/32 repr. ϕ 27x22 ov., c.1808 (PC 1982). Lit.: Feltz 1982, Sterkenburg, Driebergen-Rijssenburg; desc.: J.397.1033 Mevr. Jan Pieter Teding van no. 24/25 repr. ϕ Jhr R. Steengracht, Saint-Amand-de-Belvès, BERKHOUT (∞ 1809), née Anna Johanna 1982; Amsterdam, Sotheby’s, 17.XII.2008, Lot J.397.1023 Adriaan Volckert Teding van Kops (1785–1825), pstl, 27x23 ov., c.1803 160 repr., with pendant brother Kneppelhout, BERKHOUT (1822–1889), pstl, 27x22 ov., (Schimmelpenninck 1982). Lit.: Feltz 1982, est. €4–6000). Lit.: Feltz 1982, no. 380/381 c.1825 (PC 1982). Lit.: Feltz 1982, no. 26 repr. no. 299 repr. ϕ repr. ϕ ϕ J.397.1034 Mevr. Jan Pieter Teding van J.397.1024 Cornelia Elisabeth Teding van BERKHOUT, née Anna Johanna Kops, pstl, BERKHOUT (1816–1887), pstl, 27x22 ov., 28x22 ov., c.1823 (Jurjans-Delfausse 1982). c.1825 (PC 1982). Lit.: Feltz 1982, no. 28 repr. Lit.: Feltz 1982, no. 300 repr. ϕ ϕ J.397.1035 Jan Pieter Teding van BERKHOUT J.397.1025 Elisabeth Cornelia Hillegonda Teding (1813–1882), pstl, 29x23 ov., c.1825 (PC 1982). van BERKHOUT (1783–1814), ∞ 1804 Willem Lit.: Feltz 1982, no. 33 repr. ϕ Philip Barnaart, pstl, 29x23 ov., c.1797 (PC 1982). Lit.: Feltz 1982, no. 29 repr. ϕ J.397.1036 Mevr. Jan Pieter Teding van BERKHOUT (∞ 1850), née Gertruida Maria Helmolt (1817–1887), pstl, 26x22 ov., c.1821 (Teding van Berkhout 1982). Lit.: Feltz 1982, no. 250 n.r J.397.1037 Pieter Teding van BERKHOUT; & pendant: J.397.1038 spouse, née Hester van Wickevoort Commelin (1802–1871), pstl, 29x23 ov., c.1826 (PC 1982). Lit.: Feltz 1982, no. 37/38 repr. ϕ J.397.1039 Quirina Catherina Petronella Teding van BERKHOUT (1789–1866), ∞ 1814 Jan Adriaan Baron van Zuykenvan Nijevelt, pstl, 29x23 ov., c.1796 (PC 1982). Lit.: Feltz 1982, no. 38a repr. ϕ J.397.1027 Elisabeth Cornelia Hillegonda Teding van BERKHOUT, pstl, 29x23 ov., c.1803 (PC 1982). Lit.: Feltz 1982, no. 30 repr. ϕ J.397.1047 Jan Berend BICKER (1746–1812), pstl/pchm, 27x22, c.1805/06 (Heino, Museum de Fundatie, inv. 2099). Lit.: Feltz 1982, no. 46 repr. Φ J.397.1041 Willem Philip Teding van BERKHOUT (1815–1839), pstl, 29x23 ov., c.1825 (PC 1982). Lit.: Feltz 1982, no. 39 repr. ϕ J.397.1029 Mevr. Jan Teding van BERKHOUT (∞ 1781), née Elisabeth Sophia van Sypesteyn (1756–1800), pstl, 28.5x25 ov., c.1795 (Schimmelpenninck 1982).
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